Faith, Freedom, and Atlanta's Nightlife with Mashaun D. Simon
Bonus Episode28th September 2024 • Queue Points • Queue Points LLC
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DJ Sir Daniel: The views, thoughts, and

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opinions expressed are the speaker's own and do not represent the views,

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thoughts, and opinions of Queue Points.

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Welcome back to I Come Alive: Stories of Black Gay Atlanta Nightlife.

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I am your host, DJ Sir Daniel.

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This series strives to tell the stories of Atlanta's gay nightlife from the

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perspective of the people who lived it.

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Our featured guest for this episode, is a reluctant leader as most pioneers are.

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Mashaun D.

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Simon has the distinction of being an OG peach holder for he is

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Atlanta born and Decatur raised.

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He has a unique story of duality.

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How does one answer the call of the almighty and still enjoy

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being Black and queer in Atlanta?

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You'll soon find out.

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Enjoy the show.

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You have the distinction of being the only human being.

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born and bred subject that I've spoken to so far on this project.

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Oh, wow.

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Yeah.

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And that's a big deal because as a native son of Atlanta, like what grade would

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you give your city for its treatment of its black and queer citizens?

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Mashaun D. Simon: Oh, wow.

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What grade would I give?

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You know, it's, hmm.

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What grade would I, is this like on a normal scale of like a to like D or, yeah,

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DJ Sir Daniel: just you can give it or we can do, uh, e, s and, and u.

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Excellent.

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Satisfactory, unsatisfactory, whatever you want to do.

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Teacher s Yes, exactly.

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. Whatever you want to do, professor.

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Mashaun D. Simon: Um, I would say that where we are now as it pertains

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to the city and what's available to those who identify as black and

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queer, however you line up on that, um, um, I would give the city a seat.

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I think the city does really well around being somewhat inclusive, um, politically

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for the LGBTQIA community at large.

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But I think when it comes to, and what I mean by that is the ways in

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which it protects, um, the overall community in a lot of ways, especially

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when we think about like Midtown 14th street, et cetera, et cetera.

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Um, it's support for gay pride in the city, et cetera.

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And the ways in which businesses come together.

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But I think when it comes down to those of us who are also black and

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brown, um, I cannot say that the city has done or the city has Invested as

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much energy, commitment, care, and concern for us, what we need, what

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we want, and what's available to us compared to the community at large.

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I will say though, that what I find to be interesting is that

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this project that you were doing, um, there seems to be this trend.

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Um,

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Mashaun D. Simon: and so, um, maybe it was about a year ago, I participate in

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these conversations that the City of Atlanta were doing about Black Gay Atlanta

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and the history of Black Gay Atlanta, and I found that to be intriguing.

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Um, and so I think there is something happening where there are certain people

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in certain spaces with a certain amount of access that are bringing this conversation

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to life, and I do appreciate that.

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Um, but those pockets are few and far between.

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DJ Sir Daniel: Hmm, so let's put a pin in that because we're

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going to come back around to

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Black gay Atlanta the treatment of this the city as a whole I do

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find it is rare that we do run into someone that is a native of the city.

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So how do you feel, and we're going to get to our main topic, but how do you feel

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when you see those disparaging comments about Atlanta, knowing that most of the

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people living here are transplants now?

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You know, we love that saying Atlanta is not a real place.

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And at times it is, it is mythological.

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At times it does go, you feel like, okay, are we in Oz right now?

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But yes.

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How do you feel about more so the disparaging comments about the city

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of Atlanta, whether it's about the infrastructure, um, traffic or the

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fact that there is a, such a large and visible black gay community here.

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Mashaun D. Simon: Yeah.

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I tend to, I tend to take it personal in a lot of ways.

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Um, I have taken notice as to lately, this has actually happened a few days ago where

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a colleague of mine who lives in San Juan, Puerto Rico, every time, um, according to

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him, people from Atlanta visit San Juan.

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Like he, he claims that he just knows that they are people from Atlanta.

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Like he's like, I know that these are Atlanta Negroes.

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For these reasons, dot, dot, dot.

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And I'm always like, no, stop.

