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Reach the Rock (LAST John Hughes written & produced movie + the 1998 memories) | S2E29
Episode 712nd June 2026 • Retromade • Retromade
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The FINAL movie of the John Hughes season, we’ll be heading back to 1998 to cover his last writing credit of the 90s today - a movie I’ll bet you’ve not heard of, let alone seen - Reach the Rock and of course some 1998 memories to set the scene.

I hope you like the episode even if you haven’t seen the movie…

Transcripts

Speaker:

Hello, hello.

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I'm Katie, and this is "Retromade,"

your pop culture rewind.

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Rounding out the John Hughes season today,

we will be heading back to:

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his last writing credit of the '90s.

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His last producing credit as well.

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The last film that he

wrote and produced today.

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It is a movie that I bet that you've

not heard of, let alone seen, especially

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given the box office numbers, and

we'll get to that, but I do hope that

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you'll stick around with me to talk

about this movie, "Reach the Rock."

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And of course, really the

reason to stick around is the

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1998 of it all, the memories.

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We're gonna get into that to set the

scene because it's a really, really,

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really good year especially if you were

in high school at that time, which I was.

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We will get into that, but

first I just wanted to let you

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know I'm gonna be solo today.

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No guest.

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This movie is the most hard-to-find

movie, I've ever done on the show.

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You wouldn't believe the lengths I

went, but it's near impossible to

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watch, to make a very long story short,

so you're stuck with just me today.

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Couple quick updates.

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This is the last regular episode of Season

2, John Hughes, "Shermer High" and Beyond.

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I will be closing the season

with a wrap-up finale episode,

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however, so that is still to come.

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We'll talk about some of the themes,

what we've learned, and that was a lot.

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And of course, some of my rankings.

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You guys may, have thoughts or comments

of your own that you would like to

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share, and I would love to read them on

that episode if you do reach out to me.

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So please email me at

[email protected]

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or catch me on social media to do so.

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I'll be, be recording that

very quickly, so hurry up.

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Get your get your thoughts, comments,

et cetera in for the last episode,

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the finale of Season 2, John

Hughes, "Shermer High" and Beyond.

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Okay.

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Enough of that.

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Let's open the time capsule from 1998

in order to set the stage for the

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movie that we'll be talking about.

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It's a very strong year for

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nostalgia, the pop culture

landscape was super packed.

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It was extremely varied as well.

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Um, You had the peak late '90s

optimism mixed with weirdness.

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There was boy bands, Jerry Springer ca-

chaos, Titanic aftermath, TRL culture.

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Does anybody even know what TRL is now?

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The internet was becoming

mainstream at the time.

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Can you even imagine

that that was a thing?

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That the internet was just a, just a

newbie becoming mainstream at the time.

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Pokémon arriving in America, and of

course, the Monica Lewinsky scandal

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was dominating the headlines.

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I can picture this place and time very

vividly and I think that you will too.

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If you were in high school in the late

'90s, this should be peak nostalgia

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for you, as it will be for me.

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So get comfortable, guys.

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Music.

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We have "Too Close" by Next.

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Oh my God, that was, you know, like the

high school dance clubs, that was…

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It was a hot song, I

gotta say, but it was…

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Everybody was dancing

to "Too Close" by Next.

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It was the number one song of the

year, the year-ending Billboard song.

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Number one, "Too Close" by Next

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Really, really, really good song.

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Britney Spears debuts, debuts.

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Britney Spear- I mean, it's just wild.

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This is, it's, it's so interesting

how how time has changed things, but

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she's a baby-faced little, little

pop star with "Baby One More Time."

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The TRL era explodes.

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Gosh, MTV was still playing

music in a little bit of a

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different format, but TRL, anyone?

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Also, boy bands were everywhere.

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Backstreet Boys and NSYNC

were probably the top two.

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I also remember 98 Degrees kind of

being that edging in on those two.

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And then again, so there's a lot of

poppiness, but Lauryn Hill, so you get

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some , soulful um, thoughtful um, very,

very good beats with Lauryn Hill, with her

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album, "The Miseducation of Lauryn Hill."

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Oh my God, who else wore this CD out?

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So that's the music.

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'98, you guys.

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As we talked about from a movie

perspective, "Titanic" came out in '97,

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but it is still dominating into 1998.

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We also have "Saving Private

Ryan," "Armageddon," so

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these are some blockbusters.

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And then in the '90s, we were

still getting some more independent

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movies that you were able to

kinda catch a wave with these.

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Like "There's Something About Mary" became

a huge hit, but it was not, you know,

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it's not your blockbuster, so to speak.

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And then also "The Truman Show."

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So these are the movies dominating 1998.

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We're kind of ending the disaster movies.

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Well, maybe not ending, but they

were kind of at their peak, I

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would say, maybe in the late '90s.

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Disaster movies, right?

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And then, like I said, you didn't have to

be a blockbuster, and this was why I s-

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I miss the '90s a lot, especially now in

the movie landscape, because there were

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so many mid or even low budget comedies.

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They were thriving, and I loved it.

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There was just a lot to choose from when

you were walking around Blockbuster.

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And speaking of which, we

were still renting VHS.

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Speaking of "Titanic,"

I had the double tape.

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It was such a long movie that it required

two VHS tapes to get the whole movie.

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So if you purchased it, it was two tapes.

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So we hadn't fully crossed

over into DVD land yet.

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So this is, again, '98.

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We're still renting VHSs.

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We're getting some DVDs,

but it's, it has not…

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It's not the dominant medium for

watching movies, which is wild that

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we're now streaming, we're not even

doing DVDs anymore or Blu-rays, whatever.

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There's just, we've gone through so

many, we've gone through so many mediums.

