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Is Your Old Mason Jar Worth Money? 5 Clues to Check
Episode 10417th September 2026 • Family Tree Food Stories • Nancy May & Sylvia France
00:00:00 00:29:55

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Could the most interesting thing in your pantry be the jar?

That old Ball jar holding your sourdough starter has a real and interesting story behind it. It could also have some real value that you might have overlooked. Before you put it in the yard sale, take a closer look. Odd lettering, unusual colored or wavy glass, and some easily overlooked markings might make you think twice about putting that fifty-cent sticker on it.

So, go grab a jar from your kitchen shelf or pantry and join Nancy May and Sylvia France as they show you how to decode and learn more about the mystery of that Ball or Mason Jar in your hand right now.

Yes, in this episode of Family Tree Food Stories, Nancy and Sylvia explore Ball Mason jar markings, colors, history, and clues to their real value. You'll learn why a factory mistake matters and why they matter. What those numbers on the bottom of each jar actually mean. And how kerosene cans become part of the story behind Grandma’s homemade jam jars.

From the inventor behind the Mason name to the jars we wash, refill, and refuse to throw away, this episode brings together foodies and everyday home cooks with collectible curiosities and something more personal: the things we make in the kitchen from scratch, or a box, and the stories we've heard and share with family and friends.

Five things you’ll learn:

  • Ball jar identification: What embossed lettering and bottom markings can tell you about your jar.
  • Old Mason jar value: Why rarity and condition matter—and old doesn’t automatically mean valuable.
  • Blue and purple Mason jars: The clues in colored glass and the limits of using color to judge age.
  • Collectible jar mistakes: Why some manufacturing imperfections attract collectors’ attention.
  • Ball and Mason jar history: The kerosene connection and the inventor who didn’t share in his name’s lasting success.

Send us a picture of your Mason Ball jars and the story behind what you do with them.

Even if it's collecting loose change or nuts and bolts. Send us your stories on our Facebook page at: Family Tree Food & Stories Group

Subscribe to Family Tree Food Stories, share this episode with your family’s molded-salad defender, and visit podcast.familytreefoodstories.com for more deliciously strange stories hiding in plain sight.

Additional Links Shared:❤️

Next Thursday: we're jumping into the secrets behind the famous Ball canning jars and why people love them. We learned a ton here too.

About Your Award-Winning Hosts:

Nancy May and Sylvia France are the powerhouse team behind Family Tree, Food & Stories, a member of The Food Stories Media Network, which celebrates the rich traditions and connections everyone has around food, friends, and family meals. Nancy, an award-winning business leader, author, and podcaster, and Sylvia, a visionary author, foodie, and business leader, combine their expertise to bring captivating stories rooted in history, heritage, and food. Together, they weave stories that blend history, tradition, and the love of food, where generations connect and share intriguing mealtime stories and kitchen foibles.

If you missed the first time around... now's your time to listen to Family Tree Food & Stories and get inspired to make better use of what’s already in your kitchen. Then visit our page to share how you're using your leftovers this year. Waste less. Cook smarter. Tell the story behind your fridge.

"Every Meal Has a Story, and Every Story is a Feast." (tm) is a trademark of the Family Tree Food & Stories podcast. (c) Copyright 2026. All US and International Rights Reserved.

@familytreefoodstories #familytreefoodandstories #foodie #foodpodcast #MasonJars #BallMasonJars #FoodHistory #historypodcast #podcastrecommendations

Transcripts

Nancy May:

Before we start, we wanna tell you about a podcast that Sylvia and I both enjoy

Sylvia France:

It's called Beach Speaks, hosted by Paige Friend.

Sylvia France:

Her voice makes you feel like you've stepped onto Sand and you can finally exhale

Nancy May:

and she tells the stories about the ocean, nature, wellness, and life.

Nancy May:

And they leave you feeling calmer than when you started

Sylvia France:

You don't have to live near the beach for it to work.

Sylvia France:

She brings the beach to you

Nancy May:

So the next time you have a rough day, please go to The Beach

Nancy May:

Speaks at TheBeachSpeaks.com So what do you say we get on with the show?

