Can small in-person storytelling circles drive big change in the nonprofit world? After her own experience with burnout, Jennifer DeCoste founded FireLoch as a place where her fellow burnt out peers in the nonprofit sector could rest and reconnect with their work. In this episode, Jennifer shares how untold stories catalyzed the creation of FireLoch, what kinds of storytelling feel most authentic to her, and why she’s prioritizing intimacy over scale.
Find out more about FireLoch
About the Atlantic IMPACT podcast
Atlantic IMPACT is a podcast that helps nonprofits across Atlantic Canada use storytelling to drive fundraising and awareness. Each episode features conversations with people working in community, sharing how story supports connection, impact, and long-term growth. Whether you're part of a nonprofit or simply care about your community, this podcast invites you to listen, reflect, and engage.
Is your organization ready to tell its story? Take the free Storytelling Readiness Quiz at collaborativecause.ca/stories.
The podcast is hosted by Tanya Wall and Michelle Samson, and is produced by Storied Places Media.
So it was almost like the stories that weren't
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:being told were the impetus for the
work that I'm doing, more so than
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:the stories that have been told.
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:Michelle Samson: Welcome to The
Atlantic Impact, where we help
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:nonprofits across Atlantic Canada
use the power of storytelling to
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:drive fundraising and awareness.
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:I'm Michelle Samson.
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:Tanya Wall: And I'm Tanya Wall.
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:Michelle Samson: Hard to believe Tanya,
but we are already at the end of season
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:one of the Atlantic Impact podcast.
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:Tanya Wall: I can't believe it.
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:And, you know, this feels
like a really great episode
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:to close out our first season.
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:We're talking with Jennifer DeCoste,
who is the founder of FireLoch.
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:And FireLoch was born out of
Jennifer's own experience with
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:burnout in the nonprofit sector and
her decision to create a space for
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:rest, reflection, and community care.
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:Michelle Samson: Mm-hmm.
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:So this is about taking care of all
of the fundraisers who are listening
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:to this podcast and who are out there.
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:But it's also still very much about
story and Jennifer brought, kind of an
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:interesting twist on what we've been
doing all season and talked about how
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:it was the stories that weren't being
told that inspired her particular work.
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:So that silence or absence of story can
spark change as well as stories can, and
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:it's really interesting and powerful.
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:Tanya Wall: It really is, and she's
bringing a different kind of storytelling
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:forward, one that's rooted in small
gatherings, trust, and connection.
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:Michelle Samson: And she also
touches on how language itself is
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:evolving and how we're finding new
ways to talk about care and success
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:and sustainability in this sector.
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:So in a series about storytelling,
it makes sense to kind of
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:get into language itself.
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:Tanya Wall: It does, and it really feels
like both a point of pause and reflection
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:reminding us that storytelling isn't
just about amplifying voices, but also
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:about creating the conditions for people
to feel safe enough to share them.
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:Michelle Samson: Mm-hmm.
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:And I hope we've created a safe space
for our guests to tell their stories
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:about storytelling, and a welcome space
for our listeners to learn as well.
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:So if you have enjoyed this series,
we would really love to hear from you.
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:You could leave us a rating
and review on Apple Podcasts or
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:Spotify, or you could send us a DM.
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:You could even head over to
collaborativecause.ca/podcast
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:and fill out the contact form.
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:Whatever it is you wanna tell
us about how you feel about this
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:podcast, we'd love to hear it.
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:Tanya Wall: Absolutely.
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:We'd really love to hear from
you and now onto our conversation
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:with Jennifer DeCoste.
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:Jennifer DeCoste: My name is Jennifer
DeCoste and I, post pandemic,
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:ran away to the woods, got a dog,
did some healing, and launched an
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:organization called FireLoch, which
is a gathering place for community
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:and a retreat center for gatherings.
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:Tanya Wall: And where
are you based out of?
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:Jennifer DeCoste: We're in northern
Nova Scotia, in Antigonish County.
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:Tanya Wall: Great.
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:Michelle Samson: And can you tell us
a little bit more about your mission?
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:Jennifer DeCoste: Sure FireLoch
is set up as a social enterprise.
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:So when we moved here, coming
from a non-profit background and
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:experiencing a lot of burnout,
post pandemic, the land was really
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:important medicine on my own journey.
