Writer-director Liz Sargent built 'Take Me Home' out of the life she and her sister Anna have lived, expanding her Sundance short into a feature. Liz opens up about what it means for her work to sit so squarely inside her own family, and whether any line can realistically exist between directing a project and living it, between being someone's director and being their sister once the camera rolls.

The short still stands on its own, and Liz looks back on it now with the feature finished, considering how her feelings toward that earlier piece have changed and whether the longer process gave her new appreciation for choices she made the first time around. She also gets into how a feature schedule, so much longer and heavier than a short, reshaped her working rhythm with Anna, and what pulled her toward telling this as fiction rather than documentary.

Anna acts opposite a seasoned ensemble here, and Liz describes how she built a set where her sister felt secure and genuinely creatively empowered among them, along with the accessibility practices her crew adopted to make that possible for everyone. She closes on the film's ending and the hopeful world it imagines, and whether offering audiences that vision makes the current state of care systems land even harder for her.