In this milestone episode, Chris Casey guest-hosts and interviews me about my life — my childhood in Ohio, discovering theatre, living in London & Korea, going to film school at SCAD, making Coverage and After You Left, getting into Sundance, editing in NYC, working for The Lincoln Project and then creating onefjef. A deep look at my creative path and how this podcast began.
Here are links to the films & videos we discussed in the episode:
"Suite" – https://onefjef.com/portfolio/suite
"COVERAGE" – https://onefjef.com/portfolio/coverage
"After You Left" (Sundance) – https://onefjef.com/portfolio/after-you-left
Early sketches for "Adults" – https://vimeo.com/112348533/7e7b8c6b20?share=copy&fl=sv&fe=ci
"Adults" – https://onefjef.com/portfolio/adults
"REGENERON" (The Lincoln Project) – https://onefjef.com/portfolio/regeneron
In lieu of silver, you can show some support for the podcast and get access to some extra content by subscribing to the Patreon page: http://www.patreon.com/onefjef
Instagram: @onefjefpod
Facebook: https://www.facebook.com/onefjefpod
X: @onefjef
TikTok: @onefjefpodcast
YouTube: https://www.youtube.com/@onefjef
Email: onefjefpod@gmail.com
You can also call the podcast and leave a voicemail at 1-669-241-5882 and I will probably play it on the air.
Thank you for listening, please do it again, but with a sense of perspective.
Onefjef is produced, edited & hosted by Jef Taylor.
Okay Jef, let's try that Yankee Doodle again, okay?
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:This is episode 25 of onefjef.
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:25 is the hinge number, the threshold between who you were and who you're becoming.
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:It's the square of five which numerology treats as chaos, freedom, restlessness,
curiosity.
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:Squaring something means stabilizing it, turning motion into structure.
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:So 25 is freedom formalized, the moment where the chaos of youth crystallizes into
something coherent.
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:Hello, friends, Romans, countrymen.
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:I appreciate you lending me your ears over these past 25 episodes or however many you've
listened to at this point.
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:25 episodes feels like a milestone of sorts.
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:and I'm one who appreciates marking milestones in one way or another.
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:So I'm marking this one by turning the tables in a manner of speaking.
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:Chris Casey is my guest host for this episode, who you might remember from episode two and
as the big winner of the email contest and who is also a dear friend.
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:And the guest for this episode is me.
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:Jef Taylor is a Columbus-based filmmaker and podcaster who spent a lot of years drifting
between projects, places, and phases of himself.
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:He edits for a living, travels when he can, and tries, sometimes clumsily, to turn
whatever he's going through into something honest.
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:Onefjef is basically his attempt to make sense of the mess.
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:Connection, grief, curiosity, the ways people change and don't.
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:He's in a transition phase sorting out what comes next.
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:without pretending he has it figured out.
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:I imagine I met myself when I woke up confused in my mother's womb.
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:I've known myself pretty consistently since then, at some points more than others.
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:Lately pretty well though, I think.
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:And recording this episode helped me know myself better, so hopefully it will do the same
for you.
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:And if you do have any follow-up questions after listening, feel free to send them to
onefjefpod@gmail.com.
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:The traditional gift for a 25th anniversary is silver, but I'd rather have you subscribe
to my Patreon page, which is much less expensive.
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:For as little as $5 a month, you can get access to all the bonus content, including some
personal photos I'll be adding to enhance your experience of this episode.
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:No nudes, I promise.
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:Patreon.com.onefjef.
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:And if you're already a subscriber, you should feel as good about yourself as I do about
you.
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:and I feel great about you.
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:Patreon.com/onefjef.
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:I would normally say something here philosophical about the nature of this episode or the
nature of my life at this moment, but this entire episode is basically me talking, so
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:let's just get right to it.
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:Thank you for listening.
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:Thank you for being here.
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:Here's me talking to Chris Casey about me.
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:To toast toast toasting Okay, host needs to sorry sorry on here You Ladies and gentlemen,
welcome to onefjef.
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:I'm 1c Chris and I am so thrilled to be here To welcome a person that you have come to
love
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:Appreciate and maybe even give a little money to get that patreon He's the host of this
very podcast which is celebrating today.
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:It's 25th episode And then you insert little children cheering sound effect right there
No, I'm not talking about Bing Bong.
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:I'm talking about Jef
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:been fired by the way I haven't actually been let go
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:Oh, well, that's an awkward way to discuss.
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:know, but my audience is going to have to f*** with the other and I just don't to episode
to announce that I
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:too bad about it because I feel like the audience has become a.
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:He was just toxic, just a toxic person.
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:And listen, there's ongoing litigation, so we really can't get into it.
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:But suffice it to say, we wish, we wish him well.
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:Okay.
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:Jef Taylor, everybody.
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:I'm oddly nervous to be interviewed on my own podcast, I'll be honest.
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:I get that.
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:Right.
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:So let's start from the beginning then.
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:You grew up in Cleveland, Ohio.
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:I was in Cleveland at Fairview Jailhouse in 1973.
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:And you already had a sister, you have an older sister there.
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:Yeah, she's three years older.
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:She was born in 1976 here this weekend as well.
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:My sister Allison.
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:What's the occasion?
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:Why are you guys there?
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:Clambake.
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:It's a Cleveland actually.
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:It's strange phenomenon.
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:Actually, I've been looking into it because usually usually clambakes are in New England,
know.
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:It's the ocean and there's clams there.
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:There's no clams in Lake Erie.
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:But how it ended up coming here was during the 1800s.
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:Apparently Cleveland was a pretty booming town at the time and uh the trains were running
right through Cleveland.
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:So the trains would come to bring New Englanders to Cleveland and I guess they decided to
just start doing clambakes here.
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:Is it like around this time of year that
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:Yeah.
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:It's an October thing, yeah.
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:interesting.
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:Yeah, I have memories of like when I was a kid, like standing in like the garage and got
this like the steaming pot of clams and I don't like clams though.
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:well, so you grew up in Cleveland in basically last ladies.
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:A suburb, is that a suburb?
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:Yeah, OK.
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:Yeah, it's the suburb of suburbs.
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:I'm picturing a very kind of like cul-de-sac kind of like you can go out and play in the
neighborhood with the kids ride bikes kind of thing.
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:Is that the vibe we're talking about?
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:It's like you're sitting here.
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:There's a cul-de-sac like right around the corner.
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:It's like I can see it from the window.
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:And yeah, we used to play.
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:was kids my age.
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:ah We had the day.
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:So yeah, we'd play baseball on the cul-de-sac.
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:We'd ride bikes all over the neighborhood.
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:We'd play Nintendo in the basements of.
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:Yeah, it was looking back.
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:It was pretty, pretty ideal.
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:actually.
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:What was your kind of personality identity in your group of friends in that like
elementary school time period?
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:mean it's difficult to say because a lot Earlier like elementary school memories are
pretty hazy like I think that I became very socially awkward Maybe I was always socially
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:awkward, but I I think I definitely became very socially awkward in like sixth fifth or
sixth grade sure and Then middle school.
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:I was very much awkward Started to lose the awkwardness as I got a little bit older
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:like later in high school, but still in college, I struggled socially.
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:I had trouble understanding social dynamics.
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:Was there like a moment or a year or a general time when you when you first started to
have more self conscious thoughts?
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:You know, like thinking about how you were being perceived or, you know, things like that,
as opposed to just when you're a little kid, I feel like you're just like, you're doing
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:it, you know.
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:I would say middle school when the kids start to make fun of you for the way you look.
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:So probably about then, yeah.
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:I mean, because I was super, super skinny and like just an uber nerd and I was in like,
you know, children's theater productions and I'd be in the paper doing dressed up in like
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:fairy tale characters, which didn't do a lot for your popularity in middle school.
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:So yeah, I didn't really have much of a social life outside of my theater friends.
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:uh
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:in middle school, which I did have, know, the theater really was a savior.
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:It's the big, if we were ever to talk about like a, if it was discovering theater and
discovering that community that was people that were kind of like me, that were weird and
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:kind of outcasts and you know, that kind of thing and artistic.
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:Yeah, it changed my life.
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:My dad is where I get pretty much all of uh my artistic and funny and dry humor side.
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:I think, and even this, like the podcasting ability, he would have been great on a
podcast.
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:But you know, also, you know, not around a lot.
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:It'd work a lot.
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:He'd work late, whatever it was.
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:And also was very kind of hard on me.
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:And I don't think really understood me.
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:I think he wanted me to be a sports person.
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:you know, he wanted a son who was good at athletic and all that.
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:I don't think the theater thing, like he embraced it eventually, I think, but I do think
that that was a thing that was like,
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:you know, it might have been hard for him to see his son dress up in a fairy tale costumes
and makeup and so on.
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:What made him in your view kind of value more traditional masculine stuff or was that just
like a society thing?
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:I think it was more of a society thing.
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:I think that my dad was probably kind of a awkward kind of nerdy guy in, you know, or
whatever as well.
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:That'd be my guess, but I don't entirely know because we never actually talked about it,
which, you know, I wish we had, but me and my father never really saw eye eye.
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:well, you
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:Yeah, that would make sense in a certain way because I think sometimes when people have
kids, they it starts to trigger their unresolved childhood trauma that they have.
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:They've kind of just turned away from because they see it reflected through the eyes of
their kids.
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:And that can be something that you can either kind of rise to the occasion of or uh can
cause you to be a little more resistant avoid.
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:And his father died quite young as well, so I don't think he had much of a father figure,
to be honest.
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:So I don't know that he necessarily knew how to be a father, in a sense, because he had no
role model in that way.
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:uh You know?
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:Not to psychoanalyze my father, but I do think that that's a big part of it, because his
father died, I forget how old he was, but he was young.
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:I am closer to my mom than I ever was with my father.
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:Of course, because she was around a lot more and she was the nurturer.
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:So I was going to ask, were your parents, did either of them or both have that nurturing
quality?
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:Were there a lot of hugs?
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:Were there a lot of...
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:um Yeah, I mean, my mom
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:affectionate.
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:My father's hugs always the kind that you pat on the back because you're uncomfortable.
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:So yeah, there's definitely that and that's something
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:that I've always
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:been trying to kind of outgrow it or correct it, you know.
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:It's also a Midwestern thing in the sense that we don't talk about our problems.
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:It's all very surfacey.
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:Yeah, I feel like you've done a decent job of if not resisting the calcification of your
sensitivity.
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:You've always been a pretty sensitive person, but watching back to your films and stuff, I
feel like you've actually become more sensitive in the last like 15 years since I've known
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:you than you were when you were younger.
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:Does that feel right?
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:Yeah, that's probably true.
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:Or maybe just like more in tune.
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:I've always been incredibly sensitive.
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:Like I've always kind of been.
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:But it's always just manifested in different ways.
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:And I think that I think I've learned to kind of own embrace it as opposed to not really
knowing what to do with this raw nerve.
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:and become a little more skillful in regulating.
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:uh
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:Yeah, to a degree, you know, it's still a struggle, like, you know, I mean, putting it
into my art, putting it into this podcast really, I mean, these things have helped me
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:immensely because I mean, I artists by nature are generally just incredibly sensitive
people to the nuances of emotion and just the world in general.
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:And I think that's what in a way makes me a good filmmaker was because of my sense of my
emotional sensitivity.
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:Do you remember when you saw any kind of art and started to get the idea that that's
something you'd want to pursue?
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:My sister was a Indian princess.
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:I don't know if you had those when you were a kid.
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:It was like the female version of the boy, the Cub Scouts basically.
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:And my mom was like the den leader or whatever, whatever they called it.
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:So I had to go with them because I was like, you know, home for the summer or whatever.
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:they, wherever they had to go, whatever the outings was, we had to go with them.
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:And so one of the outings was to the Speck Center Theater.
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:That was the children's theater that I ended up getting involved with.
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:was, the show was Punch and Judy.
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:and
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:I just remember being wrapped by this thing.
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:was like, and I kept begging my parents afterwards to let me go to the school because I
just saw something in it.
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:I was like, this is something that I'm into.
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:And it took a while because the theater was a drive, you know, it was like a 20 minute
drive from the house and after school and all that and cost money and all that.
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:But eventually they relented and forever grateful.
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:That was third grade, I think, or second grade.
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:They had these classes every Saturday.
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:It was great.
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:It was super fun.
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:And then they would have plays two or three times a year.
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:And that was my social group.
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:It was like, you the first woman I dated was from Bexley.
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:I had my first kiss at the Bexley.
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:Yeah.
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:Do you have a favorite production from your younger years of?
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:dear.
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:I would say the one has to be the Princess and the Magic P I think was one of my very last
shows.
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:It might have been my last.
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:Remember I was sitting in the auditorium watching the auditions.
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:We were waiting to audition for the thing and they were auditioning the part of the witch.
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:know there's a woman.
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:None of the women of the girls at the time could do a good laugh.
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:The director kept going like no like this and so from the back of the auditorium I was
just like and she's like yes and so she had me audition.
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:and then cast me.
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:So I played this like weird kind of cross-dressing.
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:I mean, I don't think it was implicitly cross-dressing, but I was cross-dressing.
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:This like over-the-top witch costume and yeah, you know, lots of makeup and lipstick and
long fingernails and all.
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:It was pretty cool.
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:And so this theater was not part of your school.
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:It was a separate program.
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:So you didn't really have those kids to hang out with at school.
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:There were a few that went there from the school, not very many.
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:So yeah, mostly it was like a separate thing.
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:Like after school, when we'd have like a play going on, I'd leave school and then go
straight to like rehearsal for like two or three hours, two or three times a week.
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:And then every Saturday we had the thing.
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:So it was a lot of time with this other group of people.
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:Some of the people I met in Beck Center are still dear friends.
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:which is nice.
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:religious?
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:there any religion for your family?
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:First, sure, I was raised Catholic, but I never liked it or was into it.
