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“Mouse Your House” by Field T. Mouse [18+]
4th April 2022 • The Voice of Dog • Rob MacWolf and guests
00:00:00 00:37:15

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[18+] Get ready for a new episode of SCURRY TV’s hit show, ‘Mouse Your House!’ Our mousey team answers homeowners’ pleas, bringing style & finesse to their wayward abodes!

Today’s story is “Mouse Your House” by Field T. Mouse, who has been writing critter-centric tales for many years now. You can find more of his work at squirrel.sofurry.com.

Read for you by Rob MacWolf — werewolf hitchhiker.

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If you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us.

https://thevoice.dog/episode/mouse-your-house-by-field-t-mouse-18

Transcripts

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Today's story concerns adult subject matter for mature listeners.

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If that's not your cup of tea,

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or there are youngsters listening,

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please skip this one

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and come back for another story another time.

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You’re listening to The Voice of Dog.

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This is Rob Macwolf,

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your fellow traveller,

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and Today’s story is

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“Mouse Your House”

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by Field T. Mouse,

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who has been writing critter-centric tales for many years now.

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You can find more of his work

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at squirrel.sofurry.

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squirrel.sofurry.com. Please enjoy

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“Mouse Your House”

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by Field T. Mouse

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At eight-o’clock sharp, the network ‘primetime’ feed starts.

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“Tomorrow night,” the announcer declares,

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voice dripping with anticipation,

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“it’s an all-new episode of the award-winning hit show

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The Capybaras. They are the chillest rodents in town …

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who are always in hot water!”

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An image of a stone-faced capybara couple appears on the screen.

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“Critics are calling it ‘weirdly charming.’ ‘As

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high-energy as low-energy gets.’ ‘You

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must see it’!” “But, tonight, it’s YOUR reality Wednesday!”

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“First up, Mouse Your House!

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Our fabulous mousey fivesome

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answers harried homeowners’ pleas,

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bringing style and finesse into their wayward abodes!”

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“At 8:30, Mouse Your House:

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Apartment Edition.

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They can fix that,

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too!” “At 9, are you becoming a hoarder?

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Garage overflowing?

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Our squirrels can help with that!

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It’s Squirrel Your Stuff.”

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“And, finally, at 9:30,

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lucky contestants’ street cars get turned into hot rods by our team of plucky mechanics.

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With ‘rattitude.’

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That’s right. Rev up for

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Rat Your Ride!” “Only on SCURRY TV. ‘Programs

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to gnaw on’!” Cut to black.

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A camera follows a muscular, sandy-furred feline in a tight-fitting t-shirt

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as he strolls up a driveway.

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He stops in front of a fancy red sports car,

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purring, caressing the hood.

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“Am I right?” he says, giving the camera a grin, tail lazily swerving about.

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Interview chair - Blake:

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“My name’s Blake,” the feline says.

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“I’m a cougar, age 28,

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from California. I’m a professional drone racer.”

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Footage shows Blake on-site at a drone race, eyes razor-focused

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on a screen, face contorting and body leaning side to side.

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He’s using a remote control to fly his drone through an obstacle course.

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As it crosses the finish line,

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he pumps a fist. “(BLEEP), yeah!

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Top time! Did you see that?

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Maybe two inches clearance on either side of that last tunnel.

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Didn’t even scrape it.” Interview chair:

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“Yeah, it’s a real sport, but it’s not for weaklings.”

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The camera pushes in closer.

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“There’s speed walking in the Olympics but not drone racing?”

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He rolls his golden eyes. “(BLEEP)

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that.” There is more video of Blake at the event, laughing and hanging out with his pals. Interview chair:

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“I have world records on three different courses.

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Prize money’s been good.

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Have enough for a house, now!

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So, I took the plunge.”

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A pause. “Only one problem … ”

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The visual cuts to Blake standing in an empty room,

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paws on hips, scowl on face. Interview chair:

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“Yeah … it didn’t come furnished or decorated.

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I got my stuff in there, but coming from an apartment, it’s not much.

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Needs some work. Hard to invite the ladies over when it’s not equipped, y’know what I mean?”

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The cougar flashes a toothy grin,

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waggling his brows.

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“And when I looked at the price of interior decorators, I was, like, (BLEEP)

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this. I’ll have the mice do it.”

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He pauses uncertainly. “You,

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uh … you’re paying for this, right?”

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Cut to black. THEME SONG.