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:And so in 2022, 23, we started building
up this space as something that could be
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:shared with friends, with our community,
and with colleagues primarily in the
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:nonprofit sector who themselves were
also experiencing a lot of challenges
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:finding rest and experiencing chronic
cycles of fatigue and burnout.
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:So this is a space where we've created
a hub where teams and organizations
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:can come on their own retreats.
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:Those who can contribute financially do
so, and that enables us to then create
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:rest centered retreats for peers and
colleagues in the nonprofit sector.
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:Michelle Samson: This is so interesting.
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:When you're thinking about the
work that you're doing, where
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:do stories naturally show up?
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:Jennifer DeCoste: Stories have been
a big part of the work that I've been
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:doing for a number of years because
most of my focus has been on creating
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:events where people are gathering.
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:Stories are the things that
kind of help us connect.
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:And they really only come into play
when there's a safe space that's
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:been created enough to be vulnerable
and to trust the others that are in
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:the circle to share your stories.
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:So I would say in terms of the work
that I'm doing to create the kinds of
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:environments where people can lean in
with trust, can feel safe enough to share,
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:stories they're kind of like both the
creator and also the conduit for people
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:to connect, and to be honest and to learn
and to grow by being together in person.
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:Tanya Wall: Absolutely.
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:Have you found that the storytelling has
played a part in the work that you're
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:doing with community or with donors
themselves in terms of inspiring giving?
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:Jennifer DeCoste: Yeah, absolutely.
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:I mean, when it comes to donors who are
hesitant to engage with a new idea, to
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:have a story to share that comes from
like a past success, or the impact
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:that you've had in community, or a
story from the participants themselves
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:or someone who's leaned in with a
bit of trust, that begets more trust.
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:I think in particular before
something has launched.
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:So I see, I trust, I can
lean in with my support.
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:Each one of those is a bit of
a snowball that they build on
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:each other and it builds through
the stories that are shared.
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:Tanya Wall: Absolutely.
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:Michelle Samson: Was there a moment
or experience in the beginning
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:that helped you realize that
storytelling could be part of
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:shifting your systems or connecting
more deeply with your community?
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:Jennifer DeCoste: When I think about
the way that stories can impact the work
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:and the direction that I've taken over
the last number of years, I think what
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:started was that there wasn't a story
being shared and that was the problem.
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:So during the pandemic, I was running
a nonprofit organization that grew
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:pretty dramatically out of my living
room while my children were home,
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:never in school for like two years.
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:And we were expanding nationally
and it went down into the States
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:and it was off into Mexico.
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:And I was working from my kitchen table.
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:And people around me hadn't
talked about burnout.
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:They hadn't used the words, there
wasn't an emotional awareness that was
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:being shared in those, in the stories
that I was a part of at that time.
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:We were being celebrated for put your head
down and get things done and plow through.
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:And I didn't feel at the time that
I had permission to rest when things
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:had gotten to the point that they
were beyond sustainable, emotionally,
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:financially, all of those factors.
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:So it was almost like the stories that
weren't being told were the impetus
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:for the work that I'm doing, more so
than the stories that have been told.
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:But when you start to seek out the
story or when you share your own story
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:and people say, me too, that's when it
feels like there's a bit more movement
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:behind the work, when you feel like
you're less alone and when others maybe
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:have language that they can share with
you that, yeah, put things back into
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:context, and showed some pathways.
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:Because it was the fact that we
weren't talking about those things
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:that were causing a lot of problems
for me a number of years ago.
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:Tanya Wall: Absolutely.
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:Is there a particular story that
stands out that you are able to share
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:with us that you feel made a real
difference to your organization?
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:Jennifer DeCoste: The organization
of FireLoch only exists because
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:I started staring the story of
my own experience with burnout.
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:And it was even before I had the language.
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:I didn't have the words, I
had no research to lean in on.
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:I just knew the way that these
feelings were bubbling up and bursting
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:out, kinda like squeezing that
balloon, and it was popping out in
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:all kinds of different directions.
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:And it was me sharing this story
of like, "I don't think I'm okay."
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:And other people saying, "Well, that
actually is okay, and I feel the same
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:way and here are some ways that I've
dealt with it," that led to collecting of
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:resources and copious amounts of resources
that we've started to accumulate a name
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:specifically within the nonprofit sector
around these stories of burnout, these
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:stories of rebuilding, these stories of
rest and taking breaks and naming needs.
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:And the language of emotions has
been a big part of the journey.
