{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2Fb2742b66-5c0e-49fc-8d18-60c412020000","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"<iframe style=\"width: 100%; height: 200px;\" title=\"Setting up a film to be shot solely in a taxi, with 'Daddio' production designer Kristi Zea\" frameborder=\"0\" scrolling=\"no\" allow=\"clipboard-write\" seamless src=\"http://player.captivate.fm/episode/b2742b66-5c0e-49fc-8d18-60c412020000\"></iframe>","title":"Setting up a film to be shot solely in a taxi, with 'Daddio' production designer Kristi Zea","description":"Next up on the show, \u00c1ron\u2019s joined by Kristi Zea, a production designer whose work we\u2019re sure you\u2019ve come across over the years! Kristi\u2019s previous projects include Martin Scorsese\u2019s Goodfellas or The Departed, Jonathan Demme\u2019s The Silence of the Lambs or Philadelphia, and Sam Mendes\u2019 Revolutionary Road. Her latest is Christy Hall\u2019s feature directorial debut, Daddio.The themes covered in this episode include the difficulties and advantages of shooting on a stage, a production designer's collab...","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/5d6164e9-beba-418b-ac8f-3888aa470d08/k6kux6n30b9w65027qbopf261emk.jpg"}