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From Vine to Wallet: Navigating Wine & Spirits Pricing
Episode 1930th October 2023 • The Pricing Lady • Janene Liston
00:00:00 00:46:05

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I am super excited to have a very special guest on the show.

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I have with me Ruchira Neotia.

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Welcome, Ruchira.

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Thank you.

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Thank you, Janene.

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I am absolutely chuffed.

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This is such an interesting topic and an interesting audience.

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Why don't we get started with a couple of rapid fire questions.

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First of all, where are you joining us from today?

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I'm in London today.

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England, not Canada.

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Oh, is there a London?

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Oh, yeah, there is a London in Canada.

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That's true.

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How would you describe your superpower?

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alcohol is my passion.

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So, I have a pretty intuitive and informed palate.

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I can match a relevant drink to anything.

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This includes my book club.

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So I told people, even if you set a book in Mars, I can pair a drink to that.

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So yeah, that's my superpower.

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Wow.

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That's amazing.

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I always find it really interesting when people can taste and smell

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things at a level other people can't.

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what's the one interesting thing that most people don't know about

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you that you'd like to share with us?

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Ooh.

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I once co piloted a plane from London to Duxford Airfield

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Museum wearing a Chewbacca mask.

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I'm a big Star Wars fan.

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And, I was training for a private pilot's license.

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Okay.

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I was going to say, there's a whole lot to unpack in that one short statement.

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Why?

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He was the best co pilot in the history of time.

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I mean, come on, Chewbacca.

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It was going to be an effective co pilot.

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Yeah.

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That's funny.

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Okay.

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Now, why don't you share with us a little bit about.

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What your business offers and what you do.

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I'm a wine and spirits in a sake consultant.

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What I bring to the table aside from my mind by understanding my news and

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the alcohol industry is tailoring my offerings to, the person, the

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client and the business objectives.

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And it's not just about the product and my knowledge and my own arrogance or hubris.

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So for example, you know, I design, drinks lists for restaurants

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and, they end up sort of achieving two, three X in beverage sales.

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Because of the perfect fit between food and wine and spritz, as the case might be.

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And then again, creating incredibly entertaining experiences for

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corporate tastings, private events.

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But just, you know, if you want to build a cellar, if you want to, you know, run an

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amazing event virtually or otherwise, or if you've got a great restaurant who kind

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of needs somebody to help them with their offerings, I'm the person to talk to.

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Okay, excellent.

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And how did you get into this?

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It's one of those weird things in life.

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I've been a bit of a nerd with alcohol, so I've done every qualification there

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was, and it is pretty tough, right?

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So when you're holding down a full on corporate job and re

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orchestrating orgs and then you sort of lean too far into your hobby,

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and then you sort of fall into it.

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And that's what happened to me.

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Once I got a taste of this, earlier this year, it was a little hard to

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sort of extract myself and I'm kind of giving it, giving myself a run at it.

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So this is how I ended up falling into this industry.

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Lean too far into my hobby.

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. Well, that's great.

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Most people would love to have a job that is something that they're that

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passionate about and love that much.

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Congratulations on being able to achieve that

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. Yeah.

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I'd like to start this conversation because there's a lot that goes

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into getting to the final price that you pay for a bottle of

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wine or gin or whatever it is.

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Can you tell us a little bit about what that process looks like

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and how that might influence the pricing that we see in the end?

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Here's the thing, right?

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Before I got into this industry, we all have like a very

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romantic idea about a drink.

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We all lap it up, you know, the great advertising, the lifestyle,

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it's a very romantic idea.

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It is bloody hard work.

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I mean, it's like blood, sweat, and tears.

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So when you're sort of looking at the cost journey, there is

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a whole heap of factors, right?

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But the biggest price point in any bottle is actually the tax man.

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When you're sort of looking at a bottle of wine, at the very, you know, so

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UK is a very price sensitive market.

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When you're looking at a price point on a wine, so like I said, you know,

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five pounds 50 in a supermarket, about 60% of that is tax duty is 2.67 pounds.

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That's flat.

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And then on top of that, you have 20 percent VAT.

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Then you've sort of got, you know, your labeling cost, your bottle.

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So bottle glass became extremely expensive, you know, post COVID.

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And there was a roll sort of glass, 40 percent more expensive.

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Right?

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So then you just look at a glass bottle, the price for that, the labeling,

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transport and handling, depending on how the wine was made, but it would store

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a single barrel, just an empty wooden French barrel costs 700 to 800 euros.

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And that contains about, you know, 200 bottles worth of wine.

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Then you sort of have transport and logistics.

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Then you've sort of got your, um, supermarket or your retailers or

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your trade restaurants margins.