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We'll probably end up back somewhere.

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So that's movies.

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Does anybody remember, what TV show, it

was a sitcom, aired its finale in '98?

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Sitcom aired its finale,

over 70 million viewers.

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It is, of course, "Seinfeld,"

the finale of "Seinfeld."

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I think people, now looking back probably

have a more positive view of that finale,

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but I do remember at the time people being

really upset with the way that it ended.

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But I'll have to give it a rewatch.

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I don't…

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"Seinfeld," I like it, but I

wasn't a religious watcher of it.

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However, I was a religious

watcher of "Friends," and this

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was peak "Friends" popularity.

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And another show, this, again, this,

so all of these are NBC, right?

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"Seinfeld," "Friends," and then "Will

and Grace" debuts in '98, which was

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also part of the m- Thursday night NBC

must-see TV, and it was must-see TV.

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What a lineup.

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Yes.

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So "Seinfeld" ends and "Will

and Grace" debuts in:

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What a year.

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Also, I don't remember That

'70s Show being this old,

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but it also debuts in 1998.

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Another TV show that I sort of thought

was a little bit later, but it became

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a phenomenon on a little channel called

HBO Now, I did not buy into this.

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Most women probably did, but "Sex

and the City" also premieres,

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and it became a juggernaut.

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I don't dislike it, but it just,

it wasn't I-- It wa- I didn't,

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I didn't have to watch it.

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I do think it's good, but it

is no "Will and Grace," and it

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is no "Friends," in my opinion.

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At any rate, that's TV.

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What a time.

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So the music, the movie, the TV,

it was all really, really good.

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Solid, solid, solid.

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Now I'm a little old for toys at

this time, but I do remember some of

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these things being really just part

of the, part of the landscape because

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it was before internet was super

mainstream, so there was still…

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Just the way that we learned about

things, the way things became popular

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was just a little bit different.

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So in terms of toys, games, tech,

I alluded to it a little bit, but

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"Pokemon" Red and Blue launch in the US.

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I don't know anything about Pokemon.

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I know of its existence, and

I know there's lots of stuff

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surrounding it, and that's it.

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It's not for me.

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But I al- But I do remember

Furbies being a huge deal.

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I did not, again, I did not have

one but I remember it being a thing.

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It's sort of like your Pet Rock,

but the '90s version perhaps,

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I, is maybe how I thought of it.

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I could be wrong 'cause I didn't have one,

but I remember Furbies being a huge thing.

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Game Boy Color releases.

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Again, I'm not a gamer, so, I

remember Game Boys in general.

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I don't know if the color version

was super spectacular or not.

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But this is wild.

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Google is founded in 1998.

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The internet is synonymous

with Google now.

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Like it, what it has become,

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I- I mean, there's just like no

words because it is a verb now.

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We Google something, and in 1998, this

makes it sound like it was the Industrial

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Revolution or something like that.

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It was so long ago, but I

was in high school, like it

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can't be that long ago, right?

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But yeah, almost…

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Wow, that's…

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Wow, almost 30 years ago.

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Hmm.

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I'm not sure how I feel about that.

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But yeah, Google was

founded in '98, you guys.

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Mm-hmm.

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Also, MP3 players begin appearing.

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I certainly didn't have one.

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I think that whole, that skipped me.

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Like I did not fully embrace the

MP3 player, so I, that technology

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skipped me and I don't know, whatever.

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I just have a phone.

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That's, yeah, no MP3 player.

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And we were talking about how DVDs

had not fully taken over yet, but

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they're starting to accelerate.

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So the adoption of the DVD and

the DVD player is accelerating.

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So this is where we are in

toys, tech, and games in:

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I did see this little tidbit that I

was completely unaware of and didn't

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realize that Furbies were used by adults.

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But of course they were.

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They got banned apparently in

offices and government buildings

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because people thought they were

secretly recording conversations.

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Why were people bringing

them to their office at all?

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Why- I thought this was a child's toy.

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Someone please explain this to me.

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Yeah.

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People are wild.

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Celebrity culture and news.

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We're in the midst of the

Clinton-Lewinsky scandal.

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It was everywhere.

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In addition to Google being

founded, another hmm, aid in

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life, particularly men's life, was

was also approved at this time.

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Viagra, '98.

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Mm-hmm.

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France wins the World Cup.

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This was the home run chase between

Mark McGwire and Sammy Sosa in '98.

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I do recall that.

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The Matthew Shepard murder

becomes a major national story.

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Again, I don't know why some

of these things I'm remember…

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I'm like, "Wow, that was '98?"

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Hmm.

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And then Princess Diana

had died in, I think '97.

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so paparazzi culture peaks post Princess

Diana's death the, the year prior.

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Okay, so you guys, , the TRL of it

all and the boy bands is reminding

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me of some fashion and trends.

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Tiny sunglasses and frosted tips.

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The hair, yes, I'm picturing these

music videos very specifically.

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Also the cargo pants in

them, the wallet chains.

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That's guys mostly.

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And then metallics and shiny fabrics.

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Very, very much like "Romy and

Michele's High School Reunion"-esque

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is kind of what I'm picturing.

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But I yeah, I'm, I'm picturing a lot

of the fabrics and stuff that I wore at

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the time, and that was definitely true.

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Shiny a lot of like pleather and stuff

like that, but metallics, platform

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sandals, also they're, they've come

back around as everything does.

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It's like a 30-year cycle.

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And those butterfly clips

in the hair, women's hair.

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That is a trend I did not

partake in 'cause I thought it

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was, it, I thought it was…

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E- Just like now, there are trends I don't

partake in because I think it's silly.

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It looks ridiculous, and I thought

that about the butterfly clips.

