In this episode, Dr. Jemma Green continues her conversation with Omer Luzzatti exploring how Gigaverse's Web3 integration could revolutionize creator economies through blockchain technology.
Episode Highlights:
Discover how Gigaverse's platform enables creators to:
Get in touch:
Omer Luzzatti on LinkedIn
UnBlock'd podcast with Dr. Jemma Green
For more information on Dr. Jemma Green
Visit: https://www.powerledger.io/
Or connect on LinkedIn: https://www.linkedin.com/in/jemmagreen/
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Produced by: Podcasts Done For You
Web3 Integration and the Creator Economy Revolution.
2
:Oma LA on Giga versus
Blockchain Vision part two.
3
:In this episode, Dr.
4
:Gemma Green continues her conversation
with Oma Lati exploring how Giga
5
:versus Web3 integration could
revolutionize creator economies
6
:through blockchain technology, they
dive deeper into why community token
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:economies are essential for the
future of creator audience engagement.
8
:How secondary markets could amplify
creative value beyond traditional
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:platforms and giga versus innovative
approach to content moderation that
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:adapts to different community standards,
along with their exciting partnerships,
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:including Music City San Francisco, for
their reality show style integration,
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:and major music podcast networks.
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:They discuss how they're solving
real world challenges like
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:quality content discovery and
community specific moderation.
15
:I'm your co-host Anthony Pearl,
and whether you're an investor or
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:a startup looking for insights,
it's time to get unblocked
17
:as we get ready to pick
up the conversation.
18
:Here's a quick recap from last episode
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:Jemma Green: communities that
you're targeting to use Gigawatt
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:er in Web3 and Blockchain.
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:But my question related to that was
do you have any Web3 or blockchains
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:elements to the Giga verse product?
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:Are you talking about
tokens in the blockchain?
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:Sense of the word.
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:Omer Luzzatti: So we haven't
targeted crypto communities per se.
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:Now, when we are thinking about,
back to your questions about the
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:Web3, the first thing that creators,
the one that we are working with
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:is asking us is ticketed events.
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:So basically, I want people come
to my podcast to pay $1, $2, $10.
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:But the way that we are thinking about it
in terms of the engagement, in terms of.
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:Monetizing within the community
is these elements of points,
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:rewards and things like that.
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:That's one of the thoughts of
that we have, obviously for crypto
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:communities, it's pretty obvious for
creators and other type of communities.
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:This is a little bit more challenging
now to think that forward ahead.
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:Anthony Perl: You know what's fascinating
about everything that you were just
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:saying is it kind of replicates what is
happening in the Freeto Air TV market.
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:If you look at, you know, a reality TV
program is a good example where there's.
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:An element of quality content or debatable
equality, but content that's being
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:created and what actually happens after
that is there are often people that
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:are separate shows, which are talking
about the main show as well as podcasts
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:and other things that are happening.
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:So what you're essentially trying
to do is to replicate that, but in
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:this kind of an environment that
enables you to monetize that process
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:so that people will actually benefit.
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:From that ongoing discussion and
that's, is that kind of the way of also
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:making sure that you've got quality?
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:Because that was one of the things I
think that has gone wrong with a lot
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:of the other platforms is there's been
no way of really measuring quality.
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:There's been so much rubbish out
there that that's what just saturated
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:it and people just disappeared.
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:Omer Luzzatti: Yeah, so Abby just
mentioned me and said that I can
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:talk about Music City, San Francisco.
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:So Music City, San Francisco.
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:Is that exactly what they
wanna do with our platform?
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:It's basically a reality show.
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:What is Music City?
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:San Francisco is a new building
actually in San Francisco that is
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:the bottom three floors, podcast room
and the karaoke room and a big arena
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:and for events and for concerts.
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:And then they have a hotel on top.
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:It's basically to bring rock stars
back to the city and to create a place
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:for them to, for young bands to live.
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:So we are partnering and they want to
do a reality show exactly like that.
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:Showing, you know, the band and
then showing the room and then
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:showing the fans and then, okay,
so all that, that is part of it.
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:But you were catching the other point,
which is then to have the community.
