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00:00:00
that's also what feels very refreshing by reading it because
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00:00:02
it feels wholly original.
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00:00:04
Like this is something that someone just came up with that they wrote
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00:00:08
because they were desiring it.
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00:00:10
It had nothing to do with finding an agent.
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00:00:13
This was just written out of just the love of writing and I, and that's pretty cool.
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00:00:25
Welcome to Reading Under the covers of Romances novel podcast,
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00:00:27
where we chat fangirl and maybe even swoon over our latest reads.
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00:00:31
I'm Francesca from Under the Covers book blog, and today I will be joined
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00:00:34
by Becky from the Too Stupid to Live podcast for our last discussion,
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00:00:37
chapter by chapter, discussion on the Flame and the Flower by Kathleen E.
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00:00:42
Woodiwiss we've been going over this book every two chapters, discussing
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00:00:46
them here on the podcast as part of our ripped and ravished book club.
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00:00:50
If you wanna join us, we are reading bodice, rippers, vintage romances,
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00:00:53
picking one every two months and discussing it here with you guys.
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00:00:57
So I will have all the details if you wanna join the book club
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00:00:59
in the show notes down below.
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00:01:01
And I do recommend that you join the email list for it and reply to the emails
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00:01:05
and join in on the conversation as well.
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00:01:07
Now in today's episode, we are at the end of our discussion.
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00:01:10
So it's the last two chapters in the book and I will also give you content warnings
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00:01:15
that we are going to be discussing in this episode forced seduction rape.
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00:01:19
Blackmail, violence, death, murder and other things.
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00:01:23
So if you do need to skip this episode, please take care of yourself but we are
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00:01:26
very excited to be coming to the end of reading this wonderful, important
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00:01:31
book within the romance genre and discussing it here with you guys.
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00:01:34
So let's just dive right into it.
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00:01:39
we finished it.
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00:01:40
Oh my
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00:01:40
it's done.
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00:01:41
It's
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00:01:41
It is done.
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00:01:42
It is done.
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00:01:43
I am excited that we finished it and like that I now have read this
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00:01:48
like iconic piece of literature, these last two chapters though.
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00:01:54
What a rollercoaster.
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00:01:56
Rollercoaster of intensity.
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00:01:59
it felt like an entirely different book.
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00:02:01
You know what I mean?
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00:02:02
It felt like, say, all of a sudden it was like a novella of
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00:02:04
something incredibly different.
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00:02:06
Yeah.
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00:02:07
Yeah.
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00:02:07
It was very also like very soap opera, like the drama and the intensity.
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00:02:11
And there was a little romance too.
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00:02:14
It started off with a little romance actually.
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00:02:17
So that's actually my first thing I wanted to talk about because chapter
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00:02:21
nine opens with the horse scene, where he gives her a horse, they go out riding.
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00:02:28
And finally he was trying he was really trying, I have to give it to him.
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00:02:34
He was really trying
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00:02:35
I wanted them to just do it in that moment.
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00:02:40
'cause I'm like, it was a good time.
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00:02:43
Like it was soft and cute and it would've been a soft time to, we've waited all
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00:02:49
this time that would've been a good time.
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00:02:51
I actually loved that he didn't do it like that.
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00:02:54
They didn't do it.
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00:02:55
And this is just my thing, but he gets her a horse and they're riding
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00:03:00
and she comes back and she's so sore
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00:03:03
Oh yeah, I know.
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00:03:04
That part I totally understand.
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00:03:06
I wanted them to do it over there in the rain
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00:03:08
oh, when they were in the rain?
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00:03:10
Yeah.
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00:03:10
Yeah.
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00:03:11
Go find, go find a little something.
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00:03:13
You know how like they always find some cottage or something
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00:03:17
to go and save themselves
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00:03:18
exactly.
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00:03:19
It was a good, it was a good rain scene.
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00:03:21
It
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00:03:21
that's what I was expecting, i'm like, Ooh, that would've been passionate.
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00:03:24
It would've been cute.
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00:03:26
I would've liked, yeah, no, absolutely not.
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00:03:28
After she sore, I was like, good on you, because I've ha
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00:03:32
I've experienced that pain,
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00:03:34
Yeah.
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00:03:34
I'd be like the second, she, like the second he was like, I'm gonna
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00:03:37
get her a horse and hopefully that I'll have sex with her tonight.
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00:03:41
I'm like, that sounds painful.
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00:03:43
And I hate this.
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00:03:44
This is the worst.
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00:03:45
This is not wooing at all.
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00:03:48
Yeah, for sure.
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00:03:49
After she came back, I was like, there is no way that is happening,
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00:03:53
and I hope he's not going to push the issue, which he didn't.
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00:03:57
He didn't,
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00:03:58
I was happy about that.
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00:03:59
I was just like, are you an idiot?
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00:04:01
Like, I was just like, I mean, you know.
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00:04:03
I have to say he's not the brightest when it comes to wooing
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00:04:07
Yeah.
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00:04:08
And I like that he's being called out on it.
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00:04:10
I like seeing him eat.
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00:04:12
Shit a little bit.
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00:04:13
You know what I mean?
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00:04:14
Like it is fun to, yeah.
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00:04:16
Yeah, but I like that whole like the before going, getting on the horse,
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00:04:21
like they were flirting a little bit.
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00:04:23
They were being sweet to each other.
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00:04:24
And I'm like, oh, okay.
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00:04:26
I can see them now as the couple that has been married.
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00:04:30
They've been together now for a year, I'm assuming at this point.
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00:04:34
I could see that in that one scene.
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00:04:36
So it is probably my favorite scene.
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00:04:38
Like just the, when he's getting her out of the house and telling
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00:04:42
her, okay, just get on and he's oh, maybe you wanna change.
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00:04:45
She's no, but I wanna go riding now.
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00:04:47
And like the playfulness of that scene, I appreciate it.
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00:04:50
And then it just explodes from there into wild chaos.
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00:04:56
Yeah.
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00:04:56
Yeah.
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00:04:57
I did that moment where she was like, because I don't know, like you finally
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00:05:01
saw more her personality again and and I think that's like kind of maybe.
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00:05:06
Criticism of the book, of just we overall is that like we lose her personality
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00:05:11
and so it's nice to see her get it back,
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00:05:13
yeah.
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00:05:14
We definitely see a lot more of her feelings in these two chapters,
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00:05:19
whether it's her feelings towards him, the jealousy that she was feeling,
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00:05:23
I loved that.
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00:05:24
Yeah.
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00:05:25
fear with, you know what, we'll get into what happens after, but all of that,
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00:05:29
like we got to see so much more of her, which I really enjoyed and appreciated.
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00:05:37
A-greed I, I really liked it was finally like, oh, something.
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00:05:41
It was like coming full circle.
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00:05:42
I agree.
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00:05:43
It was nice to, be with her.
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00:05:45
Yeah.
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00:05:45
And you remember that one, scene at the inn when he went to get, this was at
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00:05:50
the beginning, no, not beginning, maybe chapter five, when he goes off to get
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00:05:55
the Websters and he's at the inn and you were saying like, he's doing the
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00:06:00
right thing, but she's not there to see
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00:06:02
Yeah.
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00:06:03
We got that full circle moment with that scene because she
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00:06:06
was told now about that moment.
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00:06:09
So I appreciated the little connection that we got.
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00:06:12
so glad about that.
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00:06:14
Yeah.
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00:06:14
'cause like she needed to know it was a good, like Mr. Darcy moment
Speaker:
00:06:17
of okay, he did the right thing, so yeah, I guess maybe it was like,
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00:06:20
maybe an attempt to, okay, we, the reader know he's in a good place now.
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00:06:24
She knows.
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00:06:25
But I find it so, it's so funny because it was just so spread
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00:06:29
apart and it's like frustrating.
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00:06:31
But maybe that's just us as readers,
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00:06:33
just want it now.
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00:06:34
Yeah.
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00:06:35
Just let's yeah.
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00:06:35
Yeah.
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00:06:36
Yeah.
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00:06:36
So I appreciated that little tidbit.
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00:06:39
Now in terms of where the story went next, so another thing that she was preparing
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00:06:45
for at the time was throwing this first party, was it of the summer or spring?
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00:06:50
I think it was summer.
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00:06:51
So like throwing this lavish party, which again, I mean I am shocked that she has
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00:06:55
the skills to know what to do because that sounds like a lot to put together.
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00:07:00
But, I'm sure they had help or something.
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00:07:03
So in that moment that, that whole party was crazy to me because we have one.
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00:07:09
I loved seeing the whole jealousy from her side because
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00:07:12
it showed a lot of her feelings.
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00:07:13
So that part I loved, Louise was driving me insane.
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00:07:18
From this point forward,
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00:07:20
She just looks like, I it is sad what happens to Louise.
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00:07:24
We'll spoil it, but eventually but at this point Louise just looks insane.
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00:07:29
She does again, maybe this is our, my modern brain kind of analyzing
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00:07:34
something of a character during a time where she didn't have a lot of
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00:07:38
agency, but like she, she's starting to like, come off as psychotic, yeah,
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00:07:46
yeah, for sure.
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00:07:47
Psychotic, and I think a lot of it was coming across of her
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00:07:50
motives being purely financial.
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00:07:53
Like she was just really after that money, whatever I have to do to get that money,
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00:08:01
yeah.
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00:08:01
She just became very arched, very like just the female, classic female villain.
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00:08:07
But I will say that it, the scene was nice because of the level of tension.
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00:08:11
I was like very I finally found myself like very engaged.
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00:08:16
Yeah, for sure.
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00:08:17
And then of course, I love the fact that Heather wanted to wear
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00:08:20
this sexy dress for her husband.
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00:08:24
'cause she's like, he's gonna look at me and not at Louise.
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00:08:27
So I love that part.
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00:08:29
But of course then we have Matt coming and there had to be another leech
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00:08:33
to come through and be horrible.
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00:08:37
Am.
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00:08:37
I like nuts.
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00:08:39
But
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00:08:39
like, why?
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00:08:41
and it, there, and this isn't even the last of it I it's just astounding to
Speaker:
00:08:45
me, like how, like at the time where women just walking around just assuming
Speaker:
00:08:51
that they're gonna get assaulted and when they don't get assaulted,
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00:08:54
they're like, I had a good day today.
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00:08:56
It is just 'cause like I like it again, I know the argument of this was the time
Speaker:
00:09:01
moires were different than, but like, when it comes to story structure, just
Speaker:
00:09:07
even as like a story element it gets old.
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00:09:10
You know what I mean?
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00:09:11
And it it was like.
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00:09:13
Because I felt this way with Outlander as well, of just like when in doubt if
Speaker:
00:09:18
we need a plot twist, it's gonna be a woman gets assaulted and it's just it, I
Speaker:
00:09:24
don't know, it just like diminishes the, it just, it plateaus the tension a little
Speaker:
00:09:29
bit, which I'm sad because I, 'cause it is a bit, is a very serious thing.
Speaker:
00:09:32
It's a terrible thing to have happened, but just it just feels so thrown in
Speaker:
00:09:37
and I think that's so hard to read.
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00:09:40
Or not hard to read, but it just just jarring a little bit.
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00:09:43
It was jarring.
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00:09:44
But you know What actually made me think when we got to that point where it's
Speaker:
00:09:47
okay, there's another scene like that.