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Cause one, all of us are not like that and not, and you can add whatever the

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stereotypes you want to add to that.

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Um, but two, as you said, a lot of the people who now claim

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Atlanta, we're not born here.

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Like there are not that many natives still living in the Metro area.

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Um, I used to joke and say.

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And I know this to be true because I feel like I'm related to most of them.

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Um, because I'm just still finding more and more family as I get older.

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But, uh, yeah, like I find myself taking it jokingly and subtly personal, um,

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because I think it is slightly unfair that all of these things are tacked on to my

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city, um, from the perspective of someone.

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Now, let me be very clear.

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And I always do this.

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I'm Atlanta born and Decatur bred.

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Um, because my family was adamant about raising me, um, in a

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different kind of environment.

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And so a part of that is in my DNA, like I am a Decatur boy, um,

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but I still claim Atlanta proudly because I was born in this city.

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I, um, have been greatly influenced by this city politically,

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economically, socially, culturally.

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Um, and so I like to take ownership of the fact that I am one of

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the very few who are still here.

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DJ Sir Daniel: And it's funny you bring up claiming, you know, how Atlanta

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has influenced you socially, as long as you and I have known each other.

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And that's been for a minute now, as long as you and I have known each

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other, you really haven't been much haven't been one for going out a lot.

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And so I'm wondering how has like the pursuit of the titles that I

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named that I rattled off earlier, like the pursuit of those titles.

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How have they informed?

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your connection to the gay scene here in Atlanta?

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Mashaun D. Simon: Um, well, yeah, I was here.

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I, I, I was many of them.

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I was a club kid.

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I went to the Bulldogs and tracks and, uh, and the phase ones.

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And I went to Loretta's.

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I've been to the Marquette once I survived.

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DJ Sir Daniel: I

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Mashaun D. Simon: never want to go back

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DJ Sir Daniel: again.

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Um, I think we have to go back as adults just to Just to, to, to gauge

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the amount of growth, our growth and the, the growth of the Marquette,

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because I think the Marquette,

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well, but see, here's the thing.

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I think there's still a place, there's a place for not necessarily the stabbing

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and

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DJ Sir Daniel: the being dragged out on the streets.

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But there is a place for that.

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That segment, that demographic of the community to feel seen and

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to have a space for them as well.

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And I think it, and I think it is something to, it's also a

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way that we gauge ourselves and you know how far we've come.

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Cause I haven't been there since 1995, 96.

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So yeah.

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Yeah.

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Mashaun D. Simon: I don't even remember when I went to be quite honest.

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I just know I've been in there once and I was like, Oh, this is what this is noted.

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I never have to come back here again.

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DJ Sir Daniel: I wonder how much the fact that it was co ed, like

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it was very much, it was unspoken.

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Like this is not just for you boys.

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This is also for the lesbians, the, the studs, especially when, when I was going

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in, it was on, um, Right there by the AUC across the street from that McDonald's.

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Um, Job Corps had a headquarters here in Atlanta at that time.

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And so a lot of the young ladies The studs the young and budding studs that

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used to go to job Corps would come to job I mean would come to the Marquette

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and frequent the Marquette and they kind of outnumbered the boys as it were, you

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know so There's a lot I said for that environment, but you were saying about how

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the scene and your pursuit of Your dreams your goals How how did one inform the

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other like Did you find at one point you were like, okay, can't do this as much as

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anymore because I'm concentrating on this.

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Yeah.

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Mashaun D. Simon: Yeah.

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Yeah.

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That's very true.

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That is very, and I was having a conversation with

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someone recently about this.

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Um, my, my husband and I have just recently celebrated 10 years together and

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There was a conversation being had with one of my ministry

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colleagues out of North Carolina.

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Uh, About how rare that is seen in our community.

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And it caused me to go down this rabbit hole of a lot of the choices

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I made for a lot of different reasons as it pertained to, as you said,

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the levels of status I was chasing.

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And I was that young man who had been conditioned to believe that um, you had

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to be presented in a certain kind of way.

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Respectability politics, you had to.

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Operate a certain kind of way.