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The five Mouse Your House team members

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tour the residence.

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They have five days to work their magic.

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“Oh, my gosh,” a wispy male mouse says, placing a pink,

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furless paw over his heart,

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doing a little stagger.

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A blue-grey house mouse. Monticello.

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People call him Monty for short.

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“Is this … is this a

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color, Edina?” Monty turns in a circle.

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The camera follows his movements. Every wall is the same.

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“Is beige a color?” Edina,

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a cute gold-and-cream harvest mouse in charge of paint, looks over the room and considers.

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“A little too warm to be beige.”

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Interview Chair – Edina:

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“Beige is actually rather complex.”

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She adjusts her glasses.

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“It’s alternately a pale,

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sandy fawn, a grayish tan,

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and—” Back to house.

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“Such lack of imagination,”

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Monty says. “We just got here, Monty.

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Besides, if it were perfect when we showed up, we’d be out of jobs!”

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Billings, Edina’s potential love interest,

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says. He’s also a harvest mouse.

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An eternal optimist and DIY nerd,

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he is tasked with construction and electrical work.

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“All the rooms are like this.”

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Edina looks at the camera and

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sighs. “We’re gonna need more paint.”

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“I’ll protect you, sweetie,”

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Fridley, Monty’s mate, promises.

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In charge of furniture, the big-eared, brown-and-white deer mouse pats Monty on the head.

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“Just concern yourself with the décor.”

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“My décor has to blend with the color of the walls,”

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Monty reminds. “I can’t even start until … ”

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He puts a paw to his forehead,

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as if the not-technically-beige color is giving off headache fumes.

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“I just can’t even.”

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Their tails entwine.

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The fifth member of the group, in charge of landscaping, is Lonny.

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A rough-and-tumble grasshopper mouse.

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He can be seen in the background,

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out of focus, talking to Blake.

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Billings goes up to every electrical outlet to test functionality.

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He then looks up at the ceiling lights.

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“Kinda weak. Mm.” His blue eyes widen with excitement.

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“Could use a chandelier in here, don’t you think? Monty?”

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“Billy, you always ask such

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obvious questions.”

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“I’m gonna go inspect the kitchen,”

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Fridley says, preparing to leave the room.

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“If you hear screams, it’s because there’s no table and chairs in there. Just …

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bar stools and a counter … ”

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Interview Chair – Fridley:

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“Society used to have standards.”

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As Fridley leaves, Lonny enters the frame,

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looking off-screen until he’s sure Blake is out of earshot.

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“Hey, guys.” He skips a beat for dramatic effect.

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“Do you think he likes me?”

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“Who?” Billings asks.

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“The cougar?” Edina echoes.

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“You think everyone likes you …

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remember that coyote a few weeks ago?”

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“This is different,”

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Lonny swears. “He just patted my ass!” “You wish,” Monty mutters.

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“He did.” “He’s straight,”

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Monty assures. “Like,

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beyond saving.” “I bet they caught it on camera.”

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Lonny looks into the camera,

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awaiting an insert of footage.

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None occurs. “You have such a bad gaydar, Lonny,”

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Edina says, taping paint swatches to the wall to determine what looks best.

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She is already zeroing in on a bright, ocean blue for this room.

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“He’s a total bro.

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He was probably just playing around with you. That’s what they do!”

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“Just cause I’m bi doesn’t mean I’m confused,”

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Lonny continues.

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“And if he’s a bro, so what?

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Just more we have in common.

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Us howlers are pretty bad ass.

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We practically chug scorpion venom.”

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Interview Chair – Lonny:

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“Disclaimer: don’t chug venom, kids.”

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“I don’t think ‘bro’ means ‘bad ass’,”

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Billings points out.

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“He’s right, dear,” Monty says with a helpful nod.

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“It just means you’re

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an ass.” Lonny scowls, buckteeth jutting from his mouth.

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“Besides, cat?

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Mouse? Drama.” “And you know that from experience?”

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Lonny challenges.

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Monty doesn’t reply

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but gives the camera

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some side-eye. Interview Chair –

Monty:

“Grasshopper mice like to call themselves

Monty:

‘howlers.’ So … yeah.” A sigh as the camera zooms in.

Monty:

“That’s what we’re

Monty:

dealing with, here.”

Monty:

“Where I come from,”

Monty:

Lonny continues, as everyone gets to work and tries to tune him out,

Monty:

“mice and cats have been known to hook up.”

