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Knitting for meaning and community with Ros Edwards
Episode 22nd December 2021 • Why I Knit • Dr Mia Hobbs
00:00:00 00:48:46

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Ros Edwards is a prolific knitter who has had a bed-bound illness for the past 5 years. Ros speaks about how knitting helps her to manage chronic pain and the psychological distress of her illness. Ros also speaks about the importance of the connections she has made in the yarn community, and that she uses her yarn and pattern purchases to demonstrate her values.

View the transcript on the captivate player

Follow Ros on Instagram: @rosem0nde

Find out more about Dr Mia Hobbs, the Why I Knit Podcast and read the blog on the website

Yarns and patterns discussed in this episode:

FindYour Fade Shawl — Drea Renee Knits

Stephen West Vertices Unite PATTERNS - Westknits

Cosy memories Blanket Ravelry: Cozy Memories Blanket pattern by Shelley Dupont

Susan Lin Swoon Sweater Ravelry: SwoonSweater pattern by Susan Lin

Sea Glass Tee Wool & Pine Designs Seaglass Tee | Wool & Pine(woolandpine.com)

Sussurus pullover Issue 32: Spring2020 – Pom Pom Publishing (pompommag.com)

Somerset Yarns SomersetYarns by SomersetYarns on Etsy

Marina Skua yarn Hand-dyedBritish yarn and fibre – Marina Skua

Boskularjumper knitting pattern – Marina Skua

Telja sweater Ravelry: Telja pattern byJennifer Steingass

Myak yarn mYak Tibetan FibermYakTibetan Fibers | Ethically Sourced Yarn from the Tibetan Plateau

Home | GarnStories -hand dyed yarns

Igawa Pattern  Ravelry: Igawa pattern byJunko Okamoto

Transcripts

Mia Hobbs:

Hello, and welcome to the Why I Knit podcast. My

Mia Hobbs:

name is Dr. Mia Hobbs and I'm a clinical psychologist who is

Mia Hobbs:

passionate about knitting and its benefits for our mental

Mia Hobbs:

health. Each episode I interview a knitter to ask them why they

Mia Hobbs:

knit and how it has benefited their mental well being. This

Mia Hobbs:

week I'm talking to Ros Edwards. Ros is a prolific knitter who

Mia Hobbs:

has had a bed bound illness for the last five years. She's

Mia Hobbs:

turned to knitting to help manage her ME. You can find

Mia Hobbs:

links to Ros's Instagram and all the yarns and patterns she

Mia Hobbs:

mentions in the show notes.

Mia Hobbs:

So hi, Ros. Welcome to the podcast.

Ros Edwards:

Hi.

Ros Edwards:

Thanks for having me.

Mia Hobbs:

You're very welcome.

Mia Hobbs:

And your background looks beautiful. I should just tell

Mia Hobbs:

the listeners that you've got all your amazing colourful

Mia Hobbs:

shawls in the background and a lovely knitted patchwork blanket

Mia Hobbs:

over the chair.

Ros Edwards:

Yes, that's right. It's a cosy memories blanket

Ros Edwards:

which I've stolen back from my son.

Mia Hobbs:

just borrowing it. So I'd be really interested to hear

Mia Hobbs:

where your story with knitting began.

Ros Edwards:

Well, it began really officially with him. And

Ros Edwards:

when I was pregnant with him, I suddenly thought, so this was 12

Ros Edwards:

years ago, I suddenly thought I need to knit, my mother had

Ros Edwards:

always knit when we were younger. And I hadn't had any

Ros Edwards:

interest in it until I became pregnant.

Mia Hobbs:

Do you learn as a kid at all?

Ros Edwards:

No, I didn't learn from her. My granny knit us

Ros Edwards:

loads as well, but didn't learn from her either. But I think

Ros Edwards:

some of it must have sunk in kind of through osmosis or

Ros Edwards:

something. Because once I started and I was learning

Ros Edwards:

through books at the time, once I started, it all felt very

Ros Edwards:

natural. And I started off with a patchwork blanket, and which I

Ros Edwards:

didn't finish. I was working when I was pregnant. And I was

Ros Edwards:

very, very sick. So I didn't finish it. Then I had my

Ros Edwards:

beautiful boy and didn't knit again then for another six

Ros Edwards:

years. At which point he said to me 'you know, all those

Ros Edwards:

patchwork squares you've got that didn't make it into a

Ros Edwards:

blanket. Could you make me a bear? ' Yeah, sure, I'll make

Ros Edwards:

you a better so I'm going to show you although the listeners

Ros Edwards:

can't hear, but this is this is a very funny bear, and a very

Ros Edwards:

fluffy head.

Mia Hobbs:

And all made of patchwork

Ros Edwards:

And it's all made of the patchwork squares. I

Ros Edwards:

know, I sort of figured out how to make decreases for his ears,

Ros Edwards:

but his head doesn't stand up on its own. And he's very chewed

Ros Edwards:

and but his name is Bernard because everything everything

Ros Edwards:

was called Bernard was my son was a baby really, for some

Ros Edwards:

unknown reason. And he was Yeah, Bernard was what started it all

Ros Edwards:

off. And to make Bernard I had to knit a few more squares. And

Ros Edwards:

once I started knitting six years ago, again, that was it, I

Ros Edwards:

caught the bug, okay,

Mia Hobbs:

and I presume you had to invent the pattern yourself.

Ros Edwards:

I just kind of stepped in with T shirts. And so

Ros Edwards:

the things together and it was very ad hoc, but yes, very, very

Ros Edwards:

loved.

Mia Hobbs:

They you've still got him, that's amazing.