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I thought it was a stupid look.

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But, mm, pretty much everybody

wore them except for me maybe.

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Okay.

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Am I missing anything?

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That's barely scratching the

surface, but I remember all of it.

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It was very pervasive

in the culture in:

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I don't know.

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A lot of the…

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Did it age well?

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Yeah.

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A lot of these things became

enormous like the Google and Viagra.

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A lot of the TV and the music,

they're, they're classics,

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similar with many of the movies.

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But it does, a lot of it does scream 1998.

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But what am I missing?

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I don't know.

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What do you remember about 1998?

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Please let me know.

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So now that we're primed in that

mindset, not that this movie seems

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very 1998, in fact, it doesn't at all.

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But now that we're in that frame of mind,

let's get into the movie Reach the Rock

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This movie was released

th,:

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It's rated R.

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It's over an hour and a half.

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It's about an hour and 40.

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The IMDb here is a 6.6,

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and I would say that might be a

touch on the high side for, for

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me, but not, not outrageously so.

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But I will say that film critic Roger

Ebert gave it one out of four stars,

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and I th- but he loses credibility

with what he says, why he says that.

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He compared it negatively to Hughes'

"Planes, Trains and Automobiles,"

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and complained that the movie

was very sad and felt like…

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it felt like it was

playing in slow motion.

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Now that is true.

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It is very sad.

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It's very melancholy.

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I can see why he says that it felt

like it was playing in slow motion.

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But, but Roger, you're cr- you have

no credibility when you say that

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it's negative because it's like

"Planes, Trains and Automobiles,"

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'cause that movie's awesome, and I'm

pretty sure everybody agrees with me.

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So I don't know what you're talking about.

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Actually, before we talk more about

the players for this movie, because

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none of you have probably seen it

let me tell you what it's about.

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"Reach the Rock" follows Robin, a

directionless small town outcast

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haunted by the accidental drowning

death of his best friend years earlier.

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And I just wanted to point out that

the small town, it's not Shermer,

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Illinois, it's Shermerville.

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Probably because it's meant to

be like a really small town, and

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I don't think Shermer is a, like

a tiny town, so Shermerville.

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During one chaotic night of vandalism,

jail escapes, and confrontations with

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locals who still blame him, Robin drifts

through grief, guilt, and unresolved

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feelings for his former girlfriend.

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Written by John Hughes, the film

blends dry humor and melancholy into

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an understated story about regret,

isolation, and emotional paralysis.

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So this is very different from

the run of movies that we've

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been covering running up to this

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probably more getting back to the,

what we know of, of John Hughes and

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a lot of his dialogue-heavy movies.

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So it's more in keeping with that

than his "Home Alone" or a lot

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of his other kid-centric movies.

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William Ryan or AKA Bill is

the director here, and this

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is his only directing credit.

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But he has produced a number of

other Hughes movies, mostly the, the

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kid-centric ones like "Dennis the

Menace," "Baby's Day Out," "Miracle

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on 34th Street," and 101 Dalmatians,"

the '96 remake, and "Flubber."

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Now Chris Columbus, remember when

we talked about the "Home Alone"

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episode and the National Lampoon's

"Christmas Vacation" episode?

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So we talked about Chris Columbus turning

down "Christmas Vacation" because he was

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like, "I cannot work with Chevy Chase."

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John Hughes was like, "No worries.

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I'll get ya, you know,

I'll get you next time."

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And so he offered him two, two movies.

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One was "Home Alone" in 1990, and the

other was this movie, and I think you

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know which one Chris Columbus chose

which became a huge commercial success.

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So I think Chris Columbus is

very happy with his choice.

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Now this William Ry- Bill Ryan, while this

is his only directing credit, I do think

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he played a big part in the production

company and maybe even ran it at a certain

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point, of Hughes' production company.

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So John Hughes is the writer here.

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So while this is the final film where

he wrote the story and the screenplay

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by himself, he did collaborate with some

others on other films that he's credited

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for writing until his death in 2009.

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But he, you know, like as a co-writer

or helping with the story some of which

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are under his pseudonym Edmond Dantes,

so clearly not, not ones he's proud of.

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But this is largely known as his

last solo writing credit, and the

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last movie that he wrote and produced

is this,:

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Pretty small cast, and it is very

"Breakfast Club"-esque in a few

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ways that I'll probably talk about

throughout the course of the discussion.

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But one of which is that

it, it's a very closed set.

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It takes place basically in

the police station in the

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downtown of this, of this town.

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And there are very few characters,

so it's very dialogue-heavy.

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The cast there are some people

you would know, but at the

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time it was, it was unknowns.

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The most well-known is probably

William Sadler, who plays Sergeant

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Phil Quinn, and you guys will know him.

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He's, he's a familiar

face, William Sadler.

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Solid working actor.

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You'd probably know him most from playing

Heywood in "The Shawshank Redemption.

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He was also Stuart in "Die Hard 2,"

the Grim Reaper in "Bill & Ted's

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Bogus Journey," and he played Jim

Valenti in the "Roswell" TV series.

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I didn't watch that, so I'm not sure

who that character is, but I think he

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was a regular in that, in that TV show.

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So he is our sergeant

at the police station.

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Robin is played by Alessandro Nivola

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I didn't know who he was, and I

actually think he's one of those people

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who He looks better now, I think.

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He's aged very nicely.

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No, not that, not that he was…

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He looked fine at the time, but he

was just young, and you know how

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some people, takes them a minute.

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Men especially, it takes them a minute

to kinda grow into their Their manliness.

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But he looks very nice now.

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But he was also this Alessandro Nivola.

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He was in Face Off, which I

think was probably his most

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known or, or breakout role.

