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The Magic of In-Person Storytelling with FireLoch’s Jennifer DeCoste
Episode 516th December 2025 • Atlantic IMPACT • Collaborative Cause Consulting
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Can small in-person storytelling circles drive big change in the nonprofit world? After her own experience with burnout, Jennifer DeCoste founded FireLoch as a place where her fellow burnt out peers in the nonprofit sector could rest and reconnect with their work. In this episode, Jennifer shares how untold stories catalyzed the creation of FireLoch, what kinds of storytelling feel most authentic to her, and why she’s prioritizing intimacy over scale.

  • 00:30 Jennifer DeCoste's Journey and FireLoch's Mission
  • 05:27 The Power of Speaking Up
  • 06:53 Jennifer’s Burnout and Recovery Journey
  • 10:18 FireLoch’s Funding Model - Who Supports Helping the Helpers
  • 14:33 Adapting the Narrative for Government Grant Programs vs Philanthropists  
  • 16:01 Collecting Outcome Stories in an Authentic Trust-Forward Way
  • 19:23 Collaboration and Partnership in Atlantic Canada
  • 21:15 Small Group In-Person Storytelling: Prioritizing People Over Promotion
  • 27:22 Evolving Language of Burnout, Wellness, and Success

Find out more about FireLoch 

  • Website: fireloch.com
  • Facebook: facebook.com/fireloch
  • Instagram: instagram.com/fireloch
  • LinkedIn: linkedin.com/company/fireloch

About the Atlantic IMPACT podcast

Atlantic IMPACT is a podcast that helps nonprofits across Atlantic Canada use storytelling to drive fundraising and awareness. Each episode features conversations with people working in community, sharing how story supports connection, impact, and long-term growth. Whether you're part of a nonprofit or simply care about your community, this podcast invites you to listen, reflect, and engage.

 Is your organization ready to tell its story? Take the free Storytelling Readiness Quiz at collaborativecause.ca/stories.

The podcast is hosted by Tanya Wall and Michelle Samson, and is produced by Storied Places Media.

Transcripts

Jennifer DeCoste:

So it was almost like the stories that weren't

2

:

being told were the impetus for the

work that I'm doing, more so than

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:

the stories that have been told.

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:

Michelle Samson: Welcome to The

Atlantic Impact, where we help

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:

nonprofits across Atlantic Canada

use the power of storytelling to

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:

drive fundraising and awareness.

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:

I'm Michelle Samson.

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:

Tanya Wall: And I'm Tanya Wall.

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:

Michelle Samson: Hard to believe Tanya,

but we are already at the end of season

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:

one of the Atlantic Impact podcast.

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Tanya Wall: I can't believe it.

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:

And, you know, this feels

like a really great episode

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to close out our first season.

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:

We're talking with Jennifer DeCoste,

who is the founder of FireLoch.

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And FireLoch was born out of

Jennifer's own experience with

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burnout in the nonprofit sector and

her decision to create a space for

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rest, reflection, and community care.

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Michelle Samson: Mm-hmm.

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:

So this is about taking care of all

of the fundraisers who are listening

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to this podcast and who are out there.

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But it's also still very much about

story and Jennifer brought, kind of an

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interesting twist on what we've been

doing all season and talked about how

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it was the stories that weren't being

told that inspired her particular work.

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So that silence or absence of story can

spark change as well as stories can, and

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it's really interesting and powerful.

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Tanya Wall: It really is, and she's

bringing a different kind of storytelling

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forward, one that's rooted in small

gatherings, trust, and connection.

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Michelle Samson: And she also

touches on how language itself is

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evolving and how we're finding new

ways to talk about care and success

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and sustainability in this sector.

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So in a series about storytelling,

it makes sense to kind of

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get into language itself.

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Tanya Wall: It does, and it really feels

like both a point of pause and reflection

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reminding us that storytelling isn't

just about amplifying voices, but also

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about creating the conditions for people

to feel safe enough to share them.

