Working with the media can feel intimidating, but it doesn’t have to be. In the first of a two-part series, Amy answers the first five questions museum professionals most often ask about media relations. This episode is packed with real-world advice to help you feel more confident and prepared when it’s time to reach out to the media and share your museum’s story.
Amy Kehs is a brand strategist and communications expert for museums. She has owned Kehs Communications since 2000 and has worked for the most renowned and well-loved museums in Washington, D.C. Her goal is to ensure that museums thrive into the next century, and she hopes people will come to love museums as much as she does. Her proven process sets up proactive communication habits for museums, cultivating relationships with visitors who will want to return and bring a friend. Want to talk more? Click this link to book a call.
Hey there.
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:Today on the podcast, we're tackling
10 of the most common media relations
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:questions that I hear from museums.
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:Whether you're a one person shop, or
part of a bigger team, these are the
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:things that come up all the time.
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:Let's get started.
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:Hello and welcome to the
Love My Museum podcast.
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:I'm your host, Amy Kehs,
and I love museums.
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:I'm also a brand strategist and
communications expert from museums, today
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:we're talking about one of my favorite
topics, media relations, and specifically
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:the 10 questions that I hear all the time
from museums, whether that is from a.
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:director of a small museum who wears
all the hats, including the public
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:relations hat, or if you're part of a
bigger team with more resources, these
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:questions still come up again and again.
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:We all want media coverage that helps
tell our museum stories, helps us reach
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:new audiences, and shows the impact
of the work that the museum is doing.
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:But the media relations side of
things, the media landscape can feel
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:a little bit like a black box, like
there are rules that nobody told you.
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:so today I'm going to walk you
through 10 of the most common.
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:Media relations questions
that I get from museums,
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:and because talking about these 10
questions, might run a little long,
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:I've just decided that I'm going
to divide it up into two parts.
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:So today in this episode, we will go
over questions one through five, and
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:in the next episode we'll do a part two
and we'll do the last five questions.
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:I do wanna say upfront that
media relations is a long game.
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:It's about relationships.
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:It's not just about getting coverage
today, but it's about being helpful
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:and a trustworthy source over time.
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:One of the reasons that I
decided to do this episode is
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:because a lot of my clients and.
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:Old coworkers and friends and family who
have been listening to the podcast over
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:the last year have said to me, Amy, you
don't talk about media relations on your
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:podcast, and that's what you're known for.
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:And they're right.
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:I did an episode, episode 13.
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:But that was kind of an overview, a
summary of media relations, so I decided
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:I'd sit down and think about the 10 things
that I hear questions around the most.
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:And we'll go through those.
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:I've kind of separated them into
almost in like a chronological
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:order, so we'll see how this goes.
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:So the first one that I have on my
list is how do you find journalists
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:to even be on a media list?
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:Now, this doesn't have to be
fancy or complicated and there
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:really isn't a secret to it.
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:Start looking at
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:who is already covering culture,
community stories in your area.
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:You can check local newspapers,
TV stations, radio, those tra more
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:traditional news sources, but also
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:look at non-traditional media
like blogs and podcasts.
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:You can also look for bylines on
stories that are similar to yours.
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:Maybe see if articles have been written or
things posted on blogs recently about a.
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:Another museum or cultural
institution in your neighborhood.
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:LinkedIn can also be a great resource
to track down journalists and their
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:contact information, and there are
also tools and software out there
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:to help you with the media list.
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:So resources like MuckRack or Melt water.
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:There also might be a more
regional tool that you can use.
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:I am in the Washington DC area and
we have a directory called Hudson's.
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:There's both an online version and
a paperback version of Hudson's.
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:You should see some of my
old Hudson directories.
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:They are filled with page flags and notes
and highlights, so investing in one of
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:these tools can also be a great help.
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:Okay.
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:Question two.
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:I get this one a lot and this is
actually some something that I get
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:hired to put together or to work on.
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:What do we need to have ready
before we pitch a story?
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:This is a really great question.
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:Thinking through everything that a
journalist might need, and having all of
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:that prepped and ready to go can save you
a lot of panic in the middle of an exhibit
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:opening or right before you have an event.
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:So the first thing that you should.
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:Really make sure you have.
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:is some high resolution
images, and with those images.
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:you should have a document that
includes the photo credits and
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:the captions for all of the images
that you have pulled together.
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:Another thing that's important
is to have a bio for.
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:anyone that will be doing interviews.
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:So if you're opening an exhibit and the
curator will be doing the interviews
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:with the media, make sure you have
a bio of that curator ready to go,
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:and you should also always have a
bio of your museum director ready.
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:Those two people are the two
people that are most likely to be
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:doing interviews with the media.
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:I will put all of this into an electronic
press kit, usually in the tool Dropbox.
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:This is something that journalists
tend to use a lot, and so it
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:just makes it easier for them.
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:Reporters are busy, so anything that
you can do to make their job easier
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:is going to help you stand out.
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:And of course, the really big thing that
you need for this electronic press kit.
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:Is a press release about your event
or exhibit or program, and we'll talk
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:about press releases more in a minute.
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:The next question that I have received,
maybe only once, and I wanted to give
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:this person a hug when they asked it.
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:I wished that more museum staff,
more museum professionals, thought
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:about this and talked to their
communications person about this
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:at the beginning of their project.
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:And that is, that question is how do
we know if something is newsworthy?
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:Enough to pitch to the media, and this
is the question that is behind every
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:other question you need to ask yourself.
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:Is this timely?
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:Is it unique or surprising?
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:Does it connect to a larger
trend or community issue?