Ros Edwards:

And so that's how I started. And then I think having

Ros Edwards:

become a mother and gone back to work. I still was in that kind

Ros Edwards:

of who am I am I am mother am I a career person. And I've always

Ros Edwards:

liked wearing, not what everybody else wears so I've

Ros Edwards:

always liked to be a bit individual and different to

Ros Edwards:

everyone else. And I realised having started to get the bug

Ros Edwards:

with the knitting that I could make things for myself that no

Ros Edwards:

one else has. I think I went on to love crafts and found a very

Ros Edwards:

difficult but I didn't know it was difficult at the time Katia

Ros Edwards:

pattern, which was a poncho, and it kind of knit the yarn knit

Ros Edwards:

itself, kind of fun colours. And so that's where I started was

Ros Edwards:

right. I can make myself clothes that are different and that suit

Ros Edwards:

my slightly different body that is now a mums body. And that's

Ros Edwards:

how it started.

Mia Hobbs:

Did you start making clothes for yourself quite

Mia Hobbs:

quickly after because I imagine that's quite a big leap from the

Mia Hobbs:

patchwork blanket to then garments.

Ros Edwards:

And it was a shame in a way that I had started with

Ros Edwards:

that pattern because it was a tubular cast on. And it had

Ros Edwards:

obviously been translated from maybe German, I don't know, but

Ros Edwards:

the translation wasn't great. And so I was quick, tried and

Ros Edwards:

tried and ripped and ripped. And this poncho just wasn't working

Ros Edwards:

for me. So I started off with the intention of making garments

Ros Edwards:

and then went to a knitting group just for one session in a

Ros Edwards:

local craft shop and was Wool and Gang and We Are Knitters.

Ros Edwards:

And so I can do super chunky knits. And they'll be done

Ros Edwards:

really quickly. So I started knitting blankets for my niece

Ros Edwards:

and nephew and for my son, and for our house, which we just

Ros Edwards:

moved, which none of the furniture weren't, we'd

Ros Edwards:

inherited loads. And I thought rather than pay loads of money

Ros Edwards:

for new furniture, I'm just going to knit loads of blankets

Ros Edwards:

and make everything look nice. Yeah, that's, that's Yeah. So

Ros Edwards:

that's what I did for a good year and a half was stick with.

Mia Hobbs:

Yeah. Oh, lovely. So that was how you started? Yeah.

Mia Hobbs:

Knitting. So you said you caught the bug. When you made the

Mia Hobbs:

patchwork bear, Bernard, what was it about it, you think kind

Mia Hobbs:

of attracted you? He said kind of making stuff for yourself

Mia Hobbs:

that was a bit different. And then you went in with the

Mia Hobbs:

blankets. Was there anything about the process you

Mia Hobbs:

particularly enjoyed?

Ros Edwards:

Yeah, I would say, I don't know what it is exactly

Ros Edwards:

about it. But knitting the squares to make the bear. I

Ros Edwards:

found myself if I wasn't knitting, I missed it. And

Ros Edwards:

whilst at the time, I didn't have a lot of time to knit at

Ros Edwards:

all. If I did have some downtime at all, I wanted there to be

Ros Edwards:

knitting in my hands. And I really missed it if it wasn't

Ros Edwards:

there. And I found myself, I changed jobs trying to do some

Ros Edwards:

job with less responsibility. And I used to, I started taking

Ros Edwards:

buses. And on the bus, I bring my knitting with me. So I could

Ros Edwards:

spend 45 minutes knitting before the day began. And in lunch, I

Ros Edwards:

would knit. And I found that a lot of my job was I had to do a

Ros Edwards:

lot of thinking and a lot of writing. And if there was a

Ros Edwards:

problem that I didn't have the answer to lunch break, do an

Ros Edwards:

hours of knitting, and then all the answers would be there for

Ros Edwards:

me when I returned to my desk. So I could tell that it was

Ros Edwards:

doing something to my brain. That was good. But I didn't know

Ros Edwards:

what it was just so that I could I could rely on the knitting to

Ros Edwards:

kind of help my brain. When I was younger, I used to play the

Ros Edwards:

piano and it did similar things. That I would go with a problem

Ros Edwards:

and leave the piano without being such a big deal anymore.

Ros Edwards:

And yeah, very similar.

Mia Hobbs:

So it's not just about feeling less kind of. So

Mia Hobbs:

it's not just about feeling calmer. It's almost like it

Mia Hobbs:

unlocks a different door for solutions as well.

Ros Edwards:

Yeah, that's exactly how it felt. And it was

Ros Edwards:

really brilliant. And I think the other I mean, the other cool

Ros Edwards:

thing is, is that on the bus or at work, it draws people to

Ros Edwards:

people come and say, you know, what are we doing and and that

Ros Edwards:

was fun, you know, and to have people be interested in or

Ros Edwards:

people always have their own stories they want to tell you

Ros Edwards:

about their mom or their Auntie your granny. And it's lovely

Ros Edwards:

that side of it as well.

Mia Hobbs:

Yeah, so kind of a different way of connecting to

Mia Hobbs:

people. Yeah,

Ros Edwards:

exactly. Exactly. I um. I didn't find Instagram.

Ros Edwards:

Until I've been knitting for two years, various people had said,

Ros Edwards:

you really should go on Instagram, because I think

Ros Edwards:

there's quite a lot of knitters on there. And I kind of brushed

Ros Edwards:

it off because I didn't want to be on my phone too much. I was

Ros Edwards:

enjoying the tactile kind of analogue, being away from my

Ros Edwards:

screen. But I did go on Instagram, and I started looking

Ros Edwards:

at people who were knitting shawls. And I remember thinking,

Ros Edwards:

why are people knitting shawls? Like what's what is the big deal

Ros Edwards:

about that? So I, but I realised that there was a community on

Ros Edwards:

there people from around the world, knitting beautiful things

Ros Edwards:

and sharing it and that was really fun for me. I was still

Ros Edwards:

working at that point. But it was like a whole new world of

Ros Edwards:

people and I've been so in a very corporate world for about

Ros Edwards:

20 years and it all being about money-making and selling big

Ros Edwards:

contracts. And it was lovely to find a whole community of people

Ros Edwards:

that were not in that world necessarily are not talking

Ros Edwards:

about that world anyway,

Mia Hobbs:

did it change what you knitted when you found that

Mia Hobbs:

community those kind of connections.