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:Discussing it, leaving it, and
it's true for almost every content.
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:Netflix movies, from Netflix movies
to sports are obviously watching
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:together, sport events and then
talking about it within the fans.
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:So yes.
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:Now in terms of your second
comment about the quality.
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:I definitely want, and you know,
Abby knows it 'cause that's something
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:that I'm trying always to push for.
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:But then I'm aware that it's
also something that we need to
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:be aware not to push too far for,
is to have quality discussions.
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:Now, how can we, with AI create
quality discussions other than, you
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:know, adding information, et cetera.
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:And we can build a prototype for it.
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:We can call out when people are
making policies like Ed Homi, right?
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:Instead of talking about your
argument, I'm talking about you.
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:Instead of, I'm creating a
strong man argument, right?
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:I am inventing something that no one
actually said, and, and I'm attacking that
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:figure instead of talking to the point.
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:So all these things, so things that
would be AI that now is listening
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:and understands everything that we're
saying, we can analyze the discussion
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:and move it maybe to a better place,
but I'm also aware that that focus
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:might be a little bit too narrow.
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:I'm aware that people sometimes
want to just talk, right?
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:Anthony Perl: Well, quality's a
big battle on any media platform.
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:And you look at Netflix, which gets
criticized for ending shows in many
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:fans' cases prematurely, but they're
doing that to generate new material
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:and new quality so that you don't get
bogged down in what is old content
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:or you know, continuing old series.
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:So they can bring new
things in all the time.
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:And I think that's the
challenge, isn't it?
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:Because.
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:How do you actually manage that so
that your platform doesn't get flooded
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:with average content and people having
discussions that are, yes, there's a
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:small community that are interested,
but largely if there becomes lots of
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:small communities talking about things
that are, don't have much quality about
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:them, then that's where the problem is,
is actually finding the quality stuff.
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:Omer Luzzatti: Yeah.
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:So maybe I will talk about how
we are thinking about moderation
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:in general and for communities.
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:So obviously legally there are
several things that must be allowed
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:or disallowed on any platform.
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:Right?
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:But these, and I'm talking especially
about the United States, these are
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:very, very clear and very, very narrow.
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:I mean, the freedom of speech
obviously is one of the amendment
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:and, and is a big thing.
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:And there are only four things
that actually you cannot.
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:Talk about from legal perspective,
obviously things like, uh, weapons
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:selling, weapons direct attacks, and
threats to a specifically individual.
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:So these are very, very specific
and we must obviously obey the law.
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:Then What we are building is basically
for every community to enable their
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:own gon in their own language.
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:By providing them with the
ability also to change things.
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:I'll give you an example.
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:If we as a platform decide that some
words are something that we don't want
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:to have on the platform, right, and we
can come with these words or whatever
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:we the intent of these words as well.
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:But then if you take hip-hop community.
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:That he's talking about
hiphop lyrics, right?
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:They can definitely come and alter
and change these global rules of
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:the platform in order to adapt it to
their own community, which is more
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:tolerant obviously for some language.
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:Then for even for every event, you
can decide that now I want within
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:that event to allow or to disallow
certain jargon or certain language.
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:So we do, because we think
about building for communities.
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:We know that some communities
have different tolerance and
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:wanna talk about certain things,
obviously, according to the law.
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:So that is one thing that is completely
different than any other platform today.
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:The other element, which is very much
also close to it, is what can you
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:do when people are saying something
that is not according to your laws or
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:according to your community rules, right?
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:And even there will allowing much more
to the hosts and to the community owners.
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:So I'll give you the example
where it all started.
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:Matt Sorum is also one of
the founders of Gig Averse.
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:He was a drum of, uh, guns and Roses.
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:He did an event with these fans and the
event was about a record that was sold
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:that wasn't guns and Roses, and he didn't
want questions about guns and roses.
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:Okay.
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:So obviously for us it's very, very
easy to comment and to say every
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:time that someone is writing guns
and roses, delete the question.
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:Right?
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:And that's what most platforms, if not
all of them, will do in, in such a case.
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:But what if someone is asking
about Axel Rose, right?