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:Yeah, I had to go to church and I didn't like going to church.
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:found it very boring.
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:I was confirmed.
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:I had to do First Communion and all that.
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:Do you a dev to your first?
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:I had to do that, I've done that,
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:ah I don't remember.
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:ah
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:It's all vague memories.
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:I remember Father Callahan, had to go into the booth and you, you know, you had to tell
you what you did, I don't you swore or something, and then they give you like a ten- a
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:penance.
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:So have to go out and pray the Hail Mary ten times or something like that.
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:And then one time when I was able to drive, my parents would let me drive to church.
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:So oftentimes I would ditch, I would not go to church.
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:I would just go to the record store, which is kind of my second home.
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:and
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:It worked out fine until one time my sister needed the car.
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:My mom or dad needed the car to drive her back to college.
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:forget the whole story, but they went to the parking lot at the church and they couldn't
find the car.
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:And then they found me at the record store and I got grounded and had to walk.
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:Wait, your parents insisted you go to church, but they didn't go?
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:They went at a different time.
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:mom, my dad didn't go to church.
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:My mom went to church.
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:My dad was not a religious man.
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:My mom was raised Catholic, so that was what she did.
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:interesting.
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:Yeah.
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:Yeah, we had the best record store in the Cleveland area here in Westlake called My
Generation for many years.
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:And it was, it used to be right down the street so I could like bike there, but it moved a
little bit further away.
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:Now it's of course closed because, know, but yeah, it was awesome.
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:I would spend like hours there just going through the CDs and the tapes and all that kind
of thing.
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:Your use of music is one of my favorite aspects of you as a filmmaker.
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:uh Your kind of ear for music and how you put it together.
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:So I'm curious where that comes from.
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:Yeah, it definitely comes from being, I mean, was really into music when I was, I've
always been in music.
253
:I used to sit and listen to the radio and like with my tape deck and like request a song
that I wanted to hear so I could just have it on tape and listen to it over and over
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:again.
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:Cause like back then that was the only way that you could really, unless you went out and
bought the whole album, which I couldn't afford.
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:So.
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:Yeah.
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:Where did you go to college?
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:Because I know you went to graduate school in Savannah, but I didn't actually know where
you went.
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:I went to Ohio University in Athens, Ohio, was there for six years.
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:I am not a doctor, but I wish I had been a better student and taken more advantage of all
the opportunities that college presents you with as a young person that you don't get as
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:an older person.
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:But I, you know, I, I, um, I partied quite a bit.
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:Did you, dorms there?
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:Did he do a fraternity or what was college life like?
266
:I dormed for the first couple years, I think first two years, and then you were allowed to
live off campus.
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:So then I lived off campus.
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:Bunch of different places.
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:Well, one place was this hippie house.
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:I was friends with lot of hippies.
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:It was kind of a hippie school, really.
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:And
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:I with these three women in this house that was falling apart and there were bees that
lived in my bedroom and I got stung in the middle of the night because there was like a
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:bee's nest in the roof of my bedroom.
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:was fun.
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:Regular?
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:I think that only happened the one time.
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:Yeah, if it happened regularly, I probably wouldn't have said something.
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:And then at one point I lived in...
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:It was tricky because I was...
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:struggling socially then.
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:Like I had friends in college, but I was still like not entirely...
283
:I always had just, I don't know how to put it, but I was always very, I was always just
awkward socially and never, it was always a self-esteem thing I think.
284
:I think that's really probably the heart of it is the self-esteem thing is I never had
self-esteem and I was always very neurotic.
285
:So I was always questioning people's true friendship toward me and so forth, not
outwardly, but in my head, you know?
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:So yeah.
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:Yeah.
288
:Yeah, I forget what the question was, but that was.
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:the end.
290
:Was there like an undergrad girlfriend for this period?
291
:I had a girlfriend in college, Derissa Phipps, that was towards my, I think, by fifth
year.
292
:Yeah, I met Derissa.
293
:We were both ushering at a Rusted Root concert.
294
:Yeah, she was a very, she was a very cool chick.
295
:and uh...
296
:And yeah, we dated for, I don't know, six, seven, eight months.
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:forget the whole story.
298
:So college, anything remarkable about your undergrad time that was formative for you?
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:You didn't start thinking about filmmaking at this point yet, I assume.
300
:No, no, not really.
301
:uh
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:English major?
303
:What was your?
304
:English Lit major and that was just because you could do anything with an English degree
is what they said back then because I have always been a dabbler and I didn't pick any
305
:particular field.
306
:I thought I'd get stuck in that so I just thought I'll just go general.
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:But yeah, other college things.
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:No, I mean I got arrested one time for underage drinking.
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:That was the most exciting thing that happened.
310
:I had to go to court, but I don't think I mean yeah, I had to pay a fine or something.
311
:Go to like.
312
:Actually, no, there were two occasions.
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:One time they caught us with like a keg in our door.
314
:and uh...
315
:We all got in trouble and had to go talk to like the head of the dorm, whatever that
person's name was.
316
:And he gave me this ridiculous talk and he was like, now why do you drink?
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:And I was like, well, know, cause it's fun.
318
:It's like a social lubricant, you know?
319
:And he's like, you know what nobody ever says to me?
320
:Because they're thirsty.
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:And he said it as if it was some profound like statement.
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:And it's like, well, no, of course they don't say, cause they're thirsty.
323
:Cause people are drinking alcohol.
324
:they're to get drunk, idiot.
325
:Thanks.
326
:you
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:that, I was going, it's so stupid.
328
:Is that supposed to make you like sad for humanity that people are drinking when they're
not thirsty?
329
:don't know what the point of that was.
330
:Really do anything to affect my behavior.
331
:Did you drink before college or?
332
:You were a good kid.
333
:Yeah, I I was a good kid in high school I mean I was uh I hung out with some like burnouts
a little bit because I was just kind of like the person who kind of Floated between and
334
:high school could float between groups a little bit.
335
:I Was very I was a very good boy in high school if only because I wasn't invited to the
cool parties possibly, you know
336
:That was probably my situation as well in retrospect.
337
:Any encounters with uh mind-altering substances of any sort in high school or college?
338
:College for sure, that's where I got introduced to marijuana, your psychedelics.
339
:ah
340
:any profound uh life changing discoveries on either of those.
341
:uh
342
:I mean...
343
:Back then it was mostly like, let's take some mushrooms and have like, did one.
344
:think one of the first times I took them, it was with the group of people who lived in my
like dorm.
345
:We all took mushrooms and went up to, there was a place in Athens called Bong Hill.
346
:There was this hill, you'd have to outside of campus, have to climb up it and what they
can see the whole campus from up there.
347
:It was amazing.
348
:And we all went up there.
349
:We were the only ones up there.
350
:And it was like, we ended up getting into almost like we were like, at one point we all
had our arms around each other and we're doing like a tribal dance.
351
:It was was something else.
352
:It was and these were like some of these were jocks and you know, yada yada yada.
353
:So yeah, that was a pretty profound experience just in the sense that, you know, I was
like, wow, you take these mushrooms and suddenly like, you know, you're connecting with
354
:people in a way that you've never really connected with them or ever thought you would
connect with them before, you know.
355
:And in these, in this like college period, did you have any visions for what you wanted to
do with your life at any point?
356
:Yeah, no, I had no idea what I wanted to do with my life.
357
:That was probably why, I mean, at least part of the reason why I didn't want to leave
college, right?
358
:Because I was like, I have no idea what I want to do with my life.
359
:And
360
:So even when I left college, I moved to London, work abroad program.
361
:Lived there for about, I think, six, seven, Or not Airbnb, just a B &B.
362
:uh There was called the George Hotel and was run by this Turkish woman named Binur Perak,
who was still on Instagram, strange enough, but she was a difficult woman.
363
:You lived in the B &B?
364
:Yeah, yeah, I lived and worked behind the desk at the BNBA.
365
:I had a little room in the basement.
366
:Yeah, I lived there.
367
:It was like a whole family.
368
:It was kind of cool actually because there were like some of the servers and stuff.
369
:were all from different countries, Poland, France.
370
:think there was one from France.
371
:And so that was a super interesting part of that experience was like, because some of them
were super cool.
372
:And yeah, and we would hang out sometimes.
373
:Yeah, it was like a little family at times.
374
:It was kind of an interesting experience.
375
:That is interesting.
376
:Was there any memories from that time that stick out, any stories from them?
377
:I mean, one time before I got the job, because there was a good several weeks before I
actually landed a job.
378
:So I was kind of broke.
379
:At one point, I was just wandering around central London by the main train station there.
380
:I forget the name of
381
:but um
382
:I ended up hanging out with these homeless people smoking hash and we were having a good
time.
383
:And then like the, the, this truck come the truck, it gives the homeless people free food
and they're like, dude, do you want some food?
384
:I'm like, what do mean?
385
:You, I'm like, know, and they're like, it's free.
386
:give it, give it.
387
:I didn't take any food because I wasn't homeless, but ah I was struck by that.
388
:Cause I was like, I've never heard of that happening in America.
389
:Like a government sponsored food delivery to homeless people.
390
:They sent you out to London without a job in this program.
391
:don't remember the logistics of the thing.
392
:I mean, they you would go and get an orientation in London and then they would give you
leads and so forth and on and on and
393
:Where do you stay though when you're just...
394
:Yeah, I was staying in hostels for a few weeks, yeah.
395
:Yeah.
396
:Alright, so you partied with some homeless people.
397
:Is this the trip where you got arrested in the bookstore too?
398
:It is.
399
:I was hesitant to bring that up, but yeah, that's where I got uh arrested for, because I
was broke and I needed something to read and that's the God's on the truth.
400
:Yeah, I stole a copy of The Fountainhead, which is an idiotic thing because it's a very
thick book and I was skinnier than I am now.
401
:And like I shoved it in my pants and it's clear, like it's idiotic.
402
:I mean, what was I thinking?
403
:And I walked out of the store and this security guard comes out and he's like, come back
into the store, blah, blah.
404
:And we were joking around in the back because he was just thought it was charming that I
was actually gonna read the book.
405
:Cause usually it was like drug addicts who would come in and steal books and then sell
them for drugs.
406
:And so we were joking around.
407
:He was talking about how he had gotten in a lot of trouble and that's how he got this job.
408
:Cause he had been a thief or whatever.
409
:And then I ended up getting a ride and a British police and it was the Bobby car on the
wrong side of the street.
410
:Police officers were asking me all about America and American baseball and stuff.
411
:It was all a very friendly encounter.
412
:I spent about two hours in a jail cell and they gave me a newspaper and stuff.
413
:And then I had to appear before like, I don't know, the magistrate or something, you the
guys were in the wig and everything.
414
:And he sits down with me and he goes, well, well, well, it looks like we got ourselves a
international book thief on our hands.
415
:Peace.
416
:Like it was all kind of ridiculous and yeah, he let me go.
417
:He had to go through all the stuff in my bag, but there was nothing.
418
:No, to be uh a petty thief in London is a very kind of uh auspicious, know, it's like very
Charles Dickens.
419
:Yeah, yeah, that was what I was going for Chris is the Kenzie and It didn't feel the
Kenzie and at the time but I read the whole book and I still have the copy I ended up
420
:having to pay for the book.
421
:I saw just charged
422
:Understand.
423
:okay, so we're broke except for a credit card.
424
:Sure,
425
:You know, yeah.
426
:All right, well, that's cool.
427
:So then you're done with London, you come back to the US.
428
:When does Korea happen?
429
:I can make to the US.
430
:and um
431
:Yeah, I got a job at Kinko's near my parents' house.
432
:Still didn't really know what I wanted to do.
433
:Still pretty aimless.
434
:and uh...
435
:Living at home.
436
:Living at home for that period, ah Sometimes taking the bus to Kinko's.
437
:It was actually fun working at Kinko's.
438
:I was a color copy expert and I had to wear the apron and everything.
439
:Original Kinkos
440
:Yeah, I'd often work late at night.
441
:Yeah, and actually tangent, but like I went back there about, it must have been five or 10
years ago to get some like family pictures printed before the holidays.
442
:Like one of the guys that I worked with was still working there.
443
:mean, yeah, it made me a little sad.
444
:Yeah, it's about 10 years ago.
445
:Yeah, this was years later.
446
:Yeah.
447
:Did you recon- did he recognize you?
448
:yeah, yeah, yeah, yeah, yeah.
449
:We talked for a bit.
450
:It was awkward because it was like, it felt awkward to me because he's still working
there, you know?
451
:I don't know how awkward it should have felt for him.
452
:But yeah, anyway, I worked at Kinko's and made a lot of calendars for people.
453
:I worked late a lot, I worked at night, know, till midnight or whenever we closed.
454
:I think maybe we might've been open 24 hours actually.
455
:Yeah, I think some of the original Kinkos
456
:And then you got all the randos coming in, you know, we'd had a guy come in who would
bring in this male stripper who would come in and he would just give us to print out his
457
:flyers.
458
:He would just give us these like crumpled up singles.
459
:It was just like, dude, can't you at least try to make it look like they weren't like
stuck in your underwear at some point?
460
:But yeah, printed all sorts of free calendars and made a lot of t-shirts there.
461
:We were bored.
462
:And then when does the idea of doing uh work abroad in Korea start to enter your mind?
463
:Well, I got involved in Second City Cleveland.
464
:That's a big part of the story.
465
:Okay, so that's happening first.
466
:Well, I quit the job at Kinko's after about eight months.
467
:And then...
468
:Found a job, I worked at tables for a while at Hula Hands, I was not great at that, didn't
care for it.
469
:And then I got a job working at a law publishing firm.
470
:And hated that, I was editing law books, which is as bad as it sounds, truly.
471
:But it was a real job, which made my parents happy, it was like a legit corporate, blah,
blah.