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Michelle Samson: Mm-hmm.

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And I hope we've created a safe space

for our guests to tell their stories

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about storytelling, and a welcome space

for our listeners to learn as well.

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So if you have enjoyed this series,

we would really love to hear from you.

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You could leave us a rating

and review on Apple Podcasts or

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Spotify, or you could send us a DM.

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You could even head over to

collaborativecause.ca/podcast

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and fill out the contact form.

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Whatever it is you wanna tell

us about how you feel about this

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podcast, we'd love to hear it.

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Tanya Wall: Absolutely.

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We'd really love to hear from

you and now onto our conversation

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with Jennifer DeCoste.

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Jennifer DeCoste: My name is Jennifer

DeCoste and I, post pandemic,

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ran away to the woods, got a dog,

did some healing, and launched an

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organization called FireLoch, which

is a gathering place for community

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and a retreat center for gatherings.

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Tanya Wall: And where

are you based out of?

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Jennifer DeCoste: We're in northern

Nova Scotia, in Antigonish County.

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Tanya Wall: Great.

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Michelle Samson: And can you tell us

a little bit more about your mission?

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Jennifer DeCoste: Sure FireLoch

is set up as a social enterprise.

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So when we moved here, coming

from a non-profit background and

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experiencing a lot of burnout,

post pandemic, the land was really

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important medicine on my own journey.

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And so in 2022, 23, we started building

up this space as something that could be

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shared with friends, with our community,

and with colleagues primarily in the

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nonprofit sector who themselves were

also experiencing a lot of challenges

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finding rest and experiencing chronic

cycles of fatigue and burnout.

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So this is a space where we've created

a hub where teams and organizations

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can come on their own retreats.

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Those who can contribute financially do

so, and that enables us to then create

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rest centered retreats for peers and

colleagues in the nonprofit sector.

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Michelle Samson: This is so interesting.

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When you're thinking about the

work that you're doing, where

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do stories naturally show up?

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Jennifer DeCoste: Stories have been

a big part of the work that I've been

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doing for a number of years because

most of my focus has been on creating

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events where people are gathering.

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Stories are the things that

kind of help us connect.

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And they really only come into play

when there's a safe space that's

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been created enough to be vulnerable

and to trust the others that are in

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the circle to share your stories.

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So I would say in terms of the work

that I'm doing to create the kinds of

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environments where people can lean in

with trust, can feel safe enough to share,

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stories they're kind of like both the

creator and also the conduit for people

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to connect, and to be honest and to learn

and to grow by being together in person.

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Tanya Wall: Absolutely.

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Have you found that the storytelling has

played a part in the work that you're

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doing with community or with donors

themselves in terms of inspiring giving?

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Jennifer DeCoste: Yeah, absolutely.

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I mean, when it comes to donors who are

hesitant to engage with a new idea, to

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have a story to share that comes from

like a past success, or the impact

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that you've had in community, or a

story from the participants themselves

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or someone who's leaned in with a

bit of trust, that begets more trust.

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I think in particular before

something has launched.

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So I see, I trust, I can

lean in with my support.

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Each one of those is a bit of

a snowball that they build on

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each other and it builds through

the stories that are shared.

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Tanya Wall: Absolutely.

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Michelle Samson: Was there a moment

or experience in the beginning

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that helped you realize that

storytelling could be part of

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shifting your systems or connecting

more deeply with your community?

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Jennifer DeCoste: When I think about

the way that stories can impact the work

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and the direction that I've taken over

the last number of years, I think what

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started was that there wasn't a story

being shared and that was the problem.

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So during the pandemic, I was running

a nonprofit organization that grew

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pretty dramatically out of my living

room while my children were home,

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never in school for like two years.

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And we were expanding nationally

and it went down into the States

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and it was off into Mexico.

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And I was working from my kitchen table.

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And people around me hadn't

talked about burnout.