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:Or someone is coming and asking,
oh, in, in:
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:why didn't you do this or that?
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:Right?
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:So we need to understand the intent and
the AI can understand the intent that
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:Axel Rose was part of Guns and Roses.
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:So if no questions about guns and roses,
then no question about about Axel Rose.
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:Jemma Green: Well sweet child of mine.
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:Omer Luzzatti: So, oh, and we
have a name drop of Axel Rose.
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:You can see and read more and
is vocalists and co-founder.
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:So we can understand the intent, but
now it's even the second order question.
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:Okay, so what are we going to do
about someone asking about Axel host?
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:And here we allow the
hosts to make decisions.
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:In some cases it may be delete
the question, in some other cases,
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:completely ban the individual from
the discussion, kick them out.
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:Or FDAI answer the question
if the question was something
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:that the AI can answer.
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:Okay.
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:I won't be bothered, but I don't care
that people will an, that the AI will
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:answer the question about, so that's the
way that we're approaching moderation
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:in a completely different way than what
is available today on other clients.
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:Jemma Green: I mean, there's so many
new things here that people wouldn't
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:even know about until they kind of
experience it for the first time.
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:So once they're in the tent, they can.
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:See all of the different toys and
get really excited and use them.
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:But before that, what would you say
is like the biggest sort of challenge
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:to adoption of this new experience?
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:Omer Luzzatti: Yeah.
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:No, it's a fantastic question
because Abby here, by the way, is
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:head of product and also his role
to make it simple and to have people
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:work with, we are builders, right?
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:We come with ideas and we
build them, but then we need
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:to obviously sell them, right?
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:And to have people exposed to it.
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:You wouldn't even know about name drop
without something happen here, right?
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:So all that you can trigger a poll, right?
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:So there is a question of the, the
product itself and how to make it visible.
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:And then there is a question
of how do we market it?
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:How do we package it, and how
do we let people know about it?
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:I don't have a very, very good
answer here, but we are walking our
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:way to, you know, to move forward
is basically to walk with partners
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:that are much closer, the creators.
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:So in that essence, it's a
little bit like a B two, B2C.
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:Mm-hmm.
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:And they are also a, the one that
are giving us feedback about the
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:solution and what they wanna see.
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:For example, ticketing is, must have for
them to bring the podcasters on board.
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:So Pantheon podcasters are one partner.
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:They are the biggest music
podcasters network in the
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:world, or at least in the us.
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:Metallica is their band that I
mentioned before, and they introduce
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:us to additional podcast networks.
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:The other one is still one
entertainment in the Philippines.
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:They mentioned before they
have 400 million end users.
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:It's a creator house.
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:We're
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:Jemma Green: sitting on the
fence with that response, Omar.
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:Omer Luzzatti: Yeah, but the, the names
that are mentioned on Spotify Apple
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:Podcast, obviously this is different.
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:What Pantheon is doing is basically
increasing the revenue for their
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:podcasters by bringing relevant ads.
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:And obviously the podcast itself
is on Spotify and all this.
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:So at Tier One Entertainment, they have
many creators and I mentioned before.
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:Political figures, gamers, chefs, right?
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:Young people that are just going the
streets and at them telling the fans
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:that they're going from point A to
point B in Manila and they have hundred
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:thousands of people watching them walking.
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:So with them, we are engaged now
in the next four to six months
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:to try out multiple use cases
and each use case some other.
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:Features actually would
shine fact checking.
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:I don't think it's very relevant
for people walking the street,
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:but for obviously political
discussions is very relevant.
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:Jemma Green: Got it.
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:And it sounds like, you know, because
there are so many different sort of
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:segments, the approach that you're
taking, I mean, you just said B two,
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:B2C, but the within that, the way
that you are going about getting
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:customers is quite different.
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:Omer Luzzatti: Yeah, we made the
decision to focus on podcast and podcast
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:live, and we did several research
demonstrating the appetite to A, to
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:go live, B, to create a community
around them and C, to monetize better.
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:So I remember correctly something like
72% and then we segmented it into values.
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:Uh, parts sport is very,
very big for this, right?