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Since we're talking about supermarket example, I'm gonna give you a

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very, very tactical example here.

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I'm gonna run some math, right?

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Five pounds 50, 2.67, duty 20% VAT is about, I think circa 90.

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Depends.

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So that is over 60% of your cost packaging, as I

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discussed, close to a pound.

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Then let's say logistics is about 0.

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30. And then if we kind of assuming the retailer's margin between

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20 to 30%, it's like 80 pence.

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So there's 21 pence worth of wine.

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In a bottle that you pick up this five pounds, 50,

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five.

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Wow.

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That's incredible.

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Right?

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I mean, that's just, that's mind blowing.

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And I think, I mean, at least we're talking about if we're

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looking at the costs here, right?

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The costs involved in producing it.

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I think a lot of people, I always joke with my clients that when they're focused

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on the cost of things as the basis on the sole basis for what they charge.

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We always joke about that's not what the customer is paying attention to.

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Yeah.

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And that when they're making a purchase, they're paying attention to what they

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think they're going to get out of it, but they're not necessarily paying

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attention to, they're not calculating the costs to produce it and bring it to you.

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If they were, it would take them a long time to purchase any,

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every little thing they buy.

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Right.

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So it's really important here for people to.

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I think to realize that the cost is an important part of understanding

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what to charge, because you need to understand how profitable you

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can be and whether or not that's profitable enough for your business.

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But the fact that 20 pence, 20 pence or 40 pence, out of a five

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pound, approximately five pound bottle of wine, that's like peanuts.

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What's interesting is as you start sort of going up in the

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scale, just a tiny bit, that ratio starts to exponentially increase.

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And specifically for the wine, right?

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Because some things will stay the same.

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Since the duty is flat, the VAT will shift.

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Transport will relatively be the same.

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Packaging, mas o menos a little bit.

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But so, so say if you're looking at a 10 quid bottle of wine, you kind

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of end up with about two pounds worth of wine in that instead of 21 pence.

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So you, so it's just costing you double.

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The quality of wine you're getting is 10x, then when you're sort of

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going to 20 pounds, the quality of wine you end up getting in the

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bottle is worth about 31 times more.

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The increased cost is Forex, so it is a very disproportionate increase.

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Right?

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So I think every pound that you spend from eight pounds to especially 20 pounds.

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it kind of goes exponentially towards the quality of the wine in your bottle.

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Now again, you know, there are other factors at play, but this is

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a very good general rule of that.

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I'm not talking about affordability here, so we're not gonna get into whether

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person can afford five pounds, 50 or 20.

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I'm kind of about the value.

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If you're looking for value for money now, after this particular threshold,

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obviously over 50 GBP things start to shift a bit because brand comes into

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play, how you're making certain things, and then there is how long is a piece

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of string, but I would probably say the biggest aha moment for anybody thinking

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about wine is by and large, if you can afford a bottle of wine that costs 12

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pounds, you can afford a bottle of wine that costs 15 pounds, but that extra

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three pounds that you pay in that.

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It's probably going to go pretty much all against the quality

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of the wine in the bottle.

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Interesting.

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And is that true for wines that come more or less from anywhere globally?

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Or is there a different geographically?

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Transport can get quite interesting, right?

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So it can get quite complicated, but generally when people are importing.

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You end up importing in sufficient quantity in bulk, so you kind

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of do the math on that to keep that relatively stable.

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So yes, there should be a little bit of a differential, but it's

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actually more on import duty.

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That makes a huge difference between where you importing from because for

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example, American wine is so expensive in America that you will see that in the uk.

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You find very few instances of that.

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on basic shelves, maybe very at the top end, but even there, it's a little

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bit lower because our, you know, duty relationships are much harder there,

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whereas with, you know, when we were part of the EU, when pre Brexit,

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that was a very different ballgame.

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Cause you could literally be importing from anywhere in the EU,

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which was very, very different.

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Then there's labor costs, right?

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So for example, why is South African wine such great money, you know, and

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again, I'm taking into consideration vineyards where people are so

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paid decently, but labor is cheap.

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So the quality ratio to that versus producing wine, okay.

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For example, like British wine, it can never be cheap.

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Because it's really expensive to produce it here in the U. S., everything is exact.

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So you would think, right, you're going to go buy a bottle of wine down my country

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lane in Sussex or something like that.

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I'm in London, but, you know, if I was in the country.

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You would still kind of buy a more inexpensive bottle of wine from South

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Africa or from Chile because it's the volumes that sort of offset it.

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Right, right.

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Well, that's interesting.

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So in my earlier days, I worked for a company who is in agriculture.