Sylvia France:

Ohm.

Sylvia France:

So before the Ball brothers made the mason jars that live in your pantry, they made cans for kerosene

Nancy May:

Yes, they did.

Nancy May:

Cans wrapped in wood, believe it or not, and they were given $200 or borrowed $200 from an uncle to start their company

Sylvia France:

The tin kept rusting through, so they tried lining the cans with guess what?

Sylvia France:

Glass

Nancy May:

Which is how a company that originally sold lamp fuel ended up on your pantry shelf

Sylvia France:

And before the jar existed, most people only had four ways to get through that cold, tough winter

Nancy May:

Correct.

Nancy May:

And when it came to preserving and putting up food, they would either salt it, smoke it, dry it, or pickle it.

Nancy May:

So Sylvia, what do you say?

Nancy May:

Let's go get one of those jars out of the cabinet

Sylvia France:

Or out of the refrigerator 'cause it had pickles in it

Nancy May:

Ooh, yum.

Nancy May:

On that note, welcome to Family Tree Food and Stories.

Nancy May:

I'm Nancy May

Sylvia France:

And I'm Sylvia France.

Sylvia France:

Thank you for being here.

Sylvia France:

I'm glad you're listening today

Nancy May:

Yes, and blush, blush.

Nancy May:

We are award-winning podcasters twice over now, and this week we are on week three of our Kitchen Sleuth series

Sylvia France:

The stories behind the ordinary things in your kitchen and the occasional heirloom, hopefully.

Sylvia France:

So hello to Ashburn, Virginia

Nancy May:

Ashburn, Virginia, hello.

Nancy May:

And to all our friends and people that we don't know yet in Yorktown Heights, New York, darling.

Nancy May:

So Sylvia, what do you say we drink to that one?

Nancy May:

Jars up or glasses up?

Sylvia France:

Oh, no.

Nancy May:

Yes

Sylvia France:

your hoo-ha wine glasses that you love telling everybody about

Nancy May:

No, darling.

Nancy May:

This one is a red wine in my mason jar, but I do prefer my thin-rimmed French wine glasses, honestly

Sylvia France:

I don't drink out of jars either, except when I have no choice at a restaurant or maybe a good Bloody Mary.

Sylvia France:

Yet, here we are

Nancy May:

Absolutely.

Nancy May:

So to Chateau de La Maison Ball.

Nancy May:

Shall we say ching ching or clunk clunk since we have mason

Sylvia France:

it's gonna be definitely clunk, clunk

Nancy May:

Right here.

Nancy May:

I think I can do this right here.

Nancy May:

There we go.

Sylvia France:

all right.

Sylvia France:

We're going to read a jar together, or a couple, front to back, and you can do it with us

Nancy May:

if you are not driving and listening to us and at home, go

Nancy May:

grab one of your own mason jars or canning jars out of your own pantry.

Nancy May:

One jar at a time, So we don't lose you, we'll be working on this together

Sylvia France:

You go first.

Sylvia France:

Which one are you holding, Nancy?

Nancy May:

Well, right now I actually have two, but I'm holding little one that says Golden Harvest Mason

Sylvia France:

Well, mine's a ball.

Sylvia France:

It says ball wide mouth

Nancy May:

Of course, wide mouth.

Sylvia France:

Hey, be nice.

Nancy May:

I will.

Nancy May:

But two different jars, and believe it or not, the same company from both of them

Sylvia France:

Because Mason isn't a brand, it's just the kind of jar

Nancy May:

Which means exactly what, Sylvia?

Sylvia France:

A man named Mason patented the screw top closure in 1858.

Sylvia France:

The patent ran out in 1879

Nancy May:

So what happened after 1879?

Sylvia France:

Anybody could make a jar and call it a Mason.

Sylvia France:

It's kinda like saying Thermos or Kleenex or a Hoover

Nancy May:

Or a Hoover.

Nancy May:

Okay, I got that one.

Nancy May:

and the Golden Harvest and the Ball are actually, as I said before, the same companies

Sylvia France:

Yes.