Monty:

“Don’t they also make a lot of … meth?

Monty:

Out in the desert?”

Monty:

Monty wonders. Lonny crosses his arms,

Monty:

tilting his pointy muzzle upward.

Monty:

“Howlers don’t quit.”

Monty:

“How can you ‘quit’ when there’s nothing there to start with?”

Monty:

Edina asks, continuing to organize her paint swatches.

Monty:

“What do you think about this one, Billy?”

Monty:

Interview Chair – Lonny:

Monty:

“They’re always doing that.

Monty:

Ganging up on me. Most mice don’t like to rock to the boat, y’know?

Monty:

Oh, they talk about it, but they’d never do it. But guess

Monty:

what? I’m a (BLEEP)-ing boat rocker.

Monty:

You know why?” The camera switches angles.

Monty:

“Cause we don’t got boats in the desert,

Monty:

and I don’t have any (BLEEP)-ing use for ‘em.”

Monty:

The camera eases back but remains focused on the interview chair.

Monty:

“Blake’s hot, okay? The other four are essentially paired off.”

Monty:

Lonny counts on his paw.

Monty:

“Monty and Fridley are mated.

Monty:

Edina and Billings are stuck in each other’s orbit and have been for …

Monty:

whatever. They’re gonna do each other

Monty:

at any time. I’m the only true free agent here.”

Monty:

The camera zooms in

Monty:

on his face. “I have

Monty:

needs.” Another pause.

Monty:

“He has a barbed (BLEEP)!” “You think

Monty:

you’re gonna turn him?”

Monty:

Monty asks. “You?” He shakes his head.

Monty:

“Good luck with that!”

Monty:

The house mouse leaves, going after Fridley.

Interview Chair:

Lonny casually leans back.

Interview Chair:

“Challenge. (BLEEP)-ing.

Interview Chair:

Accepted.” Cut to black.

Interview Chair:

COMMERCIAL BREAK. At twilight, a red squirrel is playing card games on a porch with assorted rodent friends.

Interview Chair:

The squirrel goes to gnaw on a wood stick, which instantly breaks in half in their mouth.

Interview Chair:

The squirrel grimaces,

Interview Chair:

barking out in exaggerated pain.

Interview Chair:

“Has this happened to you?”

Interview Chair:

an announcer asks.

Interview Chair:

The squirrel nods, their friends oblivious to the omniscient narrator.

Interview Chair:

“Tired of splinters on your tongue?

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Ready to move on from those old chew sticks?”

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“Yes!” the squirrel declares.

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“But what can I do?”

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“Try Ro-chews!” A colorful image of the product appears, followed by a flash as the product finds itself

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magically transported

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into the squirrel’s paws.

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The squirrel’s eyes widen.

Interview Chair:

“Your teeth are special,”

Interview Chair:

the announcer says.

Interview Chair:

“They don’t stop for anything, and neither should you!

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Gnaw in peace with Ro-chews,

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the chew stick formula that’s hard on teeth but easy on your mouth!

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None of that bitter aftertaste.

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Comes in mint, bubblegum,

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or plain. And less mess!

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Ro-chews. Recommended by four out of five ro-dentists!”

Interview Chair:

The squirrel gives a thumbs up to the camera as they gnaw on a Ro-chew stick,

Interview Chair:

flipping their cards over and proclaiming, “I win!” END OF BREAK

Interview Chair:

The camera pans around the living room.

Interview Chair:

Edina is on a ladder,

Interview Chair:

pushing a paint roller up and down the wall.

Interview Chair:

She is wearing an apron over her clothes. “At the

Interview Chair:

last moment, I ditched ‘Greek Siren,’ the shade of blue I had been considering

Interview Chair:

… decided to go with

Interview Chair:

‘Forever Pine,’ instead.

Interview Chair:

A very noble forest green.”

Interview Chair:

She dips her roller in the paint pan,

Interview Chair:

prehensile tail curling around the side of the ladder.

Interview Chair:

The camera cuts to a different angle.

Interview Chair:

“Billy? Yeah, he liked this color the most. But … ”

Interview Chair:

The camera focuses on Edina’s face.

Interview Chair:

“But … y’know, I would’ve chosen it on my own.

Interview Chair:

Eventually. It’s not like I’m trying to impress him or anything! Heh.”