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And one of the things that we did was we went and visited wine producers

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and Prosecco producers in Italy.

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And I remember Being the wine producer, well, one of them that we

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visited, it was very specific at the amarone, which is a lovely red wine.

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I love it so nice, but it's produced in a very particular way.

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And I would guess that that also has an influence, not just on the price, but

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then also on the quality of the wine.

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Oh, absolutely.

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I mean, to make an Amarone is a multi step process because first of all,

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you know, just in general, I think the one thing that people kind of

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need to bear in mind when it comes to wine, it's an agricultural product.

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So, you know, grapes are grapes.

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You can't manufacture them.

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Like they have to grow.

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And it's beholden to the vagaries of nature, right?

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And it takes, when someone starts a vineyard, my understanding is

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it takes seven years before you have the first usable crop, right?

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So really.

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In certain regions.

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That will not allow you to do anything before, you know, you can go make tea

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brandy with it, but that's about it.

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Yep.

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So it takes about minimum seven years before you can establish a vineyard.

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And then after 20 years, the yield for vine starts to lower because

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the vines are getting older.

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Fruit is concentrated.

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Yes.

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But, you know, again, when you're sort of thinking about the costs here,

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there's a lot that goes into the bottle.

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Then when you use the example of Amarone, my God, delightful wine.

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But I'll just give you an example of how much work that goes into that.

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You just, you know, with traditional wines, you pick the wines, uh, sorry,

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you pick the grapes, choose to de stem, not crush it, press it, ferment

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it, either store it or bottle it straight, depending on how you want

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to sort of, you know, run with it.

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With Amarone, there is no cutting corners.

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To call it an Amarone, You have to dry the grapes.

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Some people choose to dry it.

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Like, you know, they chop it up, dry it on the wood.

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So the grapes have to be raisined and then you have to crush the raisins

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cause you can't press them cause there's no real juice and they have dried in

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rooms to kind of make that happen.

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There's special rooms.

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Then you take these crushed grapes and soak it in some new wine that

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was made with some of the grapes and then you kind of, you know, you

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have to age them in certain barrels.

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I mean, it is a romantic process to see the kind of grapes.

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It is magical.

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But it is very hard work.

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And then you sort of go, well, I want an Amarone for five quid.

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I mean, like, I'm sorry, but somebody is not getting paid.

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And that probably isn't Amarone in your bottle.

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there's a lot that goes behind your everyday wines, but a lot of

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times, not always, but many times for the more expensive wines, there

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is something very particular that's going on that impacts it even more.

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But what's interesting, if it's only, a few pounds of the total,

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then I would guess also what a lot of what people are paying for is

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more perceived value in the wines.

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Is that also.

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That is correct.

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And I think especially after a certain price point, because the market is very

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competitive in between 10 and 20 quid.

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But after that.

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If you want the customer's dollars or pounds as we're in this

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country, it's about the brand.

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So even for example, you know, when you get into the wine industry and

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I find this amazing little producer in you know, let's go with that.

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And I'm a Amarone producer in Italy who's making literally like 200 bottles of wine.

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Now to import that, just that small, tiny quantity, it's going to cost me a

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fortune because it doesn't sort of take into account shipping, volumes, et cetera.

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And then if that producer is completely unknown, it costs this producer quite

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a lot of money to make that wine.

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Nobody in the UK knows about it.

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So if I go sell that to a restaurant, the restaurant guy is like, you're

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my friend, you're sure I love you.

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And I know you have great taste, but you're trying to sell me this bottle

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of wine that nobody's ever heard of.

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I know it tastes good, but it costs 40 pounds.

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So that means I'll have to put it on the list.

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Traditionally in the UK, it'd be three X. You know, 120 pounds, like

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there is a very known producer making great wine, much larger quantity,

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which I'm able to get at 25 pounds.

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So how do I justify that?

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Right.

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So it's quite complex and, you know, so, and then brand will pay a huge amount.

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So initially, when somebody is entering a market like the

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UK, I always tell them that.

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Because it's a price sensitive market, think about establishing and

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investing in your brand first, getting yourself know, become covetable.

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And this is specifically at the top.

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And I'm not talking about value wines here.

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And that's when you sort of tap into this cultish behavior and people who

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are crazy about a particular flavor and that you can detect, you know,

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these would be collectors like me, people who can sort of probably.

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Where the money is, in a way is worth it because you can make out the

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difference between and then you're just like, because I want to have X wine.

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Cause I know what's going to taste like this and it's

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impossible to get my hands on it.

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I'm obsessing over it.

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I will spend a hundred pounds, like no bother because that's, that's my producer.

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And it becomes, it's, it becomes emotional.

