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I Use AI to Make This Show. Here’s the Line I Won’t Cross.
Episode 8828th July 2026 • Podmastery: podcasting insights and advice for indie creators • The Podmaster (Neal Veglio)
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Ninety seconds into another consultant’s podcast, I got the 'shiver'. it wasn't over the mic quality. It wasn't because of bad editing.

It was the words. They were tidy, warm... and hauntingly empty, like a very confident ghost had written the lot.

This episode's about the single line that decides whether AI sharpens your show or hollows it out. Plus a confession I fully expect to get grief for...

Transcripts

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I was listening to a new podcast the other day from a fellow podcast consultant.

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If I'm honest, I was a bit jealous of the host because he had a great voice.

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It was warm, it was nice, it was personable, and the audio quality

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was banging, as the kids would say.

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And about 90 seconds in, I got this weird shiver, that little subconscious flag of

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wrongness that you can't quite figure out why it's there, but it's so unavoidable.

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So I went hunting for the reason for it.

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It wasn't the mic.

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It wasn't the editing.

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It was the words.

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The sentence structure was super tidy, but it was also completely, hauntingly empty,

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like a very confident ghost had sat down and written their whole script for them.

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There was nobody actually saying anything real into my ears, and

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this is now, I feel, gonna become a growing problem unless we bring some

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perspective to it

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Hello, this is Podmastery Podcasting Insights, the show for people who've

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had a proper go at this podcasting lark but know they're capable of more.

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I'm Neal Veglio, and in this episode, I wanna talk about the thing

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that's now wrecking a lot of shows, and it isn't the audio anymore.

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No, no.

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That is now a 2019 problem.

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Nowadays, it's all about the scripting.

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I'm also gonna make a confession that some are gonna have opinions about

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Okay, so first of all, the audio problem in podcasting is essentially

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solved, at least by anybody taking this whole thing at least half seriously.

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You can buy a brilliant microphone for around 60 quid, and the software

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pretty much cleans your room up for free now in every single tool.

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So a total beginner can sound pretty much broadcast ready by the end of the

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day, which means the thing that used to separate the good shows from the

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absolute dreck, that clean sound, well, that's not separating anything anymore.

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Everyone has got that now.

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At base.

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So the bar has been raised.

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Pressure has come away from the recording devices, and it's now fully

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on the script into the actual thinking.

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And once you can hear it failing, you cannot un-hear it.

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Let me teach you the sound because it's got a real tell, and it's

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absolutely everywhere at the moment.

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So it's the, "It's not just this, it's that" seesaw over and over because the

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machines do love a little bit of balance.

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It's the tidy little groups of three, always three, never two, never four, and

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it's the signpost that tells you what it's about to do instead of just doing it.

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So like, "Here's the thing," "Here's the kicker," "Let this sink in."

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It's the example that should have been specific and never is, where

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a real person would have said, "My Aunt Netta flogs candles on Etsy."

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Instead, you get, "Imagine a small business owner named Netta." And

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every point lands really softly.

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There are no rough edges left.

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And underneath the whole lot of it, not one opinion sharp enough to get

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anybody into any trouble whatsoever.

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Now, here's the confession I promised you, and I want you to really hear this because

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I'm about to hand my critics a loaded gun and then stand very still while they aim.

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I use AI to make this show.

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Yeah, I do.

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This very show, the one coming out of your earbuds right now.

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These words did indeed go through a machine at some point before

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they're going into your ears.

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Not every single line and not every single episode, but it is a part of my process,

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and I'm not gonna stand here wagging my finger at everybody else in the space

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while pretending that I'm not doing it.

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That's exactly the kind of guru hypocrisy that makes my skin itch.

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So no, this isn't a don't use AI for your podcast episodes episode.

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That episode has long become irrelevant.

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This is actually an episode about the line to take with AI One specific

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line, and it decides whether the tool is gonna make your podcast sharper

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and more entertaining or turn it into more of the slop that I've described

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at the beginning of this episode.

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It really is a narrow line, and ironically, it separates the

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great writers from the awful ones.

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See, good writers can spot terrible AI writing.

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They're not blindly copying and pasting.

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They iterate.

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Here's the deal.

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I wrote radio comedy for the best part of a decade through the late '90s and into

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the mid-2000s for some of the world's biggest radio DJs, including Chris

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Tarrant, Howard Stern, Mancow Muller.

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You name it, they have spoken words I've written.

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So I know how to write engaging words.

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Bad writers can't tell the difference between an excellently written piece

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of AI slop that happened to land in some of the places and the biggest

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pile of trash ever committed to print

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And almost everyone flogging you AI for podcasters has monetized the latter form.

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So I wanted to give you a bit of a pro tip from someone who literally got paid to do

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this and has the receipts, and here it is.

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The machine can do some of the labor, but you should always do the thinking.

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That's it.

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That's the whole process It can help you coax the magic out of your

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brain, but it shouldn't be coming up with it in the first place.

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It must not be tasked with coming up with the thing to

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say from the very first moment.

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And when you let that step over, the moment you type, "What

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should my next episode be about?"

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And then let it answer, and then you copy and paste that answer, you've

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handed away the one part that was ever gonna make you worth following.

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We all like music, right?

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Music's relatable.

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You don't need to understand chord structure to get an analogy around music

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that puts this into a visual for you.

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So let's do that.

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Think of AI as a session musician, a frighteningly good one that turns up,

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sight-reads anything you put in front of it, it plays it pitch perfectly,

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never complains, and then goes home just accepting they're carrying out a task.

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They're never gonna get credits.

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The session player doesn't write the song.