Interview Chair:

A shy giggle, self-consciously pushing her glasses up her muzzle.

Interview Chair:

She then swallows, insisting,

Interview Chair:

“This color really gives a feeling of

Interview Chair:

rustic relaxation,

Interview Chair:

of spiritual wholeness.

Interview Chair:

Even more important since Blake isn’t exactly …

Interview Chair:

well … maybe it’ll rub off on him!”

Interview Chair:

Blake, as if on cue, walks into the room to inspect the goings on.

Interview Chair:

“Niiice,” the tawny, easygoing cat says, giving a double thumbs up. “So, uh, where’s my 4K going? I thought it could go right there.”

Interview Chair:

“Your TV?” Edina stops what she’s doing.

Interview Chair:

The camera whip-pans between Blake and her.

Interview Chair:

“I thought … but I thought it was going in the gaming room.”

Interview Chair:

“Well, one of them is.

Interview Chair:

I figure, like, I need a TV in

Interview Chair:

every room, right?

Interview Chair:

And if I have them all on the same channel,

Interview Chair:

I can walk from room to room

Interview Chair:

and not miss anything!”

Interview Chair:

The mouse exhales, whiskers twitching.

Interview Chair:

“Did … did you know about this,

Interview Chair:

Monty?” she asks the house mouse as he, too, enters the room.

Interview Chair:

Monty pauses to compose himself,

Interview Chair:

seeing she is painting with a color he hadn’t expected.

Interview Chair:

“You told me ‘Greek

Interview Chair:

Siren’ … ” “I switched it up.”

Interview Chair:

“To a cursed Gothic forest?”

Interview Chair:

“Blue’s going in the bedroom, now.”

Interview Chair:

“I see … well, that’s good.

Interview Chair:

He can feel like he’s drowning in an ocean of sleep.”

Interview Chair:

“Did you know about the TV’s in

Interview Chair:

every room?” “I planned

Interview Chair:

all the décor for this room

Interview Chair:

on blue,” Monty says quietly.

Interview Chair:

“I told Fridley to let you know,”

Interview Chair:

Edina replies, as politely as possible.

Interview Chair:

“You know Fridley doesn’t hear

Interview Chair:

anything when he’s got a new sofa … ”

Interview Chair:

Interview Chair – Monty:

Interview Chair:

“Fridley loves a plush seat.”

Interview Chair:

Cut to another room.

Interview Chair:

Fridley walks around a pillowy, burgundy couch.

Interview Chair:

He traces the arms and back with the claw of a single, furless finger.

Interview Chair:

Interview Chair – Fridley:

Interview Chair:

“Sure, a futon is cheap and versatile.

Interview Chair:

A futon fits Blake.”

Interview Chair:

A pause. “But when I put my body against something?”

Interview Chair:

He lowers his voice.

Interview Chair:

“I want … luxury.” Billings enters the room, finding the deer mouse sprawled out on a pillowy, thousand-dollar sofa.

Interview Chair:

“Should I, uh, leave you two alone?”

Interview Chair:

An exasperated Fridley blows out a breath, staring at the ceiling.

Interview Chair:

Interview Chair:

Interview Chair:

“That’s the problem with a five-person team.”

Interview Chair:

His whiskers twitch.

Interview Chair:

“There’s always traffic.”

Interview Chair:

Cut back to the ‘Forever Pine’ room.

Interview Chair:

“What made you change your mind?”

Interview Chair:

Monty presses, tail noodling about.

Interview Chair:

“Y’know, just asking … out of curiosity.”

Interview Chair:

“I … I had a feeling,” Edina says, not exactly lying.

Interview Chair:

Monty raises a brow, waiting for more.

Interview Chair:

“Colors inspire moods, and I was feeling …

Interview Chair:

green,” Edina elaborates.

Interview Chair:

“Maybe you’re coming down with something.

Interview Chair:

Scurvy, maybe.” “I’m not

Interview Chair:

sick,” Edina insists.

Interview Chair:

She remains on the ladder,

Interview Chair:

two rungs up, allowing her to visually tower over Monty.

Interview Chair:

The house mouse put his paws on his hips and said,

Interview Chair:

“Well … I mean, I guess all that yellow and gold stuff I got to color complement a blue room

Interview Chair:

won’t look tacky in a green one.”

Interview Chair:

“That’s the spirit!”

Interview Chair:

“It’ll just look like he has a citrus fetish.”