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They hadn't used the words, there

wasn't an emotional awareness that was

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being shared in those, in the stories

that I was a part of at that time.

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We were being celebrated for put your head

down and get things done and plow through.

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And I didn't feel at the time that

I had permission to rest when things

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had gotten to the point that they

were beyond sustainable, emotionally,

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financially, all of those factors.

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So it was almost like the stories that

weren't being told were the impetus

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for the work that I'm doing, more so

than the stories that have been told.

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But when you start to seek out the

story or when you share your own story

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and people say, me too, that's when it

feels like there's a bit more movement

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behind the work, when you feel like

you're less alone and when others maybe

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have language that they can share with

you that, yeah, put things back into

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context, and showed some pathways.

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Because it was the fact that we

weren't talking about those things

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that were causing a lot of problems

for me a number of years ago.

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Tanya Wall: Absolutely.

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Is there a particular story that

stands out that you are able to share

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with us that you feel made a real

difference to your organization?

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Jennifer DeCoste: The organization

of FireLoch only exists because

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I started staring the story of

my own experience with burnout.

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And it was even before I had the language.

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I didn't have the words, I

had no research to lean in on.

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I just knew the way that these

feelings were bubbling up and bursting

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out, kinda like squeezing that

balloon, and it was popping out in

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all kinds of different directions.

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:

And it was me sharing this story

of like, "I don't think I'm okay."

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And other people saying, "Well, that

actually is okay, and I feel the same

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way and here are some ways that I've

dealt with it," that led to collecting of

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resources and copious amounts of resources

that we've started to accumulate a name

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specifically within the nonprofit sector

around these stories of burnout, these

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stories of rebuilding, these stories of

rest and taking breaks and naming needs.

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And the language of emotions has

been a big part of the journey.

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And, so I guess the willingness to

start a story without knowing the

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ending of it has resulted in the type

of work that we're doing here and the

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very organization itself of FireLoch.

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Tanya Wall: Absolutely.

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Michelle Samson: Jennifer, were you

sharing those stories first with a small

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:

group of confidants, or were you going on

social media and doing it very publicly?

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Jennifer DeCoste: I would say without

using the right language for it, I started

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off by sharing with close connections.

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And then there was an exploration of it

on social media for sure of like, "Is

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anybody else feeling the same challenges?"

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Which is kind of what led to the

research partners that I've been able to

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engage with over the last couple years.

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Because I think until you tell a

story beyond the immediate circle,

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you're only really able to tap into

the resources that got you where you

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are, not to take you out of where you

are and get you to the next level.

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:

So, sharing the story more widely was

certainly more vulnerable, but it led

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:

to a greater connection with resources

that I was then able to bring back

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into play for people around me who

themselves hadn't named some of the

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emotions or named some of the needs

associated their own journey in the

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nonprofit sector as it relates to burnout.

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So, there was that.

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There was also some work that we had

done with the Tamarack Institute,

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and that's an organization here in

Canada that does a tremendous amount

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of work in supporting communities

and community building initiatives.

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And when we started to talk with

their Circle of Actions group, my

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organization, a nonprofit organization

called the Life.School.House,

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:

was one of their projects that they

were using as a sample project for

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organizations across Canada to use

to start, like, a plug and play kind

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of community development initiative.

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And as we were learning about burnout,

we were able to go back to that Circle of

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Action folk to say, with these primarily

volunteer led organizations who recruit

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and engage volunteers in doing community

development work, we need to actually

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now name that taking care of those

community caretakers is part of the work.

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So it isn't just about get a

great program, get it launched,

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:

you know, keep it going in your

community by hook or by crook.

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It's like, if we're going to set

these types of community development

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initiatives up, in what ways are we

wrapping supports around them to ensure

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that those volunteers themselves are

not going down this path of burnout?

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Are we setting them up sustainably?

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How are we taking care of each other?