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:And, so I guess the willingness to
start a story without knowing the
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:ending of it has resulted in the type
of work that we're doing here and the
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:very organization itself of FireLoch.
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:Tanya Wall: Absolutely.
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:Michelle Samson: Jennifer, were you
sharing those stories first with a small
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:group of confidants, or were you going on
social media and doing it very publicly?
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:Jennifer DeCoste: I would say without
using the right language for it, I started
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:off by sharing with close connections.
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:And then there was an exploration of it
on social media for sure of like, "Is
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:anybody else feeling the same challenges?"
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:Which is kind of what led to the
research partners that I've been able to
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:engage with over the last couple years.
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:Because I think until you tell a
story beyond the immediate circle,
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:you're only really able to tap into
the resources that got you where you
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:are, not to take you out of where you
are and get you to the next level.
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:So, sharing the story more widely was
certainly more vulnerable, but it led
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:to a greater connection with resources
that I was then able to bring back
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:into play for people around me who
themselves hadn't named some of the
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:emotions or named some of the needs
associated their own journey in the
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:nonprofit sector as it relates to burnout.
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:So, there was that.
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:There was also some work that we had
done with the Tamarack Institute,
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:and that's an organization here in
Canada that does a tremendous amount
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:of work in supporting communities
and community building initiatives.
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:And when we started to talk with
their Circle of Actions group, my
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:organization, a nonprofit organization
called the Life.School.House,
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:was one of their projects that they
were using as a sample project for
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:organizations across Canada to use
to start, like, a plug and play kind
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:of community development initiative.
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:And as we were learning about burnout,
we were able to go back to that Circle of
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:Action folk to say, with these primarily
volunteer led organizations who recruit
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:and engage volunteers in doing community
development work, we need to actually
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:now name that taking care of those
community caretakers is part of the work.
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:So it isn't just about get a
great program, get it launched,
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:you know, keep it going in your
community by hook or by crook.
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:It's like, if we're going to set
these types of community development
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:initiatives up, in what ways are we
wrapping supports around them to ensure
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:that those volunteers themselves are
not going down this path of burnout?
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:Are we setting them up sustainably?
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:How are we taking care of each other?
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:So the Tamarack Institute and the
work that they do was a big part
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:of helping me find the resources
that we needed and also then share
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:what we were learning with others.
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:Michelle Samson: Would you mind digging
into your funding model a little
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:bit more and who is supporting you?
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:What kinds of donors?
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:'Cause this is an unusual
not-for-profit angle.
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:You think of the sort of medical ones
and there's always communities around
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:we wanna really make sure that we can
do research to cure this, or so on.
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:But rarely we talk about the
people who are doing this work
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:and what their mental state is.
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:So, yeah, so who is
supporting you financially?
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:Jennifer DeCoste: Well, there's two
different organizations in play.
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:Before we moved here and started
the organization of FireLoch, the
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:organization called the Life.School.House
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:was a cooperative nonprofit, and
primarily our funding from that was
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:actually directly from community.
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:It was a barter based initiative,
which means that all of the programs
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:were intentionally designed to be
free for people to access, and it
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:was functionally a social design
for a folk school model that would
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:connect individuals and address social
isolation and loneliness by convening
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:neighbors to make things together.
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:To teach each other skills,
to do a skills exchange.
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:And in that particular model, primarily
the resources required to run the classes
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:were all barter based within community.
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:So if we wanted to do a jam making
class, we put a call out and you'd
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:end up with a hundred mason jars
in your driveway ready to go.
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:That organization as it started
to scale, required resources and
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:support that went beyond mason jars.
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:So when we started to think about scale,
we actually got a tap on the shoulder
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:from an organization called Ashoka.
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:And Ashoka is an international
organization for social change makers.
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:They have a phenomenal program that
starts a lifelong fellowship with a
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:stipend, a salary stipend, that enables
organizers to continue to explore the
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:idea of scale for their initiative.
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:So they funded us for three years
with the resources to build a
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:back bone to the organization,
which was incredibly helpful.
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:And we partnered that with some
engagement with local philanthropy.
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:So we had a couple of individuals
within our local community who named
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:the challenges that we were addressing,
like social isolation primarily, as
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:something that they were really interested
in finding creative solutions for, so
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:they provided a runway of funding as
well that enabled us to kind of top up
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:from an operational perspective, top
up the staffing resources that were
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:required to scale the organization,
and to provide the resources to
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:the volunteers in our community.