472
:During that period was when Second City Cleveland was coming, and I'd always known about
Second City, because I'd always loved improv stuff.
473
:So I got involved with them and was taking the classes and met a lot of people through
there.
474
:And yeah, I was involved in that for the entire, however long, I think it was about a
three or four year period that it lasted.
475
:But those were good times.
476
:Those were like highlights of that period of my life was like the second city stuff was
fun.
477
:So you're hanging around with funny people all the time.
478
:I wasn't on the main stage, but my girlfriend ended up getting on the main stage, which
was tricky.
479
:yeah, I kind of like was the house manager.
480
:So I kind of, not the house manager, but I kind of like.
481
:was in charge of where everybody was sitting and everything.
482
:It wasn't a very important job, but I just wanted to be there.
483
:And yeah, there was a lot of partying that would go on afterwards, and that was the fun
part.
484
:I met Fred Willard, Fred Willard and Tina Fey came to the opening of the theater.
485
:cool.
486
:Oh, and was Second City, I guess at that point it was the, there was the generation of
Second City to SNL pipeline had happened, right?
487
:For sure.
488
:So was in its real heyday at that time.
489
:you
490
:Yeah, and they were planning to expand to a lot of places.
491
:Is this early 2000s?
492
:We're talking.
493
:Yeah, some about there.
494
:Yeah.
495
:They were going to expand to Vegas, I think, too, and LA.
496
:I don't know if that theater still exists, but they were expanding a lot and it was
becoming kind of homogenized.
497
:Like what I loved about Second City, at least turn it away, is it was like it was like
revolutionary in a way.
498
:It was like this whole new form of theater, you know.
499
:It just kind of became a packaged commodity in a way.
500
:make sense.
501
:Yeah, I mean, that's what happens with these things.
502
:was Second City and then it was uh what was Amy Poehler's theater.
503
:Upright Citizens Brigade.
504
:Yeah, that was that kind of took over for Second City in terms of the feeder, the feeder
operation for SNL.
505
:Yeah, there's a lot of them in Chicago too, like Annoyance Theater and all these that are
all the pipeline because Chicago is still the mecca for improv comedy, I think.
506
:Yeah, that's cool.
507
:Yeah, there are a lot of good life lessons in improv too.
508
:Yes, play to the top of your intelligence.
509
:eh Make your partner look better than you.
510
:Yeah.
511
:Yeah.
512
:I was really into Second City.
513
:I was really into that.
514
:And for a while, I think when that was happening, I think that I thought maybe I'd have a
future in this.
515
:But then the auditions came and went and I kind of bombed the audition.
516
:And then the theater was managed kind of into the ground and it closed after about two
years, which was sad, but it was a wonderful time.
517
:mean, the amount of money they must have been losing because the bartenders would just
like be pouring us drinks all night for free.
518
:And it was just kind of like, you're just hemorrhaging money.
519
:But it was super fun, super, super fun period of time.
520
:And then I saw that closing.
521
:I dated one girl from there and then I dated another woman, Becky, who I'm still friends
with, was dating her towards the end and she was moving to Israel to go, she was uh born
522
:again Christian at the time, and she was moving to Israel to go and get her masters in
religious studies.
523
:we were dating for like eight months at the time and I was like, well, what am I gonna do
next?
524
:Second city's closing, I need to.
525
:get my life moving, need to have some forward momentum of some sort.
526
:And my sister had lived and worked and taught in Taiwan for a couple of years and she
really had, she traveled all over the world for a period of time when she was in her 20s.
527
:And so I knew that this could be a thing you could do.
528
:You know, I think that is a big, big part of it was just that my sister showed me you
could do it.
529
:So yeah, I started looking into teaching in Asia and Korea was the one that I ended up
going with.
530
:So yeah, when, when, when Becky moved to Israel,
531
:Maybe a month later, I moved to Korea in the end of 2003, maybe?
532
:South Korea.
533
:um It was a weird, it was, I mean, it's culture shock, because I was living in Incheon,
which is like a big city comparatively to most cities in the US.
534
:It's a giant city.
535
:It's on the port there, but it's a very homogenous country.
536
:So you are often getting stared at or being, you know, hello, hello.
537
:think it's an experience everybody should have at some point in their life as being the
other.
538
:by themselves in a country that all, I rarely would see white people anywhere.
539
:Except there was one bar in Incheon called the Duck Duck, and you'd go in there and
suddenly you are, it was the expat bar, so it was people from all over the world that
540
:weren't Korean.
541
:It was kind of wild.
542
:I was in Incheon at that job, which was like a year contract to school, it was, Mr.
543
:Cho was the guy's name, very strange.
544
:I didn't have any teaching experience.
545
:It was really like, here's a book.
546
:Go teach.
547
:and um...
548
:And it was, oh the schedule was like insane.
549
:Like it was, I was teaching all the time.
550
:I teaching so many different ages.
551
:I would teach like five year olds and six year olds.
552
:And then I teach like teenagers and then like adults too.
553
:And I had no idea what the fuck I was doing.
554
:So it was very, very stressful.
555
:And frankly, you you can put them up in an apartment, at least back then.
556
:I don't know if they still do this, but they would put you up in an apartment for the year
that you're teaching there.
557
:And the apartment was kind of a piece of crap too.
558
:And then after about, I think it was two or three months, I realized that I have to get
out of this.
559
:Oh no.
560
:Why?
561
:because I was just not happy.
562
:had no support.
563
:was the only English speaker, really.
564
:Mr.
565
:Chose spoke English okay.
566
:I think one of the other teachers spoke it okay, but really there was not even a lot of
English spoken.
567
:So I was very isolating in that way as well.
568
:And like, I just didn't have any guidance at all.
569
:And I felt...
570
:I just hated it.
571
:really, I mean, that was the end of it.
572
:I just felt alone and very isolated.
573
:And so then I met some other people who were teaching and told them about what it was like
at my school.
574
:And they were telling me about what it was like at their schools.
575
:And I realized, oh, this is bad.
576
:This is not what it's supposed to be like.
577
:Like they were talking about how much guidance they'd been given and how much, know,
system, you know.
578
:So I made a very difficult decision to like flee.
579
:I...
580
:What do mean fleet?
581
:I lived in the apartment that they kept me in, so I basically packed up all my stuff.
582
:I actually found another teacher to take over for me because I was trying to be as good
about this as I could given the situation.
583
:Then I just cleaned the apartment and sent that teacher to school instead of me one day.
584
:Then I went.
585
:I stayed with the friends of mine actually in their house, in their apartment because they
had an extra room in their apartment.
586
:stayed with them for like-
587
:there?
588
:Yeah, yeah, yeah, for like two or three weeks.
589
:And that was super fun.
590
:Morell and Joe from Australia, we had a good time together.
591
:And then I flew to Thailand to get a, because the game was you could get a tourist visa
and then teach illegally and make a lot more money in Seoul.
592
:So I went to Thailand.
593
:I planned to go just for a couple of days to get a tourist visa, but like I ended up
staying for like two weeks because it was incredibly cheap and I got a cabana on the beach
594
:on the islands down in the south of Thailand.
595
:It was beautiful.
596
:Had a great time.
597
:And then.
598
:And.
599
:found a place to live in Seoul.
600
:Slowly but surely started finding like private students to teach in different kind of
schools.
601
:Like I would teach part-time at one school and then have some private students and stuff
and had a much better time frankly because there were a lot more expats there.
602
:Not that I didn't want to meet Koreans but it was difficult because they spoke Korean a
lot of the time.
603
:Um
604
:And I didn't speak very good Korean.
605
:I could read it, but I couldn't.
606
:And yeah, I was in Seoul for, I don't know, about a year, year and a half teaching
different kinds of schools.
607
:And the funny thing is at the very end of my time there, I knew I had to leave because it
was like, can't stay there too long.
608
:It's a very easy life.
609
:And at the very end, was like, I knew I had to leave, but I got the best job that I'd had
the entire time I'd been in Korea.
610
:Like was this amazing school, this like very expensive school.
611
:And they had like a very locked down curriculum.
612
:And I was teaching like
613
:Hemingway to high school kids and they were like loving me as a teacher.
614
:I was like using my comedy and being funny and they got the jokes and then their parents
would come in and praise me.
615
:It was just a, and they paid me a ton of money and it just sucked that it was towards the
end because uh yeah, that was a great, that was actually, it was good to leave on that
616
:note at least though.
617
:What was the one where it was your birthday?
618
:Oh yeah, yeah, when I was at that first school, because I moved to Korea and I think it
was October of that year, wherever it was, right when I turned 30, right?
619
:So was 29 when I moved there and I turned 30 in December of that year, on December 4th,
it's my birthday.
620
:Yeah, the school had this very strange birthday party for me where I sat at a table, at a
long, you know, folding table in front of a classroom.
621
:They pulled out all this food, like big piles of like sweets and fruits and everything,
this giant spread.
622
:and
623
:put a sign up that says happy birthday in English and then had every single class get
their picture with me, you know, and everything.
624
:And then I'm thinking, we're to get to have a feast here.
625
:And then they just put the food away and gave us each like one choco pie.
626
:Just like, I'm fucking out.
627
:culture is different.
628
:It's like cultural differences.
629
:I don't know.
630
:You know, it was, it was a strange one.
631
:It was a weird, weird way to turn 30.
632
:I'll say that.
633
:Any love interests in your time in Korea?
634
:No
635
:not any Korean women.
636
:kind of, I don't know if it was intentional, but it just seemed complicated to date Korean
women and I didn't even know how to really approach, you know, I'm still pretty awkward at
637
:this age and my self-confidence is not all that great in that arena.
638
:But I did meet, I was, it was about three or four months before I was about to leave.
639
:I was on, I went to the DMZ tour, you know, can go to the Demilitarized Zone.
640
:you can like walk into like,
641
:Well, you can like basically step in North Korea.
642
:It's an amazing tour.
643
:Anyway, uh met this woman on that trip.
644
:uh She doesn't talk to me anymore.
645
:Lauren Varney, that was her name.
646
:And she was a beautiful, beautiful woman.
647
:And we just hit it off on this trip and just started being very flirty.
648
:And then we went out to dinner and had honestly one of the most romantic dates.
649
:we had, I think we had Thai food.
650
:Then we went to this like bar to have drinks and like the bar was like shutting down but
we were like dancing in the bar because it was playing they were playing like Ella
651
:Fitzgerald or something.
652
:So we're like dancing in the bar as it's closing down.
653
:No, and some guys looking at his watch, you know.
654
:Yeah, really, it was very quick kind of infatuation kind of thing.
655
:She was just visiting Korea because she was teaching in Japan.
656
:She went back to Japan.
657
:But then I was like, well, I'll come see you, you know, in Japan after I'm done with this.
658
:with my time here, I'll come to Japan first and stay with you for a couple weeks and then
go home.
659
:So, yeah, we kept in touch and then I did go see her in Gifu, Japan.
660
:And that was really fun.
661
:She lived, I mean, Gifu was in the middle of nowhere.
662
:So it was an interesting experience.
663
:There was an earthquake while I was there.
664
:That was exciting.
665
:Yeah, but it was pretty cool.
666
:went to Kyoto, other cities.
667
:Why don't you blame her for never talking to you again?
668
:Well, so then when I was in Korea, that's when I started getting the film bug.
669
:I was always into films, I think, because I remember seeing Woody Allen's Annie Hall and
being blown away by the fact that you could make like a cinematically beautiful comedy,
670
:because comedy to me at that point had been like these, you know, poorly made, whatever.
671
:But then in Korea, I had a like an old power shot camera that probably shot, you know,
480p or something, you know, could shoot limited video, but it shot video and I was
672
:totally into it.
673
:So I would shoot video all the time and then I got Premiere Pro.
674
:I think I pirated it actually and just kind of taught myself how to edit.
675
:It made this montage of my videos that I'd shot in Korea.
676
:Yeah, just playing with, you know, being able to do speed ramps, know, speeding things up,
slowing things down, reversing things and editing the music.
677
:was all, uh it was all really exciting to me.
678
:And so I thought, what am I going to do when I get out of here?
679
:I got to have a plan when I leave Korea.
680
:So I was really into, I had gone to see Becky in Israel.
681
:and started getting very much into Israel, like Middle Eastern politics at the time I was
reading books about it.
682
:So I thought I was like debating between going into Middle Eastern studies or going into
film.
683
:Fortunately, I went into film because good Lord, I couldn't imagine going into Middle
Eastern studies.
684
:Like that doesn't fit my personality at all.
685
:I started to look into film schools and I didn't have a lot of like work, but I did have
some like stuff that I'd edited together to show that I had some sense of chops, you know.
686
:One of them was this weird.
687
:video of a, we blew up a watermelon with a quarter stick of dynamite on one fourth of
July.
688
:And I just remixed it into like a very bizarre, you know, backwards and forward, slow
motion, all this kind of crazy.
689
:It's called, My God, It Makes You.
690
:I'll put a link in the show notes for that one.
691
:So yeah, but then got into the Savannah College of Art and Design, which is one of the
most expensive art schools in the country.
692
:So that was great.
693
:But you know, I wasn't thinking about.
694
:Like I was thinking, I'll be able to make money.
695
:If I go into film school, you can make a ton of money, know, can pay that off easy.
696
:And then, yeah, that's why I moved back to Cleveland for that summer and then went to,
started going to SCAD to get my A in film.
697
:and that fall.
698
:Is this the answer to the question, why didn't the girl from Japan want to talk to you
anymore?
699
:Good point.
700
:um So, you know, me and Lauren were going to try to keep the relationship going, but she
was still in Japan.
701
:And then I got to film school and this woman, uh younger, beautiful woman was very much
into me to a degree that was like, whoa, you know, and she was there and she was also a
702
:film person.
703
:like we had very much a connection.
704
:And I broke up with Lauren.