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So At the top end, when you sort of start crossing that 20 quid threshold

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and starting to go up, there is an emotional price before that it's a price

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after that it's an emotional price, which works, I think, very similar

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to products in the luxury industry.

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Interesting.

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So I'm curious, because you said something in there and kind of ran by it.

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So you said, You know, like for a restaurant, they're going to pay

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a certain amount to get that wine and then they're going to put it on

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their price list at somewhere else.

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Can you share a little bit more with us about, you know, what goes

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into that thinking and, you know, I mean, most of us, when we look at

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a wine list, we're like, well, we don't want to pay the most expensive.

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We don't want to pay the lowest.

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So we'll take the thing in the middle.

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Right.

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So, you know, I will say this, this is something, I think the trends are

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starting to change, but I wish fact how the majority of Europe handles pricing

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in restaurants, specifically France, specifically Austria, and maybe Germany,

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but let's kind of stick with France, Austria, Germany, Italy, Spain, you know,

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these guys over there, they tend to sort of balance out the margins, the way they

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sort of price the food in a restaurant.

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So, you know, people are having a good eating experience.

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You're going to have a good drinking experience.

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You, you sort of get more value for money.

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Now, for whatever reason in the UK and this sort of, you know, goes back, a

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ways, I don't know how long back to, but general rule of thumb, at least in the

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United Kingdom is retail price three X.

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Okay.

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So if you're able to buy a bottle of wine for 20 pounds in a wine shop and

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find that in a restaurant, chances are it'll be listed for 60 pounds.

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Okay.

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Wow.

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It's just.

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So then you start to kind of go, and then what happens is at the cheaper

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end, the margin will be even higher and at the more expensive end, they

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do sort of tend to shrink it a bit.

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Now, personally.

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I disagree with this and I, there is a movement now because when you

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start thinking about it, you go to great fine dining restaurants and then

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you're starting to make decisions.

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You know, you're eating great food, you made the decision.

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I'm going to go in, I'm going to spend X amount of money on food.

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I'm going to have like some great experiences.

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Then when you start looking at the drinks list and then you start to make

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as you, the exact thing that you said, don't want to buy the most expensive,

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don't want to buy the cheapest, but then you start to value your list.

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On the basis of price.

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'cause you're kind of thinking, you know, where am I not

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getting short circuited here?

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Right, right, right.

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And that's I think, what needs to shift.

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'cause you don't look at that and think about that when

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you are looking at the food.

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You're not trying to, you know, look at that and where is that margin.

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So I think to kind of bring that closer and work more on volume because in the

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UK they tend to shift more wine at the cheaper ends, making higher margins.

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That they do in the more expensive wines, but then I think, you know, it

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ends up in many instances creating a lack of balance between the quality of

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food you're eating and then the quality of the wine or the alcohol you're

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sort of consuming along with that.

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What I did with my restaurant, and I think I have to say, I'm a bit more inspired by

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Europe in that, that, when I was asked to sort of design the drinks experience for

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Dutch Healing Express, I was of a concept.

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For this restaurant, all female kitchen, the only one of its kind in the world.

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They're not trained chefs, they're housewives.

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Hmm.

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And she's like a, you know, global superstar.

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She's on Netflix.

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First British chef to be fa featured on Netflix is chef table.

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Okay.

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So I said I wanna bring, she's very generous with the ethos of her dining.

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So I said, the way I wanna price it is I'm actually gonna

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put everything by the glass.

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You get decent margins there, but people have a great choice.

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But it's gonna be a tight, condensed list Now instead of creating a compendium

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because that's you know, all you end up being is like you're sitting with

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friends You don't want to go through an entire Bible and I'm a wine that even

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I'm not gonna do that I'm like, where's the song I need recommendations here.

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Restaurant with no songs and I want to interact with people I

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want People to have done the work and help make a tighter selection.

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You have a tighter selection that allows you to have better bargaining,

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wouldn't say bargaining power, but you, you're able to kind of avail of more

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volume pricing from your wholesaler.

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And then when you're selling more of the good stuff, even if it's a

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lower margin, so my margins are much lower, you know, they're up to like 1.

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75 to two X maximum.

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I end up selling more of the better stuff, giving people a better experience.

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So you end up actually increasing your beverage sales by three,

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three X for the entire restaurant.

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Because what happens is just in this instance, let's say if my cheapest

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wine, I'm buying it for 10 pounds, I've listed it on the restaurant.

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I'm making it up like, you know, traditionally anybody

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would have done that.

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They have listed it for 40.

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That's not saying what I'm doing in my restaurant, but that's what happens.