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So the Tamarack Institute and the

work that they do was a big part

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of helping me find the resources

that we needed and also then share

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what we were learning with others.

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Michelle Samson: Would you mind digging

into your funding model a little

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bit more and who is supporting you?

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What kinds of donors?

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'Cause this is an unusual

not-for-profit angle.

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You think of the sort of medical ones

and there's always communities around

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we wanna really make sure that we can

do research to cure this, or so on.

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But rarely we talk about the

people who are doing this work

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and what their mental state is.

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So, yeah, so who is

supporting you financially?

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Jennifer DeCoste: Well, there's two

different organizations in play.

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Before we moved here and started

the organization of FireLoch, the

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organization called the Life.School.House

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was a cooperative nonprofit, and

primarily our funding from that was

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actually directly from community.

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It was a barter based initiative,

which means that all of the programs

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were intentionally designed to be

free for people to access, and it

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was functionally a social design

for a folk school model that would

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connect individuals and address social

isolation and loneliness by convening

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neighbors to make things together.

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To teach each other skills,

to do a skills exchange.

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And in that particular model, primarily

the resources required to run the classes

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were all barter based within community.

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So if we wanted to do a jam making

class, we put a call out and you'd

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end up with a hundred mason jars

in your driveway ready to go.

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That organization as it started

to scale, required resources and

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support that went beyond mason jars.

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So when we started to think about scale,

we actually got a tap on the shoulder

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from an organization called Ashoka.

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And Ashoka is an international

organization for social change makers.

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They have a phenomenal program that

starts a lifelong fellowship with a

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stipend, a salary stipend, that enables

organizers to continue to explore the

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idea of scale for their initiative.

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So they funded us for three years

with the resources to build a

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back bone to the organization,

which was incredibly helpful.

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And we partnered that with some

engagement with local philanthropy.

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So we had a couple of individuals

within our local community who named

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the challenges that we were addressing,

like social isolation primarily, as

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something that they were really interested

in finding creative solutions for, so

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they provided a runway of funding as

well that enabled us to kind of top up

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from an operational perspective, top

up the staffing resources that were

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required to scale the organization,

and to provide the resources to

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the volunteers in our community.

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When we named that the model itself was

possibly one of the challenges, i.e.

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like this engagement with volunteers,

and doing direct action work in community

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feeding people, and sourcing housing for

folks in our community, and doing all

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kinds of gatherings, and went to create

this space here at FireLoch, several

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of those local philanthropists actually

helped us financially and support the

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model that we've got here in place.

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We're also a grant

funded organization now.

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As a social enterprise, we have a

nonprofit arm that centers around

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our arts for health work and does

grant applications independently,

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does that program development.

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And the other half of the work is that

we've engaged recently with the Community

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Foundations of Nova Scotia, and they've

been a phenomenal organization to provide

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backup and support for a project that

we call Care for Caretakers, which

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is a fellowship program that engages

people in the nonprofit sector to come

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in and do programming, specifically

addressing chronic burnout in the sector.

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So the backbone support that's provided

by CFNS enabled us to do a lot of

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different work within the last year and

a half or so that was very specifically

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in support of the nonprofit sector.

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And, yeah, it was a new funding

partnership for me to connect in

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with, having not really touched

larger foundational funding before.

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So yeah, lots of different pathways.

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But I believe that's probably true of

most grassroots organizing, is that

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it does require real creativity when

it comes to engaging with funding and,

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yeah, creativity is the word of the day.

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How can I make these funds work to

keep that pilot project alive, to keep

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resourcing this work that may take a

couple of years to prove its impact,

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those types of things, has required some

creative grant development, let's say.

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Tanya Wall: Yeah, you've done a great

job in diversifying your funding, and

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I would imagine that for each of those

different types of funders or individual

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supporters, how you're presenting what

you're doing may look a little different.

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Are you able to touch on that a little

bit about how you might adapt the

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story of your organization depending

on who the funding audience is?

