{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2F448244bb-ec49-4f5e-9369-be1aaa62e8fd","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"<iframe style=\"width: 100%; height: 200px;\" title=\"Monsters, Methods, and the Meaning Behind the Making\" frameborder=\"0\" scrolling=\"no\" allow=\"clipboard-write\" seamless src=\"http://player.captivate.fm/episode/448244bb-ec49-4f5e-9369-be1aaa62e8fd\"></iframe>","title":"Monsters, Methods, and the Meaning Behind the Making","description":"Guillermo del Toro declares he'd rather die than use generative AI, comparing Frankenstein to a careless tech bro in this accidentally Halloween-themed episode. We explore Swedish scientists achieving the absolute limit of human vision with nanoscale pixels that recreate Klimt on a grain of rice, while photographers use these perfect displays to emulate analog film grain. The episode features Indigenous artists staging unauthorized AR interventions at The Met, overlaying colonial paintings with digital truth-telling. We examine Elise Swopes' pre-AI waterfalls drowning Chicago, created through painstaking manual work that AI can now replicate in seconds. Plus: real art world horror stories including hurricane-destroyed galleries and jealousy-sliced paintings, a skeleton dance for back pain research, Photo Oxford's exploration of truth in photography, and the Caira camera\u2014another AI gadget solving problems nobody had. Throughout, we question whether the democratization of image-making dilutes artistic vision or if intentionality still matters more than method.","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/9e713bd5-104b-44e1-b364-f49bc48ecbb2/TI-Ep-36-e6ae91f2-6d13-430b-bc78-85c9ba649ccd.jpeg"}