Interview Chair:

“Well. Maybe he does!”

Interview Chair:

Edina replies, returning to her painting.

Interview Chair:

“Maybe.” Monty crosses his arms,

Interview Chair:

visibly twitching,

Interview Chair:

refusing to leave.

Interview Chair:

The camera pushes past the mice

Interview Chair:

to a bewildered Blake.

Interview Chair:

Interview Chair – Blake: “(BLEEP)-ing mice, man.”

Interview Chair:

Cut to outside of house.

Interview Chair:

Front yard. Lonny is on his knees,

Interview Chair:

digging, planting,

Interview Chair:

mulching. “I’m from the desert, so … yeah.

Interview Chair:

You wouldn’t think I’d be good with plants and landscaping.

Interview Chair:

But here I am!” Interview Chair –

Monty:

“Lonny always has to remind you where he’s from.

Monty:

We get it, okay? Try getting an identity.

Monty:

Do I go around telling everyone I’m from Minnesota?

Monty:

No.” He pauses. “Do I look like an ice fisherman?

Monty:

I don’t have the ass

Monty:

to pull off a tail-sock.”

Monty:

Lonny takes off his shirt, flexing a bit.

Monty:

“Gotta keep cool.” He pauses hopefully. “Is Blake

Monty:

out here?” The cameraman gestures ‘no.’ “Oh … ”

Monty:

Footage shows Lonny walking through the yard, scribbling on a notepad with a blue ink pen. “This

Monty:

space is pretty basic.

Monty:

Could really be spruced up!

Monty:

I don’t think we can get away with planting any

Monty:

big trees, though.

Monty:

Or anything that would become big. We’d get in trouble with the homeowners association.”

Monty:

He points, changing directions.

Monty:

“Need to leave enough space to have outdoor gatherings. Blake says he likes to party. Or, as he pronounced it, ‘par

Monty:

-tay.’ But, yeah, a semi-dwarf pear over

Monty:

there, maybe … yeah … in the

Monty:

corner.” An enthusiastic nod.

Monty:

“Some bushes on the left side of the house, with a brick barrier built around them. Classy! First, though, I’m going to put flowers around the front base of the house. Perennials.

Monty:

Low upkeep.” Back in the ‘present,’ the camera moves, handheld-style,

Monty:

to Blake as the cougar comes out the front door.

Monty:

Seeing Lonny, Blake walks his way.

Monty:

The grasshopper mouse, still shirtless on his knees with dirt on his paws,

Monty:

tries to play it cool by not looking up.

Monty:

“Hey, man,” the cougar says, crossing his muscular arms.

Monty:

“Gussying things up?” “Oh!

Monty:

Blake! Hah, yeah,

Monty:

dude. Gussying,” the mouse squeaks,

Monty:

promising, “When I’m done, everyone who goes by will ogle this place with envy.”

Monty:

“Awesome! That’s what I’m after.”

Monty:

“So, uh … what brings you out here?

Monty:

Don’t trust me? Heh. I know it’s not often that a mouse serves under a cat, but …

Monty:

y’know, I’m sure it’s happened before … ”

Monty:

The cougar laughs, missing the innuendo.

Monty:

“Nah, man. You’re good!”

Monty:

The feline looks at the window,

Monty:

ears cocking. He can still hear the mice squeaking.

Monty:

“It’s getting a bit stuffy in there,

Monty:

y’know what I mean?”

Monty:

Cut to living room.

Monty:

The other four mice are all present.

Monty:

“I think ‘Forever Pine’ looks better than ‘Greek Siren’,”

Monty:

Billings says, unsurprisingly taking Edina’s side.

Monty:

“Has such a refreshing vibe!”

Monty:

“Thank you, Billy! It does,

Monty:

doesn’t it?” “This green

Monty:

makes me feel like I’m being stabbed

Monty:

by pine needles … in the back,”

Monty:

Monty tells Fridley, who is supportively

Monty:

massaging his mate’s shoulders.

Monty:

“Maybe you have a pinched nerve,”

Monty:

Edina suggests. “I wouldn’t be surprised,”

Monty:

Monty mutters. “What with all the heavy lifting I do on this show … ”

Monty:

Cut to outside. “You seem like you have it all, Blake,”

Monty:

Lonny mentions. “Career, home.

Monty:

An obscure amount of fame.

Monty:

Where’s the girlfriend?”