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I haven't seen that in a really long time,

so I can't picture who he was in that.

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He was also in Disobedience, Selma,

American Hustle, and I ha- I haven't

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started watching this yet, but there's

a series called Love Story, a current

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series, maybe on Netflix, I can't recall.

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But it's about, I believe it's JFK Jr.

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and Carolyn Bessette's love story,

and Alessandro Nivola plays Calvin

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Klein in that TV series currently.

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So there you go.

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That's our main character.

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The other policeman, so there's

Sergeant Phil Quinn, and then there's

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Ernie, who is-- reports to, to Quinn.

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He's the other policeman,

and he's more junior.

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He's played by Bruce Norris.

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His character's kind of the

comedy relief in this movie.

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He's, you know, plays this small-town cop.

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He's silly and unserious.

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He was in The Sixth Sense, All

Good Things, a single episode

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of three Law & Order episode…

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the three different

properties of Law & Order.

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So the regular Law & Order, an

episode in that, an episode in SVU,

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and an episode in Criminal Intent.

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I thought that was interesting.

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And then Robin's ex-girlfriend, Lise,

L-I-S-E, is played by Brooke Langton,

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and she looked a little bit familiar, but

I think her name sounds more familiar.

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She was part of Second City and Upright

Citizens Brigade, which you wouldn't

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necessarily know from, from this movie.

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But maybe I saw her in Melrose

Place because I think she

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was a series regular on that.

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I didn't watch Friday Night Lights,

but I guess she was a recurring

375

:

character in that TV series as well.

376

:

And but movies maybe that you might know

her from, she played the infamous Nikki

377

:

in Swingers, and she starred opposite

Gene Hackman in The Replacements.

378

:

That's Brooke Langton playing

Robin's ex-girlfriend.

379

:

The friend who dies, Danny is his name.

380

:

Played by Norman Reedus, and if

that name sounds familiar, he played

381

:

Daryl Dixon in "The Walking Dead."

382

:

That is one that I have not watched.

383

:

I can't decide if I would like it

or not, and it's a big commitment.

384

:

I don't know.

385

:

Maybe I'll give it a

go one of these times.

386

:

Zombies aren't really my

thing, but I hear it's good.

387

:

Anyway, Norman Reedus before he got

famous playing Daryl Dixon in "The

388

:

Walking Dead," in 1998, he played Danny,

the friend who dies in "Reach the Rock."

389

:

I don't know how you

guys didn't know that.

390

:

Additionally, we have a woman named

Donna in this, and I don't know

391

:

if she's Ernie's girlfriend or

if they're just having an affair.

392

:

It's a little unclear, but the, it's

kind of the running joke throughout

393

:

the movie is they're trying to get

it on and and they keep getting

394

:

interrupted by these acts of vandalism

and these mishaps and things like

395

:

that, and it's meant to be funny.

396

:

But anyway she's played by Karen Silas.

397

:

And she looks very familiar, but she

too was in a couple of Law & Order

398

:

properties, the TV series Under

Suspicion from the mid-'90s.

399

:

I don't think I saw that.

400

:

Sour Grapes, Simple Men,

and What Happened Was.

401

:

So that's Karen Silas.

402

:

So that's our cast, very small cast.

403

:

I remember when I was watching the credits

it says for the music supervisor was John

404

:

Hughes III, and that is John Hughes' son.

405

:

So I thought that was really interesting.

406

:

But the actual score, the composer

for this, for the movie is done

407

:

by John McIntyre, and he's not

particularly known for movie scores

408

:

or compositions, but he is an

American recording engineer, producer,

409

:

drummer, and multi-instrumentalist

based in Chicago, Illinois.

410

:

And I don't know if you guys

have heard of these bands.

411

:

I haven't because I'm not cool.

412

:

Tortoise and The Sea and Cake,

those are bands that he is in.

413

:

John McIntyre.

414

:

This is one of those movies that

415

:

I couldn't find a budget.

416

:

I don't know how much it cost to make.

417

:

But do we have any guesses how

much movie this-- how mu- sorry.

418

:

Do we have any guesses how

much money this movie made?

419

:

Anyone?

420

:

Anyone?

421

:

Bueller?

422

:

So initially it had been

planned for a spring release.

423

:

It was released-- It was

actually released in October.

424

:

But Universal Pictures ended up

giving "Reach the Rock" an extremely

425

:

limited theatrical run in the United

States on October 16th, where the

426

:

film only played in three theaters

in three cities for one week

427

:

Grossing $4,960, less than $5,000.

428

:

I didn't even know that

was a thing that could…

429

:

I, I didn't know that was

possible Of course it is.

430

:

Okay.

431

:

So this really doesn't give you

any indication what this movie's

432

:

about while I, you know, I, I

gave you a very brief description.

433

:

Let's, let's talk through it and see

if you guys are sad you missed it or

434

:

glad, glad that you gave it a miss.

435

:

So it opens, it's very dark.

436

:

It is at night, but it's the whole movie,

like the, the cinematography is very…

437

:

It's just very dark, giving

it kind of a heavy feel, and

438

:

the music is really somber.

439

:

It opens, we're in a really small town,

like the downtown of a very small town,

440

:

and it's empty 'cause it's at night.

441

:

And a young man breaks the window

of Kendall's Hardware Store.

442

:

He clearly gets arrested.

443

:

Like, he's not trying to run from it.

444

:

He, he j- he's just sitting there.

445

:

He does that, and then he sits in a

chair, and a fan is just, like waiting

446

:

for the police to come pick him up.

447

:

So he pur- is purposely doing this.

448

:

He gets arrested.

449

:

Now, this is Robin, we learn.