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:And indeed we have creator, she's
very close to the UFC women fights.
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:So we are going to have something
with the UFC and and over there.
233
:For example, the after the fight,
it's to open giga verse and to have
234
:fans coming and asking questions,
paying for $5 to ask a question
235
:and to be answered by the fighter.
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:But then especially because of K one and
because of we see other opportunities,
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:we're opening it more now to additional
type of creators, not only podcasters.
238
:Also communities more and more to
shine also that part of the community.
239
:So I think to answer your question
maybe more kind of philosophically
240
:we're to focus and when to
open right is a big question.
241
:I think that we, and, and there
are several approaches here.
242
:We are finding now via these different.
243
:Verticals, let's call them.
244
:This way, we are finding what is actually
working, what is more relevant, what
245
:is less relevant, and then basically
also with tier one, their approach
246
:is then to create a playbook that you
can replicate more and more and more
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:with, with additional creator of type.
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:So that is while obviously
building the solution and making
249
:it simple for people to involve.
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:Anthony Perl: Again, it's quite
interesting because it's kind of not
251
:dissimilar to the TV landscape where
they partner with production houses that
252
:deliver bunches of content, you know,
as well, and a variety of that sort of
253
:content and, and controlling it that way.
254
:So it's an inter, it's interesting that
the model is not dissimilar to what's
255
:working in mainstream, but taking
it to a, a level that's much more
256
:accessible than, you know, paying for
a TV show through a production house.
257
:Omer Luzzatti: And you got to spot
on, and Jacob has a questionnaire.
258
:So unlike, I don't know, Gemma, if
you are a host, Anton is definitely
259
:a host because he started it.
260
:So he has another tab with insights
and he can see the the questions.
261
:So Jacob is asking, can Gabe,
with existing discoveries broken?
262
:Jemma Green: So how do you think
about solving the Cold Start
263
:problem for emerging creators
that don't have an audience yet?
264
:Or does gig averse assume they'll
come in already with an audience?
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:Omer Luzzatti: So we are not
trying currently to solve the
266
:discovery within the platform.
267
:What we enable them though, Jacob,
is to utilize the all the other
268
:platforms that are there in order to
engage with their existing audience.
269
:So if you have a YouTube live, and many of
them do YouTube live, Instagram, Twitch.
270
:A LinkedIn, right?
271
:You can stream this on these
platforms and have the people
272
:seeing it the moment that they want.
273
:They wanna ask a question the
moment that they wanna be on stage,
274
:then they will come to Giger.
275
:So we see it currently not as a solution
that the podcasters that have, let's
276
:say, thousands of people watching them.
277
:We'll move all the thousands here.
278
:We see it more kind of the salon or
the intimate environment that the
279
:hundred, 200, 300 fans will come
and then will spread the moment that
280
:we will have more communities, the
moment that we will have more content.
281
:Currently, we have something
like 400 communities.
282
:And around I can, I can immediately
check, but I think something like 5,000
283
:users at the moment, that we will have
content and the ability to incentivize
284
:people to come, oh, now this is happening.
285
:Now that is happening.
286
:To blend things together and then we'll
need a real good discovery mechanism.
287
:That's again, going back to
the balance between to have.
288
:A serious platform that you come because
you wanna hear a discussion or because
289
:you wanna see your chef or cook with
your chef, versus a place that you scroll
290
:and jump from one event to another.
291
:A good discovery with a good algorithm
for discovery is essential for Instagram,
292
:TikTok, obviously, and Twitter because
they wanna promote to you content that
293
:will keep you engaged and keep you more.
294
:On the platform, we are trying something
that is slightly different, which is
295
:we want you to stay here because we'll
make you engage in this discussion
296
:by asking more polls, by the fact
that you know that if you ask a good
297
:question, just like the one that
you did, you'll now get two points.
298
:And with these two points you can
buy an NFT or you can cash out.
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:So that's the gamification of
communities that we expect.
300
:We are trying to have that one, the
engagement engine and not the scrolling
301
:from one to community to another.