705
:And after I broke up with Lauren, this woman who was
706
:at one point very interested in me started to not be interested in me because aren't
people fickle.
707
:m Yeah.
708
:What year is this?
709
:2005-ish, 2006, something like that.
710
:Okay, so this is not the girl who's in your film suite.
711
:Yeah, yeah.
712
:uh
713
:We went on a couple dates, but we never actually dated.
714
:So she was just an actress that wasn't, cause it seemed so, we can get into this in a more
formal way maybe, but I assume this film suite, which is kind of a, it's like a pastiche
715
:sort of somewhat experimental relationship video.
716
:That was like a, that was a school project, I assume.
717
:Yeah, that just happened.
718
:I had this idea.
719
:We wanted to do me and my friend Ryan Dickey, who I went to school with, who you know, who
shot a dog.
720
:D.P.
721
:Great DP.
722
:Yeah, great guy.
723
:He's shot everything that I've made, I think, actually.
724
:Yeah, so we were going to make, I had this idea there was a lighthouse in the bay there in
Savannah, the Tybee Island Bay, I forget what the name of it is, but there was this old
725
:lighthouse that was not being used and it was the coolest looking thing and it was
surrounded by water.
726
:And I had this idea to do this, like, Johanna was gonna be in that one as well and it was
just this relationship drama that takes place in the confined space of a lighthouse.
727
:I don't remember the details.
728
:I feel like I've heard iterations of this idea.
729
:no, I've been stewing on this idea for 30 years or 20 years now.
730
:But you did write something.
731
:Yeah, no, I've got stuff in my present.
732
:Yeah, yeah, I didn't.
733
:I never finished the feature.
734
:I still don't know how to finish it.
735
:But at some point, maybe when I'm 70 or 60 or maybe next year.
736
:So we ended up buying a dinghy like I bought a dinghy, like a little boat, you know,
sporting goods store.
737
:And we drove the dinghy out to this with no life jackets and just like rode out to the
lighthouse to do a location scout.
738
:And it was it was dangerous.
739
:Like you get out there and we were starting to get tossed around.
740
:We, you know.
741
:But we got on the lighthouse and I still have a great video of that, of our locations cut
out there.
742
:But I tried to get permits from the Parks Department or something and they were like,
well, you weren't even supposed to be on that lighthouse.
743
:So we didn't get permits and I had like, I think a week to finish this project.
744
:So I was like, all right, pivoting.
745
:Which was a revelation in a way because it was like, you'll film us walking around at
magic hour.
746
:I'll do this thing in this bar.
747
:We'll bring the camera to the bar and we'll reenact this.
748
:And it just kind of came together.
749
:and
750
:Yeah, I was really happy with how that came out actually uh for being as as slapdash as it
was it has a vibe to it
751
:What was the assignment?
752
:It was just a directing final.
753
:Okay, so you could just do whatever you wanted.
754
:Kind of, yeah.
755
:I think I emailed the professor and was like, hey, can I pivot because we can't get the
lighthouse?
756
:he's like, got an A, got an A.
757
:So how do we get to coverage, which I would say feels like your first kind of serious
short film.
758
:Is that fair to Yeah.
759
:Yeah, that was like my thesis film.
760
:So I wanted it to be good.
761
:That was like what I was gonna come out with.
762
:and just to describe coverage just briefly.
763
:Coverage is a movie about a man who becomes sexually obsessed with 9-11 footage.
764
:It's a relationship drama, but 9-11 happens and then the relationship kind of begins to
unravel because he gets this addiction to 9-11 footage.
765
:Yeah, which is interesting because, I hadn't seen it in years and I went back and rewatch
it and I feel like I had your description of the movie in my head more than the movie
766
:itself.
767
:And I was I was surprised to at my experience rewatching it because it's it's not I think
when you describe it the way you do, it kind of comes off as if it's like this a little
768
:bit silly, maybe absurdist kind of a thing.
769
:But the reality is that this is a guy who's numb.
770
:who's not able to be intimate or get aroused before 9-11.
771
:it's kind of, think watching it through the lens, even, I think I first watched it maybe
10 years ago when we first met.
772
:And then watching it again where society is now, the hyper-stimulative nature of media.
773
:And it's cool, it puts it in a new context.
774
:There was a Burroughs, like a William Burroughs quote that I was always thinking about
when I was making that.
775
:was something about the repetition and impact of image creates sexual arousal or something
like that.
776
:I was always struck by that.
777
:And then there's films like Crash, like Cronenberg's Crash, which was about em people
fetishizing car crashes that was also kind of a loose influence there.
778
:Yeah, it's a human drama.
779
:I'm proud of that film.
780
:And the fact that I actually got it made was the amazing part, because the school...
781
:didn't really want to have anything to do with it, although we did use some of their gear,
but I had one professor, Mike Nolan, who was a really strange, cool guy.
782
:I really liked him.
783
:And he was the one who was like, this is the film you have to make, I'm so grateful
because I had some other ideas for films that I was going to make and they were all kind
784
:of lame.
785
:And he's like, this is the interesting one.
786
:And I was, he was right.
787
:He was totally right.
788
:Was that film shot in Savannah or in New York?
789
:Yeah, we rented a house and then rented a bunch of furniture from Brenna Center and like
it was a house that was on the market.
790
:So the guy who rented it us said we could pay so we could paint it and stuff.
791
:yeah, this giant old mansion.
792
:now, yeah, that's the only location.
793
:That was kind of my one thing that I wanted to do was to have a place, a thing I could
shoot on one location just to keep it simple.
794
:Yeah, the performances are really strong and there's some there's some very strong
imagery.
795
:I mean, the shooting style, I feel like is is, your style that you kind of stuck with for
coverage and to a certain extent into adult.
796
:Honestly, it's that's Ryan Dickey.
797
:I mean, it's me and Ryan Dickey, but like we always kind of understood each other and he
kind of just got like.
798
:not to spoil it, but the image of towards the end when Michael is very kind of furiously
masturbating with the headphones on.
799
:And that is one of the, maybe one of the more disturbing cinematic images I've seen.
800
:uh
801
:with the rag in his mouth, sock in his mouth.
802
:was that part of the script the sock in his mouth or is that?
803
:uh
804
:I don't remember if that was on, we figured that out then or not.
805
:was, that was a big collaboration.
806
:I, uh this auteur theory thing with filmmaking, it's all bullshit because filmmaking is
the most collaborative thing and any of my films, they wouldn't have been nearly as good
807
:had I not embraced collaboration, I feel like, like I did because like I would even meet
with Michael and Laura the actor and actress every day before we shot and we'd rewrite
808
:parts of the script just based on what we'd already shot and how it had been different.
809
:Cause there was some improv in there and it was really a fun.
810
:a fun process.
811
:Do you want to get into your collaboration with Michael at all?
812
:Yeah, we met in the theater school.
813
:Right.
814
:Yeah, in like fourth grade maybe.
815
:And then remained friends during college even though he went to Juilliard and I was at OU.
816
:Went to Russia together.
817
:Went on my first international trip when I was an undergrad.
818
:We got a grant together to go to Russia, a fellowship.
819
:And then.
820
:ah
821
:when it came time to do my thesis film, he was the only person I really thought of being
in it.
822
:I was like, of course I want Michael to be in it.
823
:He had found Laura, who was the female actress in that.
824
:And she was, I think, excited about it too, because it's, you know, it's an interesting
idea if you're wanting to do edgy stuff, like it was totally edgy, right?
825
:She was.
826
:The bedroom scene in particular, when she's like admitting it to him, that was a tough one
to get because it was like, it's such a weird thing to even be talking about.
827
:But I feel like they brought a humanity to it.
828
:The capacity to stay grounded in the reality of that situation would have made her break
that thing because it could have gone so south without those performances.
829
:And then there is some comedy in it, I thought was like, you know, there's a great, you
know, that great line.
830
:If you don't fuck me right now, the terrorists are going to win.
831
:Yeah.
832
:Yeah, but it wasn't like a joke.
833
:It was a joke for each other in the world of the movie.
834
:Yes.
835
:More than it was for the audience, which made it almost when I was watching it made it
feel almost like sweet.
836
:Yeah.
837
:He came down from New York for that?
838
:Yeah, I flew them both in from New York and I'm in a hotel and all that.
839
:And I did start dating Laura before we started shooting that film.
840
:Really upset him.
841
:He claimed it was because he thought it was going to screw up the film or something.
842
:And I was like, it's not going to do that.
843
:You had met her through him and she was in New York.
844
:She was in New York, I think the first time we met, had dinner together, me and Laura and
Michael had dinner.
845
:It was clear that night that like me and Laura had a thing for each other.
846
:So yeah, coverage went well.
847
:Moved to New York, moved in with Laura there.
848
:wow, I didn't know that.
849
:Yeah, but in the kitchen, she had an apartment.
850
:Me and Michael were still very good friends and uh we're still, you know, I edited a film
that he had made called Gold Star Ohio, uh which actually has the guy who's the big famous
851
:guy now who's in everything.
852
:He was in the star Wars.
853
:What's his name?
854
:Adam driver.
855
:And I remember editing him and there was like one scene with him and I was like, I didn't
know who this guy was at the time.
856
:He was not well known.
857
:And I was like, this guy's got and I was right.
858
:And then we both went through a breakup because Laura ended up, you know, kind of cheating
on me on us.
859
:that end.
860
:Then we came up, we were sitting and drinking wine in our bar in Brooklyn and came up with
the idea for FTLF because he'd gotten dumped as well.
861
:interesting.
862
:So Laura was the dumping that inspired after you left.
863
:It was Laura and his getting dumped as well.
864
:was a double dump.
865
:The double D.
866
:And so we were in a bar just talking about what we're going to do with these sadness.
867
:And so we thought, let's just try to make a movie.
868
:And we started writing down like a loose outline and wanted to do it improvised.
869
:We were going to shoot a feature, but just started shooting stuff.
870
:randomly and
871
:Never ended up finishing the thing to make a feature, but I just kind of edited together
what we had and made it the best thing I could.
872
:It got into one festival that had given me an award in the year before.
873
:So I think it was kind of a gimme, but, everybody loved it there, but then didn't get into
anything because I submitted it to a ton of stuff and I'd only submitted it to Sundance
874
:because I had submitted coverage to Sundance and you could submit for free if you, if you
submitted before.
875
:And so I submitted it and then yeah, and Thanksgiving of that year, 2010.
876
:That was Allone on Thanksgiving and my
877
:and got a phone call.
878
:saying that, got into Sundance Film Festival, which, you know, at the time, it felt like,
you I immediately call Michael.
879
:It was a real beautiful moment, honestly, because it was like we'd been friends for years,
and now we had been started to be creative friends together again.
880
:Yeah, ended up, you know, finding a little piece of magic there for 500 bucks.
881
:bucks.
882
:Yeah.
883
:uh
884
:Sundance, brought a lot of the cast with us.
885
:It's a director's festival though, so I got attention.
886
:I don't think he cared for that.
887
:All the parties and stuff.
888
:Then afterwards, we were trying to deal with like the money stuff, paying people back and
dealing with all that.
889
:I was totally unemployed at the time, so I had to buy an asthma inhaler.
890
:So I knew I took some of the money out to buy an inhaler so that I could continue to live.
891
:He accused me of stealing the money.
892
:And over that.
893
:oh
894
:not sure if stealing the money was actually the thing.
895
:If there was something else, it still sticks with me.
896
:And then he would be these, send me these crazy emails, suggesting we make competing
versions.
897
:Cause I was meeting with all these, you know, production companies at the time.
898
:They were all asking for like a feature length version, which was our plan was to make a
feature.
899
:We'd already started writing it.
900
:And he was a co-producer, so I couldn't, I couldn't do anything.
901
:and go forward with it and he wouldn't let me go forward with it and he would suggest like
why don't we do competing versions of it and see who's is better and it was just like what
902
:dude what are we even talking about?
903
:Really like my heart that was one of the most difficult things I went through and in my
life was losing Michael as a friend because he was like
904
:New York.
905
:We were working together on this production company.
906
:We were doing all these things.
907
:And then we got into Sundance and then the world opened up.
908
:We snapped it shut.
909
:you know.
910
:Yeah, it's weird.
911
:feels like you guys that, you know, his career didn't, doesn't appear to have really moved
much.
912
:No, no.
913
:And I really just don't understand why you would.
914
:know, collaboration is difficult, right?
915
:There's going to be arguments.
916
:There's going to be difficult things, right?
917
:I'm not saying that I'm innocent here.
918
:Like, I was not probably an easy person to work with at times.
919
:I tried to be as, I mean, who knows?
920
:I can't see myself from back then, but the way he portrayed me was as if I had been just
this kind of exploiting everybody's all this acting work and all this stuff just to get
921
:what I wanted.
922
:And I was like,
923
:I don't understand that like.
924
:That's all about what people are their own stories.
925
:Right.
926
:of course, of course.
927
:But it's hard at the time to get it because I just I could understand, know, just not
wanting to be my friend anymore.
928
:I it would still have been hard, but to not want to be my friend and to basically throw
away Sundance.
929
:Yeah, like that was like he must really fucking hate me, you know.
930
:Or there's some fear of success in a certain way.
931
:mean, I think it feels like a self-sabotaging force.
932
:I came to find out, he was a little bit bipolar or something because I ended up meeting
one of his girlfriends when he was dating when we went to Sundance and she told me a whole
933
:other side of the story that I was like, oh, all right, this all makes sense now.
934
:Like he has anger issues.
935
:He was like kind of stalking her and blah, blah, blah, blah, blah.
936
:was an enlightening story.
937
:Right.
938
:Well, who knows, but there are a lot of bipolar people who are still successful actors in
Hollywood.
939
:at least shine some light on some of like the aggressive and anger issues that came out of
940
:nowhere, you know.
941
:He's got the goods.
942
:mean, he's great to watch.
943
:He is.