450

:

He's our main character, and based on

some interactions throughout the movie

451

:

with the police, especially Sergeant

Quinn we learn that this type of

452

:

thing is a, is a regular occurrence.

453

:

Nobody's surprised by what's happening.

454

:

We do get a flashback to the scene with

his friend Danny, and we see they're

455

:

in high school, they're drinking by

the river, and they kind of get in

456

:

a, a fight about Robin spending too

much time with his girlfriend and that

457

:

they wanna get out of this small town.

458

:

And then Danny proposes a contest or a

bet who can swim across to the other side.

459

:

There's a big rock on the other side of

the river, and who can reach the rock

460

:

to the other, on the other side first.

461

:

Hence the movie name, obviously.

462

:

Well, Danny ends up dead, and

it is a little bit ambiguous.

463

:

We assume it's drowning, but because

it's ambiguous in a couple of other

464

:

flashbacks, it's clear that Robin

feels some guilt over this and that

465

:

there is probably some blame placed

on him from people in the community

466

:

and, and family members of Danny.

467

:

It was an accident.

468

:

Now it's just, like an open police

station, and there's two cells, so

469

:

it's not separate rooms or anything.

470

:

So the desks of the officers and the

sergeant are, it's all right there.

471

:

And he is given a chance

to make a phone call.

472

:

And we see that he makes it

to Elise or Lise, L-L-I-S-E.

473

:

It's the name that's engraved

on a pocket watch that he has.

474

:

We gather that this is his

ex-girlfriend, and while he's making

475

:

this call, he's-- It's just at a desk.

476

:

It's not a payphone or anything.

477

:

It's one of the officer's desks, and

the, he opens the drawer, or maybe it's

478

:

in sight, but he steals a set of keys,

and he uses that to break out of his

479

:

cell when the sergeant falls asleep.

480

:

He takes a police car downtown, back

downtown, and this time he shoots out,

481

:

I think with the police rifle, too.

482

:

He takes their car and their

gun, and he shoots out the, the

483

:

window of a coffee shop that's

next door to the hardware store.

484

:

So Ernie, this is when we're

introduced to Ernie, the police

485

:

officer that gets radioed.

486

:

He's the patrol cop, and when we meet

him, he's in the backseat of his patrol

487

:

car with a woman that we assume is

his girlfriend, and her name is Donna.

488

:

They're, you know, it's late at

night, and there's probably nothing

489

:

going on in this small town.

490

:

So Ernie picks his girlfriend up.

491

:

They obviously get interrupted, and there

is an overhead shot approximate at this

492

:

time when Ernie is racing t- downtown.

493

:

You know, he's, like, zipping his

pants up, getting in the front seat.

494

:

He's driving, and he just misses the

other police car that Robin is in.

495

:

This is the only, the, the intersection

of the town, and there's an overhead

496

:

shot where they just miss each other.

497

:

Robin sneaks, and where he's going

is back to the police station.

498

:

He does this bit of vandalism,

and now he sneaks back in to the

499

:

police station into his cell.

500

:

So we're back at the station

now, and Robin somehow locks

501

:

Ernie into the other cell.

502

:

Donna is still waiting for him.

503

:

So this is kind of the thing.

504

:

They're constantly being interrupted.

505

:

She's waiting for him.

506

:

She gets dropped back off, back at home.

507

:

Then he goes and picks her

up, and she's super annoyed.

508

:

For some reason, I don't know

why I-- Again, it's unclear,

509

:

and it doesn't really matter.

510

:

Like, there's not really a payoff to this.

511

:

I don't know why, because they're

kind of sneaking around a little bit.

512

:

I assume maybe just 'cause he's not

supposed to be doing this on work

513

:

time, but I sort of assumed they

were having an affair, and at first I

514

:

thought perhaps it was the sergeant's

wife, but that's not the case.

515

:

I, I, there's no, there's no

secret scandal of any sort.

516

:

I don't know if she's married to

someone else, but it doesn't come up

517

:

at all in the movie, so doesn't matter.

518

:

We also learn that Robin is very smart,

but that he didn't go to college.

519

:

So the sergeant knowing full well

why, and there's a lot of things said.

520

:

So this movie is a lot of breadcrumbs and

it's kind of an annoying way, breadcrumbs,

521

:

and then you learn later, but it's

not really a good payoff, I feel like.

522

:

L- you know what I mean?

523

:

The secret is kept, and

then it's kind of not for…

524

:

It's like, okay, and great.

525

:

But he-- We're seeing him

kind of poke at Robin.

526

:

He knows why he didn't go to college,

and it's because Robin never finished

527

:

high school, alluding to the reason

is likely linked to the accident

528

:

that happened with his friend Danny.

529

:

And we also later learn that Danny

was Quinn's nephew, so there's clear

530

:

animosity with Robin and Quinn during

the, the vast majority of the movie.

531

:

They're kind of poking

each other the whole time.

532

:

And there's also Kendall's Hardware Store

is the first place that gets vandalized.

533

:

Bob Kendall is apparently the

big deal in town, and he owns a

534

:

lot of things in this small town.

535

:

And we also learn that

Lease is his daughter.

536

:

So at least two more times in this

movie, Robin escapes somehow to commit

537

:

more vandalism in this downtown.

538

:

And after the coffee shop, there's a third

store window, the real estate office,

539

:

that that, that gets broken into as well.

540

:

But at the real estate office,

Quinn's badge gets left there.

541

:

So Robin is doing all these sneaky

things just to mess with these

542

:

guys, or particularly Quinn.

543

:

So there's a point in the movie,

this kind of leads the other officer,

544

:

Ernie, to potentially think that

Quinn was doing all of these…

545

:

Be- because then Robin is

always ending up back in jail.