Speaker:
00:09:49
And Birmingham comes and rescues her, but he is also forceful, like we went
Speaker:
00:09:56
back to the forced seduction trope.
Speaker:
00:09:58
'cause he rescues her at a moment where she was scared, she thought she was going
Speaker:
00:10:02
to get raped and so he rescues her and immediately he has to assert his ownership
Speaker:
00:10:08
over her and pushes her against a tree and like kisses her and all of this stuff
Speaker:
00:10:12
where up to now he was really trying to seduce her like in a more normal way.
Speaker:
00:10:19
And then we go back to the forced seduction.
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00:10:21
And the one thing that I was thinking about when I read that particular
Speaker:
00:10:25
part of the book is because of the times, also what was very popular
Speaker:
00:10:29
at the time was gothic novels.
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00:10:32
And in a way it did make me think that this book had so much like, especially
Speaker:
00:10:37
these last two chapters felt so much like reading a gothic romance of the seventies,
Speaker:
00:10:44
because it's like you always have to put the woman in peril all the time.
Speaker:
00:10:48
There's all these things that are going to threaten her and like at every corner.
Speaker:
00:10:54
So I'm like, I wonder if that had some influence in
Speaker:
00:10:58
I I
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00:10:58
Because that's probably what the author was also reading
Speaker:
00:11:01
'cause consuming at the time.
Speaker:
00:11:02
100% because I feel like something that is what I love about.
Speaker:
00:11:07
Gothic romances or like gothic.
Speaker:
00:11:09
There's, it's almost like a, whodunit and that's what this becomes, is that all of
Speaker:
00:11:13
a sudden there's like a serial killer,
Speaker:
00:11:16
Yeah.
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00:11:16
And and it all and her previous past is going, is coming back to haunt her.
Speaker:
00:11:21
She's going through like some fan, and this in a, some fantastic psychological
Speaker:
00:11:26
terror as she's coming to terms with that.
Speaker:
00:11:28
She has to tell, Birmingham what she did and
Speaker:
00:11:31
which she really doesn't.
Speaker:
00:11:33
She really doesn't, but I loved seeing her si I loved seeing her suffer in that way.
Speaker:
00:11:38
yes.
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00:11:39
Yeah.
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00:11:39
No I do have to say that was a nice surprise.
Speaker:
00:11:41
I was not expecting that to come back around, only because of
Speaker:
00:11:45
how the book has gone up to now.
Speaker:
00:11:46
Like obviously that makes sense because, how do you leave we've even
Speaker:
00:11:50
mentioned it before, how do you leave something so big floating around?
Speaker:
00:11:54
But up to now, there's been no indication that we were going to get this exciting
Speaker:
00:11:59
finale, and yes, a serial killer and her past coming back to haunt her is exciting.
Speaker:
00:12:05
Like that.
Speaker:
00:12:06
That was amazing.
Speaker:
00:12:08
Like I was like
Speaker:
00:12:10
I loved a little murder.
Speaker:
00:12:12
Yeah, like reading these two chapters.
Speaker:
00:12:14
I was like, we have our sex, we have our tension.
Speaker:
00:12:16
This why people bought the book for the last two chapters.
Speaker:
00:12:20
I even wrote 'cause you know how we were talking about like, when is the
Speaker:
00:12:22
page that people flip to to that?
Speaker:
00:12:25
It's specifically page 3 52.
Speaker:
00:12:27
Page 3 52.
Speaker:
00:12:29
I wrote down page 52.
Speaker:
00:12:30
The page.
Speaker:
00:12:32
Yeah, that's the page.
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00:12:34
Alright.
Speaker:
00:12:35
Let's see, what were they doing?
Speaker:
00:12:36
Okay.
Speaker:
00:12:36
Yeah.
Speaker:
00:12:37
That is the probing of
Speaker:
00:12:38
sure.
Speaker:
00:12:38
Womanhood.
Speaker:
00:12:39
It finally gets probed on page 3 52.
Speaker:
00:12:45
Which, okay and we'll get back to the murder in a second, but when it finally
Speaker:
00:12:49
comes to the point that her womanhood is going to be probed for a second, I
Speaker:
00:12:54
was so scared because it starts off like it's going to be another rape scene.
Speaker:
00:13:00
does.
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00:13:00
And
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00:13:00
And I knew that it wasn't going to be, 'cause we already know that it's
Speaker:
00:13:03
only the first time, from, I guess what we've known of the book before.
Speaker:
00:13:07
So I was just so concerned.
Speaker:
00:13:09
And then he goes off in the other room and he didn't want it.
Speaker:
00:13:13
So he was just feeling like so conflicted.
Speaker:
00:13:16
And I did appreciate that 'cause like that conflict showed that he didn't want
Speaker:
00:13:20
his marriage to go this way, but he felt okay, this can't go on in this situation.
Speaker:
00:13:25
Like, how long is this gonna go on?
Speaker:
00:13:27
Which, not that it's right, but I could understand that point.
Speaker:
00:13:31
God forbid these two could just have a conversation.
Speaker:
00:13:35
And
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00:13:35
that's all they needed to do.
Speaker:
00:13:37
To, to the extent of there's one part where like he won't have a conversation
Speaker:
00:13:43
and he's going to the point where he will walk out of his house in the middle
Speaker:
00:13:46
of the night to take a bath in a river.
Speaker:
00:13:49
So many baths again, but we'll get
Speaker:
00:13:51
many bats again.
Speaker:
00:13:52
But yeah, it's again, can you imagine like getting in a fight with someone now and
Speaker:
00:13:56
it's they won't even tell you how they feel and they go out to a public ponds or
Speaker:
00:14:02
like just like water with vermin in it and you're not even gonna that's what you do.
Speaker:
00:14:07
Instead of just being like, let me tell you what's in my heart.
Speaker:
00:14:09
Like
Speaker:
00:14:10
They, and then there's a part also where they actually talk
Speaker:
00:14:12
about the miscommunication.
Speaker:
00:14:14
This is what he thought and this is what she thought.
Speaker:
00:14:16
And they're like, what?
Speaker:
00:14:17
You thought that, but I thought this.
Speaker:
00:14:19
And I was just like it was so dumb that you guys couldn't have
Speaker:
00:14:24
had this conversation earlier.
Speaker:
00:14:26
Like we could have still had all the excitement of the serial killer
Speaker:
00:14:30
and all that stuff and had a little bit more happy marriage in it
Speaker:
00:14:35
versus, that, that long stretch of Ohio that you were talking about.
Speaker:
00:14:40
Yeah.
Speaker:
00:14:40
Yeah.
Speaker:
00:14:40
Like I feel like the middle of the book is pretty, the pacing just slows down.
Speaker:
00:14:46
But I will say, like with this, there were times where it was
Speaker:
00:14:49
like, is he gonna tell her?
Speaker:
00:14:50
Are they gonna, whatever.
Speaker:
00:14:51
And then he just says the wrong thing.
Speaker:
00:14:53
He just is so close.
Speaker:
00:14:55
It's like they're so close to just making this right.
Speaker:
00:14:57
And then all of a sudden he says something or he brings up
Speaker:
00:15:00
something and I'm like, come on.
Speaker:
00:15:02
It's always like misunderstandings, ego, pride, like on both of their sides.
Speaker:
00:15:08
'cause sometimes she's also doing that.
Speaker:
00:15:10
What is it with you?
Speaker:
00:15:11
People being so prideful.
Speaker:
00:15:12
Talk to each other, you're married, talk to each
Speaker:
00:15:14
Yeah.
Speaker:
00:15:14
Yeah.
Speaker:
00:15:15
Like he'll say some he'll compliment her and then she'll bring up Louisa.
Speaker:
00:15:18
He'll he'll, whatever.
Speaker:
00:15:21
Like he'll talk about something and then not that.
Speaker:
00:15:23
And, but then he will also bring up and I, and.
Speaker:
00:15:26
If I have to rape you, I will.
Speaker:
00:15:27
You know what I mean?
Speaker:
00:15:28
Like it's just like you are saying the wrong things.
Speaker:
00:15:32
How do you not realize you're saying the wrong things?
Speaker:
00:15:34
It's wild.
Speaker:
00:15:37
So there were a lot of like tying of loose ends that I also really liked
Speaker:
00:15:40
because we also have the tying of the at the very end, I mean I'm probably
Speaker:
00:15:46
jumping ahead, but at the very end we have the tying of the loose end of what
Speaker:
00:15:50
he overhears when she's sick on the boat.
Speaker:
00:15:53
That's right.
Speaker:
00:15:54
And I love
Speaker:
00:15:55
And I love that.
Speaker:
00:15:56
'cause I was like, when is he gonna, because obviously he heard all this stuff
Speaker:
00:16:00
and now he knows that she killed someone and she was almost raped, which I love
Speaker:
00:16:04
that he knows and he actually respe.
Speaker:
00:16:07
Right.
Speaker:
00:16:07
And so I actually like that he respected that and like he's, he hasn't brought it
Speaker:
00:16:12
up and he was waiting for her to say it.
Speaker:
00:16:14
'cause I thought at some point maybe he's gonna bring it up.
Speaker:
00:16:17
And he never did.
Speaker:
00:16:18
But it was great how it was brought about in the book.
Speaker:
00:16:23
It's like he was connecting those dots.
Speaker:
00:16:25
And when Mr. Flint shows up, he connects all the dots, him himself, and then
Speaker:
00:16:31
he doesn't even say anything to her 'cause he's still trying to protect her.
Speaker:
00:16:33
So I did appreciate that.
Speaker:
00:16:35
I like that.
Speaker:
00:16:36
This is oddly respectful, like, why can't you bring that level of respect to sex?
Speaker:
00:16:44
Protecting and all of the things were more important, I guess for sure.
Speaker:
00:16:49
Also, something, speaking of sex and all of that, it was hysterical to me
Speaker:
00:16:54
when he's talking about, she's talking about the fact that she thought she
Speaker:
00:16:58
killed William Court and she's feeling maybe a little guilty and all of that.
Speaker:
00:17:03
And he says to her something along the lines of it, it was what he deserved.
Speaker:
00:17:09
And I'm thinking, so how was it different when you did it that you
Speaker:
00:17:18
cannot see that because you just said that it was completely justified
Speaker:
00:17:23
that she killed this guy or that, she thought she did, whatever it could have
Speaker:
00:17:27
ended that he was dead by her hand.
Speaker:
00:17:29
And that was justified in your mind because of what he did.
Speaker:
00:17:35
But it, you don't feel any remorse.
Speaker:
00:17:38
Yourself.
Speaker:
00:17:39
yeah, the
Speaker:
00:17:39
That part.
Speaker:
00:17:40
I didn't get it.
Speaker:
00:17:41
Yeah.
Speaker:
00:17:41
That I was just like this guy.
Speaker:
00:17:44
Yeah, the lack of self-awareness was astounding.
Speaker:
00:17:47
And again, I'm trying so hard not to put my modern lens to back to this story that
Speaker:
00:17:53
was not only written in the past, it's of an even former past, but yeah, just it's,
Speaker:
00:17:58
there's just some moments where I'm like, your lack of self-awareness is astounding,
Speaker:
00:18:01
even just not, even for the time period.
Speaker:
00:18:04
It's astounding because like you're a human being who has a brain and thinks
Speaker:
00:18:08
Yeah, seriously.