944
:Interesting choices in a very subtle way, which I appreciate it.
945
:also see it was seeing we've gotten into such a, you know, not to this isn't like I'm not
making a try not to make a political statement here, but just culturally we've we've moved
946
:into a place where rightly so, I'd say in a lot of ways.
947
:non white male stories are being centered more and more, especially in like the short film
and like artistic filmmaking world.
948
:Yeah.
949
:And to see uh a movie, you know, that was just like about male intimacy and friend and
friendship and the way that it shows up and the way it doesn't show up and all that.
950
:I just it really warmed my heart, to be honest, in a way that it's been a while since I've
seen.
951
:Since I felt that way, since I've seen myself portrayed on screen, there's a scene with
him and I think it's him and Garrett up on the roof where he talks about just trying to
952
:cry.
953
:And that experience and that just really resonated with me a lot now.
954
:Cause I'm also older.
955
:was 10 years ago that I first.
956
:Right, you're the age that I was when I made that
957
:Yeah, yeah.
958
:But it's a double edged sword because
959
:Under suite, em
960
:Bittersweet.
961
:but...
962
:Yeah, yeah.
963
:So when did you join the Brooklyn Filmmakers Collective?
964
:Because that's where we met.
965
:That's where we met.
966
:That was a
967
:Probably the year or two after Sundance, because they'd always been on my radar, but I
thought, so I can probably get in.
968
:Because at the time, it was big.
969
:When I got in there, there was a lot of applications.
970
:I don't know what it's like now.
971
:At the time, it was definitely an early elite organization, a collective that people
wanted to be involved in.
972
:Yeah, I think I joined in 2012 maybe.
973
:Yeah, I remember you like in the group, but it wasn't until you brought in, I think it was
just an audio recording that you had done with Garrett.
974
:There were little videos we had made like a test thing with Garrett and Nick as well in my
house.
975
:Remember I'm playing the accordion.
976
:oh It's not my fault.
977
:oh
978
:I watched recently and they're still funny.
979
:Maybe I'll put links to those.
980
:But yeah, just shot some random stuff in my apartment.
981
:some friends and uh
982
:cut it together and played it just to see what people thought if they thought it was funny
or if anything was there.
983
:You came up to me afterwards and you were like, hey, I love that.
984
:I wanted to produce it.
985
:And I was like...
986
:Yeah, great.
987
:Yeah, I just remember seeing it and I was like, this is great.
988
:It's like there was something to it.
989
:yeah, and then I remember having that first meeting with, I think, Garrett joined.
990
:No, at a coffee house, we sat outside a coffee house and talked and we're thinking, I
didn't know you that well.
991
:And we just started talking and I was like, this guy I like.
992
:Like I remember thinking that I liked you right away.
993
:and yeah.
994
:um
995
:We have a very similar way of kind seeing the world, I think, and I think we have the same
sense of humor in a lot of ways.
996
:And I think that we just connected right away.
997
:I just want to say, Chris, like you brought so much to that project, particularly in that
character you played, which is one of the most prescient characters I've ever had in any
998
:film talking about Bitcoin 10 years ago.
999
:I
:
01:00:38,644 --> 01:00:41,070
Yeah, only I had taken that character's advice.
:
01:00:41,070 --> 01:00:41,790
I know, right?
:
01:00:41,790 --> 01:00:43,050
That's the funny thing.
:
01:00:45,055 --> 01:00:46,308
I was thinking the same thing when I
:
01:00:46,308 --> 01:00:47,000
rewatching that.
:
01:00:47,000 --> 01:00:49,486
was like, uh, hopefully I remember.
:
01:00:49,509 --> 01:00:50,993
Yeah, that was fun.
:
01:00:50,993 --> 01:00:54,058
That was a fun project to work on in spite of the issues that we had at time.
:
01:00:54,058 --> 01:00:54,636
and
:
01:00:54,636 --> 01:00:56,761
Yeah, we got in some fights in that project.
:
01:00:56,761 --> 01:00:59,854
I had few temper tantrums and so forth, but...
:
01:00:59,854 --> 01:01:00,458
I
:
01:01:00,458 --> 01:01:05,378
was not yet as zen at handling my own emotions.
:
01:01:07,438 --> 01:01:15,918
And it's all it was, you know, in retrospect, all of those disagreements were all from
wanting everything to be the best possible thing.
:
01:01:15,918 --> 01:01:16,838
know what I mean?
:
01:01:17,418 --> 01:01:24,582
Discouragement that is almost inevitable in the filmmaking process when you start bringing
things together and you're like, oh, man, this is not.
:
01:01:24,748 --> 01:01:25,818
what I thought it was going to be.
:
01:01:25,818 --> 01:01:36,831
And then you get over that and you find you just are with it for what it is, which
especially with an improvised thing, you know, you have to let that original vision die so
:
01:01:36,831 --> 01:01:47,204
you can rediscover what it is with the material that you've got, know, which is, you can
fall in love with that too, which is what ultimately happened.
:
01:01:47,204 --> 01:01:52,626
But I think there was that moment in between where I was feeling so discouraged for
whatever reason.
:
01:01:52,626 --> 01:01:53,720
I don't even remember why.
:
01:01:53,720 --> 01:01:54,326
No, I-
:
01:01:54,326 --> 01:01:56,598
I went through a lot of emotions during that shoot.
:
01:01:56,598 --> 01:02:01,633
I realized early on that I was like, should not be directing and trying to star in an
improvised thing of any sort.
:
01:02:01,633 --> 01:02:04,725
But I mean, I think it worked out.
:
01:02:04,725 --> 01:02:08,458
And then the editing thing took like two years, which was the biggest struggle.
:
01:02:08,819 --> 01:02:12,342
You know, I thought that since after you left was somewhat easier.
:
01:02:12,342 --> 01:02:14,294
It wasn't that difficult to find the edit there.
:
01:02:14,294 --> 01:02:16,876
I I spent a lot of time on it, but it wasn't nearly as hard.
:
01:02:16,876 --> 01:02:19,288
But I think it was also because it was kind of smaller.
:
01:02:19,288 --> 01:02:21,390
Like it wasn't as much footage, I don't think.
:
01:02:21,390 --> 01:02:34,834
There was also a lot of plot machination in adults, whereas with coverage, was a very
like, was a reflection of vignettes and it kind of was like a poem or, and adults was not
:
01:02:34,834 --> 01:02:35,474
really a poem.
:
01:02:35,474 --> 01:02:37,675
It was much more of a story.
:
01:02:37,675 --> 01:02:38,235
Yeah.
:
01:02:38,235 --> 01:02:47,278
And I think we were trying to do what Curb Your Enthusiasm does and follow their template
of, know, where do we need to get by the end of this scene in order for the story to make
:
01:02:47,278 --> 01:02:48,378
sense?
:
01:02:48,534 --> 01:02:48,986
degree.
:
01:02:48,986 --> 01:02:50,914
mean, that's what you have to do with improv in general, right?
:
01:02:50,914 --> 01:02:51,646
I mean,
:
01:02:51,646 --> 01:02:58,192
Yeah, my recommendation since that project for people has been to not do improvisation.
:
01:03:00,656 --> 01:03:10,446
Just because, you know, because I worked with another film recently where they she was
very committed to wanting to do improv and she was also directing and writing and starring
:
01:03:10,446 --> 01:03:12,047
and all the things.
:
01:03:12,047 --> 01:03:15,150
And I feel like especially actor actors.
:
01:03:15,150 --> 01:03:21,208
who are used to having lines, like it's hard for them to relax into a character when they
don't know.
:
01:03:21,208 --> 01:03:22,580
Yes, for sure.
:
01:03:22,580 --> 01:03:25,865
What's they also have to think about writing it at the same time, you know.
:
01:03:25,865 --> 01:03:27,086
You're asking a
:
01:03:27,086 --> 01:03:31,806
And I think that that was part of the reason that I was like, because like, who was I
going to find to act in that?
:
01:03:31,806 --> 01:03:32,556
Me.
:
01:03:32,556 --> 01:03:33,353
Yeah, no.
:
01:03:33,353 --> 01:03:34,242
ah
:
01:03:34,242 --> 01:03:38,231
But also that story kind of was both of the dynamic that me and Garrett had.
:
01:03:38,231 --> 01:03:39,336
real life.
:
01:03:39,336 --> 01:03:41,006
That was also a big part of it.
:
01:03:41,006 --> 01:03:42,530
That was a big part of it for sure.
:
01:03:42,530 --> 01:03:47,298
I mean, he's such a unique on screen presence.
:
01:03:47,298 --> 01:03:49,878
brings such a weird interesting thing to that.
:
01:03:49,878 --> 01:03:53,401
I had a great way.
:
01:03:54,143 --> 01:03:59,228
And his wife is fabulous as well, Jen.
:
01:03:59,229 --> 01:03:59,569
Yeah.
:
01:03:59,569 --> 01:03:59,989
Yeah.
:
01:03:59,989 --> 01:04:04,434
You do have a way of collaborators.
:
01:04:04,434 --> 01:04:05,275
Yeah.
:
01:04:06,478 --> 01:04:08,018
I mean, it's true,
:
01:04:08,472 --> 01:04:11,104
But I don't think in Garrett's case I did anything wrong.
:
01:04:11,104 --> 01:04:16,747
I think Garrett was talking about not wanting to be an acting at all for a long time.
:
01:04:16,747 --> 01:04:22,284
He has meds at the time, you know, and I think that he, cause he's literally bipolar.
:
01:04:22,284 --> 01:04:23,699
Yeah, that might be it.
:
01:04:23,699 --> 01:04:27,529
You know, might be kind of working with a lot of people.
:
01:04:27,810 --> 01:04:32,218
But yeah, I I don't think that that one had anything to do with because they moved to
upstate New York.
:
01:04:32,218 --> 01:04:36,720
implication of me saying that was not to put the blame on your lap.
:
01:04:37,661 --> 01:04:45,824
I have sure understandable, but it is an interesting, yeah, it's an interesting kind of
like a little bit of a, but you know, I don't think it's so uncommon though.
:
01:04:45,824 --> 01:04:57,950
think being in a creative field where it's so it's this combination of vulnerability and
to a certain extent competition and you put everything out there and there's expectations
:
01:04:57,950 --> 01:04:58,850
and you.
:
01:04:58,850 --> 01:05:05,316
you know, as an actor, you have control, but you don't have control, you know, it's like,
think it's just a difficult dynamic.
:
01:05:05,316 --> 01:05:13,384
And there's a reason why most people who are in film, they become a family on the film set
and they love each other and then they never talk again.
:
01:05:13,384 --> 01:05:15,305
Like that, that's very common.
:
01:05:15,342 --> 01:05:16,822
Yeah, and I
:
01:05:16,822 --> 01:05:21,385
funny thing about that is that Garrett was an after, I mean, I met Garrett because of
Michael and after you left.
:
01:05:21,865 --> 01:05:29,310
Then after the fallout with Michael, I didn't communicate with any of the people that I
had been friends with through him except for like Nick.
:
01:05:29,330 --> 01:05:37,646
And then I just ran into Garrett at a coffee house in Park Slope and we just started
talking and we started talking like we talk in the show and we're like, this is funny, we
:
01:05:37,646 --> 01:05:38,877
should make something.
:
01:05:38,877 --> 01:05:40,277
And that's how.
:
01:05:40,578 --> 01:05:41,206
So.
:
01:05:41,206 --> 01:05:43,689
Yeah, the show really is that dynamic.
:
01:05:43,689 --> 01:05:50,432
However you describe that, that chemistry between the two of you is really the
foundational adults.
:
01:05:50,432 --> 01:05:51,465
It was...
:
01:05:51,934 --> 01:05:52,600
We had a funny...
:
01:05:52,600 --> 01:05:53,313
Fandamic.
:
01:05:53,313 --> 01:05:53,836
Missed the guy.
:
01:05:53,836 --> 01:05:54,574
Missed the guy.
:
01:05:54,574 --> 01:05:56,154
Yeah, me too.
:
01:05:56,334 --> 01:05:56,734
All right.
:
01:05:56,734 --> 01:06:01,774
Well, so that's that's the film career so far for the most part.
:
01:06:01,814 --> 01:06:02,054
Yeah.
:
01:06:02,054 --> 01:06:06,094
And then you left New York after that.
:
01:06:07,574 --> 01:06:10,234
I'm still sad about it.
:
01:06:10,594 --> 01:06:12,475
You were, I mean, 10 years was enough for me.
:
01:06:12,475 --> 01:06:16,155
think maybe when you get to be in your mid forties, you might be ready to go to.
:
01:06:16,636 --> 01:06:19,546
mean, of course my re leaving was because I had no work.
:
01:06:19,546 --> 01:06:26,198
And like, that was the story of a lot of my life in New York was that I just consistent
work, consistently eluded me.
:
01:06:27,119 --> 01:06:28,129
Last year I was there.
:
01:06:28,129 --> 01:06:30,299
just, uh, nothing was coming.
:
01:06:30,299 --> 01:06:33,890
And I, but I mean, I really lived off of Bitcoin for a lot of that year.
:
01:06:33,890 --> 01:06:35,321
was amazing.
:
01:06:35,741 --> 01:06:38,882
You know, I ended up getting, I had a job that was paying me a fortune.
:
01:06:38,882 --> 01:06:39,630
It was like,
:
01:06:39,630 --> 01:06:40,334
800, like that.
:
01:06:40,334 --> 01:06:48,640
$25,000 an hour day or so much, but of course I wasn't taking it out of my taxes or paying
quarterly So I got a bill for like a $25,000 in taxes now.
:
01:06:48,640 --> 01:07:00,418
I'm sustainable So like I got to get out of here ah And I just started looking for jobs
anyway Yeah, just one click apply on LinkedIn for Hollister in Columbus and I already knew
:
01:07:00,418 --> 01:07:04,451
people Dad was kind of getting a little bit sick at this point.
