{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2F9a8964d7-694a-4308-a7c3-26fa6ebbc3d5","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"<iframe style=\"width: 100%; height: 200px;\" title=\"Promising Young Mnuchin\" frameborder=\"0\" scrolling=\"no\" allow=\"clipboard-write\" seamless src=\"http://player.captivate.fm/episode/9a8964d7-694a-4308-a7c3-26fa6ebbc3d5\"></iframe>","title":"Promising Young Mnuchin","description":"Promising Young Woman just took home the Oscar for Best Original Screenplay and critics can't stop telling us how IMPORTANT it is. But is Emerald Fennell's brand of sanitized lily-white feminism truly what we need to navigate our neoliberal hellscape? More importantly, why would you bother watching it in the first place when a deranged auteur-driven Day-Glo nightmare like Me, You, Madness exists?\n\nMaybe these aren't the films we need, but they're certainly the ones we deserve. \n\nWe're joined by Film Inquiry's Editor-in-Chief, Kristy Strouse, to determine once and for if Louise Linton should be the only person allowed to make movies anymore.\n\nTHIS WEEK: Promising Young Woman (2020) and Me, You, Madness (2021).","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/1aaafed6-2bee-4e33-8d04-ec11530bfaab/ywkfewvahsyk3guonv2frcf9.png"}