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Jennifer DeCoste: So FireLoch as a

social enterprise tells stories of

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impact with much larger funding partners.

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So when we were applying for, say,

federal funding, we secured the New

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Horizons grant for seniors, for instance.

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We did a year long program last

year with that New Horizons program.

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The stories that we would tell there

are very factual, very like, this is

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how many people will be engaged, this

is how many people will be volunteering

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in the program, this is the intended

impact, this is how we're gonna measure

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it from an evaluation perspective.

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Those funding applications are fairly

cold in comparison to engagements

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that we've had with philanthropists.

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And some philanthropic funds, but

primarily individuals that we've partnered

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with, very much wanna hear more about,

the vision, the heart of the work.

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They wanna hear why, they wanna know

why this work is important and they

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wanna know how, you know, why it's

gonna connect and build the kind of

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communities that they wanna live in.

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So the stories vary pretty dramatically

between kind of the general grant

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applications, and then the invitation

to participate in partnership with us

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is a fundamentally different story.

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Tanya Wall: Yes.

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Michelle Samson: Jennifer, I'm curious

about the stories around outcomes.

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With all these stories that are

being shared by the people who come

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and they gather, are you hearing

back from after they go back or even

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at the end of say, a retreat, how

they're feeling and how this is going

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to help them get back to the work?

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Jennifer DeCoste: Yes, and...

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Fortunately from some of the projects

that we had done when I was working

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through the stipend with Ashoka, we

had created a basket of evaluation

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tools that are very personalized.

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So the work that I've been doing is

about gathering humans and leading with

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that heart and the connection between

the people that are sharing space.

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And so our evaluation and our toolkit

really needed to be something that was

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in the same vibe, had the same kind

of energy of the gathering we were

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creating, as opposed to like a cold

email after the fact that just, you

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know, answer these five questions.

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We would rarely hear back from people

when we went about it in that way.

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But we created this basket of tools that

we could share with organizers, and I

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use them actively here at FireLoch as

well, that are more story centered.

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So at the tail end of a gathering,

we do a lot of circle practice.

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So if you're gonna open in circle,

you're gonna close in circle, which

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means that before we leave, we're

taking a breath together, we're gonna

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come back into this shared space.

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We're gonna talk about what has

landed, what's sticking, what

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questions may still remain.

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What our intentions are and set those.

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Fortunately, because we now have

permanent space, we see a lot of

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people come back time and again.

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So we get to follow the story

in person, where they'll come

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back for another opportunity to

connect or to rest or to learn.

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And it really is the closing

story, the closing circle, where

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we'll hear a lot of the stories

that we can then share forward.

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We've partnered with Saint

FX University on our Care for

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Caretakers Fellowship in particular.

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That was a year long program

where it started with a, like

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an intense three day gathering.

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It was all fully funded, but a full

day three day gathering on site

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and then a six month community of

practice and then an additional

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celebratory three days together.

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And, because we had time phased

learning, because it stretched out over

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a period of time, there were lots of

different ways to use that basket of

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tools to talk about how this shows up

in their body, talk about how it showed

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up in their organization, talk about

the changes that they'd experienced.

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And it was because we had longer periods

of time to check in that we were able

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to capture a lot of stories in that kind

of a program, and follow it through.

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So I would say.

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Some funders that we work with that ask

for evaluation that looks and feels in

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particular way makes it really challenging

to feel like we're in partnership.

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That feels much more so like we're in

response mode to their funding objectives

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versus the needs of the community.

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And there have been several

funding opportunities I've

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turned down because of that.

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If it doesn't allow for the flexibility

to work with the needs of the

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community, then it's not the right

kind of funding partner to engage with.

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:

And, I mean, that's been hard in

certain cases to say no to, but

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it felt extractive.

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And if the stories that they were

trying to gather were taking from our

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community and making it a part of their

marketing initiative, for instance, or

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just something that was inconsistent

with the values of the programming

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that we were offering, then we've had

to walk away from funders as well.