Sylvia France:

They're two names the same company, It's Newell Brands which owns actually Ball, Kerr, and Golden Harvest

Nancy May:

And a bunch of other stuff.

Nancy May:

We'll talk about that later.

Nancy May:

But the same owner, three names, and three different shelves,, so you have a choice

Sylvia France:

Well, I guess the name on the front is a marketing decision, as we know well

Nancy May:

Yes, all too well sometimes.

Nancy May:

But now let's read what else is on that jar.

Nancy May:

Everything that isn't the brand, okay?

Sylvia France:

Okay, let's go here.

Sylvia France:

So mine says, "Made in

Sylvia France:

the USA." I also have, um, on one side it's in milliliters, which

Sylvia France:

I think is funny 'cause that's where it says Made in the USA.

Sylvia France:

And then it also has cups and ounces, and I realize it has two lines that straddle both sides of the measuring

Nancy May:

And my little Golden Harvest mason jar, very simple.

Nancy May:

No measurements, no nothing.

Nancy May:

It Just, says Golden Harvest registration mark, Mason on the bottom in a larger type, and a pretty little symbol.

Nancy May:

I guess it's really a cornucopia if you look at it from the angle,

Sylvia France:

mine's kind of like apples and grapes and pears kind of with simply ornamental around it design.

Nancy May:

pretty

Sylvia France:

So only one of those is a claim anyone has to prove.

Nancy May:

So which one is it?

Sylvia France:

Of course it's mine.

Sylvia France:

Th- a federal rule behind made in the USA.

Sylvia France:

All or virtually all of it made here, and it's even traced back to the sand that was used to make the glass.

Nancy May:

Ooh

Sylvia France:

And if the ja- and if a jar says nothing at all

Nancy May:

Then you learn nothing, honestly, just like my Golden Harvest.

Nancy May:

Because nobody's required to say anything about it

Sylvia France:

But on your other jar, what does it say?

Nancy May:

My, on the other jar it says, "Made to last." Kinda like me.

Sylvia France:

But the most important statement of the two has to speak up

Nancy May:

It does.

Nancy May:

By law, like you said earlier, anything made in another country

Nancy May:

carries the country's name or some sort of designation on it.

Nancy May:

It has to be cast into the glass, and that's what it takes

Sylvia France:

So silent isn't a proof or another marketing slogan

Nancy May:

Absolutely.

Nancy May:

It's just quiet, and mine is a slogan.

Nancy May:

, and nobody has to prove a word of it So there's one more name on the front that we should actually talk about

Sylvia France:

I, my guess it's ball.

Sylvia France:

It was five brothers and a woman nobody mentions

Nancy May:

Oh, nasty, nasty, but who is that woman?

Nancy May:

Not that she's nasty,

Sylvia France:

Well, we like to find those women, you know?

Sylvia France:

That's, we've done it in many of our series.

Sylvia France:

it was actually Frances Ball.

Sylvia France:

She was married to George, one of the five

Nancy May:

What did Francis do?

Sylvia France:

Well, starting around 1905, she collected canning recipes and wrote them all down by hand

Nancy May:

Hmm, whose recipes did she write down?

Sylvia France:

Of course, family, friends.

Sylvia France:

Then she and George tested them in their own kitchen

Nancy May:

Testing?

Nancy May:

I'll test a lot, but I'm not sure I would test everybody's recipes.

Nancy May:

What did she test for?

Sylvia France:

There were two things actually.

Sylvia France:

It was accuracy and taste.

Sylvia France:

And I want to be careful there because people kind of exaggerate that

Nancy May:

How so?

Sylvia France:

you'll hear that she tested for safety.

Sylvia France:

The family's own archive says accuracy and taste, and those are not the same claim as safety

Nancy May:

Absolutely not.

Nancy May:

But what did the book turn into?

Nancy May:

- Sylvia France: The correct method of preserving fruit, which kind of

Nancy May:

sounds hoity-toity to me, but later it got renamed the Ball Blue Book

Nancy May:

Okay.