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:When we named that the model itself was
possibly one of the challenges, i.e.
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:like this engagement with volunteers,
and doing direct action work in community
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:feeding people, and sourcing housing for
folks in our community, and doing all
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:kinds of gatherings, and went to create
this space here at FireLoch, several
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:of those local philanthropists actually
helped us financially and support the
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:model that we've got here in place.
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:We're also a grant
funded organization now.
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:As a social enterprise, we have a
nonprofit arm that centers around
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:our arts for health work and does
grant applications independently,
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:does that program development.
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:And the other half of the work is that
we've engaged recently with the Community
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:Foundations of Nova Scotia, and they've
been a phenomenal organization to provide
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:backup and support for a project that
we call Care for Caretakers, which
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:is a fellowship program that engages
people in the nonprofit sector to come
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:in and do programming, specifically
addressing chronic burnout in the sector.
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:So the backbone support that's provided
by CFNS enabled us to do a lot of
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:different work within the last year and
a half or so that was very specifically
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:in support of the nonprofit sector.
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:And, yeah, it was a new funding
partnership for me to connect in
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:with, having not really touched
larger foundational funding before.
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:So yeah, lots of different pathways.
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:But I believe that's probably true of
most grassroots organizing, is that
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:it does require real creativity when
it comes to engaging with funding and,
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:yeah, creativity is the word of the day.
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:How can I make these funds work to
keep that pilot project alive, to keep
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:resourcing this work that may take a
couple of years to prove its impact,
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:those types of things, has required some
creative grant development, let's say.
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:Tanya Wall: Yeah, you've done a great
job in diversifying your funding, and
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:I would imagine that for each of those
different types of funders or individual
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:supporters, how you're presenting what
you're doing may look a little different.
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:Are you able to touch on that a little
bit about how you might adapt the
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:story of your organization depending
on who the funding audience is?
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:Jennifer DeCoste: So FireLoch as a
social enterprise tells stories of
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:impact with much larger funding partners.
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:So when we were applying for, say,
federal funding, we secured the New
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:Horizons grant for seniors, for instance.
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:We did a year long program last
year with that New Horizons program.
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:The stories that we would tell there
are very factual, very like, this is
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:how many people will be engaged, this
is how many people will be volunteering
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:in the program, this is the intended
impact, this is how we're gonna measure
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:it from an evaluation perspective.
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:Those funding applications are fairly
cold in comparison to engagements
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:that we've had with philanthropists.
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:And some philanthropic funds, but
primarily individuals that we've partnered
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:with, very much wanna hear more about,
the vision, the heart of the work.
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:They wanna hear why, they wanna know
why this work is important and they
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:wanna know how, you know, why it's
gonna connect and build the kind of
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:communities that they wanna live in.
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:So the stories vary pretty dramatically
between kind of the general grant
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:applications, and then the invitation
to participate in partnership with us
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:is a fundamentally different story.
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:Tanya Wall: Yes.
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:Michelle Samson: Jennifer, I'm curious
about the stories around outcomes.
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:With all these stories that are
being shared by the people who come
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:and they gather, are you hearing
back from after they go back or even
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:at the end of say, a retreat, how
they're feeling and how this is going
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:to help them get back to the work?
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:Jennifer DeCoste: Yes, and...
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:Fortunately from some of the projects
that we had done when I was working
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:through the stipend with Ashoka, we
had created a basket of evaluation
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:tools that are very personalized.
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:So the work that I've been doing is
about gathering humans and leading with
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:that heart and the connection between
the people that are sharing space.
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:And so our evaluation and our toolkit
really needed to be something that was
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:in the same vibe, had the same kind
of energy of the gathering we were
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:creating, as opposed to like a cold
email after the fact that just, you
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:know, answer these five questions.
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:We would rarely hear back from people
when we went about it in that way.
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:But we created this basket of tools that
we could share with organizers, and I
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:use them actively here at FireLoch as
well, that are more story centered.
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:So at the tail end of a gathering,
we do a lot of circle practice.
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:So if you're gonna open in circle,
you're gonna close in circle, which
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:means that before we leave, we're
taking a breath together, we're gonna
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:come back into this shared space.
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:We're gonna talk about what has
landed, what's sticking, what
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:questions may still remain.
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:What our intentions are and set those.
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:Fortunately, because we now have
permanent space, we see a lot of
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:people come back time and again.