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:Anthony Perl: Can I just ask a question
because I think I'm very cognizant of
303
:the fact that where here we are in the
giga verse and we're doing this live at
304
:the moment, but there'll also be plenty
of people that will be listening to this
305
:as an audio based podcast in the future.
306
:So maybe you wanna take people through
a little bit about some of the features
307
:that are actually in the giga verse,
but also interested in what's coming.
308
:Omer Luzzatti: Sure.
309
:So currently we have a
platform for many, too many.
310
:As you can see, we built it in such a way
that there is audience, and then the hosts
311
:and people that are talking and asking.
312
:Obviously, there is a chat.
313
:There is, as I demonstrated
before, you can create polls.
314
:You can moderate the discussion.
315
:You can have fact check and to enhance the
discussion and other elements like that.
316
:In addition, immediately after this
is done, we are creating the recording
317
:of this, of it, if you're recording
it, and then highlights and various
318
:clips that you can immediately
share with your audience, right?
319
:Mostly on the platform like
Instagram and others, including
320
:the summary of the discussion.
321
:The transcript is here.
322
:The transcript mentions who is saying
what, which is also something that is.
323
:You know, kind of, you can have it
in multiple languages, obviously,
324
:and we understand multiple languages.
325
:And the voice activation
is also languages.
326
:The community page is a page that
you land when or when you wanna
327
:see the recording or when you
want to chat with your community.
328
:And this is something, for example, on
Zoom that doesn't really exist, right?
329
:On Zoom.
330
:There is no community and thus is
no discussion post live, pre-live.
331
:We are now building the post live
and pre-live to become much more
332
:engaging as well, so that the hosts,
for example, Gemma, in this particular
333
:case before the podcast, the community
knowing that now she's going to host.
334
:Someone can ask questions
before and after.
335
:They can watch it together.
336
:They can watch the podcast.
337
:So elements to tie the live into
the community in better way.
338
:In terms of motivation, we are
adding the video layer now.
339
:The video layer understands the
video first in order to moderate.
340
:So for example, you have on your back
right being the voice brilliance, but,
341
:but if you had something offensive,
then we could also understand that and
342
:we know that it's something that is
happening, especially in discussions.
343
:So something offensive and
then we'll have the alert.
344
:Oh, although Anthony is great.
345
:There is something offensive in that
video, in addition to many, many other
346
:elements that are much more relevant to
gardening together, cooking together,
347
:where the visual elements is much more
dominant than just the talking heads.
348
:Monetization is the biggest
one that we're adding and that
349
:we are planning what to add.
350
:Obviously we need to think
how to build it, how to build
351
:this reward and point system.
352
:Uh, we're in discussion with
some platform that un know.
353
:We spoke to Lynn several times.
354
:The crypto experts that are around
us, as you know, we have extensive
355
:lists there, so we are thinking
how to build an organization and
356
:points system that is suitable for
us and makes sense for communities.
357
:It needs to be very, very simple because
creators don't really understand it yet.
358
:So I would say that I put
first monetization then.
359
:Making the community
elements much more alive.
360
:The AI can bring content.
361
:I said many things we spoke.
362
:Now the AI afterwards can not only
summarize the discussion, but search
363
:the web tomorrow and come with, oh, the
competitors of giga verse are right and to
364
:make and to open the room automatically.
365
:We are thinking what makes the community
community right and there is some cadence.
366
:So every week at 8:00 AM on Wednesday,
the room will open automatically.
367
:People get notified and people can join.
368
:Many ways to help community
activators to build a community
369
:that is not only about the live
element, but also about the as sink.
370
:Jemma Green: Awesome.
371
:You mentioned about paying for podcasts,
like entry, most podcasts are free.
372
:Do you see that as like a
point of friction or because
373
:they get to interact with.
374
:The creators or the thing the
people they're fans of, then
375
:that makes it a bit more nuanced.
376
:Omer Luzzatti: The podcast industry
is, on one hand, it's growing.
377
:On the other hand, podcasters typically
use it as a second hobby, right?
378
:And not as something to make money
when they try to make money off it.
379
:It's extremely challenging and it's
very, very, very small amounts.
380
:So yes, many of them, and I would call the
me podcaster, but the one that are running
381
:more than, you know, 30 shows already.