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If you were to flip that and then say, actually, I'm going to list an

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incredible champagne on my list for 70 pounds that cost me 30 to buy it.

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You just see, it's barely like.

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Two X there, but you're still making 40 pounds, which is more than what you

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would made on that cheapest bottle.

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And if you're a discerning consumer and you want to have a good

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experience, you're just like, well, I'm not going to buy the 40 quid.

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Like I'm going to spend 60 on it.

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And maybe I'm comfortable spending the 70 because I don't

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feel like I'm being fleeced.

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Right, right, right.

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It influences behavior.

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Yes, and I think it makes a huge difference.

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That's why you actually sell better.

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People drink better.

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They have a much better experience.

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And it's a win win.

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I think in this instance, I'm like, you know what?

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Yes, there's margins.

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And then yes, you could throw math at me, but you forget that there is food and

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drink is about the ultimate experience.

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Watch that.

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It's not just about this industry.

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You know, I'm a marketer by trade, right?

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You look at consumer marketing anywhere.

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It's always about what is the end consumer experience and how

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people will spend, like, what's the value that you're getting.

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When you're looking at a wine list, you're not thinking about things like.

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Don't want the cheapest, don't want the most expensive because I think

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I'm getting fleeced on those things.

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That's not the thought you want to be having.

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You want to be kind of looking at it and sort of going, what

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do I feel like drinking today?

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And what's my budget?

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That's the conversation you need to be having with yourself.

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My budget is I'm willing to spend about 50 quid or 60 quid or 40

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quid, whatever the case might be.

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What's my best bet on this list that works in the flavor profile that I want.

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Fascinating.

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I love it.

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So I'm curious about something.

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So of course, I'm gonna stick with wines for a moment, but I do have

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a couple questions on spirits.

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But when it comes to, because of course, in the last 10 years or so, maybe, maybe

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a little bit more bio wines have bio produced wines have come into to play.

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And I'm just curious how is that reflected in the pricing and, you

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know, what's the real difference there?

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Is it more perceived value or is there actually something else going on there?

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Well, it is, to be fair, it is a little bit more expensive to produce.

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Now, when you talk about bio, there are so many terms that throw around

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in the wine area that I think, you know, do a person's head in.

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I actually had to do my diploma thesis on certifications.

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Can you imagine?

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For just one region, which is Bordeaux, never mind where else.

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It's insane.

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But if I combine them together and I talk about, let's say organic and

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overarchingly, you know, bio sustainable practices, as it were, what this basically

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means is again, going back to the agricultural behavior of, how organic

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kind of came into eating produce, which was, let's stop throwing chemicals.

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Into everything just to kind of create more volume more volume more volume

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more volume So if you're creating better quality, so you're using less

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chemicals, yes you save money on okay Not spending on using a lot of chemicals

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By and large when you look at a lot of wine regions, they're beset with

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All the problems that's happening with the, you know, global climate change.

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Then you look at regions like Bordeaux, which are wet and humid and weirdly cold.

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And there's a lot of pests and disease pressure and kind of automatically

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will mean there will be a settling time when your yields are going to contract.

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Right.

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When your yields contract lower volume, that means you have less

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wine to sell the quality higher, but you have less wine to sell.

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So therefore it's a bit more expensive.

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Right.

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You drink better.

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So, there and it will balance out ultimately at some point, but I think by

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and large it's definitely costs a little bit more because along with just, it's not

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just the lack of chemicals, but generally people who talk about sustainability, who

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talk about, all of these certifications, it goes beyond, it goes into the process.

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It goes into how you're treating your people.

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It goes into, you know, is there sort of, you know, fair

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working conditions, et cetera.

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So it's, it's about, you're not running a sweatshop.

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It's when you're not kind of doing that, that's, you know,

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where the cost sort of comes.

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So there is a little bit of perception as well, because I think sometimes, you

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know, you could be drinking something and you're like, Oh my God, this like

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tastes like 50 shades of apple cider.

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And after a while, you're like, you know, put something in it to stabilize it.

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But I think there is a thoughtfulness and giving back to the school.

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There's a thoughtfulness in how we are sort of doing our practices.

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But there, there is a reflection in the price.

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It's, it's the same as how it is with a lot of produce, but I wouldn't

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get hung up on the word organic.

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I think we need to be a bit more conscious and use sustainability because

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a lot, and this also happens with food, you can get a lot, but I will

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give you the example of a couple of regions in the world where they have a

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natural advantage, dramatic conditions where sustainability is much easier.

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I think New Zealand wins hands down.

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Like it's this country, right?

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It is paradise on earth.

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And even as, you know, when you're studying wine, you're sort of going, Oh

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my God, like they've got every climatic, they get the sun, but they kind of get

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the winds, they get the coolness, they get the rightness, they get all of it.