546

:

They don't know that he's doing it

547

:

For a while.

548

:

And so Ernie is thinking, "Well, maybe

Quinn, Sergeant Quinn, is doing all

549

:

this just to pin it on Robin as payback

for his nephew," you know, because

550

:

they, Robin is always back in his cell

when they come back to the station.

551

:

And we also then learn that all of the

stores that he is vandalizing are all

552

:

owned by Bob Kendall, his ex-girlfriend's

father, you know, the big man in town.

553

:

And we then see Lise show up.

554

:

She does arrive to, I guess, post bail.

555

:

However, there's no bail.

556

:

Like, it hasn't officially

been set because I don't

557

:

think he's been charged yet.

558

:

You know, it's a, probably a Saturday

night, so he would have to wait

559

:

until morn- or maybe a Sunday night.

560

:

At any rate, he would have to wait until

morning before anything is official.

561

:

So anyway, she is allowed in his cell.

562

:

It's, you know, it's a

small town, doesn't matter.

563

:

She's a Kendall, so of course they're

gonna kinda do whatever she wants.

564

:

So She's in the cell with Robin

talking, and, and this is where

565

:

we-we're kind of learning a lot.

566

:

We learn that I think the next

day she's heading to New York

567

:

City to start her new life.

568

:

This is after college now.

569

:

So it's a, it's been four or five years

since high school, it sounds like.

570

:

They talk about she's done during

her college career, where she is.

571

:

She's got this whole life ahead of her.

572

:

She's been living this whole

life with a new boyfriend for

573

:

the last four years or so.

574

:

And Robin has not been doing anything.

575

:

He has remained completely stagnant,

and there's a lot of dialogue that leads

576

:

us to believe that there was also an

issue in their relationship, that it was

577

:

sort of like a class cloud over them,

and either he didn't feel her equal

578

:

or she didn't think he was her equal.

579

:

They're really kind of

talking in circles a lot.

580

:

They're saying, at least he is, he's kind

of saying things but not saying them.

581

:

And they, they talk about their past.

582

:

They talk about how they

cannot be together now.

583

:

And there's a point at which he

kinda reels her in, and just one last

584

:

time, and they kiss, and she's into

it, and it's about to go further.

585

:

But then he turns her down,

which we didn't see coming.

586

:

But so Sergeant Quinn

is hearing all of this.

587

:

So they've been…

588

:

There's this, this animosity.

589

:

There's kind of been this cat and

mouse, breaking out, coming back in.

590

:

They're learning more about each other.

591

:

You know, he's had this

animosity, not really move

592

:

for-forward with his life either.

593

:

And so he's hearing this,

and he's starting to feel

594

:

a little empathy for Robin.

595

:

And after Elise, after Lise leaves.

596

:

I keep wanting to say Elise,

but it's just Lise, L-I-S-E.

597

:

After she leaves, Sergeant says

to Robin, "Why don't you go home?

598

:

Your dad has insurance."

599

:

So it has been the whole, the

course of the whole night.

600

:

So I don't know, maybe like, again,

sort of Breakfast Club-esque.

601

:

This takes place during, probably

over the course of eight hours,

602

:

similar to Breakfast Club.

603

:

It's just before dawn, and he

says, "Why don't you go home?

604

:

Your dad has insurance."

605

:

So this whole time he

could've let him go as well.

606

:

And we've seen that this is, again,

just as a reminder, we see throughout

607

:

the movie clues that this has

happened, like he's been here before.

608

:

And so this is probably what is

sparking Robin to do what he's doing.

609

:

But so after he says this, they

kind of look at each other now with

610

:

a mutual understanding, and it,

there's no more animosity And then

611

:

the music kicks in, and, and the

sergeant says, "Go on with your life."

612

:

And I guess throughout the movie,

throughout the course of the movie,

613

:

they have had a lot of interactions

and talks that kind of allow them to

614

:

make peace and understand each other's

point of view, but it doesn't…

615

:

It's missing something.

616

:

It's, it falls a little

flat, in my opinion.

617

:

It doesn't-- It's not, it's not earned.

618

:

It's a great idea.

619

:

I just don't think it was executed well.

620

:

I'm not connected to this.

621

:

I don't feel it.

622

:

I don't see it, really.

623

:

Maybe that's just me.

624

:

But I th- but we're supposed to,

so maybe we were missing something.

625

:

I, I'm not sure.

626

:

There was definitely something missing

because we were really supposed to have

627

:

this really profound feeling of them, you

know, seeing each other, you know, as,

628

:

like, two sides of the same coin, I think.

629

:

Because Robin leaves, and now we

see Sergeant Phil Quinn, reflecting,

630

:

and we're shown that he has a tattoo

of a hawk now as he's reflecting.

631

:

And the reason that I bring that up is

because throughout the movie, Quinn is

632

:

telling a seemingly random story about a

hawk and a tattoo, and now it's clearly

633

:

tying the story directly to his own life.

634

:

Both men we see are stuck in the past.

635

:

They're carrying old

wounds and old regrets.

636

:

But again, Quinn, I guess we're seeing

that a little bit, but aside from

637

:

kind of holding onto this animosity

with his nephew, what w- we're not

638

:

shown a whole lot else about him, or

maybe I'm just misremembering because

639

:

I did watch this a little while ago.

640

:

It's taken me a really long

time to get this episode out.

641

:

Sorry, guys.

642

:

So I watched this a while ago.

643

:

So anyway, we're seeing this moment with

the music and the sergeant is reflecting.

644

:

We see, oh, there's the tattoo.

645

:

So I think we're meant

to have a, a bigger…

646

:

More feelings about

this than I did anyway.