Nancy May:

Don't get me started on Blue Ball Book or Ball Blue Book.

Nancy May:

Kind of like the, I guess, the pickle that doesn't bounce or them

Sylvia France:

Soft pickle,

Nancy May:

Saw pickles, right, in a previous show.

Nancy May:

Ugh, don't get me going.

Nancy May:

But anyway, it was a canning bible, and everybody's grandmother at the time had one

Sylvia France:

I wish I had one now.

Sylvia France:

So a woman wrote it at her kitchen table and the company's name went on the cover

Nancy May:

And not hers, sadly

Sylvia France:

No, not hers.

Sylvia France:

But actually there's a foundation in Muncie carrying her name so she isn't lost entirely

Nancy May:

Which is a good thing, but just not on the book . And

Nancy May:

there's something you should know if you still have one of those copies

Sylvia France:

Well, I wish I did, so please tell me more

Nancy May:

Of course I will.

Nancy May:

Anything printed before 1994 is totally out of date.

Nancy May:

Like you would think so, right?

Nancy May:

And the method changed.

Nancy May:

Some of it, or most of it, is just totally out of date because it's not safe

Sylvia France:

So you keep the book and you get recipes from somewhere that's more current

Nancy May:

Correct.

Nancy May:

.. The National Center for Home Food Preservation is where you get the

Nancy May:

correct information today, and it's free, and all standardized

Sylvia France:

So . now hold your jar to the light and look at the glass itself

Nancy May:

Okay, I'm doing that.

Nancy May:

Mine is clear.

Nancy May:

What exactly am I supposed to be looking for?

Sylvia France:

Well, this time it's color mostly

Nancy May:

Then let me do this one because I had it completely backwards

Sylvia France:

Backwards how?

Nancy May:

Well, I thought that the purple jars that I've seen

Nancy May:

every now and then were actually blue that had faded in the sun.

Nancy May:

Apparently there's a paper in an archeology journal, and it isn't that at all

Sylvia France:

So please tell, what is it?

Sylvia France:

. Nancy May: Well, , there's iron in almost all of the sand that the glass is made out of.

Sylvia France:

Iron is what gives you that aqua color

Sylvia France:

So are you telling me that sought-after blue is actually an accident?

Sylvia France:

, Nancy May: Correct.

Sylvia France:

- The factory started adding manganese to cancel the iron out and get clear glass, 'cause they want it to be that way

Sylvia France:

So did it work?

Nancy May:

It did work, - and what nobody knew was that the

Nancy May:

decades of sunlight actually turns manganese or mag- manganese,

Nancy May:

say that three times fast, purple or pople.

Sylvia France:

so the purple is the stuff they added to kill blue.

Sylvia France:

It kinda sounds like that purple shampoo that's all the rage

Nancy May:

I haven't seen the purple shampoo, but it's coming

Nancy May:

back in a different color , on a windowsill, not in a factory.

Nancy May:

Now we're gonna take a second look and look for bubbles or wavy glass surface

Sylvia France:

So is that damage?

Nancy May:

No, that's how it was made, and the collectors pay a lot more for the really wavy, bubbly glass.

Nancy May:

They call it character, darling

Sylvia France:

I like that.

Sylvia France:

Which brings us to the question

Nancy May:

whether that dusty box in the garage is worth anything

Sylvia France:

So is it?

Nancy May:

Well, mostly no.

Nancy May:

Common jars run about 5 to $35, depending upon size and how they're closed

Sylvia France:

So what about the ones that aren't common?

Nancy May:

Well, that is, the key here.

Nancy May:

There are errors, the backwards letters, a missing one, a logo stamped the wrong way.

Nancy May:

Those got pulled off the lines when they were originally manufactured.

Nancy May:

So anything that's left, they're pretty scarce

Sylvia France:

So are you telling me a mistake is worth more than the perfect one?

Nancy May:

Correct.

Nancy May:

A mistake is.

Nancy May:

A damaged one, well, that's just the opposite.

Nancy May:

Chips, cracks, and broken necks

Sylvia France:

How much does that damage cost you?

Nancy May:

Who, who, uh, a lot.