Monty:

“Don’t got one! I just moved, yeah,

Monty:

so don’t know anyone around here yet.

Monty:

And I travel a lot for drone races.”

Monty:

The feline shrugged.

Monty:

“Not worried, though!

Monty:

Something’ll happen soon enough.

Monty:

Usually does.” “Let’s hope so,”

Monty:

Lonny says, giving the camera

Monty:

a private look. Cut to black.

Monty:

COMMERCIAL BREAK.

Monty:

A mellow announcer proclaims,

Monty:

“Some of us have more fur than others … ”

Monty:

A female chinchilla rolls out of bed, looking down at white sheets covered with shed fur.

Monty:

She puts her paws on her hips

Monty:

and gives an exasperated look to the camera.

Monty:

“It can be a problem,”

Monty:

the announcer continues.

Monty:

“And can even lead to …

Monty:

‘misunderstandings’.”

Monty:

In a generic household setting, a male chipmunk is being questioned by his mate,

Monty:

who suspiciously points to the fur on his pants.

Monty:

“That’s not your fur color.”

Monty:

The mate squints.

Monty:

“What are you hiding?”

Monty:

“N-nothing!” he stammers nervously.

Monty:

“It was that chinchilla at work. She’s shedding all over the office!

Monty:

I must’ve sat in a chair she used … ”

Monty:

The announcer rejoins, proclaiming,

Monty:

“Now, with the updated Pelt Roller Pro,

Monty:

you can keep your fur to yourself!

Monty:

Our new, stickier formula

Monty:

gets all those loose hairs secured

Monty:

without damaging fabric.”

Monty:

The camera cuts to a room with subdued lighting and sexy music, where the chinchilla is running a Pelt Roller Pro

Monty:

over the ‘innocent’ chipmunk’s backside.

Monty:

“Pelt Roller Pro,” the announcer says smoothly.

Monty:

“Your fur is your own business.”

Monty:

END OF BREAK Billings,

Monty:

having mounted Blake’s 4K’s everywhere but the kitchen,

Monty:

which Edina has already painted,

Monty:

is taking a break to install dimmable, miniature flood lights above the kitchen sink.

Monty:

“I just love lighting.

Monty:

I mean, you can’t see anything without it, right? Hah! Now, I prefer dimmable lights above a sink because if you’re getting up for a glass of water in the middle of the night,

Monty:

you don’t want a full-on spotlight shining in your face.

Monty:

Hard to get back to sleep after that!

Monty:

Also, it doubles as ‘mood lighting’

Monty:

for that romantic dinner you’ve been meaning to have with Edi … with that

Monty:

lucky lady.” He clears his throat.

Monty:

The camera zooms in on his ears,

Monty:

which are blushing.

Monty:

“But, uh … now, as far as outlets near the sink,

Monty:

this is a bit of a controversy!

Monty:

You don’t want them too close to a water source,

Monty:

but how close is too close?”

Monty:

Fridley, arranging and polishing the new kitchen table and chairs,

Monty:

gives the camera a

Monty:

‘what is he talking about’ look.

Monty:

Interview chair – Fridley:

Monty:

“I suppose he can’t help but be boring.

Monty:

He’s straight.” A head-tilt.

Monty:

“I guess that’s what Edina sees in him.”

Monty:

Cut to Edina and Monty.

Monty:

The ‘green’ room is finished, including furniture,

Monty:

and the bedroom is also nearly done.

Monty:

Edina is just removing the painter’s tape from the edges while Monty sets up his décor.

Monty:

“Blake suggested ‘Red Passion’ for the walls in here,

Monty:

but Monty and I both agreed to stick with a cooler color,”

Monty:

Edina explains. “This shade of blue

Monty:

promotes relaxation

Monty:

and restfulness!” “Well, it’s typical bro thinking, isn’t it?”

Monty:

Monty adds. “Oh, red is sexy,

Monty:

let me make the bedroom red,

Monty:

then it’ll be sexy time

Monty:

all the time!” He rolls his eyes, tail zipping about.

Monty:

“Bitch, get some sleep.”

Monty:

“After this, we’ll work on the bathroom,”

Monty:

Edina says. “Billy’s putting the finishing touches on the kitchen.

Monty:

We did the dining room and living room, doing the bedroom now …

Monty:

tomorrow, we’ll be done!

Monty:

Another house successfully moused!”

Monty:

“Hooray,” Monty deadpans.