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You have to lose certain way.

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Um, and so when I started seminary, um, back in 2010, um, I like to say that my

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life, my nightlife ended in that moment.

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Um, I had been, you know, hanging out with my people, going to the

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Bulldogs, going to, um, the spots.

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Um, I remember the days of going to the palace.

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I remember the days of phase one.

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I remember the days of all of those moments.

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Um, but when I decided to surrender to what I perceived to be a call on my

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life to ministry, um, I chose to submit to this idea that people in ministry

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didn't need to be in certain spaces.

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And the club is one of the places that we did not need to be in.

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Um, and when I started preaching regularly, um, when I started

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pastoring, um, um, um, um, All of that came to an abrupt end.

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I would still, every now and again, do like a First Fridays at the

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Eagle, um, with certain people.

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Um, when my now husband and I got together, there were a couple times

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where he and I went as a couple or when family of his was in town for like a

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pride, uh, a Black Gay Pride weekend or, or, or Labor Day weekend, we would go.

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So a First Friday experience.

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But yeah, I completely stopped.

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Doing all of that because it was perceived that that was not something for someone

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of my stature to be doing unless I Was gonna be what a lot of people call it.

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Not my city sissies.

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So if I went out of town

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DJ Sir Daniel: I Was I was just about to bring that I was like do you so do you

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were you one of the ones that you felt?

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You can't you can let down your hair in another city because yeah, that's what we

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would see here in Atlanta Yeah Yeah, and

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Mashaun D. Simon: yeah, I became a not my city system.

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DJ Sir Daniel: I'm not my city, sissy.

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And I will say that you, you and Elvis, your husband have always, um, would come

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out for events that I was a part of.

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Like if I would be spinning at a, at a bulldogs for, like you said,

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for pride weekend, yes, you guys would come out and support me.

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And I always appreciated that because I was well aware of your journey.

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And.

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It's funny that you have that kind of conflict within yourself about, you

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see a friend on the journey and you're like, well, it's not that serious.

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You know, he could, he could do such and such, he could come out.

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And, but then you don't realize you have to take into consideration

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that people are really on.

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Their life's paths and you need to and we have to respect that and I and that only

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comes with growth And you know getting older and just living life because as I

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step away from Nightlife, you know and not being a part of it as much as I did

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mostly because you know growing older and things starting to Change or be the

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same and you know, you're trying to, you don't really feel like you fit in anymore.

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Um, do you deal with that of the aging out thoughts of, you know, nightlife?

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Is that a thing for you?

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Do you feel like you feel like you've aged out?

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Because I still, like we say, there's a first Friday and that's

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where we'll see people our age or older, you know, that will come out.

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Yeah.

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Mashaun D. Simon: Um, yes.

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Yeah.

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It's interesting.

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So I think it's interesting space now where I, I feel like I am, I am having,

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is it a one 80, not quite a three 60.

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I don't know.

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Like I am, right.

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And you know, I did that great when I was in high school, what's what's one

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plus one again, uh, I, I am having a moment in my life now where, um, I've

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been on this interesting journey.

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The past couple of years of stripping myself of a lot of that baggage.

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Um, certain people in certain religious spaces call it deconstructing.

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There's this argument that maybe it's not quite deconstructing.

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Maybe it's something else.

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Whatever.

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The reality is, um, I am finding myself divorcing myself of a lot of that baggage.

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Um, and so because I am what a lot of people like to press to be this public

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figure, Uh, I do not as much allow some of those things to hinder me as much as

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they used to because my own work and my own research has caused me to consider

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that that level of conditioning may not have anything to do with anything

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beyond people just trying to control or people just trying to, um, create.

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It's a world or society or individual or being that makes them most comfortable.

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Um, so the reasons why I don't go out much now is because I'm busy.

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Like sleep is very important to me.

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Like you

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DJ Sir Daniel: said,

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Mashaun D. Simon: sleep is a commodity.

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Um, and so it's, it's, and sometimes, yes, there are certain spaces.

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I'm just like, this ain't for me.

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Like.

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I don't know who this artist, I don't know who a little sexy red is or what

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have you and so that doesn't move me.