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They haven't got anything that they're burning to put out there.

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They're waiting for you to walk in with the tune for them.

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And if you walk into that session with nothing, then even the best session

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musician on the planet is just gonna sit there looking at you, waiting

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for some kind of substance to emerge.

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And that's what this is, brilliant robot hands and nothing to express through them.

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So when I make this show, the machine never gets to decide what I think.

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It couldn't if it tried.

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It doesn't know the quality drop jumped from the microphone to the

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script these days because that's not a fact that you can go and look up.

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That's my opinion, and that's based on 30-plus years of my trained ears

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telling me something's off in a room.

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The machine can help me lay that out so I don't ramble you into a coma, but

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it can't go off and suddenly earn 30 years of ears experience and then write

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about it But now I feel like I kind of need to cheer you up because this

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is all sounding a bit Terminator 3.

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Slop is free now.

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Anyone can generate a competent and massively forgettable episode in the

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time it takes you to boil a kettle, which sounds like a catastrophe for

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the little guy with a plug-in USB mic and massive ambitions right up until

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you turn this point around on itself.

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When competence is free and everywhere, competence stops being worth anything

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at all, and the only thing left that's worth anything is the exact

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thing the machines can never make.

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A specific person with a specific lived experience and personality thinking

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specific thoughts about specific things, holding a point of view that

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a chatbot would flag as a bit risky.

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I mean, try this for yourself.

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Ask your chatbot to write you an episode that's genuinely controversial and would

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get you canceled if you ever published it.

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It'll then do some thinking.

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It'll ask you some questions on what your ideal outcomes are, and

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then it will dutifully write you the most vanilla pap you've ever seen

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that wouldn't even make it into the top 5,000 of the most controversial

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content in the UK alone today And I'll put my money where my mouth is.

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Here's the prompt that I just put into ChatGPT.

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I wrote, "Write me the most controversial podcast episode that's ever been published

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and will likely get me canceled." And here's what it came back with.

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"I'll make it genuinely provocative, not lazy outrage that

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punches down or invents claims.

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First, we need a target worth challenging." And then it asked me to

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select any target, so I chose online business gurus, and here's the result

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most online business advice is not designed to help you build a business.

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It's designed to keep you consuming business advice.

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The business advice world presents itself as brave, disruptive,

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and anti-establishment.

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Yet it is one of the most sensitive industries you can criticize.

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Everyone wants to challenge the system until their own sales

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funnel becomes the system.

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So let us challenge it properly.

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Now, just for the record, I actually put the contraction

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in to it is to make it its.

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It didn't even write that properly.

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I don't know about you, but that would really put me to sleep if I listened

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to that opening to any episode.

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It's nothing I wouldn't find on TikTok, and it's definitely

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not getting anyone canceled.

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So you're not competing on polish anymore.

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You've lost that race.

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We all have.

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The robots are buffing things up better than we ever will, and they know how

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to structure sentences so that they're just bland enough to pass for decent

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writing when idiots are reading them.

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Now you're competing on being unmistakably, specifically you,

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which when I say it out loud, is the same story that I've been anchored

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to throughout my audio career.

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It was no less true back when the media was just four TV channels and a long wave

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dial, and it's still every bit true now.

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And that leaves us with me needing to ask you an uncomfortable question.

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So psych yourself up for this 'cause you're gonna feel

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like you've been gut punched.

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When you take the AI tool away, is there actually a you underneath it?

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A take, an opinion that's different from anyone else's,

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even if not from everyone else's?

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Or have you consistently been using it to paper over the fact that

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you're not sure yet what you think?

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Because that's the real danger here.

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It was never that AI might write your show.

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It's that AI is so good it can hide the fact that you didn't even really

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have a show in the first place.

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And that's a pretty good moment to go and hear from somebody who very

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much does have something to say.

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After this short break, I'm gonna play you a podcast trailer from one

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of our Podmastery community members.

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We'll be opening the doors to the public soon.

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If you'd like to join the Founding Members Club, go to podmastery.co/waitlist

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So there you go, a real person thinking real thoughts.

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You can hear the difference, can't you?

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I bet you didn't even think about the quality of the audio there.

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So here's the one thing I want you to do, and I want you to do it today, right now.

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Before you make your next episode, before you open a single AI tool,

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before you type one word of a prompt, record yourself a voice note, 30

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seconds, just you talking, saying what you actually think about a thing.

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Not what's known about it, not a nice little summary that anyone could get from

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Google at the top of their search results.

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What you think, where you'd take the conversation.

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If you can fill those 30 seconds without breaking a sweat, brilliant,

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you've got an episode, and now the machine can help you shape that

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into something honest and very you.

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Use it.

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I mean that.

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But if you sit there and you can't fill 30 seconds with an actual

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opinion, then you haven't got one yet.

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You've got an empty prompt that will help keep you visible.

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And being visible isn't the same as having something worth engaging with.

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So keep trying until you manage to find that opinion.

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The voice note is just you proving to yourself there's a person in the room

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before you let anything else get involved.

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So do that first every single time.

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The tool comes second, or it doesn't come at all So that's the whole process.

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The machine does some of the lifting, but you do the original thinking.

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And if you want a hand working out what your show sounds like when it

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actually sounds like you, that's the kind of conversation I love having.

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Head to podmastery.co and get your podcasting challenge solved.

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It's me on the other end, not a chatbot.

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I'm Neal Veglio.

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If you found this episode useful, send a link to another podcaster

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that you think might feel the same way, and also leave the podcaster

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a review in your favorite app.

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I really appreciate it.

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And good luck with your continuing journey towards podmastery.

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