Nancy May:

A collector reported that one books around $8,000 if perfect, and selling for only , 750 if the neck is cracked or broken

Sylvia France:

Well, I'm not a math scholar, but it sounds like about 10 cents on the dollar

Nancy May:

Maybe a little less, but now let's go to the bottom.

Nancy May:

We're gonna turn the glasses over, or the jars over, because

Nancy May:

there's something on the bottom of mine that I can't quite identify

Sylvia France:

Three things actually, and I only know what one of them is

Nancy May:

So hang tight.

Nancy May:

We're gonna keep you in suspense.

Nancy May:

We'll be right back.

Nancy May:

So we're back, Sylvia, and what are we doing?

Sylvia France:

The bottom of your jar what's on it?

Nancy May:

So a number, a symbol, and a little cluster of raised dots

Sylvia France:

So start with a number because that's the one I actually know

Nancy May:

All right, so, um, mine says 20.

Nancy May:

If I'm looking at the big ball jar it says 20, and then there's, looks like a horseshoe on it

Sylvia France:

Well, the number is the mold number.

Sylvia France:

It tells you which cavity of the machine formed the jar

Nancy May:

Not the year?

Sylvia France:

Not the year, and that's the single most common mistake people make

Nancy May:

Well, I don't like to make mistakes, but you'll read online that

Nancy May:

the numbers 11 through 15 are actually scarce numbers on the bottom of those jars

Sylvia France:

Ha ha, I have 14 on mine.

Sylvia France:

So on antique jars, which brings us to the symbol

Nancy May:

Yep, the one that looks like a little horseshoe or an omega, depending upon how you turn it

Sylvia France:

That's actually a glassmaker's mark, and it belongs to a company called Ardagh

Nancy May:

You know, I'd never heard of them before

Sylvia France:

They're headquartered in Luxembourg.

Sylvia France:

Several of their plants are in Indiana

Sylvia France:

. , Nancy May: where they're located in Indiana is only a few

Sylvia France:

counties over from where the Ball brothers built their first plant

Sylvia France:

Ball shut the Muncie plant in 1962, but they had operations there up until 1998

Nancy May:

And the glass is still coming out of Indiana made by somebody else entirely

Sylvia France:

So the name on the front is the brand and the mark on the bottom is the maker

Nancy May:

Correct.

Nancy May:

Now, let's move on to the dots because I had a theory about those dots.

Nancy May:

You know, just as the side of the glass or the jar turns into the bottom of the jar

Sylvia France:

Let me guess your theory

Nancy May:

Okay.

Nancy May:

Well, my theory was braille.

Nancy May:

Somebody who couldn't see what was actually on the jar, I thought if you ran your finger over it, kind

Nancy May:

of like the ADA regulations, that they'd be able to figure it out

Sylvia France:

Well, that's the most common guess and you're kind of half right

Nancy May:

So half right?

Nancy May:

Like, tell me exactly how I am right or

Nancy May:

not

Sylvia France:

Well, it's actually a code, kind of like braille, and it's meant to be read, but just not by a human

Nancy May:

Not by human, and I'm gonna guess not by my, AI friend George

Sylvia France:

Nope, it's a machine it's the mold number again, written so a scanner can quickly catch it

Nancy May:

and you look at the bottom where you've got those

Nancy May:

rings around the whole base, all those tiny dots around the base

Sylvia France:

Yes, that's . texture.

Sylvia France:

It keeps the jars from scratching each other coming down the line and help

Sylvia France:

with the thermal shock since the glass is actually hotter than the conveyor belt

Nancy May:

Hmm, that's pretty interesting

Sylvia France:

Now, take off that lid because that's where the whole story actually lives and gets interesting

Sylvia France:

, Nancy May: so let me take this one from here.

Sylvia France:

John Landis Mason was a tinsmith.

Sylvia France:

We're talking about the tin lids now, and he worked in metal, not in glass

Sylvia France:

So you're telling me that the name on a mason jar, and he never actually made the jar?

Nancy May:

Correct, not one jar at all.