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:So we get to follow the story
in person, where they'll come
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:back for another opportunity to
connect or to rest or to learn.
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:And it really is the closing
story, the closing circle, where
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:we'll hear a lot of the stories
that we can then share forward.
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:We've partnered with Saint
FX University on our Care for
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:Caretakers Fellowship in particular.
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:That was a year long program
where it started with a, like
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:an intense three day gathering.
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:It was all fully funded, but a full
day three day gathering on site
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:and then a six month community of
practice and then an additional
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:celebratory three days together.
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:And, because we had time phased
learning, because it stretched out over
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:a period of time, there were lots of
different ways to use that basket of
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:tools to talk about how this shows up
in their body, talk about how it showed
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:up in their organization, talk about
the changes that they'd experienced.
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:And it was because we had longer periods
of time to check in that we were able
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:to capture a lot of stories in that kind
of a program, and follow it through.
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:So I would say.
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:Some funders that we work with that ask
for evaluation that looks and feels in
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:particular way makes it really challenging
to feel like we're in partnership.
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:That feels much more so like we're in
response mode to their funding objectives
326
:versus the needs of the community.
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:And there have been several
funding opportunities I've
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:turned down because of that.
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:If it doesn't allow for the flexibility
to work with the needs of the
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:community, then it's not the right
kind of funding partner to engage with.
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:And, I mean, that's been hard in
certain cases to say no to, but
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:it felt extractive.
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:And if the stories that they were
trying to gather were taking from our
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:community and making it a part of their
marketing initiative, for instance, or
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:just something that was inconsistent
with the values of the programming
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:that we were offering, then we've had
to walk away from funders as well.
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:Tanya Wall: That can be tough.
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:Jennifer DeCoste: Yeah.
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:Tanya Wall: Yeah.
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:You've talked a lot about partnerships and
collaboration and I'm curious if there's
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:anything specific around Atlantic Canada
for you when it comes to partnerships and
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:collaboration that you could speak to.
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:Jennifer DeCoste: A number of years ago,
I was part of an initiative that led to
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:the design of something called WeavEast.
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:The Goals of WeavEast was to connect the
connective tissue of social innovators
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:across Atlantic Canada, to collect
stories of grassroots organizing
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:and community initiatives and to
share those into this ecosystem of
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:social innovators in Atlanta, Canada.
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:That was 2019 and we had all of
the best plans and intentions.
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:They did really wonderful work
for about a year and a half.
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:During the pandemic, the funding
model for that shifted pretty
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:dramatically pretty quickly.
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:And there's more on that
that you can read online.
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:But I do think that project was really
one of the most grounding, I think,
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:practices that I've been involved in.
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:So to think of the Atlantic Canadian
region as a collection of stories
357
:where maybe individually, it's hard
to see those on a national scale.
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:It's hard to show up in national
conversations when you're just, you know,
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:a one-off organizer or an organization.
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:But when we shone together in
constellations across Atlantic Canada,
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:all of a sudden the light was bright
enough that people could see it.
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:So we were invited in to participate in
projects like what was happening with
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:Social Innovation Canada at the time,
and a lot of the work that was coming
364
:out of Waterloo, it showed up more
visibly, and I think that those points
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:of connection are really essential
for a region like Atlantic Canada to
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:be able to get big work happening and
share the stories of what's happening
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:in Atlantic Canada on a national scale.
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:It really needs to be done through
collective storytelling as opposed
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:to individual hits out via social
media or via newsletters or even
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:speaking in engagement opportunities.
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:It's just more effective when
we can do that work together.
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:Tanya Wall: Absolutely.
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:Michelle Samson: I am wondering if we
can get very specific about what this
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:looks like when these stories are shared.
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:Is it marketing pieces?
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:Is it one-on-one conversation?
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:Is it case studies, testimonials?
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:What does this look like?
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:Jennifer DeCoste: Maybe I'm just
getting older now, and I used to
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:think about this so much differently.
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:I used to think that, you know, if we
were shoulder to shoulder and if we
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:were loud enough, that people would
recognize that the work that's happening
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:in Atlantic Canada is really setting the
stage for some really important work.
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:Like we could influence, because
there are some things that we
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:really know well in Atlantic Canada.
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:We know how to take care of each other.
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:We know how to work in collaboration.
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:It's in the soil here, it's at our roots.
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:Now that I'm older, it's not that I don't
think that it is important for those
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:stories to be shared where it is helpful.
