Week 39 of Ted Gioia’s Immersive Humanities Course takes on nineteenth-century American literature—and to my surprise, it became one of the most enjoyable weeks so far. I went in dreading familiar names and old high-school resentments, but came out newly energized. 

Mark Twain’s The Adventures of Huckleberry Finn (chapters 1–6) was funny, humane, and immediately engaging. Edgar Allan Poe’s The Fall of the House of Usher and “The Raven” used ornate language to heighten unease, while Emily Dickinson’s poems felt weightless and startlingly modern. Henry David Thoreau’s Walden was quotable and provocative, if ultimately grating, and Herman Melville surprised me most of all: Bartleby, the Scrivener lingered with quiet power, and the opening of Moby-Dick left me eager for more. 

This week revealed a real shift in voice and sensibility—and changed my mind about American literature. I’m looking forward to going back and reading more, but first we need to move on to Week 40 and Russian Literature!