Nancy May:

What he patented in 1858 was the closure or the threads on the neck

Nancy May:

and the metal cap that screwed it down tight on top of them

Sylvia France:

Can you tell me more about this rubber ring?

Sylvia France:

That's the part that actually seals it

Nancy May:

Yeah, it is.

Nancy May:

And he waited 10 years to patent that ring, and it cost him literally everything

Sylvia France:

Why would anybody wait that long?

Sylvia France:

It just doesn't make sense.

Sylvia France:

He must have not been a very good business person

Nancy May:

I know.

Nancy May:

I don't know whether it was cost or just laziness or not knowing any better, but nobody really knows why.

Nancy May:

And a court decided that his delay, laziness, or whatever it was, meant that he had actually walked away from owning

Nancy May:

that patent, and he lost the rights to everything, even though he had a patent

Sylvia France:

So he lost his own invention.

Sylvia France:

It sounds like a story I've heard before

Nancy May:

Yeah, like the Knox gelatin folks.

Nancy May:

But that's true, . and then his first patent, official patent, ran out in

Nancy May:

1879, and after that anybody could make a Mason jar and owe him absolutely nothing.

Nancy May:

No wonder the guy died penniless, right?

Sylvia France:

Well, that got me to my next question is what really happened to him?

Nancy May:

Well, as I said, he died in 1902.

Nancy May:

He had eight kids.

Nancy May:

With eight kids to feed, you'd think he'd move a little faster.

Nancy May:

And he died in a tenement in New York City, poor as a church mouse

Sylvia France:

So how many jars have his name on it?

Nancy May:

Well, that's part of his legacy, uh, although it didn't bring him any money.

Nancy May:

But a glass researcher named David Whitten puts the ball-perfect mason jar alone in hundreds of millions manufactured.

Nancy May:

Probably over a billion is my guess

Sylvia France:

Wow.

Sylvia France:

A man who patented a lid lost it and died broke

Nancy May:

And the two-part lid that we know today , and is even

Nancy May:

more popular than ever, that one actually belongs to Alexander Kerr

Sylvia France:

So you're telling me that nothing is really about the jar

Nancy May:

Nope, none of it.

Nancy May:

It's all about the lid, and that's the part that you throw away

Sylvia France:

I know that after one use when canning, the seal compound breaks down and you can't trust it a second time

Nancy May:

No, you can't because that's the safety protection mechanism.

Nancy May:

and believe it or not, remember back in 2020, you know, the COVID era

Sylvia France:

Oh, I remember it well

Nancy May:

Well, you probably also remember if you can, which I know you don't can, but you do jarring

Nancy May:

and other things, there was a run on those lids in the grocery store and you couldn't find them anywhere.

Nancy May:

Kind of like you couldn't find yeast or bread flour

Sylvia France:

Well, someday I'm gonna tell you about the 100 pounds of tomatoes that I bought during COVID.

Sylvia France:

That was my project.

Nancy May:

I didn't buy 100 pounds of anything over COVID.

Sylvia France:

it's a fun story.

Sylvia France:

So it was not the jars, it was the lids, and you couldn't find them for months

Nancy May:

That's correct.

Nancy May:

Almost like the toilet paper too, as well.

Nancy May:

Mm. That was more important to us.

Sylvia France:

I thought you had leaves in the backyard, you told

Nancy May:

We do.

Nancy May:

We had leaves in the backyards in Connecticut in the woods, but that's a little TMI.

Sylvia France:

the glass outlives us all, and the lid is only good for one afternoon of canning

Nancy May:

Yep, until you open it, which is why I'll give you two things that actually do work with mine

Sylvia France:

Uh, so which too

Nancy May:

So, and I don't need the special lids, but it's dry storage

Nancy May:

for flour, rice, sugar, anything the pantry moths wanna get in.

Nancy May:

And a tight lid will stop those bugs pretty cold

Sylvia France:

So which kind of lid do you use?

Sylvia France:

Because that truly matters

Nancy May:

Correct.

Nancy May:

It's the plastic storage cap, not the canning lid.