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Tanya Wall: That can be tough.

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Jennifer DeCoste: Yeah.

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Tanya Wall: Yeah.

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You've talked a lot about partnerships and

collaboration and I'm curious if there's

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anything specific around Atlantic Canada

for you when it comes to partnerships and

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collaboration that you could speak to.

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Jennifer DeCoste: A number of years ago,

I was part of an initiative that led to

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the design of something called WeavEast.

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The Goals of WeavEast was to connect the

connective tissue of social innovators

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across Atlantic Canada, to collect

stories of grassroots organizing

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and community initiatives and to

share those into this ecosystem of

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social innovators in Atlanta, Canada.

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That was 2019 and we had all of

the best plans and intentions.

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They did really wonderful work

for about a year and a half.

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During the pandemic, the funding

model for that shifted pretty

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dramatically pretty quickly.

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And there's more on that

that you can read online.

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But I do think that project was really

one of the most grounding, I think,

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practices that I've been involved in.

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So to think of the Atlantic Canadian

region as a collection of stories

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where maybe individually, it's hard

to see those on a national scale.

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It's hard to show up in national

conversations when you're just, you know,

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a one-off organizer or an organization.

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But when we shone together in

constellations across Atlantic Canada,

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all of a sudden the light was bright

enough that people could see it.

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So we were invited in to participate in

projects like what was happening with

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Social Innovation Canada at the time,

and a lot of the work that was coming

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out of Waterloo, it showed up more

visibly, and I think that those points

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of connection are really essential

for a region like Atlantic Canada to

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be able to get big work happening and

share the stories of what's happening

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in Atlantic Canada on a national scale.

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It really needs to be done through

collective storytelling as opposed

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to individual hits out via social

media or via newsletters or even

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speaking in engagement opportunities.

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It's just more effective when

we can do that work together.

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Tanya Wall: Absolutely.

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Michelle Samson: I am wondering if we

can get very specific about what this

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looks like when these stories are shared.

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Is it marketing pieces?

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Is it one-on-one conversation?

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Is it case studies, testimonials?

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What does this look like?

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Jennifer DeCoste: Maybe I'm just

getting older now, and I used to

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think about this so much differently.

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I used to think that, you know, if we

were shoulder to shoulder and if we

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were loud enough, that people would

recognize that the work that's happening

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in Atlantic Canada is really setting the

stage for some really important work.

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Like we could influence, because

there are some things that we

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really know well in Atlantic Canada.

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We know how to take care of each other.

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We know how to work in collaboration.

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It's in the soil here, it's at our roots.

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Now that I'm older, it's not that I don't

think that it is important for those

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stories to be shared where it is helpful.

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The most important work for me now is

smaller group gatherings where we can

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be intentional about rest and finding,

collectively, some energy and then finding

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:

the support that we need to keep doing

the small local work that has huge impact.

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And that has been a big shift for me.

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So in terms of the storytelling piece,

inviting people into a very personal

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:

story seems to be the thing that gets

more traction now, and also feels

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:

more authentic than spending time

trying to create, a big initiative

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that is well branded and marketed,

and you have paid advertisements

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:

and all of those types of supports.

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:

It really is more about dropping a pebble

in a pond in a small group and watching

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:

the ripples go out from there because

that story was impactful in the small

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:

and intentional place where you dropped

that pebble or you planted the seed.

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:

Yeah, gathering in person quite

often, or as much as possible, is

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:

a different way of storytelling.

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:

And a stickier way of

telling those stories.

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You walk away and that story is

a part of me that you shared.

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That story is now a part of my story.

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:

And it walks with everybody differently

than when you see something on social

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:

media or even when you're seeing an

article that's been published or it's

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:

perhaps just the stage that I'm at

in life, but it feels more authentic.

