{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2Fdc835a20-159f-4d80-8287-3ef0f7c14a03","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"<iframe style=\"width: 100%; height: 200px;\" title=\"How \u2018The Holdovers\u2019 achieved its \u201870s look both behind and in front of the camera, with Eigil Bryld and Ryan Warren Smith\" frameborder=\"0\" scrolling=\"no\" allow=\"clipboard-write\" seamless src=\"http://player.captivate.fm/episode/dc835a20-159f-4d80-8287-3ef0f7c14a03\"></iframe>","title":"How \u2018The Holdovers\u2019 achieved its \u201870s look both behind and in front of the camera, with Eigil Bryld and Ryan Warren Smith","description":"Continuing our countdown to this year\u2019s Oscars and behind the scenes look at The Holdovers, we are treating you with a longer episode this time. \u00c1ron conducted two interviews regarding Alexander Payne\u2019s heartfelt dramedy focusing on the technicalities that helped the film\u2019s creators achieve its unique, yet authentic \u201870s look.First you can hear Eigil Bryld discuss the cinematography of the film, for which he just won an Independent Spirit Award. By the way you can also find his work in Martin...","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/b7cc8821-a277-4605-a09f-c3309bf9cc2a/dnup0zahmyykr8is3n3g5z43ubn6.jpg"}