Thanks for joining us for another episode of the Filmmakers Academy Podcast!
Take advantage of monthly virtual group coaching, networking events, as well as new content released weekly by becoming a member today.
Join today and get $50 off your first year by using the promo code FAPOD50. And join the #1 resource for cinematographers, film crews, and Do-It-All filmmakers!
In this captivating episode of Finding the Frame, Chris Haigh welcomes the visionary cinematographer Adam Newport-Berra, whose diverse portfolio spans acclaimed feature films like The Last Black Man in San Francisco and the innovative AppleTV+ series The Studio, alongside music videos for iconic artists. Adam shares his unconventional entry into filmmaking, tracing his early passion for capturing dynamic skateboarding footage in Oregon to his formal film studies at NYU. He reflects on the profound influence of Dutch cinematographer Robby Müller, whose ability to blend striking visuals with authentic storytelling continues to inspire his work.
The conversation explores Adam's approach to technology, emphasizing a preference for simplicity and letting the story dictate the tools. He recounts the challenges and triumphs of creating memorable sequences, such as the intricate long dolly shot in "The Last Black Man in San Francisco," and his meticulous preparation process, which involves detailed visual references. Adam offers insights into his experience on "The Studio," revealing the creative and technical wizardry behind its signature one-shot style, drawing comparisons to cinematic masters like Altman and Kalatozov. He also discusses the collaborative spirit on set and his philosophy of empowering the entire crew.
Throughout the episode, Adam shares his perspective on the art and craft of cinematography, highlighting the importance of serving the story and connecting with the emotional core of the narrative. He touches on his experiences working within established visual languages on shows like Euphoria and establishing unique looks for projects like The Bear. Adam concludes by offering valuable advice to young cinematographers, encouraging them to stay curious while trusting their own artistic instincts.