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Michelle Samson: I think you're tapping

into something, you know, we're so

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:

oversaturated with digital media and,

you know, not all of it feels authentic

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:

and there's almost a category of social

media posts that's just being vulnerable

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and spilling your guts, but sometimes

you feel like it's just attention

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:

getting as opposed to a real story.

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:

There is nothing quite like

sitting across from people IRL

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:

and having those conversations.

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Jennifer DeCoste: Yes.

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And if I agree to be there, and if

we've done good work in building up

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:

the trust, it's just like, I can't, I

don't have the language for it yet, but

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there's something that's fundamentally

different than even reading the vulnerable

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:

story, air quotes, on social media.

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There's a trust issue at play here

right now where it really strongly

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:

feels like a lot of those things

have been crafted and drafted by AI.

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So the trust is lower than ever before

versus when we light a fire and we sit

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around on the land together and you're

telling me a story from your experience.

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And I feel the emotion of that because

I'm sitting with you like our shoulders

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are touching, our knees are touching.

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Like, it's just very different.

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I don't know how that is scalable,

necessarily, other than the fact

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that when small groups of people, you

get 15 to 20 people, and they're now

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:

collectively carrying each other's

stories, that's like a bundle that you're

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now carrying out into the world, and it

will weave its way into conversations

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that you're having with others.

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:

It's difficult to track the ripples in a

pond, to quantify that necessarily, but

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I will say that it feels different and

that's where I'm putting my time now.

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Tanya Wall: Yeah, as you're speaking,

I'm thinking there's so much that

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:

sounds like very sacred experience

that happens amongst the people that

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come together, and whether that can

be translated out in a way that feels

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ethical, in a way that feels good,

versus the spirit of the experience.

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:

So I don't know if that quite aligns

with what you're finding, but those

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:

personal details stay within the

circle of people who have participated,

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:

but it's more the impact that could

then be translated out to others to

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:

understand how important the work is

that you're doing and the experiences

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:

of the people that are participating.

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:

Jennifer DeCoste: Yes, and when

someone is sharing a story that they're

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:

carrying, it's now going through

their lens, so they're translating

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:

it as it gets shared outwards.

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:

I think the risk of shrinking

down the audience, I guess, of a

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:

message is that you risk certain

individuals not feeling safe in

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:

certain types of gatherings, right?

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:

So unless we're very, very intentional

in how we call those kinds of gatherings,

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:

unless they are inclusive, unless we

make intentional effort to do outreach

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:

and to move with the pace of trust.

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:

Sometimes gatherings that I would love

to host tomorrow won't happen for two

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:

years because it's gonna take a long

time to build up a connection with that

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:

community such that they will trust

this type and this style of gathering.

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:

We have to be okay with pacing

according to trust if the work that

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:

we're trying to do is taking place

in small and intimate gatherings.

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:

I'm okay with that.

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:

It's a beautiful place to

wait here in the woods.

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:

And I don't know that it

would work otherwise, right?

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:

Tanya Wall: Yeah.

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:

Jennifer DeCoste: You have to be very

careful when you're sharing story in

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:

that way, that it is something that is

safe for all of the participants and

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:

that your outreach is very intentional

so that the circles are broad enough.

467

:

There's also the book, Priya

Parker that wrote How We Gather.

468

:

She was talking about, like, in

order to open a circle, you have

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:

to close the door kind of thing.

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:

You know, like there has to be safety

and who has gathered and that there's

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:

some circling, I guess, of the space.

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:

And that has been a part of

the story sharing as well.

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:

There are a lot of things that'll

happen here that never get carried

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:

out as story, other than in the hearts

of the people when they leave here.

475

:

So, the way that we collect our

stories, the way that we share, has

476

:

to also be preserving the safety

and the sanctity of the circle and

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:

the intentions of the gathering.

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:

Tanya Wall: You've mentioned a couple

times, Jennifer, around language

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:

and how, I think you said in the

beginning you didn't have the language

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:

and then the language has evolved.