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Um, you give me, we went to a gathering not too long ago, um,

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that my brother had this party.

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And my brother is in his late 50s, early 60s.

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And I was like, oh my gosh, I just realized that I am

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of the bridge generation.

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Like, I, I am that in between from my brother's generation.

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Yeah.

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Cause I'm a cusp, I'm a Gen X er, so I'm a cusp millennial.

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Um, and so there are some millennial music and some Gen Z music that I am familiar

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with the Canadian because I'm, because I have young nephews and nieces, et cetera.

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Um, and then I'm in this interesting Gen X pocket, where there are certain

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kinds of music that move me, but then it generates the music of my brothers and

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sisters and even my parents generation.

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Some of the, what we call oldies move me as well.

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And so if I find a space.

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What's all of that operates, then I'm very happy.

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I'm very comfortable.

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I'm living my life and, and that's no issue.

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But when you get to some of this other stuff, like I enjoy make the stallion, um,

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I ain't got her knees, but I love my boss.

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Um, but like the 60 reds of the world, I don't know who the people

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are in that musical movement.

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So those are the reasons, like the music, um, that I enjoy sleep.

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Those are the reasons that sort of keep me from going as much compared to.

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These concerns around me being a preacher or me being a pastor or me being, um, the,

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this individual that, that, that people have tapped, um, a, a title and some level

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of authority to, um, I, I, I am of that person that nowhere is scandalous because

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if I'm supposed to be doing the work of being amongst God's people, then I should

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be able to be anywhere amongst God's people and, and that not be a problem.

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So yeah, I thought that really answered your question, but yeah.

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DJ Sir Daniel: Um You mentioned, you mentioned your brother and I know

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that you, you've acquired quite a few spiritual brothers on your journey.

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Um, but tell us about Hollis O.

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Simon the second.

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Why

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Mashaun D. Simon: are you doing this?

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DJ Sir Daniel: Um, I, this is, I think this is, um, You'll see

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where I'm going in a second.

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Tell us, tell us about Hollis O'Simon the second.

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Mashaun D. Simon: Um, Hollis O'Neill Simon, the second born for my

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father, Hollis O'Neill Simon, um, was, is, uh, for all intents and

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purposes, my only biological brother.

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Um, I have learned in the past few years since my father died, father

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and I had a lot of parallels.

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My father had only one biological brother.

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I only had one biological brother.

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Okay.

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Even though I have these other siblings from the other situations,

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et cetera, et cetera, yada, yada, but for all intents and purposes,

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he's my only biological brother.

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Um, he asked in 1992, the early 1990s, um, from complications to HIV, um, he

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had full blown AIDS by the time he died.

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He was a educator, he was a special education teacher.

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Um, but he was also a designer.

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He was a seamstress.

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He made clothes for some of my siblings, for his mother, for cousins.

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Um, he was working, um, to develop a name for himself in the fashion world.

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Um, he was my guide in a lot of ways.

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Uh, uh, he, I mean, he was just amazing.

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He was an amazing individual, um, full of life, full of love.

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Um, and when he became diagnosed with HIV, um, He is probably one, one of the

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reasons why I am at this age of 40 plus 45 plus live to the extent that I live

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because my brother wanted to live so bad.

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He was so creative.

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Um, when I had projects at school that displayed boards, I would have him draw my

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display boards for my school assignments.

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Um, I mean, he probably was for all intents and purposes.

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The first best friend I had before I knew what a best friend was.

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Yeah, he was my big brother.

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DJ Sir Daniel: He was your big brother, and did he identify as a gay man?

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He was.

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He was a black

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Mashaun D. Simon: gay man,

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DJ Sir Daniel: um,

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Mashaun D. Simon: as well.

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DJ Sir Daniel: So, um, I brought him up and I asked about Hollis because

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one, I know how important he is to you.

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And I just wondered, did you ever imagine what your life would have been like if

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he were to, if he were alive to help you navigate through those black queer spaces,

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you know, through those, through the club scene, through the, you know, your

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first date, your first hookup, whatever.

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Yeah.

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Tell me about that.