Speaker:
00:18:10
I mean because obviously you understand it even for the times.
Speaker:
00:18:15
'cause you are saying that it's wrong for someone else, but not for you.
Speaker:
00:18:20
Yeah,
Speaker:
00:18:20
So that has nothing to do with at times, that's a you problem.
Speaker:
00:18:24
Exactly.
Speaker:
00:18:25
Yeah.
Speaker:
00:18:25
Yeah.
Speaker:
00:18:25
So I know I jumped ahead a little bit there, but we were at the party.
Speaker:
00:18:30
And at the party.
Speaker:
00:18:32
I actually also really liked the connection of Heather with Jeff in
Speaker:
00:18:38
these two chapters, and Jeff was good
Speaker:
00:18:42
Yeah.
Speaker:
00:18:43
Was a good wing man.
Speaker:
00:18:44
And also when she comes back in after the alter, I'm gonna call it
Speaker:
00:18:48
Altercation with Matt and Birmingham, because he didn't make it better.
Speaker:
00:18:55
Yeah.
Speaker:
00:18:55
He saves her, but he
Speaker:
00:18:56
make the whole better.
Speaker:
00:18:58
I had of just in this moment, the fact that he's not asking
Speaker:
00:19:01
his wife, are you okay?
Speaker:
00:19:04
Yeah.
Speaker:
00:19:04
That to me is again I, I understand these are the times he is
Speaker:
00:19:09
sexually frustrated, whatever.
Speaker:
00:19:11
And she enjoyed what happened when it was with him, but the fact that you wouldn't
Speaker:
00:19:15
be like, Madam, are you all right?
Speaker:
00:19:17
That drives
Speaker:
00:19:18
just for a second.
Speaker:
00:19:20
Hello.
Speaker:
00:19:20
She was scared.
Speaker:
00:19:21
She thought something was going to happen.
Speaker:
00:19:23
Exactly.
Speaker:
00:19:23
That drives me nuts.
Speaker:
00:19:25
It and it, and even now that he knows what she has been
Speaker:
00:19:28
through, this whole time oh God.
Speaker:
00:19:31
Yeah.
Speaker:
00:19:32
Yeah.
Speaker:
00:19:33
So they go back inside.
Speaker:
00:19:34
I know,
Speaker:
00:19:35
to let that out.
Speaker:
00:19:36
I completely agree.
Speaker:
00:19:37
'cause I had the same, I was like, I was getting like, aggravated and like
Speaker:
00:19:41
angry and stuff, and I'm like, but why can't you just, it sh this just happened.
Speaker:
00:19:47
Just assure her you can still be mad because like you think
Speaker:
00:19:51
that she shouldn't have been dancing and all the, okay, great.
Speaker:
00:19:54
Fine.
Speaker:
00:19:55
So you can still show that, but at least check in that she is okay.
Speaker:
00:20:00
know.
Speaker:
00:20:00
And what I hate even more is that it was actually pretty sensually written.
Speaker:
00:20:04
It was really well written.
Speaker:
00:20:06
It was like very sexy.
Speaker:
00:20:07
But it was just like going from like having something hot to
Speaker:
00:20:11
something suddenly very cold.
Speaker:
00:20:12
And our teeth were hurting from it.
Speaker:
00:20:15
Like it was like having brain, it was brain, it was literary brain freeze.
Speaker:
00:20:18
That's what it felt like of just like suddenly the coldness
Speaker:
00:20:21
and we're not prepared for it.
Speaker:
00:20:23
And our teeth get numb.
Speaker:
00:20:24
Yeah.
Speaker:
00:20:24
There was, I think there was a few times in this in these two
Speaker:
00:20:27
chapters where I felt that also there was a little bit of whiplash
Speaker:
00:20:31
with okay, no no, now I'm annoyed.
Speaker:
00:20:34
There was a lot of that back and forth.
Speaker:
00:20:36
But yeah, so Jeff, when she comes back in, he actually, you know
Speaker:
00:20:41
how, like before we said that he knew that she had been assaulted
Speaker:
00:20:45
basically by her, by his brother, and he didn't do anything with that.
Speaker:
00:20:49
And this time, so his first question was if Matt did anything and he was
Speaker:
00:20:54
gonna beat him up, and then immediately after that he said, did either of them.
Speaker:
00:21:01
Do anything to you.
Speaker:
00:21:02
And I really appreciated that from coming from Jeff.
Speaker:
00:21:06
that was a level of self-awareness or not self-awareness, but a level
Speaker:
00:21:10
of awareness that I was like, okay.
Speaker:
00:21:13
Yeah.
Speaker:
00:21:13
It's
Speaker:
00:21:14
It's I'm not gonna let my brother do this again.
Speaker:
00:21:17
Exactly.
Speaker:
00:21:18
Yeah.
Speaker:
00:21:18
Even though it was interesting to see him say that because he was so nonchalant up.
Speaker:
00:21:22
He, there was a level of nonchalance he had when he found out.
Speaker:
00:21:26
But.
Speaker:
00:21:28
Still, like it was good.
Speaker:
00:21:29
That 'cause it, this is a, the whole night is tense.
Speaker:
00:21:31
We're not only with like her getting attacked and being leered at, we have
Speaker:
00:21:35
the jealousy, we have Louisa, like this is honestly the worst party in
Speaker:
00:21:40
the wor and I, and it needed to happen.
Speaker:
00:21:41
But this was like the worst party ever.
Speaker:
00:21:44
Yeah.
Speaker:
00:21:45
Ultimate like the worst night.
Speaker:
00:21:47
Existence and then it turns into the best night for her 'cause
Speaker:
00:21:50
her womanhood gets probed.
Speaker:
00:21:52
Her womanhood
Speaker:
00:21:53
with all these people in the house,
Speaker:
00:21:56
I know, but it maybe, it was good because they didn't hear,
Speaker:
00:22:01
they were too busy talking.
Speaker:
00:22:03
I think of all the moments where I was expecting it to finally
Speaker:
00:22:07
happen, it was not that moment.
Speaker:
00:22:09
And it was not like that,
Speaker:
00:22:11
It
Speaker:
00:22:11
like I
Speaker:
00:22:12
rudest time.
Speaker:
00:22:13
yes, it was.
Speaker:
00:22:15
If there is a rude time to have your womanhood probed, it's when you're
Speaker:
00:22:19
hosting a party and then you suddenly leave and everyone's standing there being
Speaker:
00:22:24
And everybody knows what you're doing.
Speaker:
00:22:27
Exactly.
Speaker:
00:22:28
Yeah.
Speaker:
00:22:28
They all know what you're doing.
Speaker:
00:22:29
And it's great.
Speaker:
00:22:29
If like why did it's come on, do the, okay guys, thanks for coming.
Speaker:
00:22:34
It was great having you.
Speaker:
00:22:35
Party's gonna end.
Speaker:
00:22:36
You can't stay here.
Speaker:
00:22:37
Go to a pub.
Speaker:
00:22:38
Like there wasn't that.
Speaker:
00:22:40
It was just like, let's go upstairs and not care about our guests that we invited.
Speaker:
00:22:44
Where are is your hospitality, sir?
Speaker:
00:22:47
Yes.
Speaker:
00:22:48
Yeah, basically.
Speaker:
00:22:49
He had it he just had to have her.
Speaker:
00:22:51
Right now, I cannot wait one more
Speaker:
00:22:54
Yeah.
Speaker:
00:22:55
It's dear God, and
Speaker:
00:22:56
waited up to, now you could have waited to make it like cute and whatever.
Speaker:
00:23:01
Totally, and there's gonna be like people talking.
Speaker:
00:23:03
It's did you go to that party?
Speaker:
00:23:04
That was like really weird how he just left.
Speaker:
00:23:06
I would be talking about that for years to come of remember that
Speaker:
00:23:09
party when they were like just left?
Speaker:
00:23:11
Who does that?
Speaker:
00:23:12
That's something I would be hard if I was like an invitee to that party.
Speaker:
00:23:15
I'd be thinking about that for the rest of my life Being like, it was weird.
Speaker:
00:23:18
It was weird, right?
Speaker:
00:23:19
Yeah.
Speaker:
00:23:20
And remember, like they, it's not like they were all watching tv.
Speaker:
00:23:22
So they're all, they all know where everybody is at all times in those
Speaker:
00:23:27
times, everybody has to be nosy.
Speaker:
00:23:29
Everybody has to know what you're doing.
Speaker:
00:23:30
It's no, they went upstairs.
Speaker:
00:23:33
But to go back on a, to completely do 180 on what I just said, to disagree
Speaker:
00:23:39
with myself right now there was this kind of like looming rumor that they
Speaker:
00:23:44
weren't sleeping in the same bed.
Speaker:
00:23:46
And I and that to me again, is so disgusting, but something,
Speaker:
00:23:51
oddly enough we still do today.
Speaker:
00:23:53
I am just thinking about on summer House with Amanda and Kyle's divorce
Speaker:
00:23:57
of they're not sleeping the same bed.
Speaker:
00:23:58
So I can understand that okay, maybe there is a triumph in a way
Speaker:
00:24:02
because it is proving to the public that they are with each other.
Speaker:
00:24:07
But still in terms of decor and party manners it was not good manners.
Speaker:
00:24:11
No, it was not.
Speaker:
00:24:13
Yeah.
Speaker:
00:24:13
So that was an interesting choice, I think of all the places I just kept saying to
Speaker:
00:24:18
myself like, I really wanted it to be at a different time and in a different way.
Speaker:
00:24:25
I've waited all this time, but I still thought that it was well done.
Speaker:
00:24:29
Yeah.
Speaker:
00:24:30
And it's like interesting to see what context different readers, like for
Speaker:
00:24:35
there's always that sex scene or that love scene where the walls are finally
Speaker:
00:24:40
down and they're finally able to be with each other, be their true selves.
Speaker:
00:24:44
And that's always like my favorite sex scene.
Speaker:
00:24:48
'Cause I think there's like a, for me.
Speaker:
00:24:50
It says a lot about me.
Speaker:
00:24:51
I think with the lack of, there's no stress anymore.
Speaker:
00:24:54
There's, you're both very honest, you're honest with yourself.
Speaker:
00:24:57
There's a level of safe vulnerability versus people who actually would
Speaker:
00:25:03
prefer the kind of more high stakes stress thing of there are so much
Speaker:
00:25:08
going on and I like, these characters, like they don't know what to do.
Speaker:
00:25:12
Oh, they have to fuck it out.
Speaker:
00:25:14
Sorry for my language, but it is, it does, it is interesting, like what
Speaker:
00:25:18
to see what different romance readers prefer as like their kind of like ideal
Speaker:
00:25:23
love scene, and I think it says a lot about like the stakes that you need.
Speaker:
00:25:27
What is getting you excited?
Speaker:
00:25:29
What do you need in order to be your most vulnerable?
Speaker:
00:25:31
Do you need a lot of stress or do you need no stress?
Speaker:
00:25:33
It's fascinating.
Speaker:
00:25:35
I think sometimes it's okay to have stress, but I feel like for this
Speaker:
00:25:38
particular one, 'cause there was so much buildup, I would've liked that
Speaker:
00:25:41
it would've been something where they, the walls had come down, they
Speaker:
00:25:45
had connected, and it was in a safer.
