In the season finale of our Manhunt series, we trace the trajectory of Fritz Lang's exceptional beginnings with M (1931) to his wilting end in While the City Sleeps (1956).

Fritz Lang had already created two masterpieces, Metropolis (1927) and M (1931), by the time he reached middle age. He went on to direct twenty-three more films throughout his long career. While some of these subsequent films were great, it would be difficult to argue that any of them reached the heights of his early work. There is a clear reason for this. Lang, a vehement anti-Nazi, was forced into exile when the NSDAP took over Germany in the 1930s. Lang found work in the Hollywood system, which he persistently despised. This acrimonious relationship eventually soured beyond repair, and While the City Sleeps is a cynical swan song to the business side of filmmaking that Lang loathed.

M and While the City Sleeps serve as excellent bookends to Lang's career, as well as to our season of Manhunt. While M delves deeply into the underbelly of Berlin and the moral abyss of the protagonist, While the City Sleeps gingerly skips along a similarly dark story with overly light interiors and day drunk actors. Lang transformed from an experimental and deeply probing artist into one who seemed more interested in cashing-in checks endorsed by the era's big movie stars. M represents a high point in the true crime, thriller, and manhunt genres. While the City Sleeps, on the other hand, exemplifies the erosion of originality we often see in this popular genre. The farther the story gets from the minds of the hunter and hunted, the less thrilling it all becomes.