:
01:07:04,451 --> 01:07:08,083
So I thought this is not the worst thing to happen You know cousins here.
:
01:07:08,083 --> 01:07:09,374
I've seen friends
:
01:07:09,782 --> 01:07:13,915
So you were at Hollister basically until the pandemic more or less, right?
:
01:07:13,915 --> 01:07:15,225
Yeah, but.
:
01:07:15,786 --> 01:07:17,757
Did you get laid off there or did you leave the job?
:
01:07:17,757 --> 01:07:20,288
And then.
:
01:07:21,169 --> 01:07:22,285
Right, classic.
:
01:07:22,285 --> 01:07:24,327
I was very excited about the job at first.
:
01:07:24,327 --> 01:07:28,910
They kind of been like during the interviews, they've been like, we love these wacky
creative things.
:
01:07:28,910 --> 01:07:29,861
And I was like, this is great.
:
01:07:29,861 --> 01:07:31,252
They like the weird stuff.
:
01:07:31,252 --> 01:07:34,114
But then of course you want you get into a corporate structure.
:
01:07:34,242 --> 01:07:42,911
I still kind of kept my, my weird vibe kind of a thing, but it was still selling clothes
for teenagers, which wasn't entirely fulfilling.
:
01:07:42,911 --> 01:07:44,248
People seem to really enjoy it.
:
01:07:44,248 --> 01:07:49,227
be in these department meetings, know, and sold and.
:
01:07:49,227 --> 01:07:51,396
There were people staying next to me who would be like, woo.
:
01:07:51,396 --> 01:07:52,198
m
:
01:07:52,514 --> 01:07:56,006
I'd look at them and I'd be like, what the do you?
:
01:07:56,373 --> 01:07:58,549
You've got to be excited about something.
:
01:07:58,549 --> 01:08:02,888
the player part of team or whatever, but.
:
01:08:03,001 --> 01:08:07,283
Anyway, yeah, so looking back, it was great that I got let go because I wasn't happy
there.
:
01:08:08,025 --> 01:08:13,089
I learned at that job that all organizations are inherently disorderly.
:
01:08:13,089 --> 01:08:17,351
Calling an organization is an aspirational idea as opposed to a realistic.
:
01:08:17,745 --> 01:08:18,930
description.
:
01:08:18,957 --> 01:08:21,894
Why don't uh
:
01:08:22,622 --> 01:08:25,741
They laid me off via Zoom and I think June of
:
01:08:25,741 --> 01:08:27,842
that::
01:08:27,842 --> 01:08:36,878
Yeah, I was, I was panicking because, know, picked up and moved my entire life from New
York to Columbus for this job that I'd had for about a little more than a year and a half.
:
01:08:36,878 --> 01:08:39,303
Here I was living in Columbus without a
:
01:08:39,303 --> 01:08:42,729
uh which is what I was doing in a lot of the time.
:
01:08:42,729 --> 01:08:49,340
So yeah, it really tried me and well, I don't know what I'm gonna do.
:
01:08:49,382 --> 01:08:51,298
And then uh
:
01:08:51,298 --> 01:09:02,077
know, was a few weeks later, like three weeks later, a York friend, texted me saying, I
know a dude who's looking for somebody to work for the Lincoln Project.
:
01:09:02,258 --> 01:09:04,561
you interested?
:
01:09:04,986 --> 01:09:10,486
made a bunch of weird Trump remixes because I don't know, I have some sort of a sickness.
:
01:09:11,606 --> 01:09:13,339
He done that so I already had work to show.
:
01:09:13,339 --> 01:09:20,296
Yeah, next thing I knew I was working for the Lincoln project was supposed to be just
three months that turned into.
:
01:09:20,296 --> 01:09:21,204
and a half years.
:
01:09:21,204 --> 01:09:26,027
And you kind of did their rapid response funny video.
:
01:09:26,027 --> 01:09:29,184
So people actually have probably seen a lot of your work with them.
:
01:09:29,294 --> 01:09:31,263
Ron is the one most people have probably seen.
:
01:09:31,263 --> 01:09:33,209
put it in the show notes as well.
:
01:09:33,346 --> 01:09:36,865
Yeah, I did a lot of the funny videos, also some, you know, dramatic ones too.
:
01:09:36,865 --> 01:09:39,942
It was a mix, especially in the few months I worked there.
:
01:09:39,947 --> 01:09:46,862
the::
01:09:47,750 --> 01:09:51,070
Rapid response, means we're responding to the events of the day.
:
01:09:51,070 --> 01:09:52,670
Very quick video.
:
01:09:53,370 --> 01:09:57,950
Yeah, the videos would get, it's the most high profile job I've ever had, I guess.
:
01:09:57,950 --> 01:10:07,390
Like, I remember the first video I did for, I finished it at like three and then I was
driving up here to Cleveland and I stopped at a rest area just to look at Twitter or
:
01:10:07,390 --> 01:10:08,110
something.
:
01:10:08,390 --> 01:10:10,346
And it was like,
:
01:10:10,346 --> 01:10:11,946
Like, whoa, bro.
:
01:10:12,986 --> 01:10:18,386
And like seven million views, it's just hard to even comprehend.
:
01:10:18,706 --> 01:10:23,360
yeah, they would get on MSN, CNN, was part of that.
:
01:10:23,360 --> 01:10:24,280
at the time.
:
01:10:24,280 --> 01:10:29,121
Did you think that you were having a positive impact at the time?
:
01:10:29,121 --> 01:10:30,183
And did you
:
01:10:30,966 --> 01:10:32,867
For sure.
:
01:10:32,867 --> 01:10:37,511
mean, it was a big deal then people.
:
01:10:38,253 --> 01:10:39,850
For everywhere and it.
:
01:10:39,850 --> 01:10:41,650
felt like yeah, I was part of like that.
:
01:10:41,650 --> 01:10:47,190
I was helping right that these videos Seeing them and being like oh that Trump is a liar.
:
01:10:47,190 --> 01:10:54,490
Maybe we shouldn't vote for him Yeah, that was that was the exciting time Paper because I
worked at the Lincoln project here.
:
01:10:54,490 --> 01:10:59,070
There was a 60 minutes profile I wasn't in that and then there was a New Yorker.
:
01:10:59,070 --> 01:11:00,774
I mean it was a big deal at the time
:
01:11:00,780 --> 01:11:03,680
So that was exciting and I did feel like at the time I was.
:
01:11:03,680 --> 01:11:06,965
not as jaded yet and then after the elections some
:
01:11:07,362 --> 01:11:11,038
You some things came to light, which I won't go into in detail.
:
01:11:11,038 --> 01:11:16,908
You can do the research that made me start to wonder, maybe, maybe this is a news.
:
01:11:17,037 --> 01:11:22,254
I don't know what the word is, straight and narrow or something as I thought or something.
:
01:11:22,254 --> 01:11:22,414
My...
:
01:11:22,414 --> 01:11:27,507
See the cracks or whatever.
:
01:11:27,507 --> 01:11:30,630
I was only supposed to work there for three months with I just kept getting checks.
:
01:11:30,831 --> 01:11:32,878
Oh, I just kept working there.
:
01:11:32,878 --> 01:11:40,256
then at one point in the like::
01:11:40,256 --> 01:11:41,328
tremendous raise.
:
01:11:41,328 --> 01:11:42,989
And it was like a full time.
:
01:11:43,862 --> 01:11:46,124
It's like, oh, well, this is great.
:
01:11:46,520 --> 01:11:49,401
I can push my sir or.
:
01:11:49,401 --> 01:11:51,659
about the organization to the side because
:
01:11:51,702 --> 01:11:54,088
I'm going to be making a lot of money now.
:
01:11:54,088 --> 01:11:57,334
So yeah, and then that went on for another.
:
01:11:58,037 --> 01:11:58,858
There.
:
01:11:59,178 --> 01:12:03,859
So did your feeling about producing content?
:
01:12:03,859 --> 01:12:11,071
Because I was in a similar, somewhat similar boat in terms of like, I'm at a big media
company.
:
01:12:11,071 --> 01:12:12,542
I think I can really make a difference.
:
01:12:12,542 --> 01:12:18,093
And then at a certain point, it occurred to me that I was basically just making videos for
people that agreed with me.
:
01:12:18,093 --> 01:12:23,725
And I don't know if it really helped or just entrenched people in their way of thinking.
:
01:12:23,765 --> 01:12:25,545
What was your kind of journey with?
:
01:12:25,545 --> 01:12:27,726
Because I know you are somewhat disillusioned by.
:
01:12:27,726 --> 01:12:28,626
somewhat.
:
01:12:29,126 --> 01:12:31,586
Yeah, I mean it was a 40.
:
01:12:32,686 --> 01:12:33,023
Sure.
:
01:12:33,023 --> 01:12:37,296
Biden won were a bit tumultuous and tumultuous, tumultuous.
:
01:12:37,296 --> 01:12:46,554
Anyway, when Trump, I really did start to wonder if what we'd done was actually helpful.
:
01:12:47,196 --> 01:12:52,240
Because I feel like at first it felt like the public was doing the thing that the
Republicans had done.
:
01:12:52,240 --> 01:12:54,098
They played dirty, we played
:
01:12:54,098 --> 01:12:55,838
cold make, you know.
:
01:12:56,158 --> 01:13:08,838
pool of water that exists in::
01:13:09,398 --> 01:13:19,578
And I feel like, don't know how profoundly plausible is if the work and energy I'd put
into
:
01:13:19,958 --> 01:13:22,571
sticking with this organization through all the.
:
01:13:22,766 --> 01:13:25,079
um media issues.
:
01:13:25,079 --> 01:13:28,673
they had was basically just like, eh no.
:
01:13:28,751 --> 01:13:30,392
Do they still exist?
:
01:13:30,392 --> 01:13:31,763
Yeah, there's still.
:
01:13:31,763 --> 01:13:35,653
kind of in touch with a few people doing there's response anymore.
:
01:13:35,653 --> 01:13:39,894
I'm not entirely sure what they're doing doing the podcast still
:
01:13:40,034 --> 01:13:42,140
All right, so yeah, talk about that.
:
01:13:42,210 --> 01:13:46,614
They put me on the podcast to be the editor and producer of the podcast.
:
01:13:46,614 --> 01:13:48,054
I think it was early.
:
01:13:48,315 --> 01:13:49,376
Yeah.
:
01:13:49,376 --> 01:13:53,839
I did it or made a podcast and their podcast was pretty big.
:
01:13:54,299 --> 01:13:54,870
so that was fun.
:
01:13:54,870 --> 01:13:56,561
I was excited to do a different job.
:
01:13:56,561 --> 01:13:57,515
I learned how to do it.
:
01:13:57,515 --> 01:14:00,522
all and a lot of relevant
:
01:14:00,522 --> 01:14:03,735
famous guests, know, we had one of
:
01:14:03,735 --> 01:14:04,207
course.
:
01:14:04,207 --> 01:14:07,234
had the guy from Sharp Bank.
:
01:14:07,276 --> 01:14:08,068
What's his name?
:
01:14:08,068 --> 01:14:08,499
Anyway.
:
01:14:08,499 --> 01:14:10,571
uh
:
01:14:10,571 --> 01:14:14,933
It was difficult because of certain personalities that I was working with.
:
01:14:14,933 --> 01:14:16,103
I knew a lot about podcasts.
:
01:14:16,103 --> 01:14:20,115
I liked about podcasts, so I was putting all my effort into this.
:
01:14:20,115 --> 01:14:21,935
was like leaning into it.
:
01:14:22,536 --> 01:14:29,088
Then I started meeting like resistance and I was just like, but it's getting more numbers
now, it's doing better.
:
01:14:29,130 --> 01:14:31,480
it didn't seem to matter.
:
01:14:31,480 --> 01:14:34,531
there were strong personalities involved, I suppose is what you're
:
01:14:34,531 --> 01:14:36,037
would, that's what I would put it.
:
01:14:36,037 --> 01:14:36,877
But.
:
01:14:37,390 --> 01:14:37,970
I.
:
01:14:37,970 --> 01:14:40,230
um
:
01:14:40,299 --> 01:14:43,382
it gave me experience in doing podcasting and learning how it's
:
01:14:44,776 --> 01:14:47,639
and I won the award because of that too.
:
01:14:48,501 --> 01:14:49,982
But I did win it.
:
01:14:50,063 --> 01:14:50,668
that's nice.
:
01:14:50,668 --> 01:14:51,539
Yeah.
:
01:14:51,662 --> 01:14:53,196
I stumbled upon a video on-
:
01:14:53,196 --> 01:14:58,434
Lincoln projects YouTube of two of the leaders and my.
:
01:14:58,434 --> 01:15:04,266
who now produces the podcast, doing a video about how they made the video that won the
Webby Award.
:
01:15:04,266 --> 01:15:15,019
But like none of them had made it once so but yeah, it off in January
:
01:15:15,019 --> 01:15:16,191
of this year.
:
01:15:17,550 --> 01:15:22,690
And now talk about bringing this piece of media that we're currently talking on to life.
:
01:15:22,690 --> 01:15:24,091
had this idea for this podcast.
:
01:15:24,091 --> 01:15:29,015
I always had this idea of like, you know, even we recorded some episodes years ago.
:
01:15:29,536 --> 01:15:35,621
And the idea was basically like, I want to get to know friends that I've met like later in
life about their whole lives.
:
01:15:35,621 --> 01:15:37,042
You know, that was kind of my...
:
01:15:37,543 --> 01:15:41,556
It's turned into obviously something different than that, but that was kind of the initial
gem of it.
:
01:15:41,556 --> 01:15:46,069
And then my nephew, Owen, came to visit me during his spring break.
:
01:15:47,171 --> 01:15:50,113
You know, he's a teenager, you know, not the most talkative kid.