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Mashaun D. Simon: I think about that a lot.

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Um, it is part of the reason why the D is in my, in my name, in my signature.

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Uh, I learned after my brother died,

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he

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Mashaun D. Simon: either named me or had something to do with my naming.

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Um, and so to honor him and to honor his memory, um, I made my

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middle initial a part of my, my, my brand, my identity, my signature.

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Um, but there have been numerous times.

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Especially when I was having like relationship problems.

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Oh my god.

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I'd be like, if my brother was here, um, the conversations we could have

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had, um, the moments we could have had when I could have just driven over to

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the house and then just been like, let me tell you about what this negro did.

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Um, I just really feel like there were these missed moments.

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Um, especially Because I wasn't, I was young when my brother died.

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I was 13 years old when my brother died.

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I was 13.

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He was 33.

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Um, and so I had not quite come.

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I knew who I was.

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Um, and I knew what my identity was, but I had not been brave enough to let

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others in on that or let others back.

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Um, so he was a huge part of why I came out when I came out.

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Um, and I, for many years, I found myself in a space of just

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contemplating the what ifs.

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How would, how would have things gone?

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There was a good time.

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A lot of people don't know this.

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Um, I think I've only told this to one, maybe two other people in my life.

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There was a period of time in my into late teens where I

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had a health scare of my own.

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I, I, I had been exposed to HIV.

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One that I was dating at the time.

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And so I was really, really concerned, um, and had just really spiraled.

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I was just like, Oh my God, I did the same thing.

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My brother did.

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Oh my God, my family is going to be so disappointed in me.

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Yada, yada.

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I went through all of that stuff and I had these moments of if Hollis was still

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here, what I have made some of these mistakes, what I have dated this person,

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what I have, what I have done these things and how was I going to navigate?

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My way through after that, thank God I was spared.

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Um, I was not positive.

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I am not positive.

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Um, but it, it triggered this way of just sort of being Set apart.

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Um, and so even when you talk about These decisions that I did not make because

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of the life that I was chasing like not going out as much etc, etc Losing my

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brother also had a large part in that because I wanted And that health care

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because I wanted to I wanted to provide a different narrative than the one

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people around me had been so used to.

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Um, and so I became the well organized, driven, highly successful, well

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attached, well connected person that I did, especially for my family,

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especially for my mother and my father, because of the loss of Hollis.

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Um, I needed them to look me in a different kind of way so they

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could say that I had done the same things that him and many others

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had been, um, judged for doing.

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DJ Sir Daniel: Hmm.

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I think, uh, I actually relate to that in the sense of, you know,

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the way I would move the way I would like even just going out.

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It was more so of, okay, I'm going here.

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I'm going to be on my best behavior because I don't want the narrative to

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be what he was down at such and such.

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And he was there, you know, and you always think, Oh God, what if something happened?

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What, what is my mother going to say?

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And that's, you know, and it says something, um, dire happens.

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Oh God, is this going to be.

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The story that they tell my mother.

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Is this going to be the story, the legacy that I'm going to leave behind

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with such and such got caught up in, at this party or at this club.

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And, but I, you know, I,

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I love that about you and Hollis.

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And again, I mentioned that you pick up spiritual brothers along the way.

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Um, Myself included, you know, and I think part of that, those moments that

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we get to share in those spaces become part of that bonding process because I'm

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thinking of a moment Where I witnessed you get free once I'm on a dance floor,

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I'm not gonna go any further than that

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But I do I do want to know for you because it didn't necessarily happen

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with me, but What and I've been asking every all my subjects this question

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about the music aspect because I'm a DJ So I'm gonna ask this like what song do

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you remember that really set you free?

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In, in the space with your, in the queer space with other black men.

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Mashaun D. Simon: Uh, Oh my gosh.

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What song has really set me free?

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Um, um, there, there are three that come to mind for me because they present

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themselves at very different points

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in my

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Mashaun D. Simon: life.

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Um, So back in the day Back in the day it was splat pack square of the ground

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Yeah, it was back in the day it was that and part of that was because

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of the influences of being around my sister So I have an older sister

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Um, who was an exotic dancer?

