{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2F6c3245d6-ae10-4920-ad3c-4c0f7e37f977","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"<iframe style=\"width: 100%; height: 200px;\" title=\"1-54 Forum New York 2017 | Madness of the Present: Abstraction\u2019s Radical Possibilities\" frameborder=\"0\" scrolling=\"no\" allow=\"clipboard-write\" seamless src=\"http://player.captivate.fm/episode/6c3245d6-ae10-4920-ad3c-4c0f7e37f977\"></iframe>","title":"1-54 Forum New York 2017 | Madness of the Present: Abstraction\u2019s Radical Possibilities","description":"1-54 Forum New York \n5\u20137 May 2017 \nMadness of the Present: Abstraction\u2019s Radical Possibilities \n\nFocusing on Adam Pendleton\u2019s art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator explore abstraction as a platform for revolutionary possibilities in art and politics. \n\nImage: \u00a9 Katrina Sorrentino \n\nwww.1-54.com","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/4f1edfc1-ea78-42ae-a14e-cfd875d3018d/img-0846.JPG"}