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:The examples of what might be
newsworthy is the exhibit tied to
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:a current event or an anniversary.
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:Think about that ahead of time.
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:Let's say just as an example that you
have an exhibit and it is highlighting
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:a flag that's in your collection, an
American flag that's in your collection.
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:June 14th, which is coming up is
flag day, and so planning to open
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:that exhibit around flag day.
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:Would be a really smart move.
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:If your exhibit is highlighting famous
women in your town's history, and
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:that exhibit comes out at the end of
April and you've just missed Women's
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:history month, you've really missed
an amazing opportunity for coverage.
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:This might sound really harsh,
but just because something is
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:important to you or a coworker
doesn't always mean that it's news.
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:And the earlier you can think about
the timeliness or the newsworthiness of
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:your exhibit or your event, the earlier
you can think about that, the better.
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:You need to tell people
why should they care?
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:If you're highlighting from something
from your collection, why should
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:people want to come and see it?
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:And like I said, this is a really
important question to talk about
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:at the beginning of the process.
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:Question number four.
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:Question number four is one that I just
got recently actually, and it is, what
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:is the difference between a press release
and a media advisory, and do we need both?
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:This is a really great question.
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:So press release is the full story.
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:It's all of the pertinent
information about the exhibit or
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:the program or an acquisition.
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:Whatever your announcement
is, it's an announcement.
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:It should include the broad strokes
in that first paragraph, but then
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:also give a few more details and.
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:I always try to include a quote
either by the director of the museum
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:or the curator of the exhibit.
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:I teach a little mini course to museum
interns on how to write a press release,
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:and I've done this a few times for
one of my favorite clients, and what I
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:tell them is that the goal of the press
release is that if a journalist is handed
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:the press release and some images, they
should be able to go and write a story
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:without even having to come to the museum.
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:or pick up the phone.
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:That is the goal.
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:And I've actually had this happen
several times where a newspaper or
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:radio station just printed my press
release almost verbatim or read
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:what exactly what I wrote on air.
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:So that is a great way to
think about a press release.
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:A media advisory is a short, timely
invite for the media to attend
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:or cover something specific like
an event or a press conference
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:or a program that you're having.
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:So.
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:You may have a press release on an
exhibit, but you may have a media advisory
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:for a press preview or for a ribbon
cutting or for an opening ceremony.
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:Think of a media advisory as an
invitation, and at the top of it,
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:it'll have the who, what, where, when.
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:But spelled out kind of more in
bullet points with then a short
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:paragraph down at the bottom to
just give a little bit more details.
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:A follow-up thing to that is, do you
need a press release for everything?
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:No, you probably don't.
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:You probably don't need
one for every single thing.
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:Think about what's generally newsworthy,
what the museum's priorities are,
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:and that should help you decide if
you need a press release or not.
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:The last question for this episode
is how do we build relationships with
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:local reporters before we need them?
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:This is another great question
that I was really happy to hear.
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:The reason I was excited to hear about
it is because a lot of times museum
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:staff or any organization staff for
that matter, think of media relations
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:as something that you need to do at
the end of a project, and that it
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:only happens during this last phase.
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:of a project.
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:But that is not how we build
media relations at our museum.
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:You need to stay top of mind for
these journalists, all the time, and
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:this is where the long game comes in.
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:This is something that should be
an ongoing practice at your museum.
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:just, last month I received a call.
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:a old client was getting ready to make
a big announcement, a big anniversary
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:announcement, and it was two weeks away.
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:They probably had not sent
out a press release in several
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:years and they wanted my help.
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:So they were bringing on media relations
support two weeks before they wanted
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:to announce something and they hadn't
been in touch with journalists in years.
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:No matter how hard I work, that is
going to be a tough sell, especially
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:in today's climate where is hard to
get soft news stories anyway, way.
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:Building relationships with reporters
before you need to ask them for something
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:is really, really important, and there are
a lot of simple ways to build that trust.
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:As I said in the beginning, media
relations, it's about these relationships
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:and the stronger the relationships
are, the easier it's going to be
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:to get coverage, and it needs to be
something that's ongoing, not just
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:in the final phase of that project.
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:And remember, it isn't a one way street.
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:It is a symbiotic relationship.
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:You want reporters to cover
your exhibit opening your event.
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:But they also need content.
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:So if you can be there as a resource
or an expert, if you can provide
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:content for newsworthy things or timely
things, then that is going to be a
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:really strong way to build that trust.
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:There are a lot of simple ways to build
trust, and as I said at beginning, media
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:relations is about these relationships.
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:and the stronger the relationships
are, the easier it will be to get
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:coverage, and it needs to be something
that's ongoing, not just in the final.
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:Phase of a project.
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:There are a couple of
things that you can do.
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:You can follow them on social media
and you can engage with them there.
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:You can send a quick introduction email
saying that you enjoy their work and
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:that you are there, or your curators
or director are there as a resource
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:Invite them to visit without an agenda.
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:Using my planning calendar for
museums is a great resource to.
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:Help with planning your museum's year
and reaching out to those reporters
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:on a regular basis with those ideas.
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:You'll be top of mind.
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:Okay.
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:Let's stop there.
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:I hope you'll join me for the next
episode, and I hope this rundown of
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:these first top five media relations
questions gave you something
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:practical to think about and take
back to your museum and, and start.
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:Planning and practicing for.
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:Remember, it's media relations is
about building those relationships.
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:It's about being helpful and sharing
stories that connect with people.
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:If this episode was helpful,
I'd love to hear from you.
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:Send me a message, share it with
a colleague, or let me know what
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:other questions you might have.
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:Thanks so much for listening,
and I'll talk to you next time.