Monty:

Interview Chair – Edina:

Monty:

“Monty uses sarcasm as a defense mechanism.

Monty:

I know he loves the rest of us, and the show!

Monty:

Why would he still be here otherwise?”

Monty:

Interview Chair – Monty:

Monty:

“I tried a real job once.”

Monty:

He pauses. “Newsflash:

Monty:

the customer is always wrong.”

Monty:

“Monty, can you put these paint cans back in the garage for me?”

Monty:

Making his voice exaggeratedly deeper,

Monty:

Monty says, “Sure thing, miss!”

Monty:

Cut outside, to Lonny.

Monty:

The grasshopper mouse is in the driveway,

Monty:

admiring his handiwork.

Monty:

Camera then cuts to the garage, where he’s arranging garden tools and equipment.

Monty:

“Blake will probably just hire a gardener rather than handle the upkeep himself, but I feel it’s important to have your tools well-organized.

Monty:

By type and, within type,

Monty:

by size.” “Yo, Lonny, dig the

Monty:

yard, man!” Blake says as he enters the garage.

Monty:

The camera quickly turns to the bouncy cougar,

Monty:

seemingly always on the go.

Monty:

“Hah, get it? Dig? Yard?”

Monty:

Lonny does his best genuine laugh.

Monty:

“Good one!” The big, brawny feline sidles up beside the mouse,

Monty:

putting an arm around him.

Monty:

Lonny’s eyes widen.

Monty:

He looks at Blake’s chest and then stares off to the side

Monty:

at the camera. “So,

Monty:

good news, man!” “Oh?”

Monty:

“We were talkin’ about how I didn’t have a girlfriend. Well, I’m at the coffee shop,

Monty:

and I meet someone.

Monty:

Just like that! What are the

Monty:

odds? She’s a fox. Literally.

Monty:

Gonna bring her to the housewarming party when you guys wrap up.”

Monty:

“Oh … ” “Cool, right?” “Right,”

Monty:

Lonny says, unable to hide the disappointment in his voice.

Monty:

“Anyway, I’m off to practice for my next race.”

Monty:

“Um, okay! Sure. See ya … ”

Monty:

Lonny sighs, whiskers drooping dejectedly.

Monty:

The camera turns and spies Monty’s head

Monty:

peeking through the doorway,

Monty:

quickly ducking from view.

Monty:

Interview Chair – Monty:

Monty:

“Alright, you caught me.”

Monty:

His ears swivel as he’s asked a question.

Monty:

“Do I feel sorry for him?” The house mouse

Monty:

slumps back in the chair, crossing his arms.

Monty:

“Maybe.” A pause. “I have emotions. You happy?”

Monty:

Cut to kitchen, where Billings has finished with his work.

Monty:

Fridley is still fiddling with the furniture.

Monty:

“Looks great, Billy!”

Monty:

Edina says, clasping her paws behind her, swaying back and forth.

Monty:

“Well, I mean … it’s nothing without the color of the walls, y’know?”

Monty:

Billings’ ears are starting to blush again.

Monty:

“So, really, you’re more responsible than me!”

Monty:

“Thanks, but, like, you wouldn’t be able to see the colors without

Monty:

proper lighting!” Edina counters.

Monty:

“Yeah, maybe. But—” Interview Chair –

Fridley:

“You could cut the sexual tension with a

Fridley:

butterknife.” Cut to garage.

Fridley:

Monty pretends to be looking for something

Fridley:

as he makes his way over to Lonny.

Fridley:

“What do you want?”

Fridley:

the grasshopper mouse asks quietly.

Fridley:

“I’m not a scorpion. I surrender!”

Fridley:

When Lonny doesn’t respond to his attempt at humor,

Fridley:

Monty clears his throat and gets right to it.

Fridley:

“So, things didn’t work out with you and Blake, huh?”

Fridley:

“Yeah, I know. You warned me.”

Fridley:

A twitch. “Brag all you want.”

Fridley:

“Actually,” Monty said, leaning against a metal shelving unit.

Fridley:

“I thought I might introduce you to a friend of Fridley’s.”

Fridley:

“I’m sure whoever it is wouldn’t be interested in me … ”

Fridley:

“He’s an antelope squirrel. Named Rodney.

Fridley:

No barbs, but … he is unattached.”

Fridley:

“Antelope squirrels …

Fridley:

aren’t they from the desert, too?”