:
01:15:50,113 --> 01:15:51,414
We have a good time, but...
:
01:15:51,630 --> 01:15:54,130
But one night I was like, do you want to record a podcast?
:
01:15:54,130 --> 01:15:55,510
Because I have all this gear.
:
01:15:56,810 --> 01:16:02,750
Once I got the headphones on him and the microphone in front of him, he just started
opening up in a way that he never had before.
:
01:16:02,750 --> 01:16:06,430
And it was like, bing, like bulb sound.
:
01:16:06,970 --> 01:16:08,818
Then I realized, yeah, there's something.
:
01:16:08,818 --> 01:16:09,720
to
:
01:16:10,606 --> 01:16:14,266
podcast interviews that doesn't exist in real life talking.
:
01:16:14,266 --> 01:16:24,146
This experience of being forced to sit down and carry on a conversation and continue that
conversation is an interesting one and a rewarding one in my mind because like how often
:
01:16:24,146 --> 01:16:29,606
do you sit down and have a long conversation with somebody that just has to keep going.
:
01:16:30,326 --> 01:16:38,506
And yeah, it's been great because I realized when I started doing it, I was like, I
creative outlet quite badly because I haven't made any films for a long time.
:
01:16:38,506 --> 01:16:39,508
It's been crazy rewarding.
:
01:16:39,508 --> 01:16:44,906
And also on the other side of that, was a need for connection in part because of COVID and
working.
:
01:16:44,906 --> 01:16:46,894
I mean, I was working alone in my house for
:
01:16:46,894 --> 01:16:48,714
four and a half years for the most part.
:
01:16:48,714 --> 01:16:52,314
And that, you know, fucks you up.
:
01:16:53,052 --> 01:16:56,855
And so it is a kind of a side benefit from starting the podcast.
:
01:16:56,855 --> 01:17:05,096
was like a way for me to like connect with people that I, some of them I knew well, some
of them I didn't know well, and have, you know, interesting conversations about their
:
01:17:05,096 --> 01:17:05,702
lives.
:
01:17:06,239 --> 01:17:09,451
and about what's going on now all these kind of things.
:
01:17:09,451 --> 01:17:11,250
m
:
01:17:11,250 --> 01:17:14,679
a little side gravy prize or whatever gravy prize.
:
01:17:14,679 --> 01:17:17,816
And how has your experience been with the show so far?
:
01:17:17,816 --> 01:17:21,294
mean, you know, how has it evolved and what are you know?
:
01:17:21,294 --> 01:17:23,488
How do you see it continuing to evolve?
:
01:17:24,126 --> 01:17:25,867
I believe in this podcast.
:
01:17:25,867 --> 01:17:28,147
I think that it has potential.
:
01:17:28,147 --> 01:17:40,471
I think that the biggest struggle that I've had is in defining in terms that don't sound
like every podcast because really ultimately most of the has been conversation, which is
:
01:17:40,471 --> 01:17:43,072
what 90 % of podcasts are, right?
:
01:17:43,912 --> 01:17:45,203
How do I distinguish myself?
:
01:17:45,203 --> 01:17:46,513
I guess that's the question.
:
01:17:46,513 --> 01:17:49,134
Yeah, just going with what feels
:
01:17:49,438 --> 01:17:51,723
right and that is cool.
:
01:17:51,986 --> 01:17:53,087
Let's just.
:
01:17:54,273 --> 01:17:55,193
Thanks.
:
01:17:55,640 --> 01:18:11,047
How do you navigate the like the psychology of being a creative person in a world where
there's not like a national endowment for the arts that pays creatives to just sit around
:
01:18:11,047 --> 01:18:12,608
and be creative all day?
:
01:18:14,217 --> 01:18:15,093
well.
:
01:18:16,398 --> 01:18:17,829
You
:
01:18:18,176 --> 01:18:21,229
That was a rhetorical, somewhat rhetorical question.
:
01:18:21,229 --> 01:18:22,156
knew the answer to.
:
01:18:22,156 --> 01:18:30,250
Well, mean, now it's overwhelming and it's like, uh
:
01:18:30,250 --> 01:18:35,192
or something, don't know, somebody had this metaphor of like just a river of content
floating by.
:
01:18:36,426 --> 01:18:42,336
It feels somewhat futile to even throw things in there, to continue the metaphor.
:
01:18:43,557 --> 01:18:49,400
You know, I realized in Adults, because Adults was, you know, a fun shoot, but also a
difficult shoot for me.
:
01:18:49,400 --> 01:18:52,728
And it didn't do nearly as well as we expecting or hoping.
:
01:18:52,728 --> 01:18:53,270
would do.
:
01:18:53,270 --> 01:19:01,960
And I think I went into that project with a lot of expectation while it would do, because
I really did think it was good and had a potential.
:
01:19:01,960 --> 01:19:07,078
But I realized in the aftermath, I needed to be doing this for the joy.
:
01:19:07,078 --> 01:19:08,539
of the
:
01:19:09,580 --> 01:19:12,458
whatever came out of it would be, should be.
:
01:19:14,286 --> 01:19:18,670
So in the sense of this podcast, I have been enjoying doing it.
:
01:19:18,670 --> 01:19:27,587
Like I don't want to make it seem like I'm doing the podcast to make myself feel better,
but like just this creative process, this learning how to talk to people and get to know
:
01:19:27,587 --> 01:19:36,825
people and learning about people has really been rewarding in ways that I didn't
necessarily think, didn't expect going into this, you know.
:
01:19:36,825 --> 01:19:43,832
And the amount of people who have reached out just out of the blue to just tell me that
they get friends that I haven't talked to in a long time.
:
01:19:43,832 --> 01:19:47,467
telling me they listen to the whole thing on their road trip, whatever the road trip
episode.
:
01:19:47,508 --> 01:19:56,622
You know, it's very touching and very like, um I think that she's gotten to know me better
just because she listens to me talk about things that I never talk about with her.
:
01:19:56,774 --> 01:19:57,661
you know?
:
01:19:58,200 --> 01:20:02,328
So yeah, it's been a multi-tiered positive thing.
:
01:20:02,328 --> 01:20:08,402
for me and make a living from doing it.
:
01:20:08,822 --> 01:20:09,785
And I think I can.
:
01:20:09,785 --> 01:20:11,710
think there's potential here, as I said.
:
01:20:11,710 --> 01:20:12,842
just don't know.
:
01:20:13,698 --> 01:20:15,727
But then again, maybe I'm just deluding myself.
:
01:20:15,727 --> 01:20:18,488
I don't know, because there's so many podcasts out there and I'm like, what makes me
special?
:
01:20:18,488 --> 01:20:19,719
I don't fucking know.
:
01:20:20,364 --> 01:20:25,358
Well, I think you have to delude yourself to get anywhere in this world anyway.
:
01:20:25,358 --> 01:20:26,299
Sure.
:
01:20:26,299 --> 01:20:37,759
So for people who are out there listening, who are, you know, aspiring either in the
creative field and they have been faced with this kind of dark night of the soul, either
:
01:20:37,759 --> 01:20:48,908
being laid off or a project not going as well as they thought or whatever, what is your
advice to them uh to kind of persevere if that is your advice?
:
01:20:50,104 --> 01:20:52,646
Give up, um
:
01:20:53,014 --> 01:20:53,656
I mean
:
01:20:53,656 --> 01:21:02,432
think with the creative industry, I'm gonna go on a tangent here, but it seems like the
people with the least amount of talent are the ones that are the most persistent and good
:
01:21:02,432 --> 01:21:04,574
at getting themselves seen.
:
01:21:04,574 --> 01:21:15,001
And the people who do actually do good work are the ones that are erotic and not
self-assured, and they don't get their work out there because they don't have confidence
:
01:21:15,001 --> 01:21:16,021
in it.
:
01:21:16,602 --> 01:21:23,406
To answer the question though, I would say, if you're really a creative, I would say, I
guess you just gotta keep doing it.
:
01:21:23,406 --> 01:21:24,406
But again, like.
:
01:21:24,406 --> 01:21:28,949
I'm so cynical about the whole film, particularly industry at this point.
:
01:21:29,750 --> 01:21:35,795
don't know that I would advise people to go into film unless they have a trust fund of
some sort.
:
01:21:36,035 --> 01:21:41,259
It's difficult, particularly when you know, you make something personal project that
doesn't do as well as you.
:
01:21:41,920 --> 01:21:45,823
And again, that brings me back to like the finding the joy in the work itself.
:
01:21:45,823 --> 01:21:50,746
The money part is a whole nother part of the equation, which is the tricky part.
:
01:21:50,787 --> 01:21:52,828
You need to make, you need to live.
:
01:21:53,089 --> 01:21:54,550
Our country doesn't help.
:
01:21:54,900 --> 01:21:57,218
So, I don't know.
:
01:21:57,654 --> 01:22:00,276
Advice giving may not be your strong suit.
:
01:22:01,497 --> 01:22:02,998
Very discouraging.
:
01:22:04,119 --> 01:22:05,480
I mean, I wouldn't cut it out.
:
01:22:05,480 --> 01:22:17,765
It's honest, but it's uh just hearing that dark uh prognostication or advice makes me want
to launch into my own advice, but this is not my podcast.
:
01:22:17,765 --> 01:22:17,986
I.
:
01:22:17,986 --> 01:22:19,457
think it's that dark to be honest.
:
01:22:19,457 --> 01:22:22,448
I don't think that finding joy in the work itself is dark.
:
01:22:22,448 --> 01:22:23,789
There's two separate things here.
:
01:22:23,789 --> 01:22:30,311
We're talking about career as a filmmaker, which I would say I wanted to be a film editor.
:
01:22:30,311 --> 01:22:33,033
That's a very, very difficult field to get into.
:
01:22:33,033 --> 01:22:33,763
Or maybe it isn't.
:
01:22:33,763 --> 01:22:35,713
Maybe I just didn't go down the right path.
:
01:22:35,934 --> 01:22:42,797
But what I ended up editing most of in New York was a lot of like branded content, promos,
things like that.
:
01:22:42,797 --> 01:22:45,918
Because those are the things that, know, pay the bills.
:
01:22:46,961 --> 01:22:47,236
in
:
01:22:47,236 --> 01:22:56,277
can find joy in that, it's Realize that that might be the job that you end up getting is
editing content that you don't really care about because you need a paycheck.
:
01:22:56,378 --> 01:22:57,138
Right.
:
01:22:57,676 --> 01:23:10,822
Yeah, look, mean, I think it's good to hear dark advice because if someone perseveres in
spite of having heard um how horrible and dark it is, then they're probably meant to do
:
01:23:10,822 --> 01:23:11,422
it.
:
01:23:11,800 --> 01:23:12,531
for sure.
:
01:23:12,531 --> 01:23:13,553
But I'm a bad example.
:
01:23:13,553 --> 01:23:22,147
You're a much, you're in my mind a successful person who has navigated the industry quite
well and seems to be doing quite well.
:
01:23:22,147 --> 01:23:27,174
Being able to choose projects and so forth, which I am always admiration.
:
01:23:28,578 --> 01:23:39,011
Well, you know, it's like one thing that I will reflect this having looked as I witnessed
your career and your creative output, even though you don't relate to yourself as being
:
01:23:39,011 --> 01:23:52,945
successful, I would say that you are a very successful filmmaker and that's a filmmaker
and creative professional as well, because you've had multiple high level, high visibility
:
01:23:52,985 --> 01:23:53,795
paying jobs.
:
01:23:53,795 --> 01:23:56,756
And you've also had like pretty much
:
01:23:57,130 --> 01:24:04,826
nearest to the pinnacle of creative success that one can get, is admission into Sundance.
:
01:24:04,826 --> 01:24:15,583
So I think one thing to take away, kids that are listening to this, is that you can
literally get to the very, very top of the mountain and still, if you're not at the very,
:
01:24:15,583 --> 01:24:17,805
very peak, you can feel like you completely failed.
:
01:24:17,805 --> 01:24:19,608
So have some perspective, I'd say.
:
01:24:19,608 --> 01:24:20,686
Well that's hard,
:
01:24:20,686 --> 01:24:23,806
It's also the bar keeps going up in every in everything.
:
01:24:23,806 --> 01:24:24,604
I mean, I think that
:
01:24:24,604 --> 01:24:25,477
does it.
:
01:24:25,477 --> 01:24:29,710
Like there's never if you could have four shows on TV right now and you'd still be
depressed.
:
01:24:29,710 --> 01:24:33,150
Yeah, or you can have $10 billion and you want $20 billion.
:
01:24:33,211 --> 01:24:36,430
Yeah, that's not, there's no, uh, there's no end
:
01:24:36,430 --> 01:24:45,950
But I think that's more of like trying to fill the hole in your soul with success or with
something you need to actually find in yourself.
:
01:24:45,950 --> 01:24:49,199
But that's a soteric idea that I don't know.
:
01:24:49,199 --> 01:24:49,766
on that.
:
01:24:49,766 --> 01:24:51,682
I think that would be good advice.
:
01:24:51,682 --> 01:24:52,022
Yeah
:
01:24:52,022 --> 01:24:55,548
and also it's hard to see the label when you're inside the jar.
:
01:24:56,612 --> 01:24:57,573
Fill the soul hole.
:
01:24:57,573 --> 01:24:59,227
That's not, I think that's going to catch on.
:
01:24:59,227 --> 01:25:01,480
I think that was actually a porn movie.
:
01:25:02,456 --> 01:25:03,354
So yeah.
:
01:25:03,502 --> 01:25:05,602
Yeah, parts one through five.
:
01:25:05,656 --> 01:25:06,457
That was like a 70s.
:
01:25:06,457 --> 01:25:10,191
Yeah, that's really good.
:
01:25:10,233 --> 01:25:14,718
What brings you the most joy in this world at the present time?