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But by and large, pretty much everything that's produced in New Zealand is,

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you know, they have a benchmark.

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You will never find New Zealand wines too expensive.

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You will never find them too cheap.

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But you will always have a quality consistency when you buy it because

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of the general sort of ethos in the country and their natural advantages.

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But that is, I think, possibly a good benchmark to sort of then look from

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when you're looking at where can I have quality wines that have been

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made with a relative level of ethos.

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You know, so everyone in the world is doing that, including in the uk.

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Yeah.

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But yes, there is uk.

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It's hard to sort of find , organic biodynamics sustainably.

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You've made wines at 5.99 a bottle.

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Yeah.

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, it's almost impossible, right?

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You probably wouldn't want to, right?

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Because No, no.

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I don't know what we are putting in our body, so I really would not recommend it.

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Okay.

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So now, is there a difference then in sort of this, this overview of how you

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price a wine versus how you price spirits?

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Yes.

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With spirits, there's certain similar factors, but unlike

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grapes, which is a fruit and yield is a really huge part of it.

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With spirits, it's primarily made from grain and obviously there's

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cognac and things, but it uses brandy.

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It uses pomace.

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It doesn't use fresh grapes.

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With spirits, the biggest differential is between large volume production

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and smaller batch craft, the word sort of, you know, artisanal as it were.

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Now, for example, and I hope the folks at Diageo don't shoot me for this, but.

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A Johnny Walker Black is a really well made blended whiskey.

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They don't cut corners, it's very well made, but it costs, I

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think, about 40 or 50p a bottle.

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The liquid inside it.

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Just because of the sheer volume, they own the global chain.

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Because... You are able to recoup back the cost or you

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put in the initial investments.

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The investments in, in, in distilling spurts, initial investment is huge, right?

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While your stills, you've sort of got to have the right hygiene,

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storage factors, all of that.

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But you, if you're able to make enough and you're able to find a market for

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it, you make your money in the volume.

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Whereas when you're looking at smaller producers, it just becomes XXX more.

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It's just because.

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You off the economies of scale there and things that again, you know, you, you,

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you can't get the same discounts that you would when you're buying a barrel

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versus somebody who's buying, you know, I need to buy three barrels versus

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somebody who's like, you know, I'm buying.

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50, 000 barrels a year or 50, 000 bottles versus I'm going to make 3000 bottles.

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So there is a huge cost differential there.

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Then the other really big thing about spurts is when you go

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away, there's a standard, right?

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So most gins, on the premium end will kind of cost you anything

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in the thirties to forties in the UK, like it's a standard muscle.

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It's like, if you quit a few pounds here or there, there is with wine, it can vary.

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You know, massively, but then when you start getting into

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collectors type stuff, there is a very significant difference there.

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It's because of the aging process.

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So for spirits, aging is the biggest thing, especially with whiskeys.

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It's a barrel age, which is why gin, with very few exceptions, you

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don't find them in like, you know, psychotic premium categories, but

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whiskeys and things that you age.

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It's that because of the high alcohol content, most of all,

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there's a huge evaporation loss.

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So the harder the country, the more it, you know, of the angels share,

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how long are you aging it for?

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What's the quality of the barrels, And then also like, you know, on the prestige

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and the dramatic nature of the bottles.

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Like we're talking Baccarat crystal, we're talking all of this.

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So whereas with wine at the end of the day, even the most expensive bottles

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would be costing like, you know, a certain amount here, just the container of the

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spirit can get into like ludicrous amounts

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have a lot more consistency in pricing.

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You start to really get into, you know, collector stuff, but even there, I

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think spirits is a lot more consistency, consistently priced than wine.

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Yeah.

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And it also suffers less from the vagaries of nature and

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vintage variation year on year.

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So, you know, releases in 2022.

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Very expensive because in certain countries, because they had massive fires.

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So they lost about 50 percent of the production.

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We keep hearing about hail when the vines are very tender.

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When that happens in spring, they don't just lose crop from that year.

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Because there are lots that are gonna open the following year, you lose crop

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for a number of years, that variation is less dramatic in spirits, because

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you're aging them, you're releasing them, you're sort of blending them,

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there is a lot more consistency so you can balance yourself out.

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That's why so many people are getting back into the distillery great game

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simply because the distiller's margin is higher than what a winemaker's margin

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is unless you're a multi wall shield.

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Right, right.

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Oh, that's really interesting.

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Yeah.

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I mean, I've never seen, I mean, okay.

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Never seen.

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I haven't been around that long, but it was really obvious.

