{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2F4d2bd4ff-cf5f-41d4-8b59-ae326ecd4d07","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"","title":"Jim Anderson: Working with Reverbs","description":"For nearly 50 years, Jim Anderson has set the standard for acoustic audio engineering and production, capturing pristine, high definition stereo and surround sound recordings that have garnered thirteen Grammy and Latin Grammy Awards, two Peabodys, and a pair of Emmy nominations among countless other accolades. \nBorn and raised in western Pennsylvania, Anderson attended Duquesne University on a musical performance scholarship, and it was there that his passion for sound and technology first collided in the music school\u2019s on-campus recording studio. \nAfter graduation, he took work at the local public radio station, WDUQ-FM, and one year later, he made the leap to NPR in Washington, DC, where he engineered broadcast sessions for everything from news and documentaries to performances by jazz icons, classical orchestras, folk singers, and contemporary composers. \nIn 1980, Anderson moved to New York to launch his career as a freelance engineer and producer, and over the next several decades, he would go on to record studio albums, live concerts, and film scores across a diverse array of genres with the likes of McCoy Tyner, Christian McBride, Arturo Sandoval, Petula Clark, Patricia Barber, John Zorn, and hundreds more. \nIn 2003, he became a professor at the prestigious Clive Davis Institute of Recorded Music in the Tisch School of the Arts at NYU. In 2008, he was elected President of the Audio Engineering Society. \nToday, Anderson and his wife/production partner Ulrike Schwarz are widely hailed as industry leaders operating at the cutting edge of the immersive audio field, and their world-class recordings are regular fixtures at the Grammy Awards and on critics\u2019 annual Best Of lists.\nIN THIS EPISODE, YOU\u2019LL LEARN ABOUT:\nRecording with limitations\nHow to handle high stakes pressure when you\u2019re working with the best of the best\nHelping artists achieve their vision for their albums\nAdapting to new recording environments\nAdding reverb to your mixes\nUsing pink noise to calibrate your reverb levels\nHow to create and use Impulse Responses\nTips for starting your day with a fresh perspective\nHow to record piano, horns, upright bass, and jazz drums\nBeing intentional with mic placement and selection\nUsing mics to create depth\nHow the impedance of your DI can drastically change the sound quality\nTo learn more about Jim Anderson, visit: http://andersonaudiony.com/\nTo learn more tips on how to improve your mixes, visit https://masteryourmix.com/\nDownload your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/\nGet your copy of the #1 Amazon bestselling book, The Mixing Mindset \u2013 The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/\nJoin the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community\nTo make sure that you don\u2019t miss an episode, make sure to subscribe to the podcast on iTunes or on Android.\nHave your questions answered on the show. Send them to questions@masteryourmix.com\nThanks for listening! Please leave a rating and review on iTunes!","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/b7c37057-014b-46f3-ae2f-b60dd2725b8c/podcast-logo-yellow-4mucm3.png"}