Nancy May:

The, reusable and it seals every time

Sylvia France:

And the second thing

Nancy May:

Well, that one is yours, I think

Sylvia France:

Of course it is.

Sylvia France:

So it's a Sharpie.

Sylvia France:

It's my secret weapon to my Mason jars.

Sylvia France:

And ironically, it's owned by the same company that makes the Mason jars, which is Newell Brands or Newell Rubbermaid.

Sylvia France:

So I take the marker straight into the glass, and for my sourdough starter, I use it as a baseline so I know

Sylvia France:

when the starter has doubled, and I also put the date on it since I only feed my starter once a week, I admit

Nancy May:

Well, yeah, I get that, but most people also use a rubber band around the jar or, some

Nancy May:

other marking beyond a Sharpie to mark the level of their sourdough

Sylvia France:

I know, but they're a pain in the royal rear end to get on, and then the rubber bands roll off.

Sylvia France:

A line on the glass doesn't

Nancy May:

I get that.

Nancy May:

And it comes off, the one that you use, because I thought a permanent marker, well, was actually permanent

Sylvia France:

Not in the dishwasher, my secret weapon.

Sylvia France:

So every time, for me at least, I can get it off without lifting a finger

Nancy May:

Well, honestly, I have tried the Sharpie, but it doesn't come off of mine.

Nancy May:

I have to scrub it first and it stays right there.

Nancy May:

I have to really scrub.

Nancy May:

I think it has to do with the fact that we have well water and you don't

Sylvia France:

Yes, I have good St. Pete water, which we won't go into that.

Sylvia France:

But to, honestly, I think it sounds like your Sharpie marker is ghosting you.

Sylvia France:

So it's the same marker, same jar

Nancy May:

And different machines

Sylvia France:

And water.

Sylvia France:

So whether that writing survived really has nothing to do with either of us

Nancy May:

No, it doesn't, but we have another story.

Nancy May:

I'll let you start, Sylvia

Sylvia France:

Well, you're the one that told me this story, which I thought was absolutely a hoot and a half, that your

Sylvia France:

sister who lives in Oklahoma, who you were gonna get all this canning info for for our episode, came back with that she

Sylvia France:

no longer cans anymore, and she uses her mason jars for storage of her wine corks

Nancy May:

Yeah.

Nancy May:

I'm guessing my sister has become quite the wino.

Nancy May:

so Bob and I are driving asking her this question, and, um, she's telling me about all the wine corks

Nancy May:

she's putting in there, and we also laughed and said, "We're presuming

Nancy May:

that you're not including the screw caps." And she laughed and said, "No."

Nancy May:

But I almost peed in my pants when Bob said, "So how many wine corks do you

Nancy May:

have, and are you pressing them for a second vintage?" You know snarky Bob.

Sylvia France:

It's kind of like fine wine, like women,, with the older we get, the better we get.

Sylvia France:

And I guess that even clu- includes

Sylvia France:

if you're picking your corks in a Mason jar.

Sylvia France:

So, you know, one of the ways that we bonded is you were so kind enough to open your home to me, and you have everything.

Sylvia France:

So I was like, "What do I bring?"

Sylvia France:

So I brought some of Fred, my sourdough starter, because you had

Sylvia France:

told me that you had killed your sourdough starter more than once.

Sylvia France:

So, so, I wanted to give you the best chance it could, so I actually gifted you one of my wide-mouthed Ball jars

Sylvia France:

that included the Sharpie marker so you knew exactly how to do it.

Sylvia France:

And if I remember correctly, I even brought you the flour and the water.

Sylvia France:

So You

Nancy May:

Because you didn't realize that we had well water, which works, but

Sylvia France:

know, but, you know, it, it was one of those that I wanted you to have a positive experience, and

Sylvia France:

since then I, that you've called me a couple times that I've, been your,

Sylvia France:

you know, call a person when you're having trouble with your starter.

Nancy May:

my sourdough panic person call.

Sylvia France:

What is it, like, with Who Calls Amelia?

Sylvia France:

It's like phone a friend.

Nancy May:

Right.

