{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2F3e8d8699-0d15-40c2-90e1-393779838906","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"<iframe style=\"width: 100%; height: 200px;\" title=\"The Mastering Show # 91 - Mixing and mastering music for the movies with Alan Meyerson\" frameborder=\"0\" scrolling=\"no\" allow=\"clipboard-write\" seamless src=\"http://player.captivate.fm/episode/3e8d8699-0d15-40c2-90e1-393779838906\"></iframe>","title":"The Mastering Show # 91 - Mixing and mastering music for the movies with Alan Meyerson","description":"It\u2019s virtually impossible that you haven\u2019t heard music of some kind mixed by Alan Meyerson by this point - he\u2019s one of the most prolific and successful film score mixers in the business.\n\nAnd luckily for us, he\u2019s also super-generous and open about the information he shares, including his perspectives on mixing and \u2018mastering\u2019 music for the movies. So in this episode we dig deep into all the details, including topics like:\n* Is there really such a thing as \u2018mastering\u2019 for film ?\n* What needs to be delivered, and what is the process ?\n* How loud does it need to be - are there any standards ?\n* When does Alan deliver mixes in Atmos, and why ?\n* How he uses the centre channel and surround channels\n* Why you might want to use saturation or pitch-shifting (!) in a movie score mix\n\nShow notes\n\nhttp://themasteringshow.com/episode-91","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/8141056a-dbcb-443b-9df3-1b5b78db8b0c/artworks-1ts2v2v6gqpiv0k0-eneepq-t3000x3000.jpg"}