{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2F729cf79a-7efe-4b5c-aa87-a71b240ef6e8","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"","title":"Matt Foster: Creating Contrast Within Your Mixes","description":"With extensive expertise in electronic, acoustic, and live music, Matt stands out as a seasoned professional sound engineer and producer. His journey began as a studio assistant at EMI Music Publishing studios in the mid-90s, where he had the opportunity to work with renowned artists like Jamiroquai, Primal Scream, Elastica, Guru's Jazzmatazz, and the Bluetones.\nTransitioning to freelance work, Matt honed his skills in top London recording studios and became an engineer. He contributed to mixes for artists such as Tin Tin Out, The Corrs, Grant Nelson, Jungle Brothers, and even remixed an early UK Garage hit for Whitney Houston.\nIn the year 2000, Matt took on a pivotal role as the chief engineer at the prestigious UK record label MWA. In this capacity, he was entrusted with the management of two state-of-the-art studios, where his expertise and meticulous approach played a crucial role in ensuring the highest standards of audio production. As the chief engineer, Matt not only oversaw the day-to-day operations of these remarkable studios but also held the vital responsibility of quality control for the label's output, with numerous major label collaborations and joint projects.\nAs the UK urban scene flourished in the new millennium, Matt collaborated with notable artists like Ms Dynamite, So Solid Crew, Lemar, Estelle, KRS One, Big Brovaz, Terri Walker, and worked on projects with Cold Cut, The Gorillaz, Lifford David, and Roebeck. His talent also extended to recording and mixing the BBC 1 Idents, broadcast over 100,000 times.\nIn recent years, Matt has continued to work with top UK and international artists, building a reputation for his exceptional sonic skills. He has maintained his excellence through collaborations with Miloco Studios, writing gear reviews for Tape Op magazine, and teaching an 'Advanced Mixing Course' at the London School of Sound.\nIN THIS EPISODE, YOU\u2019LL LEARN ABOUT:\nWorking in live sound vs. studio\nBeing an assistant at EMI\u2019s demo studio\nHow to get big, balanced low-end\nHow analog recording affects your top-end\nHow to get your kick and bass to work well with each other\nSidechaining low-end\nUsing harmonic enhancement\nThe importance of adding mid-range to your bass\nCreating contrast with EQ and automation\nUsing sidechained dynamic EQ\nWhy you should always reach for volume and panning before other plugins\nGetting vocals to sound clear and focused\nHis go-to compressors for vocals\nDealing with sibilance\nUsing stock plugins\nTo learn more about Matt Foster, visit: https://realmix.online/\nFor tips on how to improve your mixes, visit https://masteryourmix.com/\nLooking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/\nDownload your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/\nGet your copy of the #1 Amazon bestselling book, The Mixing Mindset \u2013 The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/\nJoin the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community\nTo make sure that you don\u2019t miss an episode, make sure to subscribe to the podcast on iTunes or on Android.\nHave your questions answered on the show. Send them to questions@masteryourmix.com\nThanks for listening! Please leave a rating and review on iTunes!","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/b7c37057-014b-46f3-ae2f-b60dd2725b8c/podcast-logo-yellow-4mucm3.png"}