647

:

Representing freedom, escape,

perspective, the ability or inability

648

:

to move on because they're both--

they both had the inability to

649

:

move on, but now they're free.

650

:

Robin has spent years frozen by

guilt over Danny's drowning and

651

:

his failed relationship with Lisa,

and Quinn has spent those same

652

:

years nursing blame and resentment

653

:

But that's it.

654

:

Like, I, I feel like we needed more

from Quinn for him to feel this way.

655

:

But by the end, the tattoo reveal

hints clearly that Quinn has been

656

:

telling the story about himself the

whole time, and they both need to

657

:

let go of the identities that they've

built around this particular tragedy.

658

:

Yeah.

659

:

The freedom that they both have

been denying themselves for years,

660

:

I think is, is supposed to be this

661

:

Wow, gotcha, gotcha, like

isn't this poignant moment?

662

:

I don't know.

663

:

I think this is what Hughes was

going for, that they're like

664

:

mirror images of each other.

665

:

The rebellious young man stuck

in the past, and then there's the

666

:

authority figure stuck in that past,

and that this Hawk is representing

667

:

what they're both denying themselves.

668

:

But like I said, it--

And maybe this is me.

669

:

Maybe I was just not…

670

:

You know how sometimes it depends on your

mood in watching something, and maybe…

671

:

I actually do think I went into it

open-minded, and maybe maybe I was

672

:

just not in a, in a deep thinking mood.

673

:

But it didn't hit.

674

:

It did not land for me.

675

:

Like I see what he was going for,

but it was not earned in my opinion.

676

:

Like I said, we needed to

see more for from Quinn.

677

:

And even Robin.

678

:

Like it's, it was kind of strange

interactions and, and breadcrumbs

679

:

for the sake of breadcrumbs.

680

:

Like, like I said, there, ooh, there

was a lot of kind of purposeful

681

:

mystery, and then as we learn about

it, it was like, "Oh, well duh."

682

:

Like it, it wasn't

anything super revealing.

683

:

It was like, yeah, that's kinda

what I assumed it was or, or it was

684

:

just a, not a, it's like a nothing.

685

:

Now I don't think this movie is bad.

686

:

It's just now that I'm kind of

talking through what happened

687

:

in the movie, 'cause, it's

been a few weeks since I saw it

688

:

The storylines, quote unquote, like

again, I say that quote because

689

:

there's not really storylines really.

690

:

It's just a bunch of things happening

and conversations that are meant to be

691

:

really meaningful, deep, thoughtful,

thought-provoking con- conversations,

692

:

and I just didn't think that they were.

693

:

Like, yes, there's some good themes

in there about what, what you expect

694

:

of yourself, what you can let go,

like you're in charge of your journey.

695

:

Why, you know, if you want something,

don't, don't stay stagnant.

696

:

W- feeling equal.

697

:

There are a lot of really good themes.

698

:

I just think that it's been told better in

other, even in other John Hughes movies.

699

:

But there's a nice ending.

700

:

We get this, the music, the

reflection by the officer.

701

:

Robin leaves.

702

:

It's dawn now, and all storylines are

tying up if, if there are more storylines.

703

:

So Ernie and Donna are,

they're napping now.

704

:

They've been trying to do this

whole thing this whole night,

705

:

and now, now they're sleeping,

actually s- eyes closed, sleeping.

706

:

The r- it's raining, so, you know,

this is washing away the town clean

707

:

of the events that have happened.

708

:

It's also, just cleansing

everything that's happened.

709

:

It's lighter now, and that is evident.

710

:

The, the movie has been really dark

and melancholy the whole time, and now

711

:

these men have both let go of all their

shit, and they're kind of being, you

712

:

know, baptized into their new lives

with this rain, and it's l- it's dawn.

713

:

It's light out now.

714

:

We cut to the river where Robin

is now emerging, laying on the

715

:

rock as it's raining, and it zooms

out and says, "Reached the rock.

716

:

Credits roll."

717

:

Now, there is a post-credit scene.

718

:

And like, so Ernie, like I mentioned,

was supposed to kind of be the comic

719

:

relief, but it just, it wasn't funny.

720

:

It wasn't particularly funny.

721

:

The Breakfast Club, it's a drama,

but there's so many funny moments

722

:

in it, quotable funny moments.

723

:

So that was done masterfully,

and this just wasn't.

724

:

Like, the parts that were meant to be

comic relief weren't funny, and there was

725

:

setups that I guess there were payoffs.

726

:

They just weren't good.

727

:

This, the post-credit scene is a payoff

to something that happened earlier.

728

:

One of the times that Robin breaks out,

we see him, take a big paint bucket

729

:

and a rope, and he's rigging it up

at the clock tower, and noth- like we

730

:

don't see anything happen-- then he

goes on to do something else, and , you

731

:

kind of forget that that happens.

732

:

Well, here's the payoff to that.

733

:

It strikes 7:00 a.m.,

734

:

and this allows the paint bucket to

drop, swinging on a rope, down into

735

:

the bank's window, which is probably

also owned by this Kendall fellow.

736

:

So yes, that, that's the post-credit

scene, the payoff to something earlier.

737

:

I know I'm-- I sound like I'm

kind of harping on this movie.

738

:

It's not, it's not a terrible movie.

739

:

It's just, it's okay.

740

:

And perhaps

741

:

You know, I'm learning as I'm just now

thinking through this, I think maybe

742

:

I'm a little disappointed because I

had higher hopes from the last entry

743

:

from John Hughes, and really for the

podcast, 'cause I've learned a lot

744

:

about who John Hughes wasn't and, you

know, who he wa- who I thought maybe

745

:

he was, and what I'm learning by doing

this season of John Hughes, which we'll

746

:

talk more about in the finale episode.