Nancy May:

sourdough friend.

Nancy May:

Absolutely.

Nancy May:

We've got neighbors who are now doing sourdough, but the date on the jar that you gave me is long gone.

Nancy May:

Sorry.

Sylvia France:

I know, it washed off.

Sylvia France:

So the only reason either of us knows it, it, what the jar came out is what we remember, and I also noticed it

Sylvia France:

was the w- jar that you used with your wine in the toast when we started.

Nancy May:

Clink, clink.

Nancy May:

Not the glass, that's for sure

Nancy May:

, Sylvia France: So there was not one thing about who used it when we did the identification.

Nancy May:

That's where we're getting into next.

Nancy May:

It's important to know who used it and what they used it for

Nancy May:

Correct.

Nancy May:

So five things to take away

Sylvia France:

One, the front.

Sylvia France:

Write down every word in order, just not the brand.

Sylvia France:

Also include that if it's script or if it's in block Mason is a kind of jar, not the maker

Nancy May:

Two, the glass.

Nancy May:

Aqua is iron in the sand.

Nancy May:

Purple is manganese, manganese, may say that correctly, and sunlight.

Nancy May:

And bubbles, yes, they do add a lot of character

Sylvia France:

But I'm gonna put a warning here, because a lot of people and a lot of companies are, have

Sylvia France:

the blue and then also the purple and then the amber, and it's fake.

Sylvia France:

So what they're trying to do is have the jars look like they're old, and they're

Sylvia France:

actually new.

Sylvia France:

So you just need to be careful on that one.

Sylvia France:

So Three, the bottom.

Sylvia France:

A number and a dot cluster on the mold.

Sylvia France:

The symbol is the glass maker

Nancy May:

And four, what is it worth?

Nancy May:

Well, errors and character add up.

Nancy May:

Chips and cracks take away up to 90% of the value

Sylvia France:

Five, what it will never tell you.

Sylvia France:

The jar records the factory.

Sylvia France:

You have to record the person and what was put in it

Nancy May:

So here's what we're gonna suggest.

Nancy May:

Take a picture of the jar that you have, write down who gave it to you, if it was a gift or not, and what they kept in it

Sylvia France:

Somewhere that isn't on the jar and preferably not in Sharpie marker.

Nancy May:

No.

Nancy May:

Because that rubs off.

Nancy May:

, "And you likely know somebody with a box of these in their garage."

Sylvia France:

I bet you do.

Sylvia France:

Send her this episode and tell her the dots aren't braille

Nancy May:

Correct, yes.

Nancy May:

And better yet, tell her go to Family Tree Food Stories or

Nancy May:

Podcast.FamilyTreeFoodStories and our Facebook page.

Nancy May:

Also Family Tree Food Stories and the group where she can listen

Nancy May:

because, you know, every meal has a story and every jar holds a feast.

Sylvia France:

Or at least a good drink

Nancy May:

oh, definitely.

Nancy May:

So on that note, Sylvia, what do you say?

Nancy May:

Jars up?

Sylvia France:

To Frances Ball, who sat at her own kitchen table and wrote it all out by hand

Nancy May:

Ooh, who does that anymore?

Nancy May:

And to John Mason, who patented the lid and never saw a dime of it

Sylvia France:

Next Thursday, we're gonna be doing the recipe box

Nancy May:

Yes, the recipe box.

Nancy May:

I don't have recipe boxes, but I have a bunch of other recipes that mom gave me.

Nancy May:

Someone actually took pictures and blocked them all together and put them in a box somewhere.

Nancy May:

If not yours, someplace else

Sylvia France:

Well, it's the whole idea.

Sylvia France:

It's a metaphorical box.

Sylvia France:

It's keeping the recipes that we love

Nancy May:

And till next time

Sylvia France:

happy cooking and happy experimenting.

Nancy May:

Now to let me get back to my fancy French wine glasses

Sylvia France:

I thought it would be the Terry bounce.

Sylvia France:

I'm gonna finish off my healthy drink 'cause it has celery in it, my bloody Mary

Nancy May:

Bye-bye.

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