Speaker:
00:25:48
Environment, like with the horse scene, like I feel like that
Speaker:
00:25:52
would've been the soft landing for that scene and we didn't get the
Speaker:
00:25:56
for her.
Speaker:
00:25:57
No, we are scared for her given that we've been with her since, her beginning.
Speaker:
00:26:02
And obviously she doesn't need I what's it call?
Speaker:
00:26:05
It's something where it's like, you need like tension in order to like,
Speaker:
00:26:09
Thrive.
Speaker:
00:26:10
Yeah.
Speaker:
00:26:10
in order to thrive, and it's like she's not that person and but if she
Speaker:
00:26:15
was like, let's say if she was like, okay, she needs something to like.
Speaker:
00:26:20
Stress her out in order to be able to give in.
Speaker:
00:26:22
Then I'd be like, okay, great.
Speaker:
00:26:23
This is what she wants.
Speaker:
00:26:25
Going upstairs and having sex with everyone downstairs, like she needs
Speaker:
00:26:29
that level of tension and or whatever.
Speaker:
00:26:32
I cannot think of the word right now, but it's there and people are thinking of the
Speaker:
00:26:36
word, but then I'd be like, okay, cool.
Speaker:
00:26:39
Yeah.
Speaker:
00:26:39
Like she, she likes the danger of it.
Speaker:
00:26:41
She likes the risk of it.
Speaker:
00:26:42
You need a risk, that's the word.
Speaker:
00:26:44
You like something risky.
Speaker:
00:26:45
But clearly this is not a risk loving woman.
Speaker:
00:26:48
No, not at all.
Speaker:
00:26:49
I think in fact, it, she has settled in, what is it nesting.
Speaker:
00:26:53
She is definite, she feels like she is nesting.
Speaker:
00:26:55
She is very comfortable.
Speaker:
00:26:57
She just wants to make the house nice.
Speaker:
00:26:59
She wants to now live her life.
Speaker:
00:27:01
So like she is the opposite of somebody that needs risk and thrills
Speaker:
00:27:06
and she's very happy and content with everything being normal,
Speaker:
00:27:10
She needs safety, she needs to feel safe.
Speaker:
00:27:13
And I think that's like a common thing for a lot of people of what they need in order
Speaker:
00:27:17
to be like their most vulnerable, yeah.
Speaker:
00:27:20
Yeah, but at least the only good thing with that particular scene is
Speaker:
00:27:24
because at first she gets angry when he gives his ultimatum, which I mean,
Speaker:
00:27:28
understandable, but she also like going back to the miscommunication.
Speaker:
00:27:33
Okay.
Speaker:
00:27:34
But we have to be honest with what we do want.
Speaker:
00:27:37
And obviously she knows that's what she's wanted.
Speaker:
00:27:39
So to now be like I'm gonna let myself be raped again when I actually
Speaker:
00:27:44
do want it, just because of pride.
Speaker:
00:27:47
Instead of just opening up and saying, yeah, this is actually what I want,
Speaker:
00:27:51
where our relationship should go.
Speaker:
00:27:53
So I appreciated that.
Speaker:
00:27:55
Even though she had her moment with the ashtray and whatever, and her
Speaker:
00:27:58
outbursts, she comes back from that.
Speaker:
00:28:01
Totally.
Speaker:
00:28:01
Yeah.
Speaker:
00:28:02
And I think that was like necessary.
Speaker:
00:28:03
He needed to know that, and that's that's not okay.
Speaker:
00:28:07
And so again, I kind of like added when they do finally do
Speaker:
00:28:11
it, I was like, I feel safe.
Speaker:
00:28:13
I feel mostly safe.
Speaker:
00:28:15
As safe as could be.
Speaker:
00:28:16
Yes.
Speaker:
00:28:17
Within this context.
Speaker:
00:28:18
'cause of course then after this, whatever, we're safe.
Speaker:
00:28:21
It's great, it's wonderful they're together.
Speaker:
00:28:23
But of course then people start turning up dead.
Speaker:
00:28:26
So we now go into the high stakes of there's a serial killer on the loose.
Speaker:
00:28:32
of a sudden it's that was chapter nine.
Speaker:
00:28:34
Chapter 10 is suddenly everyone's dead.
Speaker:
00:28:37
And I'm like, this is horrifying.
Speaker:
00:28:38
This feels, this reads like a killer, a slasher movie.
Speaker:
00:28:42
Honestly.
Speaker:
00:28:43
I'm like, where are we now?
Speaker:
00:28:45
Yeah.
Speaker:
00:28:45
Which, to me I love those.
Speaker:
00:28:47
So I'm like this, this feels great.
Speaker:
00:28:49
'cause it's like it's, it was almost like a soap opera at
Speaker:
00:28:53
the end, like we just threw in.
Speaker:
00:28:55
Even though in some ways it's been a soap opera up to now too.
Speaker:
00:28:58
But here we really amped up the drama.
Speaker:
00:29:02
There's, and honestly, I thought that the conversation that she threw
Speaker:
00:29:06
in where the first woman that comes up that she had mentioned Bartlett,
Speaker:
00:29:11
which was the guy that tried to rape not tried to rape, but whatever.
Speaker:
00:29:14
He was
Speaker:
00:29:15
as he
Speaker:
00:29:16
Heather, he attacked her.
Speaker:
00:29:17
And so I thought that was brought up because he's the guy.
Speaker:
00:29:21
I thought so too.
Speaker:
00:29:22
Yeah, I
Speaker:
00:29:23
like that's why we were giving a, and of all the people from London.
Speaker:
00:29:27
'cause if anything, I thought that the one that was gonna come from London and
Speaker:
00:29:30
be some crazy ass thing was going to be the boy that now I can't remember
Speaker:
00:29:36
Henry, was it
Speaker:
00:29:37
Henry, maybe?
Speaker:
00:29:38
Yes.
Speaker:
00:29:39
I thought that it was gonna be the guy that she stabbed and he was like, I
Speaker:
00:29:43
I lived, right?
Speaker:
00:29:44
around with a limp or something, or it just has this weird scar.
Speaker:
00:29:49
Like
Speaker:
00:29:49
didn't die.
Speaker:
00:29:51
of all the things I was not expecting.
Speaker:
00:29:53
The grand finale we got, which was exciting because usually I can figure
Speaker:
00:29:58
out who the killer is in all situations.
Speaker:
00:30:00
And I'm like, no, I don't know who this person is until she has her reaction
Speaker:
00:30:05
and then then he comes to the house, blackmailing her.
Speaker:
00:30:08
So like all of that.
Speaker:
00:30:10
And then of course we find out the thing, how like the backstory and
Speaker:
00:30:13
what happened with William Court, like the whole thing was great.
Speaker:
00:30:18
I was eating that up.
Speaker:
00:30:21
I was like, like I, it was, I read it like Wednesday night and I was like,
Speaker:
00:30:26
I'm just gonna read a little bit.
Speaker:
00:30:27
And I was like, I can't put this, I couldn't put the book down.
Speaker:
00:30:30
And
Speaker:
00:30:31
At that point you have to know,
Speaker:
00:30:33
you have to know and I give props to the author about that because you,
Speaker:
00:30:38
that wouldn't have happened without just like the perfect kind of, it's
Speaker:
00:30:42
almost like I wish the entire story were that, of just the perfect amount
Speaker:
00:30:45
of clues and you, it keeps you wanting to know more of what's going on?
Speaker:
00:30:50
So yeah.
Speaker:
00:30:51
I was, it was good.
Speaker:
00:30:52
It was finally
Speaker:
00:30:53
of course, and then of course, every time that somebody turns up
Speaker:
00:30:56
dead, her husband is the one that
Speaker:
00:30:59
That's
Speaker:
00:30:59
prime suspect, because it really could have been, like everything is adding
Speaker:
00:31:05
up, which, you know that obviously he's I never suspected that it would go in
Speaker:
00:31:10
that direction, but I love that element.
Speaker:
00:31:13
there was one time where you do think, 'cause okay, spoiler, Louisa
Speaker:
00:31:17
is murdered by this serial killer.
Speaker:
00:31:20
And there is one point where, 'cause Louisa had said something that
Speaker:
00:31:24
just really incensed him, right?
Speaker:
00:31:26
And he, we know him as a guy who is very hotheaded.
Speaker:
00:31:31
He is a flame, if you will.
Speaker:
00:31:33
He's the flame of the flame and the flower.
Speaker:
00:31:35
And so when he goes to Con, because he goes to confront her and she,
Speaker:
00:31:41
we see her that she's already dead.
Speaker:
00:31:43
He discovers, but he goes to confront her and it's oh, I could, he have been
Speaker:
00:31:48
capable of doing something like this.
Speaker:
00:31:50
And you're like, and for a second you're just like.
Speaker:
00:31:53
I don't know.
Speaker:
00:31:54
And that, to me, great writing like that I love 'cause it is just like fucking
Speaker:
00:31:59
with your equilibrium, and it's good.
Speaker:
00:32:01
Yeah.
Speaker:
00:32:02
And also I appreciated that there is a conversation between him and Heather
Speaker:
00:32:06
where he is obviously oh, thanks for believing in me, but I could have done it.
Speaker:
00:32:13
Exactly.
Speaker:
00:32:13
He even says that, he was
Speaker:
00:32:15
admits it.
Speaker:
00:32:15
he admits it and there's something.
Speaker:
00:32:18
Yeah.
Speaker:
00:32:19
Yeah.
Speaker:
00:32:19
I actually love that 'cause he was being very honest.
Speaker:
00:32:22
'cause yeah, he is hotheaded and I guess he, he could have, I don't think
Speaker:
00:32:26
he could have gone through with it, but I could see him getting to that.
Speaker:
00:32:31
'cause he, she was pushing it.
Speaker:
00:32:34
Yeah, she was
Speaker:
00:32:35
was really pushing.
Speaker:
00:32:36
Oh my God.
Speaker:
00:32:38
Yeah.
Speaker:
00:32:38
Yeah.
Speaker:
00:32:39
And and it's almost like she it, you may, it makes it seem like she knows about what
Speaker:
00:32:43
Heather did back in London and it and I was also like really stressed for Heather.
Speaker:
00:32:48
I get very str like I find it very stressful in stories when people
Speaker:
00:32:52
are being blackmailed and they can't tell their spouse and they're
Speaker:
00:32:55
like, she sold off the earrings.
Speaker:
00:32:57
Like I and she was doing all this stuff and was just
Speaker:
00:33:00
dealing with all of this alone.
Speaker:
00:33:01
But then when he would come home, she has to be the perfect wife.
Speaker:
00:33:04
That kind of stuff stresses me out in a good way.
Speaker:
00:33:06
It, for, as a reader.
Speaker:
00:33:08
And we didn't get a lot of that.
Speaker:
00:33:09
And I think that we could have gotten maybe even one more chapter of that
Speaker:
00:33:13
period of time and maybe do one less chapter of the other middle where
Speaker:
00:33:19
it's just like reliving the same daily struggle and do more of that.
Speaker:
00:33:24
'cause that could have been, there could have been so much of that
Speaker:
00:33:27
to explore where she is getting blackmailed and struggling with it
Speaker:
00:33:31
Totally.
Speaker:
00:33:32
I agree.
Speaker:
00:33:32
Yeah, absolutely.
Speaker:
00:33:33
And also maybe it was like something like, oh, okay, we wanna make sure this
Speaker:
00:33:37
is a love story, this is a romance.