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:The most important work for me now is
smaller group gatherings where we can
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:be intentional about rest and finding,
collectively, some energy and then finding
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:the support that we need to keep doing
the small local work that has huge impact.
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:And that has been a big shift for me.
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:So in terms of the storytelling piece,
inviting people into a very personal
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:story seems to be the thing that gets
more traction now, and also feels
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:more authentic than spending time
trying to create, a big initiative
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:that is well branded and marketed,
and you have paid advertisements
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:and all of those types of supports.
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:It really is more about dropping a pebble
in a pond in a small group and watching
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:the ripples go out from there because
that story was impactful in the small
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:and intentional place where you dropped
that pebble or you planted the seed.
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:Yeah, gathering in person quite
often, or as much as possible, is
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:a different way of storytelling.
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:And a stickier way of
telling those stories.
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:You walk away and that story is
a part of me that you shared.
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:That story is now a part of my story.
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:And it walks with everybody differently
than when you see something on social
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:media or even when you're seeing an
article that's been published or it's
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:perhaps just the stage that I'm at
in life, but it feels more authentic.
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:Michelle Samson: I think you're tapping
into something, you know, we're so
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:oversaturated with digital media and,
you know, not all of it feels authentic
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:and there's almost a category of social
media posts that's just being vulnerable
414
:and spilling your guts, but sometimes
you feel like it's just attention
415
:getting as opposed to a real story.
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:There is nothing quite like
sitting across from people IRL
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:and having those conversations.
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:Jennifer DeCoste: Yes.
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:And if I agree to be there, and if
we've done good work in building up
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:the trust, it's just like, I can't, I
don't have the language for it yet, but
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:there's something that's fundamentally
different than even reading the vulnerable
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:story, air quotes, on social media.
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:There's a trust issue at play here
right now where it really strongly
424
:feels like a lot of those things
have been crafted and drafted by AI.
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:So the trust is lower than ever before
versus when we light a fire and we sit
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:around on the land together and you're
telling me a story from your experience.
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:And I feel the emotion of that because
I'm sitting with you like our shoulders
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:are touching, our knees are touching.
429
:Like, it's just very different.
430
:I don't know how that is scalable,
necessarily, other than the fact
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:that when small groups of people, you
get 15 to 20 people, and they're now
432
:collectively carrying each other's
stories, that's like a bundle that you're
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:now carrying out into the world, and it
will weave its way into conversations
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:that you're having with others.
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:It's difficult to track the ripples in a
pond, to quantify that necessarily, but
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:I will say that it feels different and
that's where I'm putting my time now.
437
:Tanya Wall: Yeah, as you're speaking,
I'm thinking there's so much that
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:sounds like very sacred experience
that happens amongst the people that
439
:come together, and whether that can
be translated out in a way that feels
440
:ethical, in a way that feels good,
versus the spirit of the experience.
441
:So I don't know if that quite aligns
with what you're finding, but those
442
:personal details stay within the
circle of people who have participated,
443
:but it's more the impact that could
then be translated out to others to
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:understand how important the work is
that you're doing and the experiences
445
:of the people that are participating.
446
:Jennifer DeCoste: Yes, and when
someone is sharing a story that they're
447
:carrying, it's now going through
their lens, so they're translating
448
:it as it gets shared outwards.
449
:I think the risk of shrinking
down the audience, I guess, of a
450
:message is that you risk certain
individuals not feeling safe in
451
:certain types of gatherings, right?
452
:So unless we're very, very intentional
in how we call those kinds of gatherings,
453
:unless they are inclusive, unless we
make intentional effort to do outreach
454
:and to move with the pace of trust.
455
:Sometimes gatherings that I would love
to host tomorrow won't happen for two
456
:years because it's gonna take a long
time to build up a connection with that
457
:community such that they will trust
this type and this style of gathering.
458
:We have to be okay with pacing
according to trust if the work that
459
:we're trying to do is taking place
in small and intimate gatherings.
460
:I'm okay with that.
461
:It's a beautiful place to
wait here in the woods.
462
:And I don't know that it
would work otherwise, right?
463
:Tanya Wall: Yeah.
464
:Jennifer DeCoste: You have to be very
careful when you're sharing story in
465
:that way, that it is something that is
safe for all of the participants and
466
:that your outreach is very intentional
so that the circles are broad enough.
467
:There's also the book, Priya
Parker that wrote How We Gather.