382
:And know how demanding it is to
find podcast, to find people to
383
:talk to, and then to monetize it.
384
:Yes.
385
:They definitely are Thinking about
ways to monetize and ticketing
386
:is one of the first ones.
387
:The ad-based solutions for podcasters is
also very, very limited, and obviously
388
:the platforms are taking a huge cut of it.
389
:Jemma Green: Yeah.
390
:Anthony Perl: What's fascinating
about podcasting content is that
391
:most podcasters forget about the
content that they've already created.
392
:I think that's where the interesting
opportunities are as well, because it's
393
:cross-referencing and, and using the
AI to bring back some of that content
394
:that's already been created and might
have happened some time ago, but to
395
:bring that back to people, which is what
doesn't really happen on Spotify and
396
:Apple and those platforms to an extent
happens on YouTube because of search.
397
:Omer Luzzatti: It's a very good point,
and we need to think exactly how
398
:to make that part of the community
live and part of the podcast live.
399
:By the way, the clock on the right will
bring you all the soundbites and the
400
:fact check, but there was an interesting
one with Castor that suggesting the
401
:small audiences can earn between
zero to hundred per episode dollars.
402
:There are value ways for
broadcaster to earn money.
403
:Sponsorship advertisement
mentioned by this and that.
404
:So if you wanna dive into the way the
podcasters, basically the fact check,
405
:what we're doing is form analyzing
the statement or the question.
406
:We are taking multiple
questions out of it.
407
:We are searching the web, so I can ask
now about stock market and obviously
408
:I have maybe response and then we are
getting something like 30,000 pages.
409
:Summarizing them into
this read more element.
410
:So if you wanna talk about stocks
though, you know, Bitcoin is up 5% today.
411
:Let's fact check it.
412
:I have no idea if it's true or not.
413
:Probably not.
414
:Uh, the last 24 hours
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:Jemma Green: down 1.7%.
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:Omer Luzzatti: Yeah.
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:Okay.
418
:So you can see how you can utilize it.
419
:Jemma Green: Yeah.
420
:Oma, I'm gonna just summarize
this conversation in a moment.
421
:Just before I do, could you tell us
your favorite song at the moment?
422
:Omer Luzzatti: Favorite song?
423
:The only thing that comes to my mind,
because I was walking the dogs earlier
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:and found myself, uh, repeating it.
425
:It's not really a song.
426
:It's my son, my eight years
old is learning piano and is
427
:actually very much into it.
428
:So yesterday evening he was repeating
some swing jazz piece they don't
429
:even know, you know, from, uh,
his only kind of second year.
430
:That stuck into my head and
it was like going, and I said,
431
:whoa, where these tune come from?
432
:And yesterday was for
30 minutes playing it.
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:So I, I got stuck with that.
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:Jemma Green: Amazing.
435
:Well that sounds better than some of the
kids' songs to get stuck in your head.
436
:Omer Luzzatti: Yeah, exactly.
437
:Jemma Green: Oma, I've really enjoyed
the conversation with you today.
438
:I didn't know a great deal about the
video industry and podcasting and AI
439
:in this context, and it's been great
to use Giga verse and experience
440
:all the different elements here
that we've had in this conversation.
441
:And I found it really interesting to
hear how one of the skills that you've
442
:had to fall upon as an entrepreneur
is when to focus and when to be broad.
443
:You know that discernment skill is
really important to create a growing and
444
:successful business, and I just wanted to
congratulate you on the progress you've
445
:made so far with gig averse, with the
amount of users, and I'm looking forward
446
:to using your platform again, and thank
you so much for coming on unblocked.
447
:Omer Luzzatti: Thank you, Gemma.
448
:Thank you, Anthony.
449
:It was pleasure.
450
:Anthony Perl: That's all for
this episode of Unblocked.
451
:Please check out the show notes
for information on Power Ledger.
452
:Other contact information.
453
:We welcome your comments and
feedback and please hit subscribe
454
:wherever you are listening.
455
:This podcast was produced
by podcast Done for You.
456
:We look forward to your
company next time on Unblocked.