With “Armies of the Night,” Sparks briefly step outside the album’s core identity and into soundtrack territory. Originally written for the film Fright Night, the track brings a slightly theatrical, horror-tinged narrative into an otherwise sleek, electronic pop record.

We spend quite a bit of time on how divided this one feels. Lyrically, it’s classic Sparks — sharp, witty, packed with quotable lines, and delivered with that half-spoken, half-sung style that adds a touch of character-driven storytelling. There’s a sense of miniature cinema in the verses, almost like a tongue-in-cheek horror vignette unfolding line by line.

Musically, though, it splits opinion. Compared to the dance-driven momentum of the opening tracks, this feels flatter and more restrained, with a chorus that doesn’t quite lift the way you might expect. There are echoes of novelty horror-pop traditions — somewhere between “Monster Mash” and 80s pop theatrics — but without fully committing to either camp or menace.

That tension is part of what makes the track interesting. It doesn’t fully belong to the album’s dancefloor aesthetic, nor does it go all-in on its cinematic origins. Instead, it sits in between — a slightly odd but undeniably Sparks-like detour that some listeners will latch onto more than others.

As a closer to side A, it leaves the album in a curious place: not with a bang, but with a raised eyebrow.