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Um, and so she introduced me to a lot of that music back in the day So it

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was just something about that song that whenever it came on I was just like

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You I was just black and gay and free.

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Um, um, back that ass up.

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Um, it's another one that I think was the one that came on the night that

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you were talking about in question.

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Um,

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DJ Sir Daniel: Actually it was the, the aforementioned song,

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but I was, it was, but I wasn't going to bring it up, but yeah.

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And now you see why you acted a fool.

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Mashaun D. Simon: You brought all that back.

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Here's the thing though, for the listeners that are out there.

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This night that he is talking about in particular was at the

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end of an academic semester,

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and

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Mashaun D. Simon: I was really str I was in the second year of seminary, I was in

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the first I was at the end of the first semester of my second year of seminary,

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and I was afraid that I was going to fuck out that semester, like, that That

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level of study was so rigorous, it was the hardest something I had ever done

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in my life, in my life at that time.

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And so, I was stressed.

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And on this night in particular, I let these people talk me into going out.

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I had just gotten my grades, I had just found out that I passed this

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class, this one class in particular.

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I had all these goals for my last year of seminary, I was scared.

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And so I got really drunk that night, me and B.

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Ford got really drunk that night and we let loose and

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it was, it was what I needed.

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It was a great evening.

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It was a great night.

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It was what I needed.

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Um, so I am grateful to have that.

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Um, but now these people will never let me live that down.

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DJ Sir Daniel: Um, Mashaun, what is your take on the disappearance of black

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owned queer clubs, bars in Atlanta?

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What is your take on that?

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Mashaun D. Simon: I think it is heartbreaking.

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Um, I think it is unfortunate.

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I think it is frustrating.

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I think it all speaks to the reality of access.

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I think it speaks to this divide, um, that we have in, in, in society overall.

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You know, now, now you, now you down my, you down my, you down my road.

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You're down my avenue.

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Um, 'cause I do a lot of work around equity.

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Mm-Hmm.

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and, and supremacy, white supremacy and the, and, and how it, how it,

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it is alive and well in our society from what we believe in religion

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to our economics, et cetera.

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And I think this is one example of that like.

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Part of the reason why we don't have these spaces is because we

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don't have access to have it.

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Like, the city is having a boom in its real estate and so it's hard to

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afford a space to do something like that and to create an environment.

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And we don't have that many people in our city who can afford to do it.

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Um, we don't have a lot of space to do it.

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Like, Because we're getting all these high rises and buildings and spaces

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being built, um, all of the property that could potentially be a space for

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us, um, is being smashed up very quickly.

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And so I think it is, it is heartbreaking and speaks to the problems in our society

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at times, to creating opportunity for such a thing and, and, and having the

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support, not just from the community.

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Um, but our, our political figures, our, our leaders in the city, um, and across

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the city to create opportunities for us to have these kind of, um, um, access points.

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I think, what I am experiencing is that a lot of us are creating it

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on our own, so we're having house parties and gang nights, you see.

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Organizing events for us to get together because we crave it so much and we

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don't really have somewhere that is our home to really do it at the caliber

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of what it once was some years ago.

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Trax is gone because of the Olympics.

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They bought up all that property to attract the Olympics and got rid

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of, uh, a pop, a popular thriving.

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Black club experience,

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DJ Sir Daniel: a historical landmark actually

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Mashaun D. Simon: in a historical landmark.

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And so now you have what available, you have bulldogs and what else?

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Um,

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DJ Sir Daniel: the new Eagle,

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Mashaun D. Simon: the new Eagle, which came out of that night of one

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night and it, and it died in the pandemic and it's not coming back.

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You have, um, mix

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mix.

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Mashaun D. Simon: You

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DJ Sir Daniel: just dated yourself colors.

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Mashaun D. Simon: Um, but I don't know too many people who go to mix anymore.

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And I know that product is older.

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Um, so you don't have many of these spaces like you used to.

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And I think a part of it was because we don't have the support from our

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leadership or the financial ability.