:
01:25:14,910 --> 01:25:20,628
You'd think that I would have thought of an answer for this question because I ask it all
the time.
:
01:25:20,628 --> 01:25:21,490
and
:
01:25:23,030 --> 01:25:26,236
It's a hard one, I would say, on the small level.
:
01:25:27,540 --> 01:25:28,802
Brings me joy.
:
01:25:29,962 --> 01:25:32,166
a bigger level.
:
01:25:32,182 --> 01:25:34,342
you know, hearing from people.
:
01:25:34,482 --> 01:25:43,922
I don't want to bring it back to the podcast, but really, you know, I hear from people, as
I said, and how they love it.
:
01:25:43,922 --> 01:25:48,241
It them rethink how they're interacting with people and all these different things.
:
01:25:48,482 --> 01:25:57,806
it brings me joy just getting like, it's, you know, people giving me praise, but not just
praise, it's praise that's combined with like a connection.
:
01:25:57,806 --> 01:26:04,230
You know, second just made a movie right and I'm like a movie about let's say dogs that go
right just for example.
:
01:26:04,396 --> 01:26:07,062
I don't know why, but that's just what I thought of.
:
01:26:07,062 --> 01:26:08,792
people will be like, I love.
:
01:26:08,792 --> 01:26:10,414
dog outer space movie.
:
01:26:10,414 --> 01:26:11,834
And that's it.
:
01:26:12,094 --> 01:26:21,034
It's different, it feels meaningful because I am connecting with, the podcast has enabled
me to reconnect with old friends, which it's all just magic, right?
:
01:26:21,254 --> 01:26:30,314
On a level that it's been able to bring old friends back to me and also this other level
of, you know, my mom listening to it, all these things.
:
01:26:30,334 --> 01:26:33,454
And that has brought me other things.
:
01:26:34,474 --> 01:26:36,374
Delicious food, traveling.
:
01:26:36,374 --> 01:26:39,558
This year has been a year of, frankly, like,
:
01:26:39,704 --> 01:26:41,495
finding my joy.
:
01:26:41,495 --> 01:26:52,009
:years of my life because I think at some point in the year I was just kind of like, I'm
:
01:26:52,009 --> 01:26:56,281
just going to do the things that I've wanted to do for a while and then I'll find a job
later.
:
01:26:56,461 --> 01:26:58,434
So yeah, I I traveled a ton this year.
:
01:26:58,434 --> 01:26:59,632
I met a ton of people.
:
01:26:59,632 --> 01:27:02,743
I've done a lot of thinking about myself.
:
01:27:03,504 --> 01:27:09,356
And I think it's a combination of factors, but I've never felt so much myself.
:
01:27:09,742 --> 01:27:11,421
I guess would be a good way of putting it.
:
01:27:11,421 --> 01:27:13,816
I have in my whole life than I have like this year.
:
01:27:13,816 --> 01:27:20,217
I feel like I'm finally understanding myself and actually starting to accept myself and my
flaws and all these kind of things.
:
01:27:20,492 --> 01:27:23,093
Yeah, that has brought me joy.
:
01:27:23,116 --> 01:27:34,631
Well, yeah, I think it's great to, you know, take the mini vacation, the mini retirements
along the way, you know, and maybe not everyone has that luxury, but I think a lot more
:
01:27:34,631 --> 01:27:38,593
people have the luxury than think they do.
:
01:27:38,593 --> 01:27:46,576
I think a lot of people get stuck in this mindset that like, if you get off the
merry-go-round, you're never going to be able to get back on.
:
01:27:46,576 --> 01:27:49,137
And it's just not the case.
:
01:27:49,137 --> 01:27:51,268
like life is too fucking short, man.
:
01:27:51,268 --> 01:27:51,478
Right.
:
01:27:51,478 --> 01:27:51,756
Yeah.
:
01:27:51,756 --> 01:27:54,429
met so many people on my road trip who were like, I wish I could do that.
:
01:27:54,429 --> 01:27:58,253
And some of them certainly couldn't, but some of them I'm thinking like, you could do
this.
:
01:27:58,253 --> 01:27:59,319
You could.
:
01:27:59,319 --> 01:28:04,458
Yeah, it takes a lot of trust, but it's also like we're all just gonna be dead at the end
of the day.
:
01:28:04,458 --> 01:28:05,558
Absolutely
:
01:28:05,815 --> 01:28:08,156
Only live once as the kid
:
01:28:08,790 --> 01:28:10,273
Yeah.
:
01:28:10,273 --> 01:28:18,540
So let's end this episode the way that you end all of your episodes, which is most of
them.
:
01:28:18,540 --> 01:28:19,562
Yeah.
:
01:28:19,562 --> 01:28:19,943
OK.
:
01:28:19,943 --> 01:28:20,290
Well.
:
01:28:20,290 --> 01:28:23,672
I haven't done it in every single one, but I'd say 90%.
:
01:28:23,672 --> 01:28:32,748
Jef, I'd like to end this episode with the question that you almost always ask at the end
of your interview episodes.
:
01:28:32,748 --> 01:28:37,030
And that is, what do you think happens when we die?
:
01:28:38,284 --> 01:28:53,040
I don't know, but I will say as a result of me asking that question in so many episodes,
that has opened up my mind to the possibilities that never really can.
:
01:28:53,300 --> 01:28:57,312
And the interesting part is that everybody has a different answer to this question.
:
01:28:57,312 --> 01:29:00,483
Like there's no two people who are just like this.
:
01:29:00,723 --> 01:29:03,765
Everybody's got a different version of something.
:
01:29:03,765 --> 01:29:07,646
And it's all fascinating because, you know, to me, this is like,
:
01:29:07,682 --> 01:29:11,303
one of the most interesting questions we can ask ourselves as conscious.
:
01:29:12,623 --> 01:29:23,006
I would like to believe the older I get and the more and the more the scientists learn,
the more I begin to believe that this is not all that there is.
:
01:29:23,307 --> 01:29:31,769
Perhaps it's because I'm getting a little closer to the uh end of the rainbow or whatever,
you know, metaphor you'd like to use.
:
01:29:31,929 --> 01:29:35,270
Or perhaps it's just because I've
:
01:29:35,576 --> 01:29:42,260
done more work, done psychedelics more often and done these things that do show you a
glimpse.
:
01:29:42,260 --> 01:29:45,192
of the
:
01:29:45,311 --> 01:29:56,402
that there's more going on than we are aware of which of course there is but I Guess
metaphysical sense in the sense that consciousness may continue in the sense of you know,
:
01:29:56,402 --> 01:30:09,184
maybe we are reincarnated who knows But I am a logical person so it's difficult for me to
fully embrace any of ideas because logic tells me that we
:
01:30:09,521 --> 01:30:12,982
die and we get even more forms.
:
01:30:13,542 --> 01:30:17,802
My heart tells me that that can't be it.
:
01:30:18,562 --> 01:30:22,742
I remember when I was the my father, was father a few ago.
:
01:30:22,977 --> 01:30:27,621
We were thinking, you know, they burned his ashes and they burned.
:
01:30:27,621 --> 01:30:28,334
That went so
:
01:30:28,334 --> 01:30:29,998
right
:
01:30:30,392 --> 01:30:30,993
Where did it go?
:
01:30:30,993 --> 01:30:33,225
Went into the sky, into smoke?
:
01:30:33,387 --> 01:30:35,890
It went somewhere because energy is a constant, right?
:
01:30:35,890 --> 01:30:40,496
So it just became part of this constant ball of energy.
:
01:30:40,737 --> 01:30:42,560
exists, right?
:
01:30:42,926 --> 01:30:46,806
I his energy is just going somewhere else.
:
01:30:46,806 --> 01:30:49,426
It was just his energy turning into another form.
:
01:30:49,426 --> 01:30:51,446
And maybe it had happened at the moment of death.
:
01:30:51,446 --> 01:30:53,346
Maybe it didn't happen when they burned him.
:
01:30:53,346 --> 01:30:54,606
Who knows?
:
01:30:55,626 --> 01:30:56,666
We think, you know?
:
01:30:56,666 --> 01:30:58,146
I mean, there's a lot of things that make me think.
:
01:30:58,146 --> 01:31:05,106
I mean, knowing you and your journey on this path has also opened my mind to a lot of
other possibilities.
:
01:31:05,106 --> 01:31:06,506
And it's all very interesting.
:
01:31:06,506 --> 01:31:12,652
And it's much more interesting to think about things like that than it is just to think
that we just died and get buried.
:
01:31:12,652 --> 01:31:14,657
you know, and then that's it, because that terrifies me.
:
01:31:14,657 --> 01:31:16,190
I used to lie awake at night.
:
01:31:16,281 --> 01:31:19,590
When I was younger, things were
:
01:31:19,749 --> 01:31:22,278
is all we've got this period and then we're just going.
:
01:31:22,540 --> 01:31:24,423
and it would like keep me up at night.
:
01:31:25,006 --> 01:31:29,052
That was young, this was when I was like a teenager, think, I it was crazy.
:
01:31:29,234 --> 01:31:34,064
You'd think I would do that more now than I did then, but no, I guess I'm more comfortable
with the idea.
:
01:31:34,064 --> 01:31:35,918
to get it out of the way, Young.
:
01:31:35,918 --> 01:31:36,721
Yeah.
:
01:31:36,940 --> 01:31:41,258
And I think I'm just more comfortable with the idea because, you know, life is a long
road.
:
01:31:41,454 --> 01:31:43,258
And I don't
:
01:31:43,258 --> 01:31:55,533
I think there'll be a certain point where I'll be like this whatever human form that I've
been in this meat sack if you will I'm a little tired of let's see what's next you know I
:
01:31:55,533 --> 01:31:56,714
hope that that's where
:
01:31:56,782 --> 01:31:57,619
the end.
:
01:31:58,648 --> 01:32:04,997
Jef Taylor, filmmaker, podcast host, iconoclast, and my good friend.
:
01:32:04,997 --> 01:32:07,549
Thank you for being on the podcast.
:
01:32:07,598 --> 01:32:10,522
uh Christopher Casey, I love you dearly.
:
01:32:10,923 --> 01:32:15,850
I am very appreciative that you were willing to interview me for this.
:
01:32:16,432 --> 01:32:20,778
You know, I did some research and put some time into preparing for it because I...
:
01:32:20,778 --> 01:32:23,912
uh people that would do that.
:
01:32:24,268 --> 01:32:26,444
It was fun to revisit your Uber.
:
01:32:26,444 --> 01:32:28,622
Right, I this is what the podcast has always been about.
:
01:32:28,622 --> 01:32:33,657
It's like, now you know me better than you did before we recorded this.
:
01:32:33,784 --> 01:32:34,575
true.
:
01:32:37,506 --> 01:32:38,811
There you have it, there you have it.
:
01:32:38,811 --> 01:32:41,557
I think there's many places I can sign off.
:
01:32:42,262 --> 01:32:44,106
Yeah, end the episode, so there's...
:
01:32:44,843 --> 01:32:45,846
over and over and over.
:
01:32:45,846 --> 01:32:46,350
out.
:
01:32:46,350 --> 01:32:49,053
Maybe I'll just let this drag out through the thing.
:
01:32:49,053 --> 01:32:52,757
Just post episode banter.
:
01:32:54,510 --> 01:32:55,714
for maybe an hour.
:
01:33:02,572 --> 01:33:04,263
And that was me.
:
01:33:05,243 --> 01:33:06,294
But here I still am.
:
01:33:06,294 --> 01:33:08,604
Hmm.
:
01:33:09,505 --> 01:33:12,547
Thank you again to Chris for taking over the hosting duties.
:
01:33:12,547 --> 01:33:14,427
went above and beyond.
:
01:33:14,427 --> 01:33:16,288
And I truly appreciate it.
:
01:33:16,909 --> 01:33:19,990
This show is largely spreading through word of mouth.
:
01:33:19,990 --> 01:33:24,592
So if you yourself have a mouth, please tell someone else about it.
:
01:33:24,592 --> 01:33:26,793
Not about your mouth, but about the show.
:
01:33:26,973 --> 01:33:29,254
So it can continue to spread.
:
01:33:29,730 --> 01:33:37,002
And if you haven't already, please subscribe on whatever platform you're listening on
because that tells the mighty algorithms that this show is one to spread.
:
01:33:37,002 --> 01:33:47,975
There are links to all the films we talk about in the episode in the show notes, or you
can just go to onefjef.com and see everything, almost everything.
:
01:33:48,695 --> 01:33:56,397
And as I said, I will post some visual aids to supplement this episode on the Patreon page
at patreon.com/onefjef.
:
01:33:56,537 --> 01:33:59,878
So if you'd like to see those, sign up.
:
01:34:00,546 --> 01:34:01,897
better than silver.
:
01:34:03,750 --> 01:34:07,511
I gratitude a lot on this show.
:
01:34:07,712 --> 01:34:14,355
Perhaps too much, although I'm not sure there's such a thing as too much gratitude,
particularly if it's sincere.
:
01:34:14,635 --> 01:34:21,938
But I am sincerely grateful to you for giving me however much of your time and attention
you've given over these past 25 episodes.
:
01:34:21,938 --> 01:34:23,619
It really means a lot to me.
:
01:34:23,799 --> 01:34:26,760
And I hope you'll continue to tune in for the next 25.
:
01:34:26,760 --> 01:34:30,702
I'll leave you with another quote from Roomie.
:
01:34:31,138 --> 01:34:34,940
that captures the essence of these last 25 episodes.
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01:34:36,001 --> 01:34:40,484
End of my year of::
01:34:41,645 --> 01:34:43,746
Your heart knows the way.
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01:34:44,807 --> 01:34:46,728
Run in that direction.
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01:34:48,109 --> 01:34:49,390
I'll see you soon.
:
01:34:51,170 --> 01:34:52,936
Very good, Jefrey.