123.
Does my editing business need a newsletter?
122.
10 brand design tips for editors and proofreaders
121.
7 ways for editors to get paid faster
120.
The pros and cons of niche editing and proofreading
119.
How to build relationship marketing into your editing and proofreading business
118.
7 reasons to advertise in editorial society directories
117.
5 irresistible lead magnets for editors and proofreaders
116.
Editing translated materials: With Andy Hodges
115.
Worldbuilding in science fiction and fantasy: With Andy Hodges
114.
5 ways editors can use text generative AI as a business tool
113.
Proofreading symbols: Do we still need to learn them?
112.
3 tips for developing an editorial business mindset
111.
How to manage a hectic editorial business schedule
110.
When to say goodbye to an editing client
109.
When is a price for editing ‘too low’?
108.
5 ways to be a more efficient editor and proofreader, part 2
107.
5 ways to be a more efficient editor and proofreader, part 1
106.
Reviewing your editing practice and planning for change
105.
Editorial humility: Who’s the boss of the book?
104.
8 reference books for business writing and editing
103.
Why we don't tweet about content we hate
102.
5 questions you should answer before writing a business book
101.
5 ways to demonstrate editing competence on your website
100.
Podcasting tips for editors and proofreaders
99.
10 tips for examining our language in shared editorial spaces
98.
What are editorial professional standards?
97.
4 reasons to go to an editorial conference
96.
5 things you need to know about line editing crime fiction and thrillers
95.
Proofreading: 12 things you need to know, Part 2
94.
Proofreading: 12 things you need to know, Part 1
93.
5 tips for proofreading PDFs in Adobe Reader DC
92.
Why editing is NOT about being ‘a bit OCD’
91.
Editing the language of illness: With Louise Bolotin
90.
What is subediting? With Louise Bolotin
89.
Editing academic book proposals
88.
Is proofreading or editing a good side hustle?
87.
Academic developmental editing
86.
Book-writing for editors
85.
Do editors and proofreaders need a website?
84.
Why editors and proofreaders should be networking
83.
3 quick ways to improve the design of your editing website
82.
Understanding microaggressions in editing
81.
5 ways to spruce up your editing or proofreading business in the year ahead
80.
How we’re ramping up The Editing Podcast!
79.
Blogging tips for editors and authors #3: With Carol Saller
78.
Blogging tips for editors and authors #2: With Carol Saller
77.
Blogging tips for editors and authors #1: With Carol Saller
76.
Romance editing with Sarah Calfee
75.
Becoming a non-fiction editor: 4 things you need to know
74.
Becoming a fiction editor: 4 things you need to know
73.
Editing with The Chicago Manual of Style for PerfectIt
72.
Style: What editors and proofreaders need to know
71.
Is professional editing and proofreading training necessary?
69.
How to choose a name for your editing or proofreading business
68.
Should editors and proofreaders specialize?
67.
2 more zombie rules we can do without
66.
3 more tips on how editors can beat the marketing blues
65.
Writing screenplays and novels: With Rich Leder
64.
Editing short-form content
63.
Accountability groups for editors
62.
Sensitivity reading: With editor Crystal Shelley
61.
3 ways to tackle editorial marketing overwhelm
60.
Creative writing tips: With thriller writer Andy Maslen
59.
From the printed page to audio book: With author David Unger
58.
Story creation and revision: With author David Unger
57.
Zombie rules we can do without, part 1
56.
Why editors and proofreaders should use audio
55.
Moving from traditional to indie publishing. With John A. Connell
54.
How to write a military story that sells. With Brunella Costagliola
53.
Editing erotica and adult fiction. With Maya Berger
52.
6 ways to use audio for book promotion
51.
Do you need a specialist editor?
50.
18 writing-craft blogs for editors and authors
49.
How to run and grow an editing and proofreading business. Q&A, Part 2
48.
How to run and grow an editing and proofreading business. Q&A, Part 1
47.
How to save money and time with book coaching
46.
Writing a content-marketing book. With John Espirian
45.
How to use exclamation marks!
44.
How to manage the grammar police
43.
Using conlangs (constructed languages) in fiction
41.
What is a comma splice?
39.
Developmental editing and critiques
38.
Understanding semi-colons
37.
Editing 'unearned writing'
36.
4 features of language that aren't Americanisms
35.
Rob Drummond on grammar pedantry and peevery
34.
How to use question marks
33.
10 things an author needs to tell an editor
32.
Editing and proofreading for a project management agency
31.
Copyediting and the fact-checking process
30.
Editing erotica and adult material
29.
Organizing an editorial conference
28.
How to use quotation marks (speech marks) in writing
27.
Writing and editing for the web
26.
Publisher chat with Jen Hamilton-Emery of Salt
25.
How to change your editor with minimum stress
24.
Tips for formatting in Microsoft Word
23.
10 killer editing macros for writers and editors
22.
Adverbs: Use and abuse in writing
21.
How to edit for consistency and style with PerfectIt
20.
4 types of editing for 4 kinds of writer
19.
How to prepare your book file for editing
18.
How long does editing take?
17.
Does location matter when working with an editor?
16.
Book editing and marketing
15.
How to find and evaluate an editor
14.
Author chat with Kenda Macdonald
13.
Author chat with Tim Lewis
12.
Author chat with Kia Thomas
11.
Author chat with Simon Raybould
10.
Author chat with Antoinette Oglethorpe
9.
How to save money on editing
8.
Page proofs and the proofreading process
7.
Style sheets for writing and editing
6.
What is a sample edit?
5.
What kind of editor do you need?
4.
How much does editing cost?
3.
Should you work with an editor?
2.
Publishing lingo explained
1.
The different levels of editing
