{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2Fb98297ed-45ce-45ca-8e5b-0e06a452d79e","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"<iframe style=\"width: 100%; height: 200px;\" title=\"How to honor, yet bring something new to earlier soundtracks, with 'May December' composer Marcelo Zarvos\" frameborder=\"0\" scrolling=\"no\" allow=\"clipboard-write\" seamless src=\"http://player.captivate.fm/episode/b98297ed-45ce-45ca-8e5b-0e06a452d79e\"></iframe>","title":"How to honor, yet bring something new to earlier soundtracks, with 'May December' composer Marcelo Zarvos","description":"If you keep track of new releases there is a good probability that you\u2019ve heard the music of Marcelo Zarvos last year. Marcelo contributed to the score of six titles released in 2023, including The Equalizer 3, Cassandro or Flamin\u2019 Hot.While these titles are mentioned in our interview with him, the focus is most definitely on Todd Haynes\u2019 May December. The director set a new challenge to his composer, with the task of having to adapt another film\u2019s score into the world of May December. In his...","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/7ec224fb-e4ac-4391-918a-0d9eeda82903/kkpiwhjoqp47hqcj5a2jp6gtaenb.jpg"}