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When all of these like micro producers of gin started because

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they're just gin everywhere, right?

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I mean, I can make some and that's probably one of the easier ones

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to, to produce, which is why,

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why, because you just work with a good neutral spirit and you decide

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by many distillation things.

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I mean, COVID was so many people turned into gin producers in a way.

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It's a really, it's a really fascinating world, there's like so much magic.

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There's a lot of innovation in the world of spirits that's happening,

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which I think is really quite fantastic.

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It's able to be a lot more agile than wine.

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But yeah, I think with spirits.

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Without question, there is a lot more consistency in pricing and quality.

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I had to laugh because last year I was at Christmas market in Freiburg, Germany.

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And I ran across this stand that had moonshine.

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And as an American, so I live in Switzerland for anybody who's

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watching, doesn't know that I was like.

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They're selling root cherry.

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And it was really lovely.

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I have to say,

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but all of this home distillation stuff is moonshine.

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You know, there is another magic like today I can, I mean, of course

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you can do this with wine as well.

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The world is shifting so much.

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Like, you know, when you talk about investment, like people used to

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talk about wine collections, right?

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Right.

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Whiskey costs today are even more stable investment.

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Because if you get the right product and again, you know people keep

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talking about rum But you know, we will see what rum goes unless you're

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buying something from a distillery.

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That's completely closed It can never be produced again.

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Then basically you can like come on stupid amounts of money at auction.

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Like, you know, Bowmore released the 20, 38 year old whiskey that got into a

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bidding war and sold for half a million.

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So for example, with one of my private clients, you know, they're

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going to be buying a cask of whiskey and they want it for the long term.

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So by the time, you know, and I'm going to probably buy them

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something that's currently about sort of eight years of age, because

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by the time they will want to.

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You know, either dispose of it, or they want to actually partially

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bottle some for their friends.

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At that point, it's going to be 18 years old and the storage costs.

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Yes, they're expensive, but the exponential value of that risky

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at that point would be phenomenal.

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And then this person is going to be having this amazing.

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You know, personalized bottling, they're going to be giving out to their friends

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as a big, big major celebration.

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So I think that there's something quite remarkable about that.

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People do this with wine as well, but with spirits, I think it's, yeah.

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Also I think, it's interesting that for the first time in the

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history of time, spirits sales have overtakenwine sales in the U.S.

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Hmm.

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Is that a good thing or a bad thing or just an interesting thing?

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Interesting things because wine is going through a bad time.

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I think global, you know, climate change is destroying a huge amount.

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Yields are getting unpredictable.

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Small age year prices are going to the roof.

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People are earning a lot less because of all of the, you know, the global

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drama that's kind of going on.

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We're all aware of it.

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So it's kind of becoming a little bit more unwieldy.

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I think the other thing that we also forget with wine is you can't just

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buy a great bottle of wine and just store it anyhow and think, you know,

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it's going to hold itself together.

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It's a fragile item, right?

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The more expensive wine is the better you want to store it.

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So even you sort of look at countries like India and everything and people

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are like, Oh, you know, the wine scene.

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And I'm like, yes, it's, it's burgeoning.

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But with that, you also need to have the infrastructure.

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It's not going to die.

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You keep it out of the, you know, direct light.

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But if I stick a bottle of spirits, you know, in a

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cupboard in India at 40 degrees.

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It's centigrade heat.

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I don't know how that converts in American Fahrenheit, but, um, 40, 50 C it's fine.

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My wine is going to turn into Madeira.

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So

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you can use it like a wine phrase.

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So you know, it's, it's, it's, it's, it's, there, there's a lot of costs involved.

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Um, and lots of sort of duty and regulations and alcohol is

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a, is a different, difficult industry to price smartly.

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So Ruchira, if, if someone out there listening is starting a business in the,

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uh, food and beverage or the wine and spirits area, and they need to go about

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pricing their wine or the spirits for that, what tips do you have for them?

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I think.

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Let's kind of be, let's start with what it actually cost them to make

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and then the quality of the product.

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Right.

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Right.

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And then I think if it's of a particular ilk, it's worth an understanding

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what's the right market for you.

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Because make a great product, for example, but it literally costs you.

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And I'm going to lose, lose numbers to, to run the math on it.

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It costs you 20 pounds to make this.

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Beautiful wine.

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Um, and you're like, but I really want to get into the UK and you're

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making it, let's say in, you know, I don't know, Spain or South

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Africa or something, actually.

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And then you sort of go UK is a very price sensitive market.

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You're going to do a pricing war to try and sort of, you know,

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get into this here or you go find yourself a different market for it.

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I think the other thing is, what is it that you want to, you want to do

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in the, in, in this industry, right?