468
:She was talking about, like, in
order to open a circle, you have
469
:to close the door kind of thing.
470
:You know, like there has to be safety
and who has gathered and that there's
471
:some circling, I guess, of the space.
472
:And that has been a part of
the story sharing as well.
473
:There are a lot of things that'll
happen here that never get carried
474
:out as story, other than in the hearts
of the people when they leave here.
475
:So, the way that we collect our
stories, the way that we share, has
476
:to also be preserving the safety
and the sanctity of the circle and
477
:the intentions of the gathering.
478
:Tanya Wall: You've mentioned a couple
times, Jennifer, around language
479
:and how, I think you said in the
beginning you didn't have the language
480
:and then the language has evolved.
481
:I just would love to hear a little bit
more about what that means for you.
482
:Jennifer DeCoste: What does it
mean that the language is evolving?
483
:I think would speak to how
learning happens in community.
484
:So there are
485
:layers that kinda get uncovered and
the language of burnout in particular,
486
:of wellness as a practice, the
language of group gatherings and
487
:safety and all of those types of
things had to evolve over time for me.
488
:And therefore the way in which I
gather humans now it's fundamentally
489
:changed in the last 10 years.
490
:Specifically on the topic of burnout
though, and taking better care of
491
:community caretakers, people who
work in the nonprofit sector, I think
492
:there was a lot of language around
productivity, a lot of language around
493
:scaling So going up and out and bigger
and higher and produce, like a lot
494
:of the language of capitalism kind of
has trickled its way into the psyche.
495
:And when you're doing work that's kind
of centered around your heart's work,
496
:it can't be framed in the same way.
497
:It needs new language.
498
:And I've been fortunate to connect
in with amazing folks like the System
499
:Sanctuary and and others here in Canada
who are doing work around scaling at
500
:depth and slowing down to the pace
of trust and really thinking about
501
:the language around how we define
success in certain initiatives.
502
:The evolution of their study and language
and sharing those stories has very much
503
:helped me name a different way of practice
that isn't so tied up in the hustle
504
:and the bustle of productivity as the
scale and the measurement of success.
505
:So that's, yeah, that's been very
helpful over the last number of years.
506
:Tanya Wall: Oh, thank you.
507
:Michelle Samson: Jennifer, this has
been such a fascinating discussion.
508
:Do you have any final thoughts?
509
:Is there anything you wish we'd asked?
510
:Anything else you'd like to
say before we close this out?
511
:Jennifer DeCoste: I am grateful
for the opportunity to share about
512
:our work here at FireLoch, in
particular because it's brand new.
513
:Like we've only been here for about
two and a bit years, in practice.
514
:So the idea of there being a gathering
place for nonprofit organizations and
515
:for folks who need to rest and connect
with others, this is a space created
516
:intentionally for that to happen.
517
:And we just want people
to know that it's here.
518
:It's an act of social enterprise, which
means it's seeking all the time, seeking
519
:collaborations with others and other
organizations that might want to make
520
:this their own space to create the types
of gatherings that they wanna hold.
521
:So yeah, that's exactly
what we're here for.
522
:We'd encourage anybody
to reach out at any time.
523
:Michelle Samson: And we'll put all of
your coordinates in the show notes.
524
:Jennifer DeCoste:
Beautiful, yes, wonderful.
525
:And I think this type of initiative
only works when other people lean in
526
:because of, you know, what's the quote?
527
:"People support a world they help create."
528
:So, you know, we invite community
in, we invited early, we will
529
:invite continuously, and very
intentional with our outreach as well.
530
:So please, if anybody in your circles
would like to know more about it, we'd
531
:be really happy to share the space that
helps us achieve our vision of ensuring
532
:that this is a collaborative and care
centered space for the nonprofit sector.
533
:Michelle Samson: All right, Jennifer.
534
:Thanks so much for joining us.
535
:Jennifer DeCoste: Okay.
536
:Take care.
537
:Michelle Samson: Is your
organization ready to tell its story?
538
:Take the free Storytelling Readiness
Quiz at collaborativecause.ca/stories.
539
:New episodes are coming soon.
540
:Follow us on Spotify or Apple Podcasts
to make sure you don't miss any.
541
:The Atlantic Impact is an initiative of
Collaborative Cause Consulting, which
542
:provides strategy and hands-on support
to help nonprofits across Atlantic
543
:Canada achieve their fundraising goals.
544
:It is produced by Storied Places Media.