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To create these spaces because they're concerned about

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making Atlanta something else

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DJ Sir Daniel: But there is that conversation happens though Like,

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you know, all of you rich gays need to get together and buy a

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building Is is it that simple?

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I don't think it's that simple When you don't think it's

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Mashaun D. Simon: that simple, but I but I do think it is a start um But it there's

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something to be said for the fact that nobody is trying to do it And it makes

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me wonder why nobody wanted to do it.

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Do they, do we in the community ourselves even see any value in doing such a

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thing because it hasn't happened?

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Um, and so I don't know, but I, I, I do think it is unfortunate and disheartening

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because I am fully aware, especially in the work that I'm doing now, that

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there is a craving for someplace.

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to build community, interact, fellowship, hang out, meet up,

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date, drink, party, be free.

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Um, there's not that many options.

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I remember a point in time when a group of us were you a part of this conversation?

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When there were a group of us, um, we were talking about how we were going

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to get people together and we were going to take over the straight club

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and we were just going to make the straight clubs have like gay night.

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And we just don't get all of our friends together.

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Right.

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And go to the popular straight club and just party.

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I don't know if you were part of that conversation.

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DJ Sir Daniel: I don't remember.

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I don't recall that.

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But so like a rave takeover where people would just, yeah, you know, they, I'll

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never, one night I was at, um, tracks and all of a sudden I just noticed like, This

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trickling in a trickling in in of white kids just young white kids coming over

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and next thing you know, it was a full on rave and the look of yeah the look of

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Confusement and yes, I did say confusement on everybody's faces was like what is

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going on, but it was an organized rave takeover and Huh, could that happen today?

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Well, see that's the thing You Because of progress and I raise air quotes when I

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say progress because of progress It feels like it looks like a lot of the young

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people Don't need anyone's permission to take up space Where they don't take

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up space and so A lot of places are integrated for lack of a better word with

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of both gay and straight patrons and it doesn't seem to be That big of a deal.

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So then it, maybe that is the question of, is it a big deal anymore?

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Because the younger, younger people who are really the ones that are going out

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aren't necessarily feeling the need to be sick, to have a safe space because they

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feel like they can go anywhere anyway.

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Mashaun D. Simon: Yeah.

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That's a good point.

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I hadn't thought about that.

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I don't really know where they go to be quite honest.

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Some of the young, some of the young ones who are younger than me, I

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associate with are the ones who will do the Bulldogs, the Eagle experiences.

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Um, there's another one that it was in my mind a few minutes

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ago and I completely forgot it.

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Um, it may come back to me.

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Um, but yeah, I don't know.

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I don't, I don't know.

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Oh, I don't know where the young people are these days.

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Um, so you, you make a great point.

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Some of them are probably hitting up the spots that they just consider to

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be the popular spots, regardless of if they are gay, straight or otherwise,

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and I'm perfectly okay with that.

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DJ Sir Daniel: Yeah.

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Hmm.

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Interesting.

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It's a interesting and ongoing conversation, and I'm very honored

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that you took the time to share your point of view with me, to share

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your history with our listeners, and to give them a perspective of you.

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The quote unquote church boy, you know, because there is that church,

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that church person, um, arc of people here in Atlanta that have that same

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experience of wanting to be free, but having their, you know, their mores,

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their social mores and, and the, the people that they associate with them.

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Always staying, taking up residence in their brain and influencing those

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decisions of whether or not I'm going to socialize and be around other people that

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I identify with and can be free around.

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So I appreciate you sharing that because somebody is going to see themselves in

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you when they hear that conversation.

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So, yes, thank you.

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I appreciate it.

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You know, I

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Mashaun D. Simon: love you.

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DJ Sir Daniel: I love you too.

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You

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Mashaun D. Simon: know how I feel you and I would never part

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DJ Sir Daniel: And uh, hey now we will not

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Thank you for listening to I Come Alive: Stories of Black

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Gay Atlanta Nightlife brought to you by Queue Points Productions.

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Special thanks to the Counter Narrative Project 2024 Media

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Roundtable for their support as well.

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Make sure you become a Queue Points subscriber so that you don't miss

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the next episode of I Come Alive.

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