747

:

So, you know, stick around.

748

:

And also don't, don't forget to tell me

what your thoughts are about the season,

749

:

anything Retro Made, you know, whatever

you wanna, whatever you wanna say really.

750

:

But I'm just kind of realizing now as

I'm talking that I think that's what it

751

:

was for me, that Reach the Rock had so

much potential and I think I was a little

752

:

disappointed per- maybe because I had

higher hopes for it given all of these

753

:

kid movies that just were not great.

754

:

Aside from 101 Dalmatians,

that was really good.

755

:

Miracle on 34th Street was all right.

756

:

But a lot of them were just not great

leading up to this, you know, through

757

:

the mid-'90s into now we're, You know,

the last one before this I think was

758

:

Flubber, so don't even get me started.

759

:

Or maybe it was Home Alone 3.

760

:

Either way, Home Alone 3 or Flubber was…

761

:

Maybe they were both in '97

and they were both really bad.

762

:

So this is '98, his last entry.

763

:

I brought up a few times that it, it

had some vibes very similar to The

764

:

Breakfast Club, and I, I guess I'll

talk a little bit more about that.

765

:

I love The Breakfast Club, so

I'm like, "Yes, bring it on."

766

:

So some of those things, some of the

parallels, it's very dialogue-driven.

767

:

It's s- you know, all happening

in a really contained space.

768

:

There's some class-divided

romance happening.

769

:

There's some animosity

with authority figures.

770

:

The tone is very serious.

771

:

Although there are some playful

bits, in this movie, it is much,

772

:

much darker and just not as well

executed or as well-written really.

773

:

I mean, it's, it's sort of like what?

774

:

This plot is odd and really not

very interesting I guess you could

775

:

argue if, if j- if you hadn't

seen "The Breakfast Club"…

776

:

No, on, even just on

paper that sounds better.

777

:

So no, the, I, I, I'm, I'm,

I guess I'm doubling down.

778

:

Just on paper and executed,

this doesn't really sound very

779

:

interesting, and it's not.

780

:

So I guess after this barrage of phoned-in

kiddie movies, it was nice to have him end

781

:

the decade on a more thoughtful project.

782

:

It did seem to me like it still was

a little half-hearted effort, lacking

783

:

the magic and the passion that was

so evident in some of his, of his

784

:

early works like "The Breakfast Club."

785

:

So, this is how we're ending

the John Hughes season.

786

:

This is how he ends

really his work in '98.

787

:

One little bit of trivia,

which after I read this, I was

788

:

like, "Okay, I can see that.

789

:

I, I actually can see that."

790

:

So, one of the, one of the people

who worked as a sound engineer, his

791

:

name's Richard Lightstone, he stated

somewhere that this was made really

792

:

out of a contractual obligation

to Universal Studios, who per the

793

:

stipulations of a contract with

Hughes, were owed a film made by him.

794

:

So this is really-- That's it.

795

:

It, it was a contractual obligation,

and Hughes only visited the set

796

:

once, and mainly left William

Ryan in charge of the production.

797

:

So I guess that super tracks, but what

a want, want way to end, you guys.

798

:

I don't know, man.

799

:

If anyone has even heard of this

movie, you have to let me know.

800

:

If you've seen it, I

will be beyond shocked.

801

:

But that does bring us to

the end of "Reach the Rock."

802

:

It's an odd, overlooked little film.

803

:

It also happens to mark the end of John

Hughes' run as writer and producer.

804

:

I would re- genuinely love to hear from

you if you've seen it or even heard of it.

805

:

Additionally, where does it rank in

the catalog of Hughes movies for you?

806

:

Even if you haven't seen it, just

based on what I've just discussed

807

:

with you, the, the plot, what, what

I've kind of said about it, where do

808

:

you think this lies in the catalog?

809

:

We will go through some rankings

definitely in the finale episode.

810

:

But do you think that this is

maybe an underrated hidden gem?

811

:

Do you think that there's a reason that

people don't talk about it, aside from

812

:

the fact that nobody saw it 'cause it was

only in three th- three theaters for one

813

:

week, so, and it's impossible to find.

814

:

So maybe if it was on streaming, peop- a

bunch of people would watch it and have

815

:

wildly different thoughts than I have.

816

:

So very curious to see.

817

:

Like I said, it has a 6.6,

818

:

so clearly some people really like it.

819

:

I think I was just, had higher hopes

for it, and maybe I was just not

820

:

in a very thoughtful mood perhaps.

821

:

But with that, we've officially reached

the end of the Season 2's journey

822

:

through the films of John Hughes.

823

:

The season finale is coming very soon.

824

:

Like, I'm gonna record it very, very

soon, so I'd love to include your

825

:

thoughts, memories, rankings, surprises,

disappointments, favorite episodes maybe.

826

:

Anything that you've got.

827

:

Please don't wait.

828

:

Please send me an email, leave a

comment on YouTube or Facebook,

829

:

reach out however you want to.

830

:

It is [email protected],

831

:

or, you know, you know where to find

me, Facebook, YouTube, all the things.

832

:

And if you have enjoyed this

season, now would be a great

833

:

time to leave me a review.

834

:

If you've left a rating,

leave a re- review.

835

:

Yeah, it does help people find the

show, so I would very much appreciate

836

:

that as kind of my little, nice little

bow tie at the end of the season.

837

:

Thank you so much for coming along

this incredible Hughes journey with me.

838

:

If you have made it this far, if

you've listened to any episodes, if

839

:

you're new to the show, I, I'm so glad

that you're here, and I will see you

840

:

very soon for the Season 2 finale.

841

:

Until next time, be kind.

842

:

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