{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2F31bce2c4-680a-4e5c-bd2f-121f2d8afd85","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"<iframe style=\"width: 100%; height: 200px;\" title=\"Memento (2001)\" frameborder=\"0\" scrolling=\"no\" allow=\"clipboard-write\" seamless src=\"http://player.captivate.fm/episode/31bce2c4-680a-4e5c-bd2f-121f2d8afd85\"></iframe>","title":"Memento (2001)","description":"<p>Before Nolan became a film bro deity, he made a little neo-noir film about a guy who can't remember anything. Well, as Nolan would say, it's a lot more complicated than that. <em>Memento </em>is a milestone for many reasons. It kickstarted Nolan's career. It is one of the best noir films made outside the golden age. <em>Memento</em> was also a huge triumph for indie filmmaking. Shot for under 5 million and produced for under 10 million in total by a complete nobody, <em>Memento</em> sat next to <em>Fight Club</em> in every 20-something male's dvd collection.&nbsp;</p>\n<p>Our resident Nolan critic, Molly, joins us to dissect a film that hit us hard as young adults. But does it still pack the same punch?</p>\n<p>Join us as we trace the life of <em>Memento</em> from conception (road trip storytime) to production (The Valley in Cinescope) to release (minor success) to reception (critical hit becomes frat hall cult film)</p>\n","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/f3bdeb89-ce96-403f-a4bd-2fdb383fbd91/6334211-1614482096539-b95a9562a7382.jpg"}