Fridley:

the grasshopper mouse asks, starting to perk.

Fridley:

“Mmhmm.” Interview Chair –

Monty:

“I give it a month.

Monty:

They’re both crazy.

Monty:

But, hey … ” A shrug as he tries to downplay his niceness.

Monty:

“I mean, can’t have Lonny moping on the show!

Monty:

It’ll drive off viewers.”

Monty:

Cut to black. COMMERCIAL BREAK.

Monty:

A fancy rat winces as they apply aloe to a sunburned tail on a sunny beach.

Monty:

An announcer laments,

Monty:

“You don’t need that … !

Monty:

Or this … ” A harvest mouse shivers at a bus stop in the snow, trying in vain to stuff their prehensile tail underneath their winter coat.

Monty:

“You need T-Sox!” the announcer insists.

Monty:

“The new ultra-comfortable tail-sock for all weather conditions.

Monty:

Thermally insulated for winter. Or light and breathable for summer.

Monty:

In flesh tones for blending in or neon colors to represent your bold personality!”

Monty:

Many fashions of tail-sock covering many different naked tails, male and female, whip across the screen.

Monty:

“Yes, there’s a T-Sox for everyone!”

Monty:

The rat and mouse, walking paw-in-paw in an autumn-colored park,

Monty:

laugh and look back to the camera,

Monty:

tail-socked tails curling together.

Monty:

“T-Sox. Because furless tails matter, too.”

Monty:

BEGIN END CREDITS.

Monty:

Housewarming party.

Monty:

Outside, the sun is setting.

Monty:

Chatter and merriment occur within.

Monty:

“To another house

Monty:

successfully moused!”

Monty:

Fridley cheers, raising a glass.

Monty:

Monty clinks glasses with him

Monty:

and gives the deer mouse a kiss.

Monty:

“We’re at, what, 60-something houses now?”

Monty:

Fridley says. “Time flies, doesn’t it!

Monty:

I think it’s over sixty … ”

Monty:

The deer mouse’s whiskers twitch,

Monty:

face scrunching as he mentally verifies his math.

Monty:

“The important thing,”

Monty:

Monty assures, grabbing Fridley’s shirt collar,

Monty:

“is that 69 is coming up soon.”

Monty:

“Oh?” Fridley smiles and reaches for his mate’s ropy tail.

Monty:

He lowers his voice.

Monty:

“How soon?” Monty smirks as he pulls an excited, semi-tipsy Fridley

Monty:

off camera, almost causing him to drop his glass.

Monty:

“Eek!” The camera turns to Blake,

Monty:

who is flanked by a vixen in a very short skirt.

Monty:

“Hey, babe, wanna fly my drone?”

Monty:

he asks, between mouthfuls of food.

Monty:

“It works in the dark.” Lonny’s

Monty:

whiskers twitch.

Monty:

Interview Chair – Lonny:

Monty:

“Pretty sure that was a euphemism … right?”

Monty:

Billings and Edina, meanwhile, are nowhere to be seen …

Monty:

Cut to hallway. The camera roves room to room.

Monty:

It stops at an open door, looks inside.

Monty:

Nothing. It keeps moving.

Monty:

The next one is … closed?

Monty:

Locked. Sounds can be heard behind it.

Monty:

Squeaks! Muffled moans. “Oh,

Monty:

Billy!” The creaking of a bouncing mattress is unmistakable.

Monty:

Slick, slapping noises,

Monty:

too. “Ah, ah, Edina!” “(BLEEP)!” The camera shakes as it backs away,

Monty:

quickly returning to the party.

Monty:

END OF EPISODE. The announcer returns.

Monty:

“Thanks for watching!

Monty:

Tune in next Wednesday for another exciting new episode of Mouse Your House!

Monty:

Up next, though: Mouse Your House: Apartment Edition!

Monty:

The town mice visit a historic skyrise

Monty:

to renovate a socialite skunk’s ‘old-fashioned’ pad.

Monty:

Can they satisfy her elegant demands?

Monty:

Will they get over their phobia of elevators?

Monty:

Find out now!” This was “Mouse Your House” by Field T. Mouse,

Monty:

read for you by Rob MacWolf,

Monty:

your fellow traveller.

Monty:

You can find more stories on the web

Monty:

at thevoice.dog,

Monty:

or find the show wherever you get your podcasts.

Monty:

Thank you for listening

Monty:

to The Voice of Dog.

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