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There are so many different variations that you can do, whether you kind of

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come in as a consultant, you want to be a sommelier, you want to understand why

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I think it's important kind of doing the certifications, but when you're pricing a

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product, it's, um, just, just be realistic with the market that you want to sell

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in and then work backwards from there.

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Yeah.

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Because you might find that producing a wine in the UK is

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not the right thing for you.

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You really want to produce.

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Today, if I wanted to produce, I would possibly, and I want to sell

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in the UK until I build my brand, I would produce it elsewhere.

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Yeah.

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Well, that's one of the things I preach to everybody out there is that, you know,

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starting with who, who you're targeting answers a lot of the pressing pricing

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questions that you have along the way, not all of them, but many of them.

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So that's always a good place to start.

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One last question before we start wrapping this up, which is what

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tips do you have for consumers when they're buying wine and spirits?

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Okay, a couple of things.

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If you're in a restaurant, the sommelier is your friend.

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You know, don't be afraid.

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If they've got a sommelier, their job there is to help you.

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Start with, this is how much I want to spend, what's your best bet, and these

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are kind of the tastes I'm looking for.

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They will do a good job for you.

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If you're in a supermarket or you're looking for wine to buy or you're

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in a wine shop or whatever, you know, online as the case might be, that's

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going back to the original example we were talking about, that anything

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between sort of, and especially for the UK between eight pounds and 20 pounds.

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every extra pound you spend goes towards the quality of wine in your bottle.

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Think about that, you know, when you're looking at it and consider, three regions

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of the world for consistency and quality.

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South Africa, New Zealand, and, to a huge extent, southern Rome.

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They've got great, you know, climatic benefits.

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Old Rome is doing a great job.

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Like I was at, um, I visited them last week.

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Uh, so, you know, that is something to kind of bear in mind.

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Those are, those are the main things that I would say.

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Okay, super.

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Those are great tips.

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I look forward to putting them into use.

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So if there's one thing that you'd like people to remember from our conversation

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today, when it comes to pricing and the wine and spirits industries, what

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is it that they should take away?

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You know what?

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Don't get hung up on what everybody does with pricing.

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Be bold, understand your industry, work backwards.

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Be bold with your pricing choices.

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They will surprise you.

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Like I was a newcomer.

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And within six weeks of launching a restaurant drinks list,

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beverage sales went from 10 percent of total sales to 30%.

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The accountant is calling the restaurant owner going, have you

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stopped paying your invoices?

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Like, why are you making so much money on beverage sales?

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So, you know, I just use a different approach.

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I think it's, it is, this just the norm.

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Okay.

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Are there any books or tools that you'd recommend for people?

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Pricing strategy.

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I think, Janene, you're probably better on that one.

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I think I'm going to go with something, you know, we all need a little

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bit of light humor in our lives.

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So for me, a tool that kind of calms me down is the humor of P. G. Wodehouse.

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He's one of the most entertaining, right?

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It's a fictional world.

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One of the most entertaining writer of... The last century.

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I'm just so comical.

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It just, it just really relaxes me.

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So

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I'll have to get the spelling of the name for you so we can put

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them for the link into the show.

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Yes.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Cool.

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So we're sure if someone would like to talk to you about how to price

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what they're doing or how to select the right wines for their restaurant

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or location, where's the best place for them to reach out to you.

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I would suggest, you know, reach out to me either on my LinkedIn

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or, um, actually my Instagram.

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So, just contact me on my Instagram.

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So we'll put both those links in the show notes as well so people

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can reach out and talk to you.

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Ruchira, this has been really insightful.

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Thank you so much for joining me today.

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It was my pleasure.

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This was so much fun.

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I know,

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I found, I found it super interesting.

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Like I said, I mean, I have a previous life kind of in the agriculture side

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of things, so I was already fascinated and interested, um, but I know there's

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a lot of gaps in that and, um, I love putting a different spin on the topic.

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So I very much appreciate, thank you so much for being here.

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It is my pleasure.

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And actually, if I may just one last thing, I would probably say the one thing

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I think when considering drinks industry and considering pricing is to really set

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up match it with a marketing strategy.

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Because nowhere in any industry does brand and marketing have a greater impact on

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the overarching price that you can come on for your product than this industry.

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Super.

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Great way to wrap that up.

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So thank you to all of you who are out there listening.

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We appreciate having you here with us today.

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today.

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One more thing before you go.

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If you're curious about how to set prices in your business, then head on

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over to thepricinglady.com/setmyprices and check out the next cohort

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of the fair price formula.

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That's all for today, everyone.

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I wish you all the best and, as always, enjoy pricing

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