{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2F8d1c8f31-b7d0-4387-9030-6aac01d88672","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"<iframe style=\"width: 100%; height: 200px;\" title=\"Tools in the Back Room, Not on the Wall\" frameborder=\"0\" scrolling=\"no\" allow=\"clipboard-write\" seamless src=\"http://player.captivate.fm/episode/8d1c8f31-b7d0-4387-9030-6aac01d88672\"></iframe>","title":"Tools in the Back Room, Not on the Wall","description":"Hosts Chelsea and Georgia explore how technology operates as invisible infrastructure in the art world, examining deepfake interviews, AI-powered museum installations, and the stark divide between tech as tool versus artistic medium. Through stories of filmmaker Adam Bhala Lough's \"SamBot\" deepfake of Sam Altman, Refik Anadol's data-driven 'Unsupervised' at MoMA, and an Artsy survey revealing galleries' selective embrace of AI, the episode questions where technology truly belongs in creative practice. The discussion spans from Trevor Paglen's ironic corporate-sponsored award to Nicole Nikolich's yarn-crafted Windows 95 interfaces, ultimately revealing how artists and institutions negotiate technology's role as the \"plumbing\" rather than the main attraction. As LA prepares for a museum explosion with revolutionary curatorial approaches, the episode captures the real-time negotiation of technology's place in art - welcomed for productivity but kept at arm's length for creation itself.","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/7265eda4-10ec-4feb-ae17-7b7af5484122/TI-Ep-51-c4b7a467-2d39-4ebd-b721-3afa86e3e064.jpeg"}