Ros Edwards:

Eventually it did. And it was I remember distinctly

Ros Edwards:

it was the time when Andrea Mowry's find your facial came

Ros Edwards:

out. And there's quite an iconic picture of her. Taken by her

Ros Edwards:

photographer, husband, I think standing in nature with her find

Ros Edwards:

your age. You know, she's got her tattoos and she's, she's

Ros Edwards:

beautiful. And I remember thinking, wow, this is really

Ros Edwards:

cool. This is like shawls are cool. And then Stephen West

Ros Edwards:

released his Vertices Unite, or he'd already released it. And I

Ros Edwards:

started seeing loads of those on Instagram thinking, wow, it can

Ros Edwards:

be really fun and really cool. And the colours can be very

Ros Edwards:

untraditional. And that really appealed to me. So Find Your

Ros Edwards:

Fade was the first show like, can I think four or five of

Ros Edwards:

those? Yeah. And just just learning to play with colour and

Ros Edwards:

lace and fingering weight yarn and then. Yeah.

Mia Hobbs:

And in terms of why you knit now, would you say the

Mia Hobbs:

reasons are the same? Or have they changed over time?

Ros Edwards:

Well, I was signed off sick five years ago. And it

Ros Edwards:

was a very stressful time, obviously, I was the main

Ros Edwards:

breadwinner in the house. And we did not know how we were going

Ros Edwards:

to survive. And so as time has progressed, it was a it's been a

Ros Edwards:

real stress reliever and problem solver. And now that the kind of

Ros Edwards:

big stressors have eased, it's a it's a great distraction from

Ros Edwards:

the symptoms I experience. Yeah, so I find now that if I have

Ros Edwards:

really bad pain days, I knitting, if I'm able to knit

Ros Edwards:

then it's it's distracts me from the pain and I don't feel the

Ros Edwards:

pain at all, if I'm able to knit and usually I am able to knit I

Ros Edwards:

feel pretty lucky that despite being sick, I can still knit.

Mia Hobbs:

And it's amazing that you actually notice it, reducing

Mia Hobbs:

your pain.

Ros Edwards:

Well, I especially I noticed that if I'm in so much

Ros Edwards:

pain, and then normal medication isn't touching the sides, I

Ros Edwards:

grabbed my knitting and start to knit. And then it just it just

Ros Edwards:

is just distract distracts me. Yeah. I think having been in

Ros Edwards:

such a fast paced career for 20 years, the knitting has given me

Ros Edwards:

the chance to learn patience, and learn to slow down and learn

Ros Edwards:

to be really, really present. Which again, when you're not

Ros Edwards:

well, and there isn't a kind of end in sight with the illness.

Ros Edwards:

Being present, I have found has been just incredible for my

Ros Edwards:

mental health and knitting. Definitely, you know, as you're

Ros Edwards:

especially now I find I lean towards more complicated

Ros Edwards:

patterns, things that I have to focus on a bit more. And just

Ros Edwards:

the act of counting a lace pattern, for example, can be can

Ros Edwards:

really keep me in the present and you know, help that really

Ros Edwards:

conscious living?

Mia Hobbs:

Yeah. Yeah. So that's amazing. So it feels like it's

Mia Hobbs:

really helpful to be able to have knitting so the projects

Mia Hobbs:

and feeling like I suppose when you said that it doesn't feel

Mia Hobbs:

like there's necessarily an end in sight in terms of your

Mia Hobbs:

physical health difficulties that actually having projects

Mia Hobbs:

that have an end, maybe that feels things to look forward to.

Mia Hobbs:

I'm interested in what you said about being attracted to

Mia Hobbs:

increasingly complicated patterns. Because I that's

Mia Hobbs:

something I really relate to. And I wanted to ask about

Mia Hobbs:

whether all knitting is equal like, or whether you need a

Mia Hobbs:

certain type of knitting or you choose, you've got different

Mia Hobbs:

projects on the go. And some days it has to be a certain

Mia Hobbs:

thing or sometimes times it has to be something else.

Ros Edwards:

Yeah, I think that's, that's a really good

Ros Edwards:

point. And I have countless works in progress. Literally, I

Ros Edwards:

can't tell you how many I have to go at the moment. And one of

Ros Edwards:

them is very much a stockinette sweater in the round. I've got

Ros Edwards:

several brioche sweaters on the go. And those ones are for more

Ros Edwards:

days when my brain isn't working as well. Or if I'm reading to my

Ros Edwards:

son in bed, or we're listening to an audiobook Yeah, we you

Ros Edwards:

know, those are the those are the projects that I will go to

Ros Edwards:

they're more simple ones

Mia Hobbs:

is brioche in that category.

Ros Edwards:

Yeah, it is now, especially if it's a brioche

Ros Edwards:

jumper, which is just the same repeats in the round. Or two

Ros Edwards:

round repeat. Okay. Yeah, I've done a few of those now. And I

Ros Edwards:

love the texture that they create this, you know, that's,

Ros Edwards:

that's the other thing is, you know, I've never until I started

Ros Edwards:

knitting, done art, or I used to say, I don't have a creative

Ros Edwards:

bone in my body.

Mia Hobbs:

Really? That's extraordinary!

Ros Edwards:

I mean, I, I feel like if anyone can find

Ros Edwards:

creativity, you know, I definitely used to feel like I

Ros Edwards:

wasn't creative. I felt like I was all business, all logic, all

Ros Edwards:

very left brain. Can't remember which way round it is. But okay,

Ros Edwards:

yeah, I can't remember. So knitting has taught me that,

Ros Edwards:

that creativity can be found. And, and that I know that I

Ros Edwards:

think the colour choice as well is therapeutic in itself.

Mia Hobbs:

I really wanted to ask you about colour because I

Mia Hobbs:

associate you, you know, I first started following you, I think

Mia Hobbs:

probably a few years ago, and I really associate you with

Mia Hobbs:

somebody who knits a lot of lovely colours,

Ros Edwards:

colourful. Yeah. And I've noticed that at certain

Ros Edwards:

times of year, every year I graduate towards certain colour

Ros Edwards:

choices. And certainly in springtime, or just before

Ros Edwards:

spring, I've noticed that I've done a few sort of lilac in

Ros Edwards:

green and, you know, spring type colours. And in the summer, I'm

Ros Edwards:

really leaning towards the very, very bright pinks and oranges

Ros Edwards:

together. Although having said that, I see, I mean, another

Ros Edwards:

reason for choosing projects and colour is what I will actually

Ros Edwards:

end up wearing. And as I've started knitting more garments,

Ros Edwards:

I want be able to wear them with what I usually wear in a day and

Ros Edwards:

I was gifted some very beautiful pyjamas last year. And I live in

Ros Edwards:

bed so pyjamas is what I wear. And these pyjamas are a kind of

Ros Edwards:

peachy pink colour. Yeah, so I've ended up knitting things to

Ros Edwards:

go with these pyjamas because I end up wearing them. And so

Ros Edwards:

that's an element of, you know, wanting the end result to fit my

Ros Edwards:

need. Having said that, I love the process knit, say the

Ros Edwards:

Stephen West knitalong where I can go really wild and free with

Ros Edwards:

my colour choices and not think about whether I'll wear it or

Ros Edwards:

not just explore colour and how it goes together in in a fabric

Ros Edwards:

and yeah.

Mia Hobbs:

And so that's a shawl. Is that right?

Ros Edwards:

Yes, yes, yes. Yes.

Mia Hobbs:

Different techniques in different sections. Is that

Mia Hobbs:

normally with Stephen West patterns?

Ros Edwards:

Yeah. I mean, it's perfect. For short attention

Ros Edwards:

spans these mystery knit alongs because it's a different

Ros Edwards:

technique every few rows and and you don't know what's coming. So

Ros Edwards:

yeah, I love his, I love his mystery knit alongs. I really

Ros Edwards:

enjoy them. And I look forward to them every year. And

Mia Hobbs:

I guess there's a sense of community along with

Mia Hobbs:

that as well.

Ros Edwards:

Exactly, exactly. And I mean, of all the things

Ros Edwards:

that knitting has brought me that is the biggest surprise

Ros Edwards:

it's the community and and especially as, as my life has

Ros Edwards:

changed quite dramatically from I am a natural extrovert. So

Ros Edwards:

when I was working, I was just surrounded with people all the

Ros Edwards:

time. And in constant communication with all sorts of

Ros Edwards:

people so suddenly not having that outlet. I have found that

Ros Edwards:

I've got so that I found new and like minded people who are

Ros Edwards:

really good friends now around the world who I really feel like

Ros Edwards:

we're there for each other when, when personal things happen. And

Ros Edwards:

that's incredible to me that the knitting community can be like

Ros Edwards:

that. And the kindness and generosity of spirit has

Ros Edwards:

astounded me because I've not been in a world where kindness

Ros Edwards:

was a value was valued.

Mia Hobbs:

Do you mean the corporate world?

Ros Edwards:

Exactly. Exactly. So the generosity in fact, the

Ros Edwards:

cosy memories blanket, which I'm leaning against started, because

Ros Edwards:

I've never heard of yarn advent calendars before. And a friend

Ros Edwards:

online sent me a box of beautifully wrapped yarn, and

Ros Edwards:

was like, Here you go. And I couldn't believe the time and

Ros Edwards:

thought that had gone into it. And I thought, well, I've got to

Ros Edwards:

make one of these blankets. Yeah, I haven't looked back.

Ros Edwards:

It's not done yet. But it's, you know, it's big enough now to

Ros Edwards:

kind of wrap up it and yeah, yeah, so they've just been

Ros Edwards:

countless examples of that level of just quite incredible

Ros Edwards:

generosity. And my mum will say that I'm a very generous soul,

Ros Edwards:

myself. And I, I think when you're in the corporate

Ros Edwards:

environment, you kind of tamp down on that sort of

Ros Edwards:

personality. And so it's allowed me to express some of that in

Ros Edwards:

return. And that's just been so joyful and meaningful. And

Mia Hobbs:

that can affect your mental health as well can't it,

Mia Hobbs:

the feeling of doing something nice for somebody else.

Ros Edwards:

Definitely. And I think now, my most treasured

Ros Edwards:

projects are the ones where either the yarn has been dyed by

Ros Edwards:

someone who I've met in person or online. Or has been dyed by

Ros Edwards:

someone who is either Black or Brown or an indigenous maker.

Ros Edwards:

And, or the pattern has been designed by someone who's a

Ros Edwards:

small designer who is looking to expand their business. So I've

Ros Edwards:

gone from knitting the patterns by the really big, big names, I

Ros Edwards:

obviously still knit Stephen West, because I will always knit

Ros Edwards:

his patterns. But in general, I try to knit patterns from

Ros Edwards:

designers who are less known, just in the hope that even if I

Ros Edwards:

can encourage one or two people to buy a pattern from them, then

Ros Edwards:

I will have helped them along the way kind of. And you know, I

Ros Edwards:

won't, I won't knit any designers that like just this

Ros Edwards:

summer, I test knit for a designer who has got less than

Ros Edwards:

1000 followers on Instagram, and she is an exquisite designer

Ros Edwards:

Susan Lin. And it had a beautiful lace yoke, and

Ros Edwards:

knitting it. I had a knitted during a time when my son went

Ros Edwards:

away on holiday without me for three weeks because I wasn't

Ros Edwards:

well enough to go. And I was really heartbroken not to be

Ros Edwards:

well enough to go on this holiday. And worrying about him

Ros Edwards:

being on holiday without me. I don't think I've been that sad

Ros Edwards:

ever. And it just so happened that the day or a couple of days

Ros Edwards:

after he left this tes knit started. And I literally poured

Ros Edwards:

all my emotions into this project. And the fact that it

Ros Edwards:

was so beautifully designed, and so intuitive. And watching this

Ros Edwards:

beautiful fabric grow in my fingers. It was just the

Ros Edwards:

ultimate therapy for me. And I have told the designer, Susan,

Ros Edwards:

this. And I wear it so fondly. Because I feel I feel like it

Ros Edwards:

really kept me together. It held me together through those weeks

Ros Edwards:

that he was away and I finished it just before he came back.

Mia Hobbs:

Oh, wow. did you do that? Because it sounds like it

Mia Hobbs:

kind of there was an element of coincidence that it happened to

Mia Hobbs:

be that pattern. But I suppose I'm interested in whether you

Mia Hobbs:

choose patterns specifically or project for a life event or kind

Mia Hobbs:

of in order to be therapeutic for you, if you see what I mean

Mia Hobbs:

or whether that was more of a coincidence that it happened

Mia Hobbs:

that way it

Ros Edwards:

I think that was more of a coincidence i i had I

Ros Edwards:

think I'd signed up for the test knit, before I knew I wasn't

Ros Edwards:

going to be well enough to go on holiday. And so I'm just trying

Ros Edwards:

to think if there are I certainly cast things on in a

Ros Edwards:

kind of therapeutic. I need to cast something new one kind of

Ros Edwards:

thing. And that's going to cheer me up and give me that buzz

Ros Edwards:

because

Mia Hobbs:

of the same way as someone else might have a glass

Mia Hobbs:

of wine or chocolate after that kind of thing. Yeah,

Ros Edwards:

exactly. I mean, I go through phases of casting

Ros Edwards:

lots of things on and then I go through a phase of finishing

Ros Edwards:

lots of things off, but they all get finished. Yeah, they do get

Ros Edwards:

finished. In the end, and I often get people saying, Where

Ros Edwards:

are you knit fast, and I'm like, Well, that was already like

Ros Edwards:

three quarters done. So you get the pleasure of finishing

Ros Edwards:

something that actually didn't have a lot left to go. But I, I

Ros Edwards:

mean, there's another jumper that I knit in the summer before

Ros Edwards:

Sam went away, where I had a really big flare of my ME. And

Ros Edwards:

it manifested this time in a very, very, very sore throat,

Ros Edwards:

which I don't tend to get very often anymore. And I cast on the

Ros Edwards:

Sea Glass Tee by Wool and Pine designs, it had just been

Ros Edwards:

released. And you the way they wrote the pattern was that you

Ros Edwards:

choose two new colours for every row. It's a colour work jumper,

Ros Edwards:

and fingering weight. And so you're literally choosing two

Ros Edwards:

new colours, every row and I got my big basket full of all my

Ros Edwards:

odds and ends. And I sped through that pattern with my

Ros Edwards:

sore throat. And remember knitting the pattern or than I

Ros Edwards:

remember the sore throat, but I remember it being a very, again,

Ros Edwards:

a very lovely distraction. And it was just so joyful. So it

Ros Edwards:

stopped me from feeling too sorry for myself. And I just

Ros Edwards:

spent most of my time looking at my growing fabric thinking, Oh,

Ros Edwards:

look, isn't that beautiful?

Mia Hobbs:

And how does it feel to wear it now?

Ros Edwards:

Amazing. Amazing. Yeah, feels really good to wear

Ros Edwards:

it,

Mia Hobbs:

like a triumph over that sore throat.

Ros Edwards:

Yeah, definitely. Definitely. But I don't know, I

Ros Edwards:

think there are probably, I imagine a lot of people who knit

Ros Edwards:

without needing a deep meaning attached to it. And who just

Ros Edwards:

knit for the joy of knitting and for the end product, whereas I

Ros Edwards:

found that, for me, there is greater joy if there is

Ros Edwards:

meaning. So either if I know the yarn Dyer, or they're a small

Ros Edwards:

designer, or whatever it is. I like that those are my really

Ros Edwards:

treasured objects that the jumper I'm wearing today is the

Ros Edwards:

Sussurus pullover by Joji Locatelli. Yeah. And this was on

Ros Edwards:

the cover of Pom Pom. And it was modelled by a Black woman in a

Ros Edwards:

wheelchair. Yes. And I remember when the issue came out vividly.

Ros Edwards:

And I can't remember if I actually cried or if I just had

Ros Edwards:

tears in my eyes. And I felt really choked up for a long

Ros Edwards:

time, I felt so choked up. The issue of being guest edited by

Ros Edwards:

Ocean, who is another Black woman in our industry. And I

Ros Edwards:

just I remember feeling grateful and relieved that there was

Ros Edwards:

there was finally some more recognition being given and paid

Ros Edwards:

jobs being given to Black women in our industry. And that there

Ros Edwards:

was a woman in a wheelchair on the front cover of a magazine.

Ros Edwards:

And it just meant the world to me. And to you know, that whole

Ros Edwards:

feeling of being seen. And I don't think I'd appreciated that

Ros Edwards:

I hadn't felt seen before, but I knew that I had to knit that

Ros Edwards:

jumper. And I have a really dear friend who I met through

Ros Edwards:

Instagram who lives in Bristol who dyes yarn, Tracy of Somerset

Ros Edwards:

Yarns and she does beautiful yarn. And so I used her mohair

Ros Edwards:

for the jumper. So the whole things. My mum tried the jumper

Ros Edwards:

on as well. And she looked so good in it that I had to give it

Ros Edwards:

to her. So I knit myself a second one and exactly the same.

Mia Hobbs:

Okay, so you have got that is yours. You haven't had

Mia Hobbs:

to borrow it back to wear it?

Ros Edwards:

Yeah, I saw this mine. And yeah, so I mean, talk

Ros Edwards:

about meaningful. Yeah, I, you know, when I put it on, also,

Ros Edwards:

it's perfect for wearing in bed because it's so light. But it's

Ros Edwards:

still warm enough to give me some warmth. So, yeah, it suits

Ros Edwards:

lots of purposes.

Mia Hobbs:

It sounds like a big part of the knitting is you kind

Mia Hobbs:

of showing and using your kind of values in life through the

Mia Hobbs:

yarns that you buy, the pattern designers you support. Yeah,

Mia Hobbs:

that's a big part of what gives it meaning for you.

Ros Edwards:

Yeah, for me, I do recognise that I that, that not

Ros Edwards:

everybody will knit in the same way as me and that's brilliant.

Ros Edwards:

You know, if your knitting that was great in my book, but it

Ros Edwards:

just for me, it means you know, if there is meaning the extra

Ros Edwards:

meaning then I love it even more. Yeah.

Mia Hobbs:

Yeah. And in terms of how it feels, it sounds also you

Mia Hobbs:

you kind of have that connection while you're knitting the

Mia Hobbs:

project. Then you can retain the connection with the garment

Mia Hobbs:

afterwards, and that you still get memories and reactivate

Mia Hobbs:

those values when you put the that jumper on.

Ros Edwards:

Yeah. And I have them all stacked up on shelves

Ros Edwards:

on my landing outside my bedroom. So I can see them all

Ros Edwards:

really clearly when I leave my bedroom, and so it fills me up

Ros Edwards:

every time I leave the room, I can see them all. And I think

Ros Edwards:

when I first got signed off sick, I did have a couple of

Ros Edwards:

I've had, I've had therapy several times in my life, but I

Ros Edwards:

had a couple of therapy sessions on the phone. Soon after I was

Ros Edwards:

diagnosed with having ME and I remember the lady saying to me,

Ros Edwards:

if you can do one thing in a day, that gives you a sense of

Ros Edwards:

accomplishment. And if you can try and connect with a friend

Ros Edwards:

once a week, then you'll be you know, you should be okay type of

Ros Edwards:

thing. Yeah. And I, I've hung on to that. And you know, even if

Ros Edwards:

I'm only well enough to knit a couple of stitches or a row,

Ros Edwards:

then I can I can look at it and say I did that. And that's my

Ros Edwards:

sense of accomplishment ticked off for the day. Yeah. And I'm

Ros Edwards:

interacting frequently with friends on Instagram. And that

Ros Edwards:

is connection enough genuinely for me. So it really has given

Ros Edwards:

me all I need. Yeah.

Mia Hobbs:

And that's, I guess one of the things when I'm using

Mia Hobbs:

knitting therapeutically, the thing you mentioned first about

Mia Hobbs:

doing something that gives you pleasure or a sense of

Mia Hobbs:

achievement. And I think knitting is really good for that

Mia Hobbs:

in that you can do with teeny tiny amount and still have made

Mia Hobbs:

progress towards a thing or you know, a project

Ros Edwards:

And its tangilbe. Yeah, yeah. And, again, you

Ros Edwards:

know, for most of my adult life until now, I'm 45 now, and I

Ros Edwards:

stopped working when I was 40. So until I was 40, I hadn't ever

Ros Edwards:

done anything that was really tangible, because I was selling

Ros Edwards:

concepts or management programmes or oh, you know, one

Ros Edwards:

thing or another, there wasn't something I could hold in my

Ros Edwards:

hands and say, Look, this is what I did or what I made. So

Ros Edwards:

it's a real delight for me at this age to discover it.

Mia Hobbs:

And is it art for you?

Ros Edwards:

Yeah, no, it kind of is. I watched, I watched my

Ros Edwards:

son who I believe he is, you know, he just can't stop doing

Ros Edwards:

art in one form or another. It just pours out of him. And I've

Ros Edwards:

never, I've never watched someone who is so natural at

Ros Edwards:

wanting to do art. And so I look at him doing it. And I think

Ros Edwards:

well, that's real art. Whereas knitting, I'm just following a

Ros Edwards:

pattern. But having said that, I do look at my shawls all hanging

Ros Edwards:

up. And I just appreciate the beauty of them. And I can feel

Ros Edwards:

good that I made them. Yeah,

Mia Hobbs:

I guess you're choosing your materials and your

Mia Hobbs:

colours. And so I don't know what the official definition of

Mia Hobbs:

art is, but you're also sounds like for you, particularly

Mia Hobbs:

giving meaning. And yeah, showing your values through your

Mia Hobbs:

work. Yeah, that's, I guess, part of an artistic process, I

Mia Hobbs:

would imagine.

Ros Edwards:

Yeah, I can't remember. I can't remember

Ros Edwards:

somebody saying, you know, if you can hang it on your wall and

Ros Edwards:

appreciate it, then it's art and really, I don't wear my shawls,

Ros Edwards:

because they're so less comfortable for me to wear. My

Ros Edwards:

neck gets so hot, but I do hang them on the wall and look at

Ros Edwards:

them and appreciate them. So yeah, I'll take that.

Mia Hobbs:

I wondered about the materials actually, about

Mia Hobbs:

whether there was anything I don't know therapeutic or

Mia Hobbs:

different about different materials about the you know,

Mia Hobbs:

like you said about it being tangible holding in your hand.

Mia Hobbs:

Yeah, feels whether you've got certain, I don't know, days

Mia Hobbs:

where you want a certain type of thing in your hands. Like,

Ros Edwards:

yeah, I would say so. Yeah. I am. I've been

Ros Edwards:

knitting with sort of fingering weight mostly super Superwash

Ros Edwards:

Merino, and I have a really big stash of yarn. That is that

Ros Edwards:

Superwash Merino fingering weight yarn, and I love knitting

Ros Edwards:

with that. It's very soft for my I got more sensitive skin now

Ros Edwards:

than I used to. Having said that, I met a designer and yarn

Ros Edwards:

Dyer called Marina Skua, who is on Instagram as well. And she

Ros Edwards:

sources her yarn from local farms. And I bought some of her

Ros Edwards:

yarn and knit a jumper called the Boskular in the spring. And

Ros Edwards:

I was so surprised by how much I enjoyed knitting with non

Ros Edwards:

superwash yarn well with her yarn especially yeah It was so

Ros Edwards:

springy, and again, that whole kind of being present in every

Ros Edwards:

stitch. Even though I was knitting in the round for a lot

Ros Edwards:

of it. Every stitch I enjoyed, and I thought, wow, that I can

Ros Edwards:

see why people love non superwash yarn now It didn't

Ros Edwards:

feel itchy. It felt so springy. And because I've met her, and I

Ros Edwards:

think she's a cool person. And I love her designs, it was her

Ros Edwards:

design as well. Okay. Again, that was, you know, lots of

Ros Edwards:

meaning and the fact that was, you know, local to her and local

Ros Edwards:

to me because she lives locally. So I was picturing these sheep

Ros Edwards:

that are not very far away from here. So yeah, definitely. But

Ros Edwards:

generally speaking, I am drawn to the colour of the yarn or the

Ros Edwards:

artistry in the hand dyeing first. But if it's by a person

Ros Edwards:

who I either think is not promoted enough, or who I really

Ros Edwards:

love, for whatever reason, then I will really enjoy knitting

Ros Edwards:

with their yarn. Yeah,

Mia Hobbs:

yeah. i You've shared a few significant projects. And

Mia Hobbs:

obviously, I can could see lots behind you. And, and we met

Mia Hobbs:

Bernard, but I wonder if you would tell us about a

Mia Hobbs:

particularly significant knitting project for you. Hmm,

Ros Edwards:

well, I, I would say that the Sussurus pullover

Ros Edwards:

by Joji and the Swoon sweater by Susan Lin have the greatest

Ros Edwards:

meaning to me that I've mentioned. But another one that

Ros Edwards:

is definitely high up on my list of significant projects is my

Ros Edwards:

mum and I went to Edinburgh yarn Festival in 2018, and then 2019.

Ros Edwards:

And in 2018, I went with the intention of buying yarn to make

Ros Edwards:

a Telja sweater by Jennifer Steingass. And we ended up at

Ros Edwards:

the mYak booth and bought yarn from mYak to make this jumper

Ros Edwards:

and is quite an investment. But I'd read the story again of mYak

Ros Edwards:

and how mYak was born and was amazed by the project in the

Ros Edwards:

Himalayas that had created this yarn. So I got the yarn. And

Ros Edwards:

before I went back to Edinburgh yarn Festival, the next year, I

Ros Edwards:

met the jumper and then had a photo with Paola, who runs my AK

Ros Edwards:

wearing my jumper, so that was just Yeah, super significant,

Ros Edwards:

super special. And again, as I was knitting it, and as I wear

Ros Edwards:

it, I was thinking of the project in the Himalayas and

Ros Edwards:

what mYak have done to try and get more income back into that

Ros Edwards:

community. And so yeah, that's another good significant one for

Ros Edwards:

me. A knitting disaster, which turned into a success, yet,

Ros Edwards:

again, is quite significant. I was entered into a yarn giveaway

Ros Edwards:

by a podcaster called Shannon, who does the Whiskey and Wool

Ros Edwards:

podcast and I love her podcast, she is in New Jersey. And she I

Ros Edwards:

learned a lot about colour and design from her because she's

Ros Edwards:

been in that industry for many years. So she entered me into

Ros Edwards:

this giveaway. And we won and we each won a sweaters quantity of

Ros Edwards:

yarn from Garnstories. So the yarn arrived, I decided what I

Ros Edwards:

was going to knit with it, which was the Igawa sweater by Junko

Ros Edwards:

Okamoto. And I think I it's a fingering weight jumper and I

Ros Edwards:

knit about a half of it and then ripped it back because I wasn't

Ros Edwards:

happy with the shape or something, knit three quarters

Ros Edwards:

of it and ripped it all the way back because I wasn't happy with

Ros Edwards:

a colour pooling and then knit it again. And now I love it, but

Mia Hobbs:

You knit the same pattern?

Ros Edwards:

Yeah, so it was weeks and weeks of knitting. And

Ros Edwards:

I can remember my little brother just being absolutely amazed

Ros Edwards:

that I'd somehow learnt so much patience because the Ros that he

Ros Edwards:

knew of old would never have done that. I used to be go

Ros Edwards:

karting skydiving, scuba diving, Formula One, etc, etc.

Ros Edwards:

adrenaline junkie, absolutely. He just couldn't compute that. I

Ros Edwards:

would do that. It's I think it's a good thing.

Mia Hobbs:

Do you think that transfers outside of knitting

Mia Hobbs:

that you've that patience? or Yeah,

Ros Edwards:

interesting. To some extent, I still would say,

Ros Edwards:

I mean, I've had to learn patience through being ill. And

Ros Edwards:

knitting has helped me to learn that I think I'm an

Ros Edwards:

extraordinarily patient mother. If I do say so myself

Mia Hobbs:

Well that's a big achievement

Ros Edwards:

Well, I learned from my mum who had four I don't

Ros Edwards:

know how she did it, I only have one. But yeah, I noticed myself,

Ros Edwards:

because being more patient with him when I could become more

Ros Edwards:

impatient. And just the reward that that brings, but I Yeah,

Ros Edwards:

it's a tricky one. There's a lot of the old me that is still

Ros Edwards:

there. And I'm still pretty sassy. And I still drive my

Ros Edwards:

husband mad with, you know, one thing or another, as I would

Ros Edwards:

have done when I was completely well,

Mia Hobbs:

but I guess theres a lot you have to tolerate in

Mia Hobbs:

terms of the limitations of what you can manage because of your

Mia Hobbs:

illness. Yeah, I guess. I can't actually, yeah, it's I'm sure

Mia Hobbs:

it's being used up in droves in that sense.

Ros Edwards:

Exactly. Like, it's a surprise every day when I try

Ros Edwards:

and walk. And I can't walk as I thought I was going to walk,

Ros Edwards:

it's still a surprise every day. And so yeah, you have to limit

Ros Edwards:

yourself, but I think I've just learnt to sort of change my

Ros Edwards:

milestones, I guess. And it has taught me to be really grateful

Ros Edwards:

for the smaller or all the more important things that I would

Ros Edwards:

have just taken for granted. before. Yeah. So think there's

Ros Edwards:

an awful lot that I am grateful for, that I would not have

Ros Edwards:

discovered had I not had to slow down completely. Yeah.

Mia Hobbs:

And I think that you have mentioned so many things

Mia Hobbs:

already. But I wanted to end with this question. Which feel

Mia Hobbs:

free to mention something you've already said, but what's the

Mia Hobbs:

greatest gift that knitting has given you for the rest of your

Mia Hobbs:

life, I suppose.

Ros Edwards:

Um I think the biggest gift is that it's the

Ros Edwards:

community. And the the understanding that it's given me

Ros Edwards:

of how important community is how flawed community can be, but

Ros Edwards:

how even from bed, I can take an active part in, in that

Ros Edwards:

community. And I gained so much from it. And I feel like I do my

Ros Edwards:

best to give back to it. I think patience, as we've said,

Ros Edwards:

already, is a big gift, especially for me. But also, I

Ros Edwards:

think, especially it's that forcing yourself to be present.

Ros Edwards:

And that is a huge gift. Because so much of life is so fast. So

Ros Edwards:

being able to just focus on each stitch isagreat lesson in

Ros Edwards:

general for for life. And, you know, I notice myself being more

Ros Edwards:

present in the rest of my life. Thanks to knitting, I would say

Mia Hobbs:

yeah. So it's a lot, a lot of gifts really

Ros Edwards:

I mean, it is a lot. And I think if I hadn't

Ros Edwards:

been signed off sick, maybe it wouldn't be as much but because

Ros Edwards:

I don't go out now. And you know, it is it is pretty much

Ros Edwards:

everything. So

Mia Hobbs:

yeah, but I'm guessing there are actually a

Mia Hobbs:

lot of knitters in the knitting community who feel like it has

Mia Hobbs:

had a really significant role in there. Because I guess a lot of

Mia Hobbs:

people may be attracted to it because of finding challenges

Mia Hobbs:

with other hobbies or other parts of life. And there's

Mia Hobbs:

something that draws them to it in the first place.

Ros Edwards:

Yeah, I agree. I agree. There's and I think this

Ros Edwards:

the the very act of it is soothing. And so yeah, I think

Ros Edwards:

when you meet other knitters, you've got that whole sense of

Ros Edwards:

you know, We know something the rest of the world doesn't. This

Ros Edwards:

is actually really cool and I guess

Mia Hobbs:

that's part of the podcast is trying to let other

Mia Hobbs:

people in on the secret really Yeah. knitters, you see, you

Mia Hobbs:

know, knitting pins about, you know, I knit because punching

Mia Hobbs:

people is frowned upon or things that allude to there's something

Mia Hobbs:

therapeutic about it, I suppose, in a roundabout way. Well, that

Mia Hobbs:

was my reading of those kinds of statments

Ros Edwards:

Yeah, exactly. Exactly. And it's something that

Ros Edwards:

is, you know, I think a lot of people are either I remember

Ros Edwards:

when I was working, and, you know, a lot of people work a lot

Ros Edwards:

of hours, your whole identity is tied up with what you're what

Ros Edwards:

you're doing your job. And when you become a parent, if you

Ros Edwards:

become a parent, your whole identity is suddenly swallowed

Ros Edwards:

up with, I'm a parent. And knitting gives you an outlet

Ros Edwards:

that is neither of those things. So there's just for your own

Ros Edwards:

joy. And I think that's really important. You know, so I don't

Ros Edwards:

think of myself as a sick person. I don't really think of

Ros Edwards:

myself as a knitter, either. I, you know, I'm a person who has a

Ros Edwards:

passion. And you know, I've been very lucky in a lot of areas of

Ros Edwards:

my life, but I love the fact that it gives people something

Ros Edwards:

other than just their career, or, you know, just the fact of

Ros Edwards:

being a parent, which are great things, but they, you know, it's

Ros Edwards:

nice that they're not the be all and end all, I think,

Mia Hobbs:

yeah. And to have a way of, I think, yeah, the

Mia Hobbs:

expression of creativity.

Ros Edwards:

Definitely. Yeah.

Mia Hobbs:

Yeah. Well Ros thank you so much for talking to me.

Mia Hobbs:

And I'm sure there'll be

Ros Edwards:

such a pleasure.

Mia Hobbs:

people who would love to see your beautiful creations

Mia Hobbs:

and all your colourful shows online. Can you just tell me how

Mia Hobbs:

they can find you online on Instagram?

Ros Edwards:

Cool. Yeah, absolutely. So I'm on Instagram

Ros Edwards:

as Rosemonde. Which is what I used to get called when I went

Ros Edwards:

to school in Montreal in Canada. So that's why

Mia Hobbs:

so that's a Rosemonde with the second o, is a zero?

Ros Edwards:

Yeah. I am not on Ravelry. But I have an account

Ros Edwards:

that is still there that has old projects on there, which is

Ros Edwards:

again Rosemonde. But the first zero first Oh is a zero.

Mia Hobbs:

Just to keep us on our toes.

Ros Edwards:

I don't know why I did that. I don't know why I did

Ros Edwards:

that. But there we are. But Instagram is really where I And

Mia Hobbs:

yeah. Okay, super. Thank you so much.

Ros Edwards:

Thank you so much.

Mia Hobbs:

Thank you for listening to the why I knit

Mia Hobbs:

podcast. If you'd like to hear more about how I'm using

Mia Hobbs:

knitting for therapeutic benefits. Please follow me on

Mia Hobbs:

Instagram at knitting is therapeutic or on my website

Mia Hobbs:

which is therapeutic knitting. If you or anyone you know would

Mia Hobbs:

be a great guest on the podcast then please get in touch.

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