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:

I just would love to hear a little bit

more about what that means for you.

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:

Jennifer DeCoste: What does it

mean that the language is evolving?

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:

I think would speak to how

learning happens in community.

484

:

So there are

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:

layers that kinda get uncovered and

the language of burnout in particular,

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:

of wellness as a practice, the

language of group gatherings and

487

:

safety and all of those types of

things had to evolve over time for me.

488

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And therefore the way in which I

gather humans now it's fundamentally

489

:

changed in the last 10 years.

490

:

Specifically on the topic of burnout

though, and taking better care of

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:

community caretakers, people who

work in the nonprofit sector, I think

492

:

there was a lot of language around

productivity, a lot of language around

493

:

scaling So going up and out and bigger

and higher and produce, like a lot

494

:

of the language of capitalism kind of

has trickled its way into the psyche.

495

:

And when you're doing work that's kind

of centered around your heart's work,

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:

it can't be framed in the same way.

497

:

It needs new language.

498

:

And I've been fortunate to connect

in with amazing folks like the System

499

:

Sanctuary and and others here in Canada

who are doing work around scaling at

500

:

depth and slowing down to the pace

of trust and really thinking about

501

:

the language around how we define

success in certain initiatives.

502

:

The evolution of their study and language

and sharing those stories has very much

503

:

helped me name a different way of practice

that isn't so tied up in the hustle

504

:

and the bustle of productivity as the

scale and the measurement of success.

505

:

So that's, yeah, that's been very

helpful over the last number of years.

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:

Tanya Wall: Oh, thank you.

507

:

Michelle Samson: Jennifer, this has

been such a fascinating discussion.

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:

Do you have any final thoughts?

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:

Is there anything you wish we'd asked?

510

:

Anything else you'd like to

say before we close this out?

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:

Jennifer DeCoste: I am grateful

for the opportunity to share about

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:

our work here at FireLoch, in

particular because it's brand new.

513

:

Like we've only been here for about

two and a bit years, in practice.

514

:

So the idea of there being a gathering

place for nonprofit organizations and

515

:

for folks who need to rest and connect

with others, this is a space created

516

:

intentionally for that to happen.

517

:

And we just want people

to know that it's here.

518

:

It's an act of social enterprise, which

means it's seeking all the time, seeking

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:

collaborations with others and other

organizations that might want to make

520

:

this their own space to create the types

of gatherings that they wanna hold.

521

:

So yeah, that's exactly

what we're here for.

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:

We'd encourage anybody

to reach out at any time.

523

:

Michelle Samson: And we'll put all of

your coordinates in the show notes.

524

:

Jennifer DeCoste:

Beautiful, yes, wonderful.

525

:

And I think this type of initiative

only works when other people lean in

526

:

because of, you know, what's the quote?

527

:

"People support a world they help create."

528

:

So, you know, we invite community

in, we invited early, we will

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:

invite continuously, and very

intentional with our outreach as well.

530

:

So please, if anybody in your circles

would like to know more about it, we'd

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be really happy to share the space that

helps us achieve our vision of ensuring

532

:

that this is a collaborative and care

centered space for the nonprofit sector.

533

:

Michelle Samson: All right, Jennifer.

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:

Thanks so much for joining us.

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:

Jennifer DeCoste: Okay.

536

:

Take care.

537

:

Michelle Samson: Is your

organization ready to tell its story?

538

:

Take the free Storytelling Readiness

Quiz at collaborativecause.ca/stories.

539

:

New episodes are coming soon.

540

:

Follow us on Spotify or Apple Podcasts

to make sure you don't miss any.

541

:

The Atlantic Impact is an initiative of

Collaborative Cause Consulting, which

542

:

provides strategy and hands-on support

to help nonprofits across Atlantic

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:

Canada achieve their fundraising goals.

544

:

It is produced by Storied Places Media.

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