Speaker:
00:33:39
But you could still infuse a lot of like romantic elements as she's
Speaker:
00:33:43
doing this, I don't know whatever.
Speaker:
00:33:45
It's okay, we're all here.
Speaker:
00:33:46
Like being like if I were writing it, blah, blah, blah, but yeah, for
Speaker:
00:33:49
Yeah, no, for sure.
Speaker:
00:33:50
I think that also, I don't think it was as popular to include any kind of suspense
Speaker:
00:33:55
besides like the gothic novels, but probably that would've been a concern.
Speaker:
00:33:59
If I go too much that route, then it would fall in that category, I imagine,
Speaker:
00:34:03
instead of the romance, which was opening in a new and different lane,
Speaker:
00:34:08
but it was strictly on the relationship.
Speaker:
00:34:11
So I guess it makes sense,
Speaker:
00:34:13
Yeah, for
Speaker:
00:34:13
like now we have all these sub genres, so we're like, oh, it should
Speaker:
00:34:16
have been more romantic thriller or romantic suspense or something.
Speaker:
00:34:19
Which is exciting because it, it tells you a lot more for the author, like
Speaker:
00:34:26
the writing of the author, that in, in a time where that was not existing,
Speaker:
00:34:31
she was able to be ahead of her time
Speaker:
00:34:34
Absolutely.
Speaker:
00:34:34
'cause like there was so many, again, like we were talking about in like
Speaker:
00:34:38
the first episode, the tropes that are introduced, you first you have
Speaker:
00:34:41
your billionaire trope introduced in this part, and then you also have like
Speaker:
00:34:45
your romantic suspense introduced in this part because I think something
Speaker:
00:34:48
that like makes romantic suspense so engaging is that our two love interests
Speaker:
00:34:54
are keeping secrets from each other.
Speaker:
00:34:55
And that is what keeps that is just like what keeps you engaged.
Speaker:
00:35:00
And so given that this is what those, this is what the final
Speaker:
00:35:03
chapter is about, is the secrets that they're keeping from each other.
Speaker:
00:35:06
It, that's why maybe it feels like it's suddenly a romantic suspense.
Speaker:
00:35:10
Yeah.
Speaker:
00:35:10
I definitely think it was so well done.
Speaker:
00:35:12
Those two chapters were like, this climactic, so well done ending.
Speaker:
00:35:18
Everything was just exploding around them in a way.
Speaker:
00:35:21
And I'm like, oh, this is great.
Speaker:
00:35:23
Yeah.
Speaker:
00:35:24
Yeah.
Speaker:
00:35:24
It was like
Speaker:
00:35:25
there's blood, there's murder, there's, Ooh,
Speaker:
00:35:28
And they, and there's also they realizing how much they love each other in the end.
Speaker:
00:35:32
Like it was like, okay, now I see why it was so popular for it.
Speaker:
00:35:36
But I think it was just these last two chapters.
Speaker:
00:35:39
Those are the last two chapters.
Speaker:
00:35:40
That's where
Speaker:
00:35:41
actually see, yeah, you actually see the love in these two chapters.
Speaker:
00:35:46
I feel like it was so believable how we got there.
Speaker:
00:35:49
'cause even as much as Birmingham was being an ass still, he managed to
Speaker:
00:35:55
find the way in these two chapters.
Speaker:
00:35:57
But you do get to see, he does care for her.
Speaker:
00:36:00
He does
Speaker:
00:36:01
yeah, like Birmingham is always gonna be an asshole, but like here,
Speaker:
00:36:05
finds a, he finds a way.
Speaker:
00:36:07
he finds a way.
Speaker:
00:36:08
Yeah.
Speaker:
00:36:08
Like I, it's like you can't change who you are, but you could change
Speaker:
00:36:12
how you are, and he does do that.
Speaker:
00:36:14
They feel like the, we've been with them so long, like they've been
Speaker:
00:36:18
married most of this book, and it finally feels like they're a couple,
Speaker:
00:36:22
that they're going to have a future.
Speaker:
00:36:24
And even going back to what he heard on the boat and because she's going through
Speaker:
00:36:29
all this stuff this blackmail, she doesn't tell him anything because she doesn't
Speaker:
00:36:33
want him to know that she killed somebody.
Speaker:
00:36:35
'cause she still thinks that she killed him.
Speaker:
00:36:37
And by the time, it's time for her to get saved again.
Speaker:
00:36:41
He already knows.
Speaker:
00:36:42
And that's where she realizes that he's known.
Speaker:
00:36:46
And I think that there is something to be said for that too,
Speaker:
00:36:50
absolutely.
Speaker:
00:36:50
Yeah.
Speaker:
00:36:51
Because I think as a reader, we think he doesn't know.
Speaker:
00:36:53
He doesn't know.
Speaker:
00:36:54
So as much as a surprise, as it is for her it's a surprise for
Speaker:
00:36:58
us as a reader, which honestly I don't know why I didn't think that.
Speaker:
00:37:02
'cause I was like, maybe he just didn't piece things together.
Speaker:
00:37:05
He just thought when she was sick, she's just saying stuff
Speaker:
00:37:07
willy-nilly, it doesn't make sense.
Speaker:
00:37:09
He doesn't really listen, but he does.
Speaker:
00:37:11
He does.
Speaker:
00:37:11
And that was surprising.
Speaker:
00:37:13
yeah.
Speaker:
00:37:13
Yeah.
Speaker:
00:37:14
And also the fact that she thought he wouldn't accept that,
Speaker:
00:37:19
finding out that, okay, your wife killed somebody, which thank God.
Speaker:
00:37:23
I mean, It goes, we go through the whole spiel and she didn't actually
Speaker:
00:37:27
kill William Court, and it was always Thomas that had done it.
Speaker:
00:37:31
But still he was fine with it.
Speaker:
00:37:33
He's
Speaker:
00:37:33
yeah,
Speaker:
00:37:34
totally fine,
Speaker:
00:37:36
to add my modern day criticism though again, the fact that he never
Speaker:
00:37:41
apologized for that night though.
Speaker:
00:37:43
Like she came in after what just happened.
Speaker:
00:37:45
He did what he did and even, and a part of him, I just wanted him to feel
Speaker:
00:37:52
like just to, I, I'm assuming, yeah.
Speaker:
00:37:55
I'm assuming he feels remorse and won't admit to it because he is a guy, whatever.
Speaker:
00:37:59
I just wanted to feel more of his remorse of oh, this happened as well,
Speaker:
00:38:03
and that made what I did incredibly worse, and just be taking, I just
Speaker:
00:38:08
wanted him to have, any ownership,
Speaker:
00:38:10
any, that's why when he said, this was the least you could do
Speaker:
00:38:15
when this guy did that to you.
Speaker:
00:38:17
So of course I don't have any problem.
Speaker:
00:38:20
And I was thinking, this is the perfect time for you to take just
Speaker:
00:38:24
this much accountability for the fact that you did the same and
Speaker:
00:38:30
you actually went through with it.
Speaker:
00:38:31
And you went through with it after knowing that she was not a prostitute.
Speaker:
00:38:36
So
Speaker:
00:38:37
Yeah.
Speaker:
00:38:38
Perfect opening was there for him to just spit out a couple of words.
Speaker:
00:38:42
I was wrong.
Speaker:
00:38:43
I was wrong.
Speaker:
00:38:44
That's all we need to hear.
Speaker:
00:38:45
It's not all we need to hear,
Speaker:
00:38:46
But that could have been something, like that would've been great.
Speaker:
00:38:51
Yeah.
Speaker:
00:38:52
Yeah.
Speaker:
00:38:52
But yeah, definitely he was way more in his feelings.
Speaker:
00:38:57
So much in his feelings about I have to have her, I have to have her.
Speaker:
00:39:01
I cannot wait any longer.
Speaker:
00:39:03
I guess I don't think of men having these like fully uncontrollable urges
Speaker:
00:39:10
that they just cannot con I don't know, is it just like happening in their body?
Speaker:
00:39:14
I don't know.
Speaker:
00:39:15
But that's, to me, that's always been weird.
Speaker:
00:39:19
Like whenever people talk about that I just can't understand that.
Speaker:
00:39:23
it does.
Speaker:
00:39:23
'Cause there's like sometimes where I'm like, sometimes I feel like, okay, we
Speaker:
00:39:27
are all animals and and men are given more leeway to be animals than women are.
Speaker:
00:39:35
You know what I mean?
Speaker:
00:39:36
Of yeah.
Speaker:
00:39:36
Like I understand like we're fueled by our hormones and stuff like that.
Speaker:
00:39:41
But if you are just gonna say, men are gonna be men, such a hypocritical
Speaker:
00:39:47
way of thinking because we're all animals, and, but all at the
Speaker:
00:39:52
same time, we are a highly like.
Speaker:
00:39:55
Conscious animals that no matter what gender you are, self-control
Speaker:
00:40:01
is like kind of what differentiates ourselves from the rest of the animals.
Speaker:
00:40:05
Yeah, basically
Speaker:
00:40:06
Yeah.
Speaker:
00:40:07
'cause I mean I had the same thought when Matt was like, I can't control myself.
Speaker:
00:40:12
I have to have you.
Speaker:
00:40:13
And I'm just thinking like this whole thing is so bizarre.
Speaker:
00:40:16
'cause it isn't that like a friend,
Speaker:
00:40:20
Yeah,
Speaker:
00:40:21
Like somebody that went to school.
Speaker:
00:40:23
With Jeff.
Speaker:
00:40:24
I couldn't remember at the time, but I'm like, this is such a weird thing
Speaker:
00:40:29
for you to feel like you have to have this person when it's a member of
Speaker:
00:40:35
what is gonna be your extended family?
Speaker:
00:40:37
'cause those friendships were so important.
Speaker:
00:40:39
It's part of the extended family.
Speaker:
00:40:41
Like I just don't get it.
Speaker:
00:40:43
It almost it feels like there was like maybe a witch who put a curse on him.
Speaker:
00:40:47
Do you know what I mean?
Speaker:
00:40:48
That's what, that's the level of what it felt like of all of these men, drank
Speaker:
00:40:53
some potion because that turned them into these possessive, like people
Speaker:
00:40:58
who needed this because it just didn't make any sense of like, all you are
Speaker:
00:41:03
like this you're like, I need this.
Speaker:
00:41:04
And I'm like, how are you not in jail?
Speaker:
00:41:07
Like how, if this is your personality and you've always been this way, like
Speaker:
00:41:11
you, why are you not in an insane asylum?
Speaker:
00:41:14
Yeah, because at some point I feel like there's gotta be women that they can
Speaker:
00:41:18
go to that are willingly doing that.
Speaker:
00:41:21
So if that urge is there, there, there's places for you to go and do that,
Speaker:
00:41:27
exactly.
Speaker:
00:41:28
still an appropriate way for you to be behave with your friend's wife.
Speaker:
00:41:33
Exactly.
Speaker:
00:41:34
It's I don't buy that.
Speaker:
00:41:35
This is your breaking point.
Speaker:
00:41:36
I think your breaking point would've come a lot sooner if this is who you are.
Speaker:
00:41:40
True.
Speaker:
00:41:41
And lastly, we finally do have the female pleasure.
Speaker:
00:41:46
As much as there is the probing, but we do get to experience the fact
Speaker:
00:41:51
that she is finally having pleasure and how she makes a comment that she
Speaker:
00:41:56
wishes she would've known that 'cause it should have been happening sooner.
Speaker:
00:42:00
Exactly.
Speaker:
00:42:01
Yeah.
Speaker:
00:42:02
Yeah.
Speaker:
00:42:02
It was really nice to see her take ownership of her full womanhood.
Speaker:
00:42:07
I will say there was a raunchy line that I was surprised to see in there and as like
Speaker:
00:42:11
a horn ball loser like me he was like, there was like one point where he was
Speaker:
00:42:16
like, now you're gonna go on another ride.
Speaker:
00:42:18
And I'm like, okay, this is good.
Speaker:
00:42:20
This is good.
Speaker:
00:42:21
It, I wasn't expecting it.
Speaker:
00:42:23
It was so raunchy.
Speaker:
00:42:24
And it's a joke that we would make these days if we wanted to be our
Speaker:
00:42:28
little perverted horn ball selves.
Speaker:
00:42:30
And I was like, okay, this feels, that felt very real.
Speaker:
00:42:34
Yeah, for sure.
Speaker:
00:42:34
Like after the one night where there's the probing, like after
Speaker:
00:42:38
that they feel so real as a couple.
Speaker:
00:42:40
Exactly.
Speaker:
00:42:41
'cause they're finally making like naughty, they make naughty
Speaker:
00:42:43
comments towards each other.
Speaker:
00:42:45
And I was like, this naughty comments have stood the test of time.
Speaker:
00:42:48
And now I know.
Speaker:
00:42:50
Yes, for sure.
Speaker:
00:42:52
So that was the end of finally the book.
Speaker:
00:42:55
What is your overall feeling of the book and like where it places, for you.
Speaker:
00:43:02
it's funny, there was one thing that I wrote down where I was like,
Speaker:
00:43:07
this is the first bodice ripper.
Speaker:
00:43:09
But in reality, no bodice was ripped.
Speaker:
00:43:12
It was her shift.
Speaker:
00:43:14
And we haven't been calling these shift rippers.
Speaker:
00:43:17
This is true.
Speaker:
00:43:18
yeah, I, from a like, historical context I am glad that I read it.
Speaker:
00:43:22
I like, and it did keep me engaged.
Speaker:
00:43:26
It was a good read.
Speaker:
00:43:27
It I know for what it is, I, I acknowledge, oh gosh.
Speaker:
00:43:33
I don't know.
Speaker:
00:43:34
I'm just saying I'm glad I read it.
Speaker:
00:43:36
I appreciate what it did and how it its existence has led to the existence
Speaker:
00:43:42
of one of my favorite pastimes.
Speaker:
00:43:44
So I will give it that it, but I think, both things can be true.
Speaker:
00:43:49
It's a book that, that I appreciate, but a book that I also, that was
Speaker:
00:43:54
also incredibly hard for me to digest because of what he does.
Speaker:
00:43:59
And I think if we're gonna live in a world where like multiple things can be
Speaker:
00:44:02
true for people, I think that it, with the multiple things can be true with
Speaker:
00:44:07
the things that people make as well.
Speaker:
00:44:09
And yeah.
Speaker:
00:44:10
yeah, for sure.
Speaker:
00:44:11
I think that it has, from a romance point of view, it did have a lot of value.
Speaker:
00:44:16
I think definitely these last two chapters is probably what really
Speaker:
00:44:20
brought the whole thing together.
Speaker:
00:44:23
I can totally see how that would've been.
Speaker:
00:44:26
Such an important moment for women for, the opening of the romance genre
Speaker:
00:44:30
as a whole and like the structure.
Speaker:
00:44:32
I could see the structure of a romance novel, even though now we're more used
Speaker:
00:44:37
to the, oh, the half of the book or whatever is them getting together.
Speaker:
00:44:40
And then the struggle of them starting to be together than a lot of times
Speaker:
00:44:44
the third act breakup and whatever.
Speaker:
00:44:46
And then they're finally, okay, maybe there's a marriage at the end
Speaker:
00:44:49
and here we go in a different order.
Speaker:
00:44:53
But, But I can totally see how this set of precedent for how
Speaker:
00:44:59
other things were going to go.
Speaker:
00:45:01
And I do think that there is merit to the hypothesis that women needed some
Speaker:
00:45:08
of that forcing in order to be given the permission to enjoy themselves.
Speaker:
00:45:15
Completely agree.
Speaker:
00:45:16
Yeah.
Speaker:
00:45:16
'cause I feel like I just remember thinking of like the autobiography I
Speaker:
00:45:21
read this or the biography of the guy who wrote Wonder Woman and how there
Speaker:
00:45:25
was a lot of like Wonder Woman being tied up and was it indicative of his
Speaker:
00:45:28
personal life with his two wives of did they enjoy being restricted and
Speaker:
00:45:34
does some level of restriction help you understand pleasure more and like that
Speaker:
00:45:40
dynamic and so something that like looks.
Speaker:
00:45:44
Like crazy to us from an outside perspective of is this person being
Speaker:
00:45:48
hurt or, to be taken advantage of?
Speaker:
00:45:50
Oh no, it was, maybe it was something that, I don't know sometimes like
Speaker:
00:45:53
you need to be, get really dark and really just, go past boundaries in
Speaker:
00:45:59
order to understand what you do.
Speaker:
00:46:00
Like this.
Speaker:
00:46:02
I think the boundary went too far, but I understand the need to do things that
Speaker:
00:46:08
seem surprising, maybe that seem gross or unexpected or maybe not nice in order
Speaker:
00:46:15
to see where you are at in terms of what you like, what is pleasurable to you.
Speaker:
00:46:21
Yeah.
Speaker:
00:46:21
Yeah, totally.
Speaker:
00:46:22
I think that there's also a lot to be said for, there's a lot of people that,
Speaker:
00:46:26
in removing that act of deciding what?
Speaker:
00:46:30
What do I even want to try?
Speaker:
00:46:32
But removing that, it's liberating for some people.
Speaker:
00:46:35
Yeah.
Speaker:
00:46:36
Yeah.
Speaker:
00:46:37
Yeah.
Speaker:
00:46:37
So definitely I can see where this really shifted the market.
Speaker:
00:46:41
Also, the fact that it was purely written for the female gaze in some ways.
Speaker:
00:46:47
This was not written for men, that's for sure.
Speaker:
00:46:51
and what's astounding about this book in particular is that they
Speaker:
00:46:55
were like, let's sell it to women.
Speaker:
00:46:57
Let's not, but they weren't saying, let's not sell it to women readers.
Speaker:
00:47:00
They were like, let's sell it to women.
Speaker:
00:47:02
It was made only in paperback, and they were like, let's
Speaker:
00:47:05
sell it at grocery stores.
Speaker:
00:47:07
Everyone goes to a grocery store.
Speaker:
00:47:09
At the time I'm sure it was every woman goes
Speaker:
00:47:12
Yes.
Speaker:
00:47:13
That was at the grocery store.
Speaker:
00:47:14
and so it is like astounding to to, to that, that like to
Speaker:
00:47:19
see how the market adjusted.
Speaker:
00:47:22
And I was thinking like the other day about like how
Speaker:
00:47:27
romance novels are very safe.
Speaker:
00:47:29
Safe space.
Speaker:
00:47:30
Like it's a safe space to explore desire and to see it.
Speaker:
00:47:34
I imagine, I'm imagining that like, when you're seeing it in line at
Speaker:
00:47:37
the checkout station in like the 1970s, you've just bought everything
Speaker:
00:47:40
that you need for your family.
Speaker:
00:47:42
This is a safe space.
Speaker:
00:47:44
And to see it there like I, I imagine that someone being like, okay, we see you like
Speaker:
00:47:50
that acknowledgement of we see you and we see what you want and this is safe.
Speaker:
00:47:54
No ma, despite this content, like I, I imagine people felt very good about
Speaker:
00:48:00
that and like finally felt oh, I can be in touch with something that I
Speaker:
00:48:04
felt like needed to be tamped down.
Speaker:
00:48:06
It doesn't have to be anymore.
Speaker:
00:48:08
And there's a beauty in that and a remarkable kind of
Speaker:
00:48:11
revolution in that as well.
Speaker:
00:48:13
Yeah.
Speaker:
00:48:13
Especially when it comes to female pleasure, that up to that
Speaker:
00:48:17
point, not to be talked about.
Speaker:
00:48:20
Not to even be enjoyed, it's like sex was really not for women to
Speaker:
00:48:25
enjoy or have pleasure, like it's their duty and they're supposed to.
Speaker:
00:48:31
Do.
Speaker:
00:48:32
But yeah, I think this, there's some revolution in giving them the permission,
Speaker:
00:48:38
even if it's on paper, even if nobody in their life is telling them these things.
Speaker:
00:48:42
But there is a place where, yeah, actually we can feel those things
Speaker:
00:48:47
and we can explore those things.
Speaker:
00:48:49
And obviously even there is a subset in romance right now
Speaker:
00:48:53
where you do have non-consent and all of these things explored.
Speaker:
00:48:58
And I do think that there is something to be said for exploring those things.
Speaker:
00:49:03
Or even maybe you don't want to explore them in real life, but reading them
Speaker:
00:49:08
within the safe context of the book and analyzing your reaction to it or whatever,
Speaker:
00:49:14
it's, there is still value in that.
Speaker:
00:49:17
And I feel like with the existence of romance it like a and aside from
Speaker:
00:49:23
like any other genre, is that it, the existence of any book that you see
Speaker:
00:49:28
is going to tell you're not alone.
Speaker:
00:49:31
You're not alone in having this desire.
Speaker:
00:49:33
You're not alone in thinking about this.
Speaker:
00:49:35
Like I, and I think that there's a level of like.
Speaker:
00:49:38
Solidarity that like, just by seeing the title, you realize, okay, like
Speaker:
00:49:45
other people think about this too.
Speaker:
00:49:47
There's a desire out there.
Speaker:
00:49:49
I'm not weird, in a bad way or anything.
Speaker:
00:49:51
And I think that I'm curious if romance is the genre that kind of does that
Speaker:
00:49:55
more than most genres, who knows?
Speaker:
00:49:57
But yeah,
Speaker:
00:49:59
Yeah.
Speaker:
00:49:59
'cause how many people are really going to identify with elves in
Speaker:
00:50:03
the middle of a forest looking
Speaker:
00:50:05
exactly.
Speaker:
00:50:06
Yeah.
Speaker:
00:50:06
You're not alone.
Speaker:
00:50:07
Yeah.
Speaker:
00:50:08
You're not the only elves.
Speaker:
00:50:09
You're not alone in believing that dragons are real, yeah.
Speaker:
00:50:11
Yeah.
Speaker:
00:50:12
Yeah.
Speaker:
00:50:12
But I definitely think that, and I think it's also, it can also be
Speaker:
00:50:15
very healing for people because we make up these things in our mind,
Speaker:
00:50:21
telling us, like telling ourselves how this is wrong, that is wrong.
Speaker:
00:50:25
What you're feeling is this and that, and all of that creates so
Speaker:
00:50:29
many feelings that when we are able to see that other people are feeling
Speaker:
00:50:34
that, other people are exploring that and it gives us that safe space.
Speaker:
00:50:37
It is also healing.
Speaker:
00:50:40
Absolutely.
Speaker:
00:50:40
Because again, I think there's still this kind of misconception, or maybe
Speaker:
00:50:45
not, I don't know, but of people kind of one-to-one romance novels with porn.
Speaker:
00:50:50
Seeing that okay, this is graphic sex.
Speaker:
00:50:53
This is must be white men flock towards porn.
Speaker:
00:50:56
I don't know if people are going to porn because they're like, this is
Speaker:
00:51:00
a safe space and this is healing.
Speaker:
00:51:01
Maybe I don't know everyone in the world, but I think that something that like
Speaker:
00:51:07
like oftentimes like the, I like people think I imagining, people think readers
Speaker:
00:51:13
go to romance for the titillation and the sexuality of it all and the pleasure.
Speaker:
00:51:19
But I think that there's something to be said about.
Speaker:
00:51:22
Maybe it isn't about that.
Speaker:
00:51:23
Maybe it's more about the safety and being seen and being like cozy, dare I say?
Speaker:
00:51:29
Like the, I think that is just as important as what the content is,
Speaker:
00:51:33
it's just that the content is there.
Speaker:
00:51:35
And yeah.
Speaker:
00:51:37
Yeah, the content is the vehicle, how you get there.
Speaker:
00:51:39
But I think that the whole point of the romance, obviously what you're
Speaker:
00:51:42
guaranteed, no matter what kind of romance you're reading, is that happily ever
Speaker:
00:51:45
after and in whatever way it is that is cozy, that is the comforting part.
Speaker:
00:51:51
Even with this book ending with, all the crazy stuff and all the killer
Speaker:
00:51:57
and this and that, but it was cozy in that we get to see a character
Speaker:
00:52:02
that we've seen go through so much, have that happily ever after and
Speaker:
00:52:08
have that happy ending and there's always going to be comfort in that.
Speaker:
00:52:11
Absolutely.
Speaker:
00:52:12
Yeah.
Speaker:
00:52:12
I, for me, like I know we talked about this in the first episode, but I'm just,
Speaker:
00:52:16
like I read, I find coziness in story structure, a simple story structure
Speaker:
00:52:21
where I know where the character's at.
Speaker:
00:52:23
It's very heightened.
Speaker:
00:52:24
There's something very appealing to me.
Speaker:
00:52:26
It's very simple.
Speaker:
00:52:27
Not in a bad way, but like in a cozy way and I think that, yeah.
Speaker:
00:52:32
Yeah.
Speaker:
00:52:33
Yeah, for sure.
Speaker:
00:52:33
So I think definitely I am glad to have read it.
Speaker:
00:52:37
I don't know if I feel comfortable writing this book at all, because I feel like
Speaker:
00:52:42
it's so difficult, like no matter what I do, I'm gonna rate it with my perception
Speaker:
00:52:47
of today, which I think in a way, it is doing a disservice to the book, because
Speaker:
00:52:52
it could never be, it's almost like saying that I'm gonna rate something
Speaker:
00:52:57
that I loved when I started reading, which I probably rated five stars a lot
Speaker:
00:53:04
of crap, because it was all new to me.
Speaker:
00:53:07
So I, I almost don't feel like it's right for me to do that.
Speaker:
00:53:11
I don't know how you feel
Speaker:
00:53:12
it's like writing a Amazon review on the Bible in a way of
Speaker:
00:53:16
feels like that.
Speaker:
00:53:17
yeah.
Speaker:
00:53:17
Are you gonna do that?
Speaker:
00:53:18
Do who are the people that like, it's I'm
Speaker:
00:53:20
sure there's people.
Speaker:
00:53:21
Yeah.
Speaker:
00:53:21
Now I have to look at this for sure.
Speaker:
00:53:23
There's people,
Speaker:
00:53:24
Yeah.
Speaker:
00:53:25
It just feels so like what?
Speaker:
00:53:27
Yeah.
Speaker:
00:53:28
That's really,
Speaker:
00:53:30
but it's a great comparison 'cause that's how I'm feeling.
Speaker:
00:53:33
Like I can't give this book a rating.
Speaker:
00:53:36
It's an experience to be had and that's it.
Speaker:
00:53:40
Yeah.
Speaker:
00:53:41
It's like giving a Yelp review on your own house.
Speaker:
00:53:43
It's like, why?
Speaker:
00:53:44
This isn't, yeah.
Speaker:
00:53:46
Yeah.
Speaker:
00:53:47
Yeah.
Speaker:
00:53:47
So definitely that's how I'm feeling on ratings.
Speaker:
00:53:49
But I enjoyed myself.
Speaker:
00:53:51
I think that the writing was, it did have, its up ups and downs for sure,
Speaker:
00:53:56
but it definitely kept me interesting, interested way more than I was expecting
Speaker:
00:54:01
Same here.
Speaker:
00:54:02
I was expecting, honestly, to be like, this was gonna feel like
Speaker:
00:54:07
reading a book for English class.
Speaker:
00:54:09
Like I wasn't, I was gonna be bored.
Speaker:
00:54:11
And granted, there were parts where I was like, the pacing is slow and maybe
Speaker:
00:54:15
that is a sign of boredom for the reader.
Speaker:
00:54:19
I wasn't I was engaged.
Speaker:
00:54:20
And I think that's like the best thing that any book can do, is keep you engaged.
Speaker:
00:54:25
It's, especially nowadays where I, we all get distracted so easily and
Speaker:
00:54:29
you've really gotta do a good job to maintain someone's intention.
Speaker:
00:54:33
Catherine e would've was, did that with this and so I, I give her props.
Speaker:
00:54:37
All the
Speaker:
00:54:37
for sure, and especially for a book that we are reading so many years
Speaker:
00:54:42
after it was published, and it is still able to do that with having
Speaker:
00:54:47
to compete with all the, bells and whistles that are pulling our attention.
Speaker:
00:54:51
Yeah, definitely that's something that really stood out to me.
Speaker:
00:54:55
But Becky, we didn't talk about the baths.
Speaker:
00:54:58
Oh yeah.
Speaker:
00:54:59
There were still so many baths.
Speaker:
00:55:01
We mentioned it when he took a bath in the river, but the baths continued.
Speaker:
00:55:04
Guys.
Speaker:
00:55:05
The
Speaker:
00:55:05
Oh my God.
Speaker:
00:55:07
It's all about baths.
Speaker:
00:55:09
There was a bath where I thought there was going to be another opportunity
Speaker:
00:55:12
for a sex scene where he sees her taking the bath with the sponge and
Speaker:
00:55:17
whatever in the water, and he just looks at her for a little bit and then
Speaker:
00:55:20
he goes, which I appreciated that scene because that was a scene of connection.
Speaker:
00:55:25
I will accept that.
Speaker:
00:55:26
But then there's a lot of bath just in passing conversation.
Speaker:
00:55:30
It's yeah, he took a bath and then he got dressed and then he went on about the day,
Speaker:
00:55:34
or she went to take a bath because she was stressed out and she needed to relax and
Speaker:
00:55:39
I know there, I've even wrote down more baths.
Speaker:
00:55:42
OMG, like that's what I wrote.
Speaker:
00:55:44
so many baths.
Speaker:
00:55:46
Yeah.
Speaker:
00:55:46
I like
Speaker:
00:55:47
I need somebody to explain that to me.
Speaker:
00:55:50
I think it was like back then, like it was the only thing that was comforting.
Speaker:
00:55:55
It's not like they had a, Brooks Brothers neck massager that they could go to.
Speaker:
00:55:59
The bath was the only thing.
Speaker:
00:56:01
but I thought the baths was like a once in a while thing because it was
Speaker:
00:56:05
such a big production to, put together,
Speaker:
00:56:09
I know.
Speaker:
00:56:09
not in this house
Speaker:
00:56:10
Not in this house though.
Speaker:
00:56:11
They have baths all the time.
Speaker:
00:56:13
all the time.
Speaker:
00:56:13
All the time.
Speaker:
00:56:15
It was a good time.
Speaker:
00:56:16
It was a good time.
Speaker:
00:56:17
Yeah.
Speaker:
00:56:18
I, and there I wanted like penetrative sex in a bath like,
Speaker:
00:56:23
It needed that I'm just gonna say it, with so many baths, it needed
Speaker:
00:56:28
And we needed the payoff.
Speaker:
00:56:29
But that's just me and my own horn ball.
Speaker:
00:56:31
Desires of if don't introdu, don't introduce something that
Speaker:
00:56:35
they're not gonna have sex in.
Speaker:
00:56:36
Come on.
Speaker:
00:56:37
Yeah, I think that was definitely too much for the times.
Speaker:
00:56:41
It was, it's a chekov's law, but Sure.
Speaker:
00:56:43
Fine.
Speaker:
00:56:44
Yeah,
Speaker:
00:56:47
For sure.
Speaker:
00:56:49
Thank you for doing this whole experiment.
Speaker:
00:56:51
I
Speaker:
00:56:52
This was fun.
Speaker:
00:56:53
this was so fun.
Speaker:
00:56:54
Honestly, this has been such a fun two weeks that's made me like,
Speaker:
00:56:58
especially now looking, doing my show versus reading this and it's making
Speaker:
00:57:04
me like, I love the opportunities to appreciate romance in different ways.
Speaker:
00:57:10
Two months ago it was with heated rivalry, and that coming out made me
Speaker:
00:57:13
appreciate romance and now doing this.
Speaker:
00:57:15
Has made me really given me a new appreciation of it.
Speaker:
00:57:18
So it is like nice to just learn new things about yourself as
Speaker:
00:57:21
you read a genre that you love.
Speaker:
00:57:24
Yeah.
Speaker:
00:57:24
Yeah.
Speaker:
00:57:24
And I think it's also important to read things where.
Speaker:
00:57:28
Sometimes, maybe it's not the normal thing that you're reading, but by reading
Speaker:
00:57:31
something a little bit outside of that, it really opens up your perception.
Speaker:
00:57:36
Whether it's things about yourself or things about what you like or don't like
Speaker:
00:57:41
or what you can appreciate and where with something like this, where it's
Speaker:
00:57:45
come from, how it's changed, like even how historical romance itself, 'cause
Speaker:
00:57:50
obviously this was written as a historical romance, even though it feels historical
Speaker:
00:57:55
already, like for us, talking now.
Speaker:
00:57:58
So it's like a historical of a historical, but it historical romance
Speaker:
00:58:03
in general has evolved so much
Speaker:
00:58:05
Yeah,
Speaker:
00:58:06
from what you expect today.
Speaker:
00:58:08
Yeah, I think that and I could be completely wrong about this, but I think
Speaker:
00:58:12
that like for the longest time when you would think about historical romance,
Speaker:
00:58:17
and it felt like there were so many rules as to what you can do with historical
Speaker:
00:58:21
romance, like what you can put in, and I don't know if it was maybe bridger's or
Speaker:
00:58:27
I don't know what it was, or new authors coming out, but just seeing them realize,
Speaker:
00:58:31
like be like, we can break the, it doesn't have to be so stringent, these rules
Speaker:
00:58:36
of what can be in a historical romance.
Speaker:
00:58:38
'cause let's not forget the romance part.
Speaker:
00:58:40
And so it has been nice to see, I don't know, like like different, just having fun
Speaker:
00:58:47
with it more versus we don't need to be reminded that history was like terrible.
Speaker:
00:58:53
You know what I mean?
Speaker:
00:58:54
Like at the cost of a, of the romance of the story,
Speaker:
00:58:57
yeah, for sure.
Speaker:
00:58:58
Also, I think historical romance did go through a period where it
Speaker:
00:59:01
was all ballrooms in England, and it was refreshing to go back in time to
Speaker:
00:59:07
the original, and that's not what it was, so it's almost like we had the,
Speaker:
00:59:14
I'm gonna call it the fun stories, even though, there's horrible things
Speaker:
00:59:18
happening here, but in a way, there was a lot more freedom that the author
Speaker:
00:59:23
and I imagine other authors of the time were exploring with their stories.
Speaker:
00:59:27
And then somehow we got to the cookie cutter, London ballrooms
Speaker:
00:59:33
and all the things, and now we're coming back out of that.
Speaker:
00:59:36
So it almost feels like it was cyclical.
Speaker:
00:59:38
Yeah, totally.
Speaker:
00:59:38
I think this was before a time I, where this book came out when I, it
Speaker:
00:59:42
felt like it was a great experiment, now, you, everyone has, most people
Speaker:
00:59:47
have become aware of how popular the romance genre is and they're making
Speaker:
00:59:51
products that are very much data driven.
Speaker:
00:59:54
People love the historical romances, that's regency.
Speaker:
00:59:57
So yeah, publishers are gonna be like, we're gonna look for Regency now.
Speaker:
01:00:02
That people are like, we are like with certain tropes, with certain
Speaker:
01:00:05
characters, but this was just before all that where they're like, let's see.
Speaker:
01:00:08
And, so that, that's what's, that's also what feels very refreshing by reading
Speaker:
01:00:12
it because it feels wholly original.
Speaker:
01:00:15
Like this is something that someone just came up with that they wrote
Speaker:
01:00:19
because they were desiring it.
Speaker:
01:00:21
It had nothing to do with finding an agent.
Speaker:
01:00:23
They weren't doing it to get, like with query letters.
Speaker:
01:00:28
Not that there's anything wrong with that.
Speaker:
01:00:29
I would love to, whatever.
Speaker:
01:00:30
Like there wasn't just today where it just, you're just inundated with all
Speaker:
01:00:35
these like people telling you of what's gonna sell, what's not gonna sell?
Speaker:
01:00:38
How do you do it?
Speaker:
01:00:39
How do you do this?
Speaker:
01:00:40
This was just written out of just the love of writing and I, and that's pretty cool.
Speaker:
01:00:45
Yeah.
Speaker:
01:00:45
And you can actually tell that's how it was written.
Speaker:
01:00:48
And if anything if I could tell publishers anything today is to stop doing that.
Speaker:
01:00:53
Take more risks, like this was a risk, and look what happened.
Speaker:
01:00:57
Exactly.
Speaker:
01:00:58
because those are the stories that are going to connect with readers
Speaker:
01:01:02
50 years from now, as you can see.
Speaker:
01:01:05
Yeah, absolutely.
Speaker:
01:01:06
And I am looking for different, writing jobs, with writing an interactive
Speaker:
01:01:10
romance or working for, audio kind of serialized things that they just
Speaker:
01:01:15
wanna churn out content after content.
Speaker:
01:01:17
And they're all looking for these same things and it's just not that
Speaker:
01:01:21
the, not that what they're requiring isn't fun but it is so stringent
Speaker:
01:01:27
that we're like diminishing, there could be some great ideas brewing
Speaker:
01:01:30
that aren't, I don't know, getting made in the same way that this was.
Speaker:
01:01:34
And yeah.
Speaker:
01:01:35
not getting the attention right, because I feel like, especially with
Speaker:
01:01:39
publishers, they see something's working, so now they want to replicate that.
Speaker:
01:01:45
And obviously is a risk when you're going to publish something that no,
Speaker:
01:01:50
there is no proven path forward.
Speaker:
01:01:52
So it's not a guaranteed investment and, but if you don't make that
Speaker:
01:01:57
guaranteed investment, you're not gonna make that huge something that's
Speaker:
01:02:00
gonna be super, super popular has to be a unique story like this,
Speaker:
01:02:04
absolutely.
Speaker:
01:02:05
I think, and right now we're seeing, at least on the mobile
Speaker:
01:02:07
apps and stuff I'm seeing a lot of
Speaker:
01:02:09
yeah.
Speaker:
01:02:10
is the big thing, and it's it wasn't about the hockey, you know what I mean?
Speaker:
01:02:13
But maybe it was, I don't know.
Speaker:
01:02:15
Like it, it just, what are it?
Speaker:
01:02:17
It was about the characters.
Speaker:
01:02:18
It was about like these, and.
Speaker:
01:02:20
The yearning of it all.
Speaker:
01:02:21
It, but it's just, again, like you have AI doing algorithms of what's selling.
Speaker:
01:02:27
Okay.
Speaker:
01:02:27
It's hockey.
Speaker:
01:02:28
Peop that must mean people are into hockey and it's then someone's gonna make a
Speaker:
01:02:32
hockey thing and it's not gonna be good.
Speaker:
01:02:33
And then everyone's gonna think everyone hates hockey.
Speaker:
01:02:36
And it's we
Speaker:
01:02:37
Let's not publish any more hockey
Speaker:
01:02:38
exactly.
Speaker:
01:02:39
Yeah.
Speaker:
01:02:39
And it's just oh, you need to list, let artists be artists, and just let
Speaker:
01:02:44
them use their brain to just write about what it means to be human.
Speaker:
01:02:47
And that's the key.
Speaker:
01:02:49
But, I'm just sitting here as an unpublished author, just sitting
Speaker:
01:02:52
back and just, criticizing everything around me and not doing anything
Speaker:
01:02:56
about it in terms of my own career.
Speaker:
01:02:58
So there you go.
Speaker:
01:03:00
I think it, it is so difficult in today's world and how everything is
Speaker:
01:03:04
set up because you can have the best original idea, but it is difficult
Speaker:
01:03:10
to get it in front of enough eyeballs and enough people, whether, going the
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01:03:15
traditional route and an agent and query letters and all the things, or going
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01:03:20
the indie route and just putting it out there and trying to do it yourself.
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01:03:24
I think regardless, it's difficult no matter which way, but I do think that
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01:03:30
at least from my perspective or the corners of the internet that I happen to
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01:03:34
come across, I think people are really looking for that right now because there
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01:03:39
is so much of the same, that everything just feels the same, which it is.
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01:03:45
So they're tired of that.
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01:03:47
And actually it's one of the reasons why I have seen so many people
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01:03:50
start to read all their books.
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01:03:52
Interesting.
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01:03:53
Yeah.
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01:03:54
Especially how publishers are not publishing right now or canceling a lot of
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01:03:58
contracts for historical romances today.
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01:04:02
And I am seeing so many young tiktokers getting into historical romance and going
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01:04:06
to the used book sales and picking up the old Lisa Kleypas and the old, Christina
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01:04:12
Dodd and like all these old historicals because they want something different.
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01:04:17
Yeah it's very fascinating to me that it's it's not necessarily
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01:04:20
about the sub genre here.
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01:04:22
Like I, I think, yeah, there's like certain popular sub genres,
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01:04:25
but it's something deeper that I am not smart enough to know.
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01:04:30
I'm is it just the writer?
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01:04:31
Is it the characters?
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01:04:32
Is how fleshed out the characters are in any sub genre.
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01:04:36
You know what I mean?
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01:04:37
It's not necessarily about like where they are.
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01:04:40
I
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01:04:40
I think the only difference with historical romance, at least.
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01:04:44
Not necessarily like currently being written historical references, but
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01:04:48
like two thousands, 2010s right around the roundabout there, maybe 1990s.
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01:04:54
I feel like those were really like deeper in character development and struggles
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01:05:01
just because the times that the characters find themselves in provides so much
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01:05:06
struggle to get, overcome whatever issues.
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01:05:09
Maybe it's class differences, maybe it's actual, pirates and things.
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01:05:14
And I feel like that does add a certain level of intensity to the
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01:05:19
relationship just in and of itself.
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01:05:22
And the authors that were writing in those genres really worked on the yearning.
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01:05:27
And because the customs of the time.
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01:05:31
It was all about that, that one look and that one, maybe a brush of the hand.
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01:05:35
And I think that it lends itself to deliver some of that yearning
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01:05:40
that you are not gonna find necessarily in a contemporary.
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01:05:43
It's why people, it's like what you're saying about the hand brush and whatever.
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01:05:46
I'm like that's Amish romance today.
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01:05:48
It's interesting oh God, I was gonna say something.
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01:05:50
Like I, I feel like with everything is so transparent these days in terms of
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01:05:56
like our parasocial relationships with authors and it's creepy and it's weird.
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01:06:02
And actually it is very creepy and weird, but I. I think that readers
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01:06:07
want to read something from their author, quote unquote friends that
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01:06:12
they know this author enjoyed writing.
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01:06:15
No reader wants to read something that like, felt like a task for the
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01:06:19
author, and they're just doing that.
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01:06:20
Here you go, you happy?
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01:06:22
No one wants that.
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01:06:23
No one wants to receive anything with that attitude.
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01:06:25
So yeah.
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01:06:27
Yeah.
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01:06:27
So hopefully they get their ish together, is
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01:06:30
Yeah.
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01:06:30
Yeah.
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01:06:31
And not to,
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01:06:31
give us more of this like unique stories, something wild and
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01:06:35
out there and see how it does.
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01:06:37
Yeah.
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01:06:38
And this isn't to like diminish authors, like if you get an assigned
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01:06:40
thing and you enjoy writing, I'm not whatever, but I'm just saying you
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01:06:44
can I think as human beings, we can tell when the author is having such a
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01:06:49
good time writing something and it's makes that book even more special.
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01:06:53
Yeah.
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01:06:54
Agreed.
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01:06:54
Definitely.
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01:06:55
I do think that Kathleen E Woodiwiss enjoyed writing that
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01:06:59
I think she, I like she had a blast and that at the end of
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01:07:03
the day makes you like you.
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01:07:04
We just read a late someone's labor of love, which is way better
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01:07:08
than anything manufactured by ai.
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01:07:11
You know what I mean?
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01:07:12
And
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01:07:12
For sure.
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01:07:16
and that is the end of our discussion for Chapters nine and 10 of The Flame
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01:07:20
and the Flower by Kathleen e Woodiwiss.
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01:07:22
I hope you've enjoyed the ride so far.
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01:07:24
But we are not done with the ripped in ravished Book Club
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01:07:27
because coming up next, we're gonna be talking to some authors who love
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01:07:31
the book when it originally was released and coming on to speak on
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01:07:35
their experience with reading the book, loving the book originally,
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01:07:38
and how that translates to today.
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01:07:40
So stay tuned for that coming up soon.
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01:07:43
And in the meantime, don't forget to let us know what you thought of
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01:07:46
the book by replying to our email.
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01:07:48
So be sure that you are subscribed to the Ripped and Ravished newsletter.
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01:07:52
I will leave all of those links down below.
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01:07:54
also remember to go and follow Becky at the Too Stupid to Live podcast where
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01:07:59
she reviews romance novels $5 and under.
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01:08:01
I will leave also all her links in the show notes down below.
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01:08:04
But for today, that is all I have for you guys, and I will see you in the next one.
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01:08:08
Bye.