{"href":"http://player.captivate.fm/services/oembed?url=http%3A%2F%2Fplayer.captivate.fm%2Fepisode%2Fe43ff102-d73b-4e8a-a99d-e9b6c13aef2c","version":"1.0","provider_name":"Captivate.FM","provider_url":"https://www.captivate.fm","width":600,"height":200,"type":"rich","html":"<iframe style=\"width: 100%; height: 200px;\" title=\"Making A (da:ns) Scene: The Flesh Made Word\" frameborder=\"0\" scrolling=\"no\" allow=\"clipboard-write\" seamless src=\"http://player.captivate.fm/episode/e43ff102-d73b-4e8a-a99d-e9b6c13aef2c\"></iframe>","title":"Making A (da:ns) Scene: The Flesh Made Word","description":"In this episode, dancer and dance writer Chan Sze-Wei speaks with ballet-trained New York Times dance writer Roslyn Sulcas about the function of cultural criticism, and how their experiences as performers shape the way they approach writing about dance.","thumbnail_width":300,"thumbnail_height":300,"thumbnail_url":"https://artwork.captivate.fm/16a95dfa-23a0-46ed-9879-c21063504039/artworks-kik4jamzlhizxjj